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The Canon EOS R6 Mark II is loaded with options. Listed below are 5 settings you would possibly wish to change or customise to get a greater expertise.
Picture: John Greengo
The Canon EOS R6 Mark II is a contemporary mirrorless ‘jack of all trades, grasp of none.’ Whereas it will not be the ‘greatest’ in anyone style of pictures or videography it’s a extremely succesful all-rounder for photographers in search of a flexible device.
On this sequence, 5 Tweaks, I talk about missed or under-appreciated choices and clarify what they do and who they’re for. Although this text is on the Canon EOS R6 Mark II, the options talked about beneath, or comparable ones, will be discovered on many different cameras. Be suggested that comparable options could go by a distinct identify on completely different model cameras and should function otherwise in slight or vital methods.
1. Digital tele-con [Shoot Menu1]
Setting choices:
One of many first and most necessary classes to know on the earth of digital pictures is to be extremely skeptical of something known as “Digital Zoom.” Whereas this identify at one level in all probability sounded futuristic it’s often nothing greater than cropping a picture within the digital camera. “Digital tele-con” is Canon communicate for digital zoom with a really slight twist.
The concept behind digitally zooming in, is to get nearer to a topic utilizing digital manipulation slightly than the optical parts of a lens. The first good thing about digitally zooming in on a topic is so {that a} small or distant topic will likely be bigger within the body and within the viewfinder. Having a bigger topic within the viewfinder could lead to extra correct focus, publicity, and higher composition.
Canon’s “Digital tele-con”, brief for digital telephoto converter, is the place the digital camera magnifies the middle of the picture, by 2x or 4x after which will increase the decision of the ensuing picture as much as 24 megapixels. The 2x picture is upscaled from 12 MP to 24 MP, the 4x is upscaled from 6 MP to 24 MP.
ISO 800 | 1/500 sec | F11 | Canon RF 100-500mm F4.5-7.1 L IS USM | 500mm | Digital tele-con – Off
Picture: John Greengo
ISO 800 | 1/500 sec | F11 | Canon RF 100-500mm F4.5-7.1 L IS USM | 500mm | Digital tele-con – 2.0x
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ISO 800 | 1/500 sec | F11 | Canon RF 100-500mm F4.5-7.1 L IS USM | 500mm | Digital tele-con – 4.0x
Picture: John Greengo
The slight profit to doing this in-camera with the R6 Mark II is that Canon is aware of a bit about its lenses, sensors and the way sharp photos are created. The ‘up-ressed’ photos are a tad higher than only a cropped and enlarged picture in lots of post-production packages.
To be very clear, Digital tele-con is nowhere close to pretty much as good as utilizing an extended focal size lens or getting nearer to your topic. It’s additionally value noting that this function doesn’t work with Uncooked photos and can solely apply to JPEG or HEIF format choices.
You’ll be able to flip to this function when you’re on the finish of your optical choices, are completely certain you need the 2x or 4x crop body, and in case you are glad with JPEG photos. Digital tele-con might also be helpful for people who wish to reduce post-production time and worth getting quick outcomes straight out of the digital camera.
2. Excessive frequency anti-flicker taking pictures [Shoot Menu 3]
Setting choices:
HF anti-flicker taking pictures
Handbook
Auto detecting
This function is used to keep away from banding, gentle and darkish horizontal streaks, that may happen when taking pictures underneath an LED gentle supply. This function shouldn’t be utilized in conventional (non-LED) lighting conditions.
HF = Excessive Frequency
Most LED lights work by emitting speedy pulses of sunshine. The speed of the heart beat is quick sufficient to keep away from detection by the human eye however the digital shutter’s strategy of scanning gentle onto the sensor will showcase the inconsistent nature of the LED gentle.
Reputation of LED lights has grown partially to their vitality effectivity, low price, and flexibility in a wide range of functions. Whereas photographic high quality LEDs that don’t have this flicker downside exist, the overwhelming majority of LEDs you’ll encounter in the actual world may have some form of flicker, particularly when dimmed.
Facet notice: “Anti-flicker shoot”, listed simply above this function within the menu is for avoiding flicker attributable to fluorescent lights (which pulse at a lot decrease speeds) as a substitute of LEDs. Watch out to pick out the proper one in your wants.
Canon EOS R3 | ISO 25600 | 1/8000 sec | F2.8 | Canon EF 300mm F2.8 L IS USM
Picture: John Greengo
Only a matter of time
Most cameras do not seize a single second in time: beginning and ending the publicity is not instantaneous, so they really seize a sequence of slices of time. If an LED is flickering quick sufficient, a few of these slices will likely be made up of extra ‘on’ phases and a few will seize extra ‘off’ phases of the LED, leaving darkish bands throughout the picture.
It is most seen in digital shutter mode, the place there’s extra lag and therefore extra time for these bands to happen, however they will turn into seen at quick shutter speeds, even in mechanical shutter mode. HF Anti-flicker enables you to regulate the shutter pace in tiny increments, to attempt to discover an publicity time that precisely consists of units of full on/off cycles, so that each slice of time consists of the identical variety of on and off cycles, and finally ends up the identical brightness.
You’ll be able to both regulate the shutter pace manually to attempt to discover one in all these well-matched publicity durations or use the digital camera’s ‘Auto detecting’ mode that tries to analyse the scene to pick out an applicable fractional shutter pace.
If you wish to set it manually you will want to be in an publicity mode that permits for guide collection of the shutter pace e.g. M (Handbook), Television (Time worth, often known as Shutter precedence on most different manufacturers).
For video shooters the results of LED gentle flicker will be a picture that glints in brightness, however banding might also be current. The issue and the answer are fortunately the identical – in (Video) Shoot menu 2 is “HF anti-flicker taking pictures” which works in the identical method (extremely exact shutter speeds) to cut back or get rid of flicker with video.
3. Orientation linked AF level [AF Menu 4]
Setting choices:
Identical for each vert/horiz
Separate AF pts: Space+pt
Separate AF pts: Pt solely
Have you ever ever moved your focus level to 1 facet of the body then rotated the digital camera for compositional causes solely then to be left with the main target level within the flawed location? When you discover this irritating, linking the main target level to the orientation of the digital camera is for you.
This downside will be particularly irritating to sports activities and portrait photographers who routinely change between horizontal and vertical codecs however need to maintain their topic and their focus level in an analogous placement throughout the body.
With separate focus areas for horizontal and vertical you’ll be able to have your chosen level of focus in the precise location for conserving an analogous composition.
Pictures: John Greengo
How you can use
The default setting for this options is “Identical for each ver/horz” which retains the main target level at its chosen location, relative within the body, irrespective of the way you orientate the digital camera. That is nice for fundamental operation or when you’re taking pictures straight up or down because the digital camera can’t detect a desired orientation.
When this function is ready to “Separate AF pts: Pt solely” the digital camera makes use of its orientation sensor to detect which route is up and can keep in mind the place the main target level is for that orientation of the digital camera.
Begin by orientating the digital camera in a horizontal place and transferring the main target space to a desired location. Subsequent rotate the digital camera to vertical, with the grip on the highest facet, and transfer the main target level to your chosen location. Then rotate the digital camera to vertical however with the grip on the underside facet and set a second vertical focus level place.
As you rotate the digital camera from horizontal to both of the vertical positions the digital camera orientation sensor will likely be activated and the main target level will reposition itself to the final chosen location for that digital camera orientation.
When the digital camera is ready to “Separate AF pts: Space+pt” it really works as within the earlier clarification however with the added twist of additionally altering which AF space choice is utilized to every of the three orientation choices (horizontal, vertical grip up, vertical grip down).
This function is helpful when you discover that you just want a smaller or bigger focus space when rotating the digital camera to a distinct orientation. This selection offers you the best quantity of customization because it permits you to decide the place and the way your digital camera focuses relying on the way you maintain your digital camera.
4. Swap to registered AF func. [Custom Menu 3/Customize buttons]
Setting choices:
AF space
Complete space monitoring Servo AF
Topic to detect
Spot detection
Eye detection
Monitoring sensitivity
Accel./decel. monitoring
Think about with the ability to change the best way your digital camera focuses making use of as much as 7 completely different parameters, with a single press of a button. The ‘registered AF func’ choice permits you to program one in all 4 buttons (AF-ON, AE Lock, AF level choice, Lens operate) to vary the main target system in a dramatic approach.
Three of the 4 button choices for organising “Swap to registered AF func.” are from left to proper, AF-ON, AE Lock (asterisk), and the AF level choice. This function may also be set to the Lens operate button discovered on choose lenses.
Picture: John Greengo
Whereas focusing with a half-press of the shutter launch button is the default, back-button focusing is nice choice for superior photographers. Using this function takes focus customization to the best stage. By having completely different buttons pre-programed for various focusing parameters you’ll be able to change AF setups by simply urgent a distinct button.
For instance you would have your digital camera set as much as focus with 1-point AF with the AF-ON button and have the AE-Lock (asterisk) button set to Versatile Zone AF 1 with individuals monitoring and eye detection. You can then change forwards and backwards between a exact focus level and a large space that acknowledges individuals and can concentrate on their eyes.
Earlier than setting this function up, you could wish to jot down the 2, three, or 4 focus setups that you just wish to entry shortly. You’ll want to know the main target choices listed above to make a correct checklist.
Throughout the registered AF operate detailed settings the left column permits you to test mark the gadgets you need utilized and the precise column permits you to set particular settings.
Again-button focus
You’ll be able to customise back-button focus capabilities by going into the Customized Menu web page 3 – Customise buttons, deciding on “Shutter butt. half-press” and setting it to both “Meter begin”(beneficial) or AE lock. It will permit you to focus with the AF-ON button and the digital camera gained’t refocus your photos if you press down on the shutter launch. This permits for separate management of focusing and taking pictures which may permit you extra exact management of every function. Be suggested that the AF-ON button must be set to “Metering and AF begin” or one other AF setting that prompts the main target system for this to work.
Organising a registered AF level
The preferred button for organising this function is the “AE Lock button” (asterisk) because it’s very close to the AF-ON button. Go to Customized Menu web page 3 – Customise buttons, and choose the AE Lock button (asterisk). A listing of a number of dozen obtainable options will likely be proven, search for “Swap to registered AF func.” The icon for this function is an “AF” beside a left proper arrow.
Deciding on this operate is just not sufficient, it is advisable to configure the small print of how it’s to work by urgent the INFO button. You’ll now be within the element setting of the registered AF level the place you’ll be able to resolve which of the 7 parameters will likely be utilized, and in what approach. Use a checkmark within the left column for options that you really want utilized. Use the precise column to set particular settings for that individual function.
5. Default erase choice [Custom Menu 4]
Setting choices:
[Cancel] chosen
[Erase] chosen
[Erase RAW] chosen
[Erase non-RAW] chosen
This function permits you to customise the precise nature of the erase button. Essentially the most helpful side of this customization is that it permits you to decide what number of button presses it takes to delete a picture.
The default setting [Cancel] chosen implies that if you press the erase button the choices of Cancel and Erase are displayed on display screen with the Cancel choice highlighted. Press the set button to cancel the erase course of or use the dial to pick out Erase, then press the set button to erase the picture.
The default setting on the EOS R6 Mark II if you press the erase button (trash can) is the highlighted choices of “Cancel.” By altering this choice to spotlight “Erase” it can save you your self one step each time you erase a picture within the discipline.
Picture: John Greengo
This default choice by Canon (and different producers) has all the time irritated me a bit of bit. I’d have thought that almost all of the instances the erase button was pressed it was as a result of somebody wished to erase a picture, not that the urgent of the erase button was a mistake. This customary setting requires 3 actions, (press, flip, press) to delete a picture. I imagine this to be barely laborious.
If you need to shorten this course of to easily two steps (press Erase, press Set) set this function to [Erase] chosen. That is my most well-liked setting because it nonetheless leaves a layer of safety towards errors in that it nonetheless requires urgent two completely different buttons earlier than a picture is erased. It takes away the pointless dial flip, and makes the deletion course of a bit faster, particularly when working with numerous photos. This setting will not be good for anybody with fumble fingers or people who need that further layer of safety.
A number of choices can be found when urgent the erase button. The second choice of “[Erase] chosen” will permit photos to be erased in two steps slightly than three.
Two further choices can be found: [Erase RAW] chosen and [Erase non-RAW] chosen the place you’ll be able to goal both Uncooked or non-Uncooked (JPEG or HEIF) photos for deletion. This function could also be useful for these working with uncommon post-production workflows the place there’s a need for under particular photos to be left on the reminiscence card.
John Greengo makes a speciality of photographic training by way of on-line coaching, books and worldwide photograph excursions. His photographic teachings have been seen by thousands and thousands across the globe.
These tweaks are just some tips about how one can get essentially the most out of your digital camera. Within the Canon EOS R6 Mark II: Full Digital camera Information, a 9-hour video course, he’ll take you thru all digital camera operations that can assist you set it up in your wants. John presents a large number of courses overlaying a variety of photographic matters together with panorama, journey and gear-specific tutorials.
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