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For the reason that introduction of the RED KOMODO 6K we now have reached the DSMC3 era of cinema cameras. The total lineup is beginning to take form with the discharge of the V-RAPTOR and V-RAPTOR XL.
Now, we actually have a particular version RED RHINO S35 that’ll document in 8K as much as 120p with all of the common stuff you would count on from a RED digicam.
If you’re curious to see how the RHINO compares to the V-RAPTOR and KOMODO or simply need to try some candy 8K footage shot with the digicam you may be very on this comparability from CVP.
Picture Sensor
A pleasant factor about RED’s newest cameras is that they share a lot performance and menu designs. The RHINO (which is a V-RAPTOR with S35 sensor) has an similar physique and management scheme.
The RHINO even matches the V-RAPTOR VV with regards to resolutions and body charges – as much as that spectacular 8K 17:9 at 120 fps. Having a Tremendous 35mm sensor did permit them to shave $5,000 off the price.
That is comparable in how RED configured their DSMC2 lineup with the MONSTRO being Vista Imaginative and prescient and the HELIUM being Tremendous 35mm.
Wanting extra intently on the RHINO’s sensor you can find that it’s a contact smaller than even the KOMODO at simply 26.21 x 13.82mm.
There’s a very particular viewers for the RHINO – those that need or want the advantages of a fully-featured cinema digicam (just like the V-RAPTOR) however respect the Tremendous 35mm format for the additional attain or lens help.
Picture Credit score: RED
Decision and Body Charges
Being similar to the opposite RED cameras you’ll expertise cropping as you cut back the decision and make use of quicker body charges. Windowing will permit you to go from 8K 17:9 at 120 fps to 4K 17:9 at 240 fps to 2K 17:9 at 480 fps.
Apparent downsides to cropping don’t change although. Extra excessive facet ratios can retain horizontal decision whereas nonetheless enhancing body charges.
The pattern footage they demo within the video does look wonderful. Correct lenses and approach will permit you to seize top-quality footage with the RHINO.
Rolling Shutter
A formidable enchancment for the Vista Imaginative and prescient V-RAPTOR was glorious dealing with of rolling shutter. The RHINO S35 performs very equally.
Clearly, the worldwide shutter of the KOMODO doesn’t have any rolling shutter points. Nonetheless, the rolling shutter of both V-RAPTOR digicam is spectacular.
Picture Credit score: RED
Element
8K is the highest decision and when mixed with RED’s REDCODE RAW format with numerous compression ratios you’ll be capable of seize imagery with a surprising degree of element. The compression choices can be useful for guaranteeing you will have the power to decide on the perfect setting for the scene.
Extremely detailed exteriors may name for decrease compression whereas your easy B roll within the studio can save area with larger compression.
Colour
All of the DSMC3 cameras, together with the RHINO, share a coloration science. That is nice because the present iteration merely improved on an already nice profile. The usage of uncooked will give the pliability you’ll count on in submit.
Whereas all of the cameras can match up in a short time you will note variations when beneath and overexposed.
Dynamic Vary
Setting every digicam to ISO 800 and mounting a ZEISS Otus 55mm they shoot the identical scene and solely change the aperture to create the over and underexposure.
All of the clips are normalized in Resolve by matching publicity on the center gray of the cardboard.
With overexposure it’s attention-grabbing as a result of it looks as if the RHINO truly performs higher than the V-RAPTOR VV.
Efficiency is comparable at as much as 4 stops although after that you simply’ll begin to see some clipping on the chart. The S35 RHINO doesn’t begin clipping for an additional 1/3-2/3 stops after the VV.
Picture Credit score: RED
Underexposure has some extra variations. The V-RAPTOR VV, unsurprisingly, performs the perfect right here. In comparison with the KOMODO the brand new S35 sensor within the RHINO does appear to deal with shadows a bit higher. There’s extra element and colours are staying true for longer.
Noise
Because you received’t be getting any noise discount in digicam (which is mostly a very good factor) you’ll need to make certain your exposures are good after which make use of assorted post-production instruments. The uncooked codecs give loads of management over ISO in submit as nicely.
In low-light situations they might not advocate pushing the ISO above 3200-6400. Going above that will provide you with some fairly noisy imagery with a contact of chroma noise.
Different Options
Being a V-RAPTOR the RHINO S35 does hold options like pre-record with a devoted cache. It’s also a gray particular version—the one model out there immediately.
Deciding between this digicam and others will rely by yourself wants and sensor calls for. The Tremendous 35mm sensor has its benefits for sure markets, akin to broadcast, sports activities, wildlife, and macro/product.
It’s far more totally featured than the cheaper KOMODO as nicely and the picture high quality is superior.
What do you concentrate on the RHINO?
[source: CVP]
Order Hyperlinks:
RED V-RAPTOR RHINO 8K S35 Cinema Digital camera (B&H)
RED KOMODO 6K S35 Cinema Digital camera (B&H)
RED V-RAPTOR 8K VV Cinema Digital camera (B&H)
RED V-RAPTOR XL 8K VV Cinema Digital camera (B&H)
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