[ad_1]
The SIGMA 18-50mm f2.8 lens for FUJIFILM cameras will quickly hit the market and we had the chance to work with it beforehand to get a really feel for it and are available again with some strong ideas about its’ optical efficiency and constructed high quality. Hold studying for a strong evaluate and a bonus video!Japan is displaying its lovely face once more. This time we have been capable of benefit from the nation’s magnificence in full autumn colours in full leisure, and happiness. A lot so, that we determined to deal with you guys with our first-ever CineD’s “meditation video”. Please sit again, flip in your 8K display screen, sit again and luxuriate in. (Don’t shut your eyes although, as you’ll miss the pictures…).However very first thing first: the SIGMA 18-50mm f2.8 lens is already out there for Sony E and Leica/Panasonic/SIGMA L- mounts. Personally, I haven’t had the possibility to work with this lens earlier than, but it surely looks as if the general suggestions from customers may be very optimistic. FUJIFILM X-H2 and SIGMA 18-50mm lens. Credit score: CineDSeeing that the lens was tailored for FUJIFILM’s X mount made me curious, merely due to the chance to make use of such a small and light-weight lens with virtually the equal focal size of a 24-70mm lens on a full-frame digicam (27.4-76.2mm to be actual). For this lens evaluate, I selected our digicam of the 12 months 2022, the FUJIFILM X-H2. All the pieces that you simply see within the above video was shot with minimal gear. In Japan locations like parks (with paid entry charges) and shrines would possibly limit using tripods throughout busy occasions, so I selected to movie all the pieces handheld, or, linked to the Smartta SliderMini, along with a Gitzo ball head that I had with me (which is nice to placed on the ground or benches). This fashion I may get the pictures I wished with out moving into bother with any park or shrine authorities. So, all of us lived peacefully ever after…OK, again to the SIGMA 18-50mm f2.8 lens reviewSIGMA 18-50mm f/2.8 DC DN Up to date Lens for FUJIFILM X, on 18mm f2.8 sharpness take a look at. Picture: CineDLens sharpnessThe SIGMA 18-50mm f2.8 for the FUJIFILM X mount lens has a continuing f2.8 aperture and as anticipated, when extensive open, the perimeters change into tender. Let’s take a more in-depth look by magnifying the chart and as you may see beneath, like with many different lenses on the market, edge sharpness will get higher as we shut the aperture. SIGMA 18-50mm f2.8 sharpness. Picture: CineDSIGMA 18-50mm, 18mm f4 sharpness. Picture: CineDSIGMA 18-50mm, 18mm f5.6 sharpness. Picture: CineDFocus respiration Focus respiration appears to be managed EXTREMELY effectively. Please see the beneath photographs, and click on on them to see them enlarged. No change within the body in anyway!SIGMA 18-50mm focus respiration take a look at (Shut focus). Picture: CineDSIGMA 18-50mm focus respiration take a look at (Infinity). Picture: CineDIs it a parfocal lens?I’m not so positive if the lens was designed to be parfocal however in actuality, it maintains focus throughout the lens focal size very effectively. SIGMA 18-50mm zoom all the best way in. Picture: CineDSIGMA 18-50mm zoom all the best way out. Picture: CineDExposure compensation Like with so many different lenses for FUJIFILM cameras, this lens suffers from the identical phenomenon of “altering publicity” though the publicity ought to keep the identical. I are likely to consider that that is NOT a lens problem, however moderately a problem with the FUJIFILM cameras because it occurs with many different lenses, too. See beneath each photographs taken with a break up second between them WITHOUT altering any publicity parameters. SIGMA 18-50mm publicity compensation. Picture CineDSIGMA 18-50mm publicity compensation. Picture CineDClose focusOne of the issues I actually like about this lens is the flexibility to get extraordinarily near a topic and nonetheless keep in focus. With a 10cm (0.397 FEET) on the extensive facet and 30cm (0.984) when zoomed in, one can’t go incorrect and get lovely close-focus photographs! SIGMA 18-50mm. Shut concentrate on 50mm. Picture: CineDSIGMA 18-50mm. Shut concentrate on 50mm. Picture: CineDSIGMA 18-50mm. Shut concentrate on 18mm. Picture: CineDChromatic aberrationPlease check out the video above. All in all, it is extremely effectively managed. Last ideas The SIGMA 18-50mm lens is a very welcomed addition to my run-and-gun lens arsenal. At occasions it felt prefer it wasn’t extensive sufficient, or not shut sufficient, however realizing and understanding that including simply one other millimeter right here and there makes the lens larger and heavier, made me pleased with what I’ve. On prime of that, having the ability to work comfortably with a minimal quantity of kit and having the digicam and lens sit comfortably on a mini slider, made for a stress-free filming day. Wanting on the small particulars, I do respect the matt engraving of the lens specs on the lens entrance. This helps with decreasing white reflections when utilizing filters along with this lens. Filming with it on the FUJIFILM X-H2 in 8K was lots of enjoyable and I’ve so as to add that if it had been for commissioned work, I’d have undoubtedly added a filter to melt the picture as this can be very sharp.On Set with the FUJIFILM X-H2 and SIGMA 18-50mm lens. Credit score: CineDProduction notesCamera: FUJIFILM X-H2, 8K/24p, ProRes HQ, F-Log2CFexpress card: Anglebird AV PRO, 2TB B Lens: SIGMA 18-50mm f/2.8 DC DN Up to date Lens for FUJIFILM XSlider: Smartta SliderMini 2Ball Head: Gitzo GH1382TQDFilter: NiSI Swift VNDEdited: on Adobe Premiere Professional’s newest editionColor: fylm.ai LUT builder What do you consider the SIGMA 18-50mm for FUJIFILM cameras? Are you contemplating getting one? If sure, what are your causes? Please share with us your ideas within the remark part beneath.
[ad_2]