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If you’re looking out for a finances anamorphic lens, it’s best to undoubtedly take a look at the SIRUI Venus 150mm T2.9 1.6x. Okay, okay, that is an extremely lengthy identify; how about we name it the SIRUI 150mm x1.6 anamorphic any further?
Because the identify suggests, that is an x1.6 anamorphic lens that SIRUI has just lately began promoting, and after taking part in with this lens for a bit, I’m fairly impressed with what it may do, particularly for the low price ticket.
The case for anamorphic lenses
Since that is the primary time I’m reviewing an anamorphic lens, I wished to take a couple of minutes and plead the case for utilizing anamorphic lenses. If you’re already accustomed to the idea, jump over to the following part. If not, here’s a brief introduction to Anamorphic lenses.
On the base, anamorphic lenses squeeze a large body right into a not-so-wide sensor. You possibly can later de-squeeze the footage into a large facet ratio. That is very typical for motion pictures, so footage taken with anamorphic lenses mechanically appears to be like extra cinematic.
The SIRUI 150mm x1.6 anamorphic makes use of an x1.6 squeeze ratio. That signifies that the movies you seize together with your 3:2 (1.5:1), or 16:9 (1.78:1) sensor will stretch to a ratio of two.4:1 or 2.8:1. Instantaneous cinematic. And every little thing appears to be like cinematic at 2.8:1.
(SIRUI additionally sells an x1.25 adapter to get to a full x2 anamorphic ratio which MFT shooters will admire).
The SIRUI 150mm x1.6 anamorphic lens
The SIRUI 150mm x1.6 anamorphic is a beast of a lens. It’s 180mm in size and weighs about 1.4 kilos. It has a filter thread of 82mm. This can be a lot of lens, which is sensible as a result of it packs a whole lot of glass – 16 components in 11 teams. It is usually thought of a large aperture for an anamorphic lens at T2.9.
All this glass produces a formidable picture. And an much more spectacular picture when you think about the worth tag of $1,199 (for those who get in on the early hen, $1,499 after).
For a Sony FX3 shooter like me, this lens would get me from a 16:9 facet ratio to a really cinematic 2.75:1. In fact, you may also get this facet ratio with a daily (a.ok.a spherical lens) by slapping two black bars on the highest and backside, however then you definately’d be throwing away a few third of your decision into the black-bar abys. (or, you may drop the footage, and get the identical outcomes). That is why the SIRUI 150mm x1.6 anamorphic lens is so nice. You get to eat your facet ratio cake and maintain your whole decision too. You additionally get these extremely cinematic halos, however extra about that later.
Every part is cinematic in huge display
The SIRUI 150mm x1.6 construct
As with something that I examined from Sirui (see the SIRUI Nightwaker assessment right here), this lens may be very well-built. It’s made fully of metallic (which contributed to the burden). As a metallic lens deserves, it has clear engraved markings for meters (white) and toes (crimson) on each left and proper, in addition to aperture markings on either side.
To help all this glass and metallic, SIRUI added a metallic bracket on the backside of the lens, the place you may connect a tripod. This may take away the heavy lifting out of your digital camera’s bayonet. (No Pun supposed). Or, if you’re mounting this on a rig, you should utilize some lens help.
Focus ring comply with focus
Iris ring with motor
The lens has two normal rings: focus and iris, with the iris ring being declicked (clean). Each characteristic normal gears for follow-focus. One factor I did discover is that these rings have completely different pressure to them. The main focus ring is extremely clean with a 153 levels rotation. The Aperture ring has a few quarter of a flip and is considerably extra tensed. With the SmallRig MagicFiz, I used to be generally having points getting a clean flip. (I did get a pre-production lens, so hopefully, that is fastened in the true run).
There’s another slight irritation with the lens, and it’s the lens cap. For some cause, it’s barely curved, which signifies that while you place the lens on its huge facet (i.e. the entrance), it’s not 100% secure. That is simply fastened by changing the lens cap, although.
Engravings and stable tooth
The tripod bracket
subsequent to the 35mm anamorphic from the identical set
A barely curved cup
SIRUI 150mm x1.6 anamorphic lens optics
Utilizing the SIRUI 150mm x1.6 anamorphic was an actual deal with. Whereas you will get a cinematic facet ratio by cropping most of your picture, getting these cinematic flares is a complete different factor.
Instantaneous Cinematic
As you’d anticipate from an anamorphic lens, the SIRUI 150mm x1.6 supplies attractive flares when hit with the appropriate mild. And the appropriate mild is usually a automobile, a flashlight, or a COB LED (the Colbor CL60 on this case).
The lens provides out a stunning Bokeh even at T2.9, and the lengthy focal actually brings probably the most out of the optics right here. Sadly, there’s a little bit of respiration with the main target, which can or is probably not a problem for you.
I did discover some bizarre habits with among the flares, like a duplication of the flare in sure angles. This isn’t a deal breaker for me, and I ponder if it may be higher managed with a correct set of matte field or French flags.
The advantages of being part of a set
The 150mm x1.6 anamorphic is an addition to an ever-growing set of x1.6 anamorphic full-frame lenses from SIRUI. To this point, it has the next lenses: 35mm, 50mm, 75mm, 100mm, and the lens on this assessment, the 150mm.
You get all the advantages you get from a normal cine set: matching gears, the identical filter thread, and so forth. However right here you might be additionally getting similarity together with your flares which give a constant look to your footage.
When it comes to obtainable mount, you will have a alternative of RF, L, E, and Z. The completely different mounts have barely completely different specs, so here’s a desk for reference.
I’m going to speak worth later, however SIRUI does provide a set of all 5 lenses in a tough case.
The SIRUI 150mm x1.6 anamorphic desires associates
Taking pictures with an anamorphic lens might be difficult for those who don’t have the appropriate associates. As I discussed, the picture is squeezed, so composing might be fairly difficult. And much more so, for those who plan to crop the body for altering the facet ratio in submit.
The newest firmware for the Sony FX3 introduced de-squeezing to the digital camera menu. Sadly, it solely has x1.3 and x2. however x2. An alternative choice is to make use of an exterior monitor, just like the Atomos Ninja 5. Sadly, you might be additionally restricted to x1.5 or x1.8 right here, but it surely’s shut sufficient to compose, and you may add grids for those who intend to crop the footage later.
If you happen to do decide to make use of the Ninja to file the footage internally, bear in mind that the footage is saved within the sensor facet ratio, and you’ll nonetheless have to de-squeeze in submit.
That stated, most modifying suites don’t actually have a built-in x1.6 de-squeezer, so here’s a brief video that explains the way it’s achieved.
Worth and availability
You possibly can pre-order the SIRUI Venus 150mm T2.9 1.6x Full-Body Anamorphic Lens proper now from the SIRUI web site for $1,199.00 USD, with the primary batch already delivered.
If you wish to get a extra full package, these vary from a trio (35mm, 75mm, 150mm) for $3,598.00 USD to a full set for $5,996.00 USD. For the x1.25 adapter, you’ll have to shell out about $550 extra.
Launchpad
Welcome to DIYP Launchpad. DIYP Launchpad is a spot the place we share new gear with you. Full disclosure: DIYP could obtain compensation for the time invested in creating the assessment. Manufacturers sending gear for the DIYP Launchpad phase don’t see the assessment earlier than it goes stay or have any editorial management over it.
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