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In a sequence that may by no means finish, we now have a side-by-side comparability between the Canon EOS C70 and the ARRI ALEXA Mini LF. Or, to place it one other manner, we’ve got $6,000 up in opposition to $75,000. Each are unbelievable cinema cameras, although they’ve very completely different working procedures and vastly completely different audiences.
I have to admit, although, that trying out this seemingly ridiculous comparability is a number of enjoyable. This one was dealt with by DP Griffin Conway, who has a superb observe report of performing cameras assessments on his channel. Hit play if you wish to see reasonably priced versus the business normal.
Picture high quality is the primary take a look at and it is a easy setup with an individual to evaluate pores and skin tones and a fundamental background. You’ll instantly see there’s a big distinction with how the cameras select to deal with coloration within the scene. There have been additionally some over and underexposure photographs thrown in for good measure.
You possibly can actually inform the distinction if you’re in any respect conversant in the kinds of footage they produce. The Canon has a robust magenta tint whereas ARRI leaned inexperienced. There’s a little little bit of choice in there as to what seems to be higher, however the ARRI footage tends to be what everybody prefers once you begin working with it. It additionally feels a bit extra pure.
Picture Credit score: Canon
Now, as for operation, the C70 is clearly higher fitted to run-and-gun productions. It’s smaller and designed to be operated with minimal equipment. It additionally has choices for taking pictures 4K as much as 120 fps utilizing the complete Tremendous 35mm sensor. The ARRI is a good bit heavier, however produces an unbelievable picture.
The big-format sensor has a a lot completely different look, although it’s extra restricted with cropping required to get to 4K 60 fps and no possibility for 4K at 120 fps.
Certainly one of Griffin’s favourite issues concerning the ARRI is that the menu system is extremely smart. It additionally has choices to report in ProRes, which is extremely pleasant for enhancing. A taller sensor and open gate recording even make life simpler if you’re attempting to do some recording for vertical facet ratios.
Picture Credit score: ARRI
One other factor is that ARRI cameras simply look extra skilled. It shouldn’t matter all that a lot, however for shoppers and out of doors observers, it makes an affect once you present up on set with a severe rig.
Regardless that we now have a ton of wonderful and comparatively reasonably priced choices for cinema cameras – a lot of which may compete with ARRI – it needs to be mentioned that there’s a motive that ARRI cameras are nonetheless as costly as they’re and completely price it. That distinction turns into extra vital once you go to theater as an alternative of simply YouTube, too.
What do you consider these two cameras?
[source: Griffin Conway]
Order Hyperlinks:
Canon EOS C70 Cinema Digicam (B&H, Amazon)
ARRI ALEXA Mini LF Cinema Digicam (B&H)
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