[ad_1]
Introduction
The Sony ZV-1F is a extra reasonably priced model of 2020’s ZV-1, with each being a compact vlogging digicam designed for creators. Aimed toward smartphone homeowners who desire a extra succesful video digicam with out breaking the financial institution, the ZV1F seems and feels very very like its costlier sibling, with just a few necessary variations to assist it hit a cheaper price level. Firstly, the brand new mannequin has a hard and fast focal size 20mm f/2 lens, slightly than the 24-70mm f/1.8-2.8 zoom lens discovered on the ZV-1F. This usefully presents a wider angle of view that makes it much more appropriate for vlogging and selfies, however loses out on the additional versatility of a zoom. Each cameras supply 20 megapixel decision from their comparatively massive 1-inch (13.2 mm x 8.8 mm) sensors, however the ZV-1F has a special sensor which solely helps contrast-detection auto-focusing (425 factors), slightly than the hybrid section/distinction detection AF system discovered within the ZV-1F. There are a number of options that the ZV-1F lacks when in comparison with the ZV-1, most notably no optical stabilization, no RAW file help for stills (simply JPEGs), and no built-in ND filter. In any other case, the 2 cameras are very comparable, with each sharing the identical compact measurement, a microphone socket, a hot-shoe on the highest, a display screen which flips out to the aspect, 4K/30p video taking pictures, NP-BX1 battery and talent to shoot the identical video Image Profiles as its A7-series larger brothers. The ZV-1F is on the market in black solely and presently prices round £550 / $500, which is considerably cheaper than the £700 / $750 ZV-1 mannequin. It’s made in China.
Ease of Use
When contemplating the Sony ZV-1F it’s necessary to grasp precisely who it’s for. In a world of Instagram Tales, YouTube and TikTok, Sony has created a digicam that’s designed to enchantment to creators who need extra high quality and adaptability than they’d get from taking pictures with a smartphone or motion digicam.
Aspect by aspect the ZV-1F seems like a barely bloated model of the favored RX100 digicam; it’s a millimetre or two bigger in each dimension, which accentuates the rounded edges of the digicam.
Maintain the ZV-1F for the primary time and one other main change turns into obvious – it has a plastic, or polycarbonate, physique, versus the extra premium all-metal design of the RX100.
Once more, this has been accomplished to maintain the price of the digicam down, however in hand the physique appears stable sufficient. All of the parts match very properly collectively, there aren’t any creaks or weak trying joints, with all the pieces very effectively designed and assembled.
The ZV-1F could not have a zoom lens, however that hasn’t stopped Sony from incorporating what they’ve known as a touch-controlled step zoom for each stills and video.
With only a contact of ZOOM icon on the the LCD panel, you may choose from 1.0x/1.5x/2.0x/4.0x choice. This makes use of a combination of Sony’s Clear Picture Zoom and digital zoom to shortly change the angle of view.
The rear of the digicam is nearly equivalent to the RX100 sequence and to the ZV-1, with the acquainted directional management dial positioned round a central choice button. Round this sit 4 different buttons to entry commonly used options.
What has modified is the position of the video recording button. This has moved from being a small, laborious to press, button on the top-right of the rear of the RX100, to being a lot bigger and occupying a way more outstanding place on the top-plate of the ZV-1F.
This distinction additionally permits the ZV-1F to have a a lot bigger, and really welcome, rubberised thumb grip on the rear whcih makes it simpler to function one-handed at arm’s size.
Lastly on the rear is the 3-inch, 921,000 dot LCD display screen. That is hinged to the aspect of the digicam and presents 180 diploma rotation, which means it may be folded to the aspect, then flipped to face ahead for vlogging or self-portraits (or selfies as they’re now identified), in addition to having the ability to fold the display screen in to the digicam physique to supply safety if you simply need to carry the digicam free in a bag or pocket.
On the aspect of the ZV-1F sit its three exterior ports – HDMI, Micro USB and that all-important 3.5mm microphone enter.
The HDMI-out permits for exterior video recording which can let you squeeze each little bit of element out of the 1-inch sensor, though attaching any exterior gadget sort of defeats the purpose of this being a small vlogging digicam. Nonetheless, it’s a helpful choice to have if solely to playback video or pictures instantly from the digicam.
The USB Sort-C (USB 2.0) socket permits for energy to be provided to each maintain the ZV-1F going with a battery put in, or to cost the battery when the digicam isn’t in use. This can be a welcome improve from the slightly antiquated Micro USB port discovered on the ZV-1.
In addition to being quicker, it permits the ZV-1F to behave as one other audio interface for the digicam, permitting headphones for use, a lot as Fujifilm has accomplished with its X-T3 and X-T4 cameras.
It’s a particularly helpful characteristic to have on condition that the NP-BX1 batteries are fairly small and people planning to shoot video can be suggested to buy just a few extra, or have a powerbank obtainable on standby.
Beneath testing circumstances the battery life is quoted as being between 45-75mins, relying on what number of different operations you might be doing, zooming, energy the digicam on and off and so forth. Making an allowance for reviewing pictures and video, zooming out and in, having the display screen on while not recording and taking nonetheless pictures, we’d anticipate actual world utilization to be beneath the 45mins quoted.
The utmost recording time for a single steady video clip is now fortunately limitless, which is a lot better than the 29mins 59 secs restrict discovered on the ZV-1.
It’s on the highest of the digicam the place there are probably the most notable variations from the RX100 vary. The pop-up flash and pop-up EVF are gone, changed as a substitute with a big three-capsule path microphone and a Multi Interface hot-shoe.
The shoe permits for any commonplace equipment to be mounted, with microphones and LED lights being the obvious. Nevertheless, the Multi Interface half additionally permits for suitable Sony equipment to work intelligently with the digicam and likewise draw energy the place wanted.
We efficiently mounted and used the Sony HVL-F43M flash on the digicam, which operated completely. It’s clearly hideously outsized for the ZV-1F, and isn’t one thing we’d advocate utilizing, however at a push, it does imply you can mount and use Sony flashguns.
The Sony ECM-XYST1M stereo microphone will also be used, with the audio despatched by way of the Multi Shoe slightly than requiring a 3.5mm cable to be plugged into the aspect of the digicam.
One other change from the RX100 to the ZV-1F is the removing of the ‘Mode’ dial, which has been changed with a Mode button subsequent to the digicam energy button.
This may occasionally look like an enormous change, however realizing photographers behaviour this can be a not often used dial which can largely be set in the identical place relying on the photographer’s most well-liked mode. It takes a second or two longer to change modes utilizing the button, but it surely definitely isn’t a deal breaker.
In addition to the shutter and zoom management toggle, the top-plate additionally sees the addition of the video file button. That is a lot bigger than the small button discovered on the RX100 cameras, and it’s marked with a pink ring to simply establish it when in comparison with the shutter button.
Lastly on the highest there may be the Background Defocus button. For vloggers the purpose of this button is to change between having the background blurred or clear. In photographic phrases it’s switching the aperture between the biggest obtainable (f/2) and f/5.6.
It’s a helpful button to have obtainable for video, however even for stills images it’s one thing we’d use to make a really fast aperture change.
Sadly, the management ring that’s discovered across the lens of the RX100 sequence cameras isn’t included on the ZV-series fashions. This could possibly be used to alter plenty of various things, from the focusing or zooming of the lens, to the aperture. Once more, this will need to have been largely to maintain prices down, and probably to maintain the controls of the ZV-1F so simple as potential.
With the dearth of a mode dial and the lens management dial, it does take just a little longer to change between a number of the settings of the ZV-1F in comparison with an RX100-series digicam.
Fortunately the perform button on the rear of the digicam operates in precisely the identical because it does on the RX100 and A7 sequence cameras, so you should utilize it to shortly entry options you will have probably the most, similar to white stability, Image Fashion and the AF settings.
The ‘Trash’ button additionally acts because the ‘C2’ customized button, which by default is ready to entry the Product Showcase mode. This can be a particular autofocus mode that alerts the digicam to change focus from an individual’s face to an object that could be held up in entrance of the digicam.
This can be a standard YouTube approach for when wanting to point out an merchandise to the viewer, however on cameras with slower autofocus it may possibly go away the main target fastened on the presenter’s face with the product out of focus, and vice versa. The Product Showcase mode solves that difficulty, including one other plus level for vlogging with the ZV-1F.
The menu system of the ZV-1F is equivalent to different Sony cameras, so present customers may have no drawback navigating it, while these much less acquainted could discover the odd merchandise buried away in a curious location. Most usefully the choice to customize the Perform Button Fast menu stays, and it may possibly have two totally different variations relying on whether or not you might be taking pictures stills or video.
There may be additionally the MyMenu display screen, the place you may add some other the Menu settings to your individual personalised Menu Display screen, and there may be additionally the choice to make this the default display screen that pops up when the Menu button is pressed.
So though there may be an virtually overwhelming quantity of options within the ZV-1F, between the Perform Menu and the My Menu it is best to be capable to entry all the pieces you want shortly and effectively as soon as you have spent just a little time setting all of it up.
The ZV-1F notably lacks the Hybrid AF sensor that utilises as much as 315-phase detection factors and 425-contrast detection factors, as discovered on the costlier ZV-1. As a substitute, it solely has 425-point distinction detection system, which though usually fairly snappy, would not permit for a similar degree of for the quick and clean topic monitoring that section detection AF helps.
Nevertheless, it does nonetheless help EyeAF, which detects a human eye not solely when taking pictures nonetheless pictures, but additionally when taking pictures video, and it really works extraordinarily effectively. It’s visibly quick sufficient to observe a watch across the display screen, and you’ll even choose which eye you want to concentrate on, similar to on current A7 cameras.
And so forth to the important thing a part of the ZV-1F, its video options. The ZV-1F is actually like a miniature model of the A7 sequence cameras. Nearly the entire video settings which might be discovered a lot additional up within the vary are right here. Video could be recorded in 4K decision at as much as 30fps, while Full HD could be shot at as much as 100/120fps relying on whether or not you might be shoot PAL or NTSC format.
There are additionally the HFR modes the place you may shoot at 250, 500 or 1000fps, with footage then saved at 25fps for tremendous sluggish movement playback. It must be famous that though the HFR video is saved on the Full HD 1920 x 1080 decision, it’s upscaled from a a lot smaller recorded decision; within the case of 1000fps this can be as little as 912 x 308 pixels.
The size of time you may file a clip can be restricted to only a few seconds relying on the chosen body fee and whether or not you select the High quality or Time mode. Both method, it’s lengthy sufficient to create fascinating tremendous sluggish movement footage, however for many customers the 100 or 120fps modes might be greater than sufficient and be higher high quality.
The entire Image Profiles are current and proper, which means you may match the footage shot with the ZV-1F with cameras such because the A7 III, making it an excellent accompaniment for individuals who could also be utilizing these cameras in additional of a studio setting.
Proxy recording is on the market, permitting low decision 1280 x 720 decision footage to be recorded alongside 4K or Full HD footage. That is nice for individuals who could also be modifying video on older computer systems. Merely edit utilizing the decrease decision proxy information, then swap to the total decision 4K information on the subject of the ultimate fine-tuning and export.
The built-in ND filter characteristic that Sony included within the ZV-1 has sadly been omitted from the ZV-1F. This 3EV filter helped you to shoot at bigger apertures on brilliant days, which is extraordinarily helpful when taking pictures video and attempting to stay to the shutter velocity being double the body fee rule.
For instance, at 25fps the perfect shutter velocity is 1/fiftieth sec. If you wish to create a shallow depth of subject on a brilliant sunny day you’ll be laborious pushed to do that, however turning the ND filter on will darken the picture simply sufficient to permit an aperture 3 stops bigger for use, serving to to create a shallower depth of subject.
It is an actual disgrace that this extraordinarily helpful characteristic hasn’t been included on the ZV-1F and could also be purpose sufficient to pay extra for the ZV-1.
One other essential method during which the 2 fashions notably differ is stabilisation. On the ZV-1 there may be Optical Steadyshot built-in to the lens, which supplies you a few stops further to play with when taking nonetheless pictures and smoothing out the lightest of actions when taking pictures video.
On the cheaper ZV-1, sadly there isn’t any optical stabilisation, solely the choice to change on Energetic SteadyShot in video, which is a digital type of stabilisation. This crops in to the picture barely by 1.23x to provide the digicam room to digitally transfer the picture body round to compensate for any bigger actions. It really works very effectively, creating very steady footage when handholding and taking out all however the heaviest of footsteps when strolling.
The catch is that due to the slight crop, if you’re vlogging your face will seem bigger when within the body. We’d counsel solely utilizing it when strolling or zooming in to point out one thing, and when presenting to digicam use a tripod if potential.
We’re not fairly positive why, as there is not any technical purpose to do that, however Sony have determined to not embody RAW file help for stills on the ZV-1F, simply JPEGs. Maybe this resolution has been made to simplify the digicam for its extra video-focused target market, but it surely does vastly restrict its enchantment to stills photographers who may need been contemplating it as a succesful pocket digicam. You may want to leap to the ZV-1 to get this characteristic.
With the choice so as to add an exterior microphone or an LED mild, or perhaps a deal with, to the hot-shoe, the ZV-1F is a succesful video digicam that we’re positive will discover a right away residence amongst the vlogging group, notably these customers who’re presently utilizing A7-series cameras.
The 4K picture high quality is crisp and clear and the Image Profiles allow you to shoot S-Log footage in addition to the entire Cine types, so it must be straightforward to search out and create a mode that you just like that works throughout a wide range of Sony cameras.
Picture High quality
The entire pattern pictures on this overview have been taken utilizing the 20 megapixel SuperFine JPEG setting, which produces a mean picture measurement of round 7Mb.
With the stacked sensor from the ZV-1F being utilized in a number of earlier Sony RX100 cameras, it’s one thing of a identified amount.
As a bottom illuminated sensor, a lot of the circuitry of the sensor is discovered behind the photosites, which maximises the sunshine gathering capabilities and makes it a powerful sensor given its modest 1” measurement. With this circuitry instantly on the sensor, it permits the digicam to shoot bursts at as much as 16fps, just a little slower than the 24fps on the ZV-1.
With a sensitivity vary of between ISO 125 and 12,800, it has an excellent vary for a compact digicam, with out going to the extraordinarily excessive settings that will be pushing the sensor too far. Our recommendation is to keep away from the very best two sensitivity settings except you actually haven’t any alternative however to make use of them.
There are additionally two decrease sensitivities of ISO 80 and ISO 100, nonetheless these supply no improved picture high quality as are merely utilizing the native ISO 125 setting, growing the publicity time after which adjusting the sign acquire to darken the picture. The result’s that though it is going to permit for slower shutter speeds or a bigger aperture for use, there’s a lowered dynamic vary because of the highlights tending to clip extra simply.
All through your complete vary the default noise discount settings for JPEG pictures cut back each luminance and color noise. The luminance noise discount is just a little heavy handed if you begin to attain settings round ISO 1600; we would like just a little extra element and luminance noise than the slight blur that’s utilized when luminance noise is lowered. That mentioned there may be nonetheless loads of element at decrease ISO sensitivities, though the dearth of RAW information is an actual disgrace on the subject of getting probably the most out of your pictures.
Color noise is effectively lowered all through the digicam’s vary with the color noise discount set to Regular by default. There may be some lack of color saturation at increased sensitivity so it is a good suggestion to alter the setting to ‘Low’ in some circumstances, notably if taking pictures on a brilliant sunny day slightly than in low mild.
For a compact digicam the 1-inch sensor clearly has a bonus over commonplace compact or smartphone measurement sensor with extra element and fewer noise, although you continue to must keep in mind that this isn’t an APS-C or Full body sensor, so sticking to the decrease sensitivities is at all times going to supply the very best outcomes.
Noise
The Sony ZV-1F has eight sensitivity settings at full decision starting from ISO 125 to ISO 12800. Listed here are some 100% crops which present the noise ranges for every ISO setting for each JPEG and Uncooked codecs.
ISO 125 (100% Crop)
ISO 200 (100% Crop)
ISO 400 (100% Crop)
ISO 800 (100% Crop)
ISO 1600 (100% Crop)
ISO 3200 (100% Crop)
ISO 6400 (100% Crop)
ISO 12800 (100% Crop)
Focal Vary
The Sony ZV-1F has a hard and fast focal size 20mm f/2 lens.
Chromatic Aberrations
The Sony ZV-1F dealt with chromatic aberrations very effectively throughout the overview, with some purple fringing current across the edges of objects in high-contrast conditions, as proven within the examples beneath.
Macro
The Sony ZV-1F means that you can concentrate on a topic that’s 5cm / 0.17 ft away from the digicam.
Lengthy Exposures
The Sony ZV-1F’s most shutter velocity is 30 seconds within the Guide taking pictures mode, which is nice information in the event you’re severely fascinated about evening images.
Dynamic Vary
Once more, the benefit of a 1-inch sensor in comparison with an ordinary smartphone or compact sensor means the ZV-1F presents good dynamic vary, although clearly it may possibly’t fairly match that of an APS-C or full body sensor
Sony has employed its typical Dynamic Vary Optimiser characteristic within the ZV-1F. This has 7 totally different settings together with Off, Auto and ranges 1-5. The publicity is adjusted to retain spotlight element, with the curve on the shadow areas adjusted to lighten them to maximise the dynamic vary obtainable.
In-camera HDR can be obtainable, and in good mild and with a gradual hand you may efficiently use this characteristic handheld.
Dynamic Vary Optimiser Off
Dynamic Vary Optimiser Degree 5
Creatiuve Kinds
All of Sony’s typical color presets can be found, from commonplace to portrait and black and white.
ST
PT
NT
VV
VV2
FL
IN
SH
BW
SE
Image Profiles
The Image Profile settings, that are actually designed for video, can be utilized as picture profiles. These could be customised and go method past the usual distinction and saturation settings which might be normally discovered when modifying in-camera picture profiles. Customers can regulate the black and white factors, particular person color energy, distinction and plenty of extra choices.
As you may solely shoot JPEG pictures with this digicam, we’d extremely advocate taking the time to play with the image profiles settings as it is going to give you the flexibility to actually fine-tune its output, though the settings aren’t at all times the simplest to get your head spherical.
PP1
PP2
PP3
PP4
PP5
PP6
PP7
PP8
PP9
PP10
Pattern Photos
This can be a number of pattern pictures from the Sony ZV-1F digicam, which have been all taken utilizing the 20 megapixel SuperFine JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any method.
Pattern Films & Video
This can be a pattern 4K film on the high quality setting of 3840×2160 at 30 frames per second. Please be aware that this 19 second film is 239Mb in measurement.
This can be a pattern 1080p film on the high quality setting of 1920×1080 at 30 frames per second. Please be aware that this 17 second film is 109Mb in measurement.
Product Photos
Conclusion
Following on from 2020’s ZV-1 mannequin, the brand new ZV-1F makes an attempt to enchantment to an excellent bigger vlogging viewers predominantly by hitting a cheaper price level, and by and huge it is largely profitable.
On this inflationary day and age, £550 / $500 for a 4K/30p stills and video digicam you can carry in your pocket however which may doubtlessly match the output of a way more costly Sony Alpha mirrorless mannequin is a fairly cheap asking worth.
In comparison with the ZV-1 step-up mannequin, it presents a wider angle of view and a extra up-to-date USB-C port for quicker charging and headphone use, while being easier to make use of for its extra beginner-oriented viewers.
On the flip aspect, there are just a few notable variations and omissions which make the ZV-1 a a lot better match for some folks, together with solely providing distinction slightly than phase-detect auto-focus and the entire lack of optical stabilization, RAW file help and built-in ND filter on the cheaper mannequin.
So though the 2 cameras look very comparable side-by-side, we might advocate stretching the price range to the ZV-1 in the event you can afford it – you undoubtedly get a whole lot of further efficiency to your further funding.
Which is not to say that it is best to keep away from the ZV-1F utterly if you cannot stretch past its comparatively modest asking worth, because it nonetheless represents a major step-up for a lot of smartphone homeowners on the lookout for a extra succesful vlogging gadget.
Rankings (out of 5)
Design
4.5
Options
4
Ease-of-use
4
Picture high quality
4.5
Worth for cash
4
Foremost Rivals
Listed beneath are a number of the rivals of the Sony ZV-1F.
Need a tiny, light-weight 4K stabilised video digicam you can carry with you all over the place? Then look no additional than the brand new DJI Pocket 2, which includes a built-in gimbal with 3-axis motorised stabilisation in a physique that weighs a mere 117g. Stick with it studying our in-depth DJI Pocket 2 overview, full with full-size pattern images and movies, to search out out what we thought…
The Sony ZV-1 is a brand new compact digicam that is been constructed from the bottom up for vlogging, with a vari-angle display screen, quick auto-focusing, three-capsule path microphone, and a wealth of vlogger-friendly taking pictures modes. Is that this the final word digicam for aspiring YouTube creators? Learn our in-depth Sony ZV-1 overview to search out out…
The Sony ZV-E10 is a brand new APS-C sensor mirrorless digicam that is clearly focused at videographers, with a vari-angle display screen, quick auto-focusing, three-capsule path microphone, and a wealth of vlogger-friendly taking pictures modes. Is that this the final word mirrorless digicam for aspiring YouTube creators? Learn our in-depth Sony ZV-E10 overview to search out out…
Overview Roundup
Evaluations of the Sony ZV-1F from across the net.
The Sony ZV-1F is a compact vlogging digicam with a Sort 1 (13.2×8.8mm) sensor and a hard and fast 20mm equal lens. This can be a digicam clearly aimed toward vloggers, and includes a three-capsule mic and absolutely articulating display screen for facing-the-camera video creation.
Learn the total overview »
The Sony ZV-1F is a quick and intuitive digicam, excellent for grab-and-go vloggers whereas additionally nonetheless providing nice picture capabilities. It has Sony’s spectacular SteadyShot stabilization tech for clean 4K video footage, together with the model’s industry-leading autofocus and face-tracking smarts. It additionally includes a absolutely articulating display screen (with contact capabilities), and a Product Showcase mode with a bokeh swap.
Learn the total overview »
If you’re trying to step up out of your telephone to a devoted vlogging digicam however do not have a lot to spend, then the Sony ZV-1F is a superb alternative. Providing a greater picture high quality than the most recent telephones, wonderful auto-exposure, and a releasing articulating display screen, you may simply create fantastic-looking vlogs. A disappointing digital picture stabilization lets this digicam down when taking pictures outdoors, nonetheless, which limits the flexibility of your movies.
Learn the total overview »
Specs
Sensor
SENSOR TYPE
1.0-type (13.2 mm x 8.8 mm) Exmor RS CMOS sensor, facet ratio 3:2
NUMBER OF PIXELS (EFFECTIVE)
Approx. 20.1 Megapixels
Lens
LENS TYPE
ZEISS Tessar T* Lens, 6 parts in 6 teams
F-NUMBER (MAXIMUM APERTURE)
F2.0
ND FILTER
–
FOCAL LENGTH (F=)
f=7.6 mm
ANGLE OF VIEW (35MM FORMAT EQUIVALENT)
94°（20 mm)
FOCUS RANGE (FROM THE FRONT OF THE LENS)
Approx. 5 cm (0.17 ft) to Infinity
OPTICAL ZOOM
–
CLEAR IMAGE ZOOM (STILL IMAGE)
20M Approx. 2x / 10M Approx. 2.8x / 5.0M Approx. 4x
CLEAR IMAGE ZOOM (MOVIE)
4K: 1.5x HD: Approx. 2x
DIGITAL ZOOM (STILL IMAGE)
20M Approx.4x / 10M Approx.5.6x / 5.0M Approx.8x
DIGITAL ZOOM (MOVIE)
Approx.4x
FILTER DIAMETER
φ40.5
Display screen
SCREEN TYPE
7.5 cm(3.0type)(4:3) / 921,600 dots / Xtra Superb / TFT LCD
ADJUSTABLE ANGLE
Opening Angle:approx. 176 deg., Rotation Angle:approx. 270 deg.
MF ASSIST MAGNIFICATION
1.6x, 4.0x
TOUCH PANEL
Sure
Viewfinder
SCREEN TYPE/NUMBER OF DOTS
–
Digicam
IMAGE PROCESSING ENGINE
Sure (BIONZ X)
STEADYSHOT (STILL IMAGE)
Digital
FOCUS TYPE
Distinction-detection AF
FOCUS MODE
Single-shot AF, Steady AF, Guide Focus
FOCUS AREA
Vast (425 factors(contrast-detection AF)), Zone, Middle, Versatile Spot (S/M/L), Expanded Versatile Spot
OBJECT TRACKING
Sure (Monitoring)
EYE AF
[Still images] Human (Proper/Left Eye Choose) / Animal; [Movie] Human
LIGHT METERING MODE
Multi Sample, Middle Weighted, Spot, Complete Display screen Avg, Spotlight
EXPOSURE COMPENSATION
+/- 3.0EV, 1/3EV step
ISO SENSITIVITY (STILL IMAGE)(RECOMMENDED EXPOSURE INDEX)
Auto (ISO125-6400),125/160/200/250/320/400/500/640/800/1000/1250/1600/2000/2500/3200/4000/5000/6400/8000/10000/12800 (Extendable to ISO80/100)
ISO SENSITIVITY (MOVIE)
Auto:(ISO125Level-ISO6400Level),125/160/200/250/320/400/500/640/800/1000/1250/1600/2000/2500/3200/4000/5000/6400/8000/10000/12800
WHITE BALANCE MODES
Auto, Daylight, Shade, Cloudy, Incandescent, Fluor.: Heat White, Fluor.: Cool White, Fluor.: Day White, Fluor.: Daylight, Underwater Auto, C.Temp./Filter, Customized
WB MICRO ADJUSTMENT
Sure (G7 to M7,57-step) (A7 to B7,29-step)
ELECTRONIC SHUTTER
Program Auto(1/4″ – 1/32000) / Guide(1/4″ – 1/32000) / Aperture Precedence(1/4″ – 1/32000) / Shutter Precedence(1/4″ – 1/32000)
APERTURE
Program Auto(F2/F8) / Guide(F2/F8) / Shutter Precedence(F2/F8) / Aperture Precedence(F2/F8)
IMAGE CONTROL
Distinction, Saturation, Sharpness, Artistic look, Shade Area, High quality (JPEG (Further wonderful, Superb, Customary))
NOISE REDUCTION
excessive ISO NR:Regular/Low/Off
DYNAMIC RANGE FUNCTIONS
Off, Dynamic Vary Optimizer (Auto/Degree 1-5)
SHOOTING MODE
Auto (Clever Auto), Program Auto, Aperture Precedence, Shutter Pace Precedence, Guide Publicity, Film Mode (Program Auto, Aperture Precedence, Shutter Pace Precedence, Guide Publicity, Film Auto (Clever Auto)), S&Q Mode (Program Auto, Aperture Precedence, Shutter Pace Precedence, Guide Publicity, S&Q Auto(Clever Auto))
CONTINUOUS SHOOTING SPEED (MAXIMUM) (WITH MAX. RECORDING PIXELS)
Pace Precedence Steady Capturing: approx. 16 fps, Steady Capturing: approx. 3.5 fps
SELF-TIMER
10 sec. / 5 sec. / 2 sec. / self timer(film)
DRIVE MODES
Single, Steady taking pictures, Self-timer
INTERVAL REC
Sure (1-60 sec. interval, 1-9999 pictures, AE lock/AE monitoring(Excessive/Mid/Low))
PANORAMA (SHOOTING)
–
PICTURE PROFILE
off/PP1-PP10(Black Degree, Gamma(Film, Nonetheless, Cine1-2, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1, HLG2, HLG3), Black Gamma, Knee, Shade Mode, Saturation, Shade Section, Shade Depth, Element, Copy, Reset)
Flash
FLASH TYPE
–
BRACKETING
–
EXTERNAL FLASH MODE
–
Recording
COMPATIBLE RECORDING MEDIA
[XAVC S(100Mbps)] SDXC/SDHC Reminiscence Card (UHS-I U3 or increased); [XAVC S(60Mbps/50Mbps)] SDXC/SDHC Reminiscence Card (Class 10 or increased); [Still image] Reminiscence Stick Duo, Reminiscence Stick PRO Duo, Reminiscence Stick PRO-HG Duo, Reminiscence Stick Micro , Reminiscence Stick Micro(Mark2)
, SDXC/SDHC/SD Reminiscence Card (Class 4 or increased), micro SDXC/SDHC/SD Reminiscence Card (Class 4 or increased)
RECORDING FORMAT
[Still Image] : JPEG(DCF Ver.2.0,Exif Ver.2.32,MPF Baseline compliant), [Movie]: XAVC S
RECORDING FORMAT (MOVIE AUDIO)
XAVC S:LPCM 2ch
COLOUR SPACE (STILL)
sRGB, Adobe RGB
DCF/DPOF
DCF/EXIF/MPF
STILL IMAGE NUMBER OF RECORDED PIXELS (IMAGE SIZE)
3:2mode:20M(5,472×3,648) / 10M(3,888×2,592) / 5M(2,736×1,824),4:3mode:18M(4,864×3,648) / 10M(3,648×2,736) / 5M(2,592×1,944) /16:9mode:17M(5,472×3,080) / 7.5M(3,648×2,056) / 4.2M(2,720×1,528),1:1mode:13M(3,648×3,648) / 6.5M(2,544×2,544) / 3.7M(1,920×1,920)
MOVIE RECORDING MODE (NTSC)
NTSC/PAL Selector: [NTSC] XAVC S 4K: 30p 100M(3,840×2,160/30p) / 30p 60M(3,840×2,160/30p) / 24p 100M(3,840×2,160/24p) / 24p 60M(3,840×2,160/24p), XAVC S HD:60p 50M(1,920×1,080/60p) / 60p 25M(1,920×1,080/60p) / 30p 50M(1,920×1,080/30p) / 30p 16M(1,920×1,080/30p) / 24p 50M(1,920×1,080/24p) / 120p 100M(1,920×1,080/120p) / 120p 60M(1,920×1,080/120p)
MOVIE RECORDING MODE (PAL)
NTSC/PAL Selector: [PAL] mode XAVC S 4K: 25p 100M(3,840×2,160/25p) / 25p 60M(3,840×2,160/25p), XAVC S HD:50p 50M(1,920×1,080/50p) / 50p 25M(1,920×1,080/50p) / 25p 50M(1,920×1,080/25p) / 25p 16M(1,920×1,080/25p) / 100p 100M(1,920×1,080/100p) / 100p 60M(1,920×1,080/100p),
STILL IMAGE NUMBER OF RECORDED PIXELS (IMAGE SIZE) DURING MOVIE
XAVC S 4K : 8.3M (3840×2160) XAVC S HD : 2.1M (1920×1080)
PROXY RECORDING
Sure (1280 x 720(Approx.9Mbps))
Interface
INPUT AND OUTPUT TERMINALS
USB Terminal Sort-C (USB2.0), Micro HDMI, Microphone jack (3.5 mm Stereo mini jack)
NFC
–
WI-FI
Sure(IEEE802.11b/g/n(2.4GHz band))
INTERFACES
–
BLUETOOTH
Sure (Bluetooth Customary Ver. 4.1 (2.4GHz band))
Energy
POWER SOURCE
DC3.6V(provided battery)
BATTERY SYSTEM
Rechargeable battery pack NP-BX1
POWER CONSUMPTION (CAMERA MODE)
Approx. 1.5W with LCD monitor (CIPA commonplace)
USB CHARGE/USB POWER SUPPLY
Sure (Capturing, Playback)
BATTERY LIFE(STILL IMAGES)(CIPA)
Monitor:Approx. 360 / Approx. 180 min., Monitor (When Auto Monitor off is ready to 2 sec):Approx. 540 / Approx. 270 min.,
6
BATTERY LIFE(MOVIES ACTUAL SHOOTING)(CIPA)
Monitor:Approx. 60 min.
BATTERY LIFE(MOVIES CONTINUOUS SHOOTING)(CIPA)
Monitor:Approx. 90 min.
Others
PLAYMEMORIES CAMERA APPS
–
SHOOTING FUNCTIONS
Shot Mark, Tender Pores and skin Impact, Product Showcase Set, Background Defocus, Step Zoom, Face Detection, Face Registration, Grid Line, Digital Degree Gauge (pitch and roll), Peaking (Show: Off/On) (Degree: Excessive/Mid/Low) (Shade: Purple/Yellow/Blue/White), Zebra, Marker Show, Audio Rec Degree, Audio Degree Show, PC Distant Management, Gamma Disp. Help, Set File Title, Contact Shutter/Contact Focus/Contact Monitoring, My Menu
PLAYBACK FUNCTIONS
BRAVIA Sync(Management for HDMI), 9/25-frame index view, Auto Orientation, Slide Present, Ahead/Rewind (Film), Delete Defend, Photograph Seize, Ranking, Computerized Picture Rotation,
TRILUMINOS COLOR
Sure
4K IMAGE OUTPUT
Sure
OPERATING TEMPERATURE
0 levels C. – +40 levels C. / 32 levels F. – 104 levels F.
PRINT
Exif Print, PRINT Picture Matching (PIM3)
Dimension & Weight
DIMENSIONS (W X H X D) (APPROX.)
105.5 x 60.0 x 46.4 mm (4 1/4 in. × 2 3/8 in. × 1 7/8 in.)
WEIGHT (CIPA COMPLIANT)
Approx. 256 g (9.1 oz.)(Battery and Reminiscence Card are included) / Approx. 229 g (8.1 oz.)(Physique Solely)
Color Choices
black
What’s In The Field
Lens cap, Rechargeable Battery Pack (NP-BX1), Sort-C USB cable(USB2.0), Wind Display screen, Wind Display screen Adaptor, Instruction Guide
Your Feedback
[ad_2]