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Introduction
The Sony A7R V is knowledgeable 35mm full-frame mirrorless digital camera with a 61 megapixel back-side illuminated (BSI) CMOS Exmor R sensor. That is paired with the very newest BIONZ XR processor, as additionally featured within the flagship Alpha 1, which in addition to providing 8x extra processing energy than the earlier A7R IV mannequin additionally guarantees to “enhance the essential picture high quality”, not less than in accordance with Sony. The A7R V has a particular multi-shot capturing mode by which they take 16 totally different photographs that may then be mixed utilizing the Imaging Edge Desktop software program to supply a single, 241-megapixel picture. The digital camera can robotically detect and proper small actions within the 16 photographs, equivalent to leaves in bushes or folks, one thing which the A7R IV lacked. The A7RV can document 8K/25p and 4K/60p with a modest 1.2x crop in 10bit 4:2:2 high quality. It additionally provides 4K/30/25/24p and 1080/120p recording with no crop. The brand new A7R V has 693 on-sensor phase-detection AF factors protecting 79% of the picture body and might focus all the way down to EV-4. Sony has additionally added an AI deep studying processing unit to this digital camera which permits it to recognise much more topics than the earlier mannequin, and in addition significantly improves the detection of people and animals/birds. The burst capturing charge of the brand new mannequin is precisely the identical because the previous one – 10fps with both the mechanical or digital shutter – however it does have a bigger buffer. Because of a newly redesigned stabilisation unit, the A7R V now provides as much as 8 stops of in-body stabilisation, making it essentially the most succesful Alpha digital camera on this regard. It has a really spectacular 9.44M-dot OLED Quad-XGA digital viewfinder with 0.90x magnification and a refresh charge of as much as 120fps, paired with a 3.2-inch, 2095K dot decision LCD display. This 4-axis multi-angle display might be flipped out to the facet, rotated to the entrance, folded in opposition to the again of the digital camera to assist shield it, and set to many different positions in-between. The A7RV has twin reminiscence card slots can be utilized for both SD UHS-I/II compliant reminiscence playing cards or sooner CFexpress Kind A playing cards, plus a variety of connectivity upgrades together with distant tethered capturing through wi-fi LAN or USB, 2.4GHz and 5GHz wi-fi, FTP switch, and the power to function as a 4K/15p webcam. The Sony A7R V is on the market now priced at round £4,000 physique solely within the UK, $3,900 within the US and €4,500 in Europe. It’s made in Thailand.
Ease of Use
The A7R V is without doubt one of the most succesful cameras that Sony has ever launched, however it’s additionally probably the most costly too, second solely to the flagship A1 within the intensive Alpha vary.
Three years is a very long time on this planet of digital cameras, particularly the mirrorless market, so so much has modified since 2019 with the latest launch of the A7R V.
Certainly, the A7R V is one in all Sony’s most bold full-frame sensor cameras thus far, each by way of what it provides and the way a lot it prices.
Successor to the favored 3-year-old A7R IV, the brand new A7R V might look similar to its predecessor however it boasts a variety of vital enhancements under-the-hood that in some methods implies that it out-performs even the flagship Alpha 1 mannequin.
At its coronary heart is identical 61 megapixel backside-illuminated (BSI) sensor because the A7R IV, however which Sony guarantees will ship improved primary picture high quality because of its new processor.
That is paired with twin Bionz XR processors, as beforehand debuted within the A1, which powers the entire A7R V’s principal new options and provides a whopping 8x extra processing energy than the A7R IV.
Each cameras have a particular multi-shot capturing mode by which they take 16 totally different photographs that may then be mixed utilizing the Imaging Edge Desktop software program to supply a single, 241-megapixel picture.
On the brand new A7RV, the flexibility of the the favored Pixel Shift Multi Capturing mode has been significantly expanded, as this new mannequin can now robotically detect and proper small actions within the 16 photographs, equivalent to leaves in bushes or folks.
On the A7R IV this mode solely actually labored with utterly static topics, so this enchancment significantly expands the place and when you’ll be able to deploy the Pixel Shift Multi Capturing mode.
The native sensitivity vary of the Sony A7R V and the A7R IV is similar – ISO 100-32,000, which might be expanded all the way down to ISO 50 and as much as ISO 102,400.
Wildlife photographers will love the digital camera’s Multi Decision capabilities. The A7R V inherits the Lossless Compressed RAW format that was beforehand launched on the flagship A1, which reduces the file dimension by 50-80%.
One other model new function is the power to decide on 26 megapixel / Medium or 15 megapixel / Small variations of each RAW and JEPG/HEIF recordsdata.
Even higher is the brand new capacity to modify from 60 megapixel full-frame to 26 megapixel APS-C stills when capturing Lossless Compressed RAW or JEPG/HEIF, enabling you to immediately “zoom in” in your topic on the push of 1 customisable button with out the necessity to change both focal lengths or lenses.
The A7R IV had 567 on-sensor phase-detection AF factors protecting 74% of the picture body, whereas the brand new A7R V has 693 on-sensor phase-detection AF factors protecting 79% of the picture body.
The A7R V additionally has one other slight edge as it will possibly focus all the way down to EV-4 versus the A7R IV’s EV-3. By far the largest distinction between the 2 fashions by way of their auto-focusing efficiency is topic recognition.
Sony has added an AI deep studying processing unit to the newer digital camera which permits it to recognise much more topics than each the earlier A7R IV and flagship A1 mannequin, and in addition significantly improves the detection of people and animals/birds.
For the primary time on any Sony digital camera, the A7R V can recognise a human through its pose in addition to its eye and face. So if the individual’s head is turned away from the digital camera, the A7 R V will nonetheless precisely detect the topic as human primarily based on its AI deep studying.
Animal and chook detection has been expanded from simply with the ability to recognise the attention on the Mark IV to the attention, head and physique on the Mark V.
New to the A7RV is the power to recognise airplanes, automobiles, trains and bugs, all issues which even the flagship Alpha 1 cannot at the moment detect (working model 1.30 firmware).
We examined it on a spread of topics together with birds, automobiles, bugs and naturally people, and have been blown away each by how rapidly the topic was recognised and by how tenacious the digital camera was in monitoring it.
With a wealth of customisation choices for every totally different topic, you actually can fine-tune what’s already a really succesful out-of-the-box system to fit your personal particular necessities.
Because the AI processor unit is solely built-in to to the brand new A7R V, for the second not less than it implies that this new mannequin out-performs even the flagship Alpha 1.
The Alpha A7R V can be a a lot better video digital camera than the earlier mannequin, providing a lot of vital upgrades that place it nearer to the flagship A1, together with the power to document at 8K/25p and 4K/60p high quality, albeit with a gentle 1.2x crop. It additionally provides 4K/30/25/24p and 1080/120p recording with no crop.
In distinction, the earlier A7RIV mannequin can solely document 4K/30p with no crop in 8bit 4:2:0 high quality. It does not provide both 8K or 4K/60p recording.
Different new video options supported by the A7R V embrace 16 bit RAW output, S-Cinetone profile, respiration compensation, focus map, and Energetic+ stabilisation.
The burst capturing charge of the brand new mannequin is precisely the identical because the previous one – 10fps with both the mechanical or digital shutter – however the buffer dimension has been significantly elevated in order that it takes so much longer for the digital camera to slow-down the capturing charge.
Whereas the A7R IV might solely shoot 10fps bursts as much as for 68 JPEG and 68 compressed RAW photographs earlier than the recording charge slowed down, the brand new A7R V can document as much as 88 uncompressed RAW, 184 compressed RAW+ JPEG, 583 compressed RAW, or 1000+ JPEGs, which is fairly spectacular for a 61 megapixel digital camera!
One of the vital upgrades on the A7R V is its staggeringly good LCD display. Larger and higher-resolution than its predecessor’s, the largest change is the brand new display’s sheer versatility. It has a 3.2-inch, 2095K dot decision display in comparison with the A7R IV’s 3.0-inch LCD display with 1440K dots of decision.
This unbelievable new 4-axis multi-angle display that may be flipped out to the facet, rotated to the entrance, folded in opposition to the again of the digital camera to assist shield it, and set to many different positions in-between.
It makes the digital camera ever-so-slightly thicker than its predecessor, however greater than makes up for that with its unbelievable versatility – that is merely one in all, if not the perfect, LCD screens that we have ever utilized in 20 years of reviewing digital cameras!
By way of touch-screen performance, the brand new Alpha A7R V fortunately follows within the footsteps of the A7S III and A1, inheriting the identical menu construction and upgraded contact management, relatively than the crippled touchscreen and extra advanced menu system of earlier Alpha fashions, which included the A7R IV.
The brand new Alpha A7R V has precisely the identical viewfinder because the A7S III – a really spectacular 9.44M-dot OLED Quad-XGA digital viewfinder with 0.90x magnification and a refresh charge of as much as 120fps.
The discharge of A7R V marks a giant step ahead for IBIS in Sony Alpha cameras. Most earlier fashions, together with the A7R IV, have precisely the identical 5-axis optical in-body picture stabilization system which gives as much as 5.5-stops of compensation.
This has been one of many few areas the place Sony lags behind a few of it fundamental rivals, with some providing as much as 8 stops of compensation when used with sure lenses.
Now Sony has joined the get together with the launch of the A7R V, which because of a newly redesigned stabilisation unit now provides as much as 8 stops of in-body stabilisation, making it essentially the most succesful Alpha digital camera on this regard.
The A7R V additionally advantages from having a particular Energetic Mode that will increase stabilization for hand-held film capturing through the use of the BIONZ XR processors.
Each of the brand new A7R V’s reminiscence card slots can be utilized for both SD UHS-I/II compliant reminiscence playing cards or sooner CFexpress Kind A playing cards, identical to the Alpha 1. The A7R IV has twin UHS-II reminiscence card slots however does not assist CFexpress.
It additionally provides a variety of connectivity upgrades together with distant tethered capturing through wi-fi LAN or USB, 2.4GHz and 5GHz wi-fi, FTP switch, and the power to function as a 4K/15p webcam.
Each the A7R V and A7R IV cameras use precisely the identical NP-FZ100 battery, though the precise battery life does range between them, with the previous reaching 430 photographs per cost when utilizing the EVF and 530 when utilizing the LCD monitor and the A7R IV 530 photographs per cost when utilizing the EVF and 670 when utilizing the LCD monitor.
So the brand new Alpha 7R V lags behind the older mannequin considerably, presumably due to the additional calls for positioned upon it by the twin Bionz XR processors.
In the event you have been hoping that the Sony A7R V would radically deviate from the tried and trusted Alpha blueprint, then you definately’ll be sorely upset, because it’s nearly similar to its predecessor.
The one-touch film document button has been moved from the rear of the digital camera to the top-plate, swapping positions with the C1 button and in addition made bigger within the course of.
The brand new publicity compensation dial is unmarked relatively than displaying the +-3EV values as on the A7R IV, reflecting the truth that it will possibly now be customised on the brand new mannequin.
There may be now a useful Nonetheless / Film / S&Q dial situated below the capturing mode dial. with the digital camera remembering the menu settings for every mode.
The A7R V is barely thicker than its predecessor due to its intelligent new 4-axis LCD display. It has a newly developed heat-dissipating construction that stops overheating throughout video recording and burst capturing.
The reminiscence card slot now has a lockable change to assist make it safer, whereas the digital camera’s shutter mechanism is closed and guarded by a canopy when the it’s powered off. There’s additionally a brand new anti-dust system and the A7R V provides 500,000 body shutter life.
It might look so much like its predecessor, however after utilizing the brand new A7R V for some time it is clear that that is one very succesful digital camera that in some methods truly outshines the superior Alpha 1, most notably the extra succesful IBIS, extra versatile LCD display, and extra encompassing AF system.
With a price-tag that is considerably decrease than the A1, for plenty of photographers the A7R will make quite a lot of monetary sense while additionally being a extra “succesful” digital camera in a number of vital methods.
Total, we have come away very impressed with the brand new A7R V, a hybrid powerhouse that’s far more than simply Sony’s newest high-resolution digital camera.
Picture High quality
All the pattern photographs on this assessment have been taken utilizing the 61 megapixel Additional Positive JPEG setting, which produces a mean picture dimension of round 43Mb.
The Sony A7R V produced photographs of excellent high quality through the assessment interval.
The A7R V has an in depth and really usable ISO vary of 50-102400. ISO 50-6400 is actually noise-free, whereas ISO 12800 and 25600 produce greater than acceptable outcomes, and even ISO 51200 is OK for emergency use, though we would hesitate to make use of the quickest setting of ISO 102400.
The RAW samples illustrate simply how a lot processing the digital camera does by default, although, as they’re noisier on the greater ISO values than their JPEG counterparts, with extra undesirable color artifacts.
The efficient Dynamic Vary Optimizer perform extracts extra element from the shadow and spotlight areas in a picture, with out introducing any undesirable noise or different artifacts.
Sony’s color profiles are cut up into ‘inventive seems to be’ and ‘image profiles’, with the previous most fitted for stills and the latter for video, though both might be utilized to each stills and video.
The night time {photograph} was glorious, with the utmost shutter pace of 30 seconds and the Bulb mode providing plenty of scope for inventive night time images.
Noise
There are 12 ISO settings obtainable on the Sony A7R V. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and RAW file codecs.
JPEG
RAW
ISO 50 (100% Crop)
ISO 50 (100% Crop)
ISO 100 (100% Crop)
ISO 100 (100% Crop)
ISO 200 (100% Crop)
ISO 200 (100% Crop)
ISO 400 (100% Crop)
ISO 400 (100% Crop)
ISO 800 (100% Crop)
ISO 800 (100% Crop)
ISO 1600 (100% Crop)
ISO 1600 (100% Crop)
ISO 3200 (100% Crop)
ISO 3200 (100% Crop)
ISO 6400 (100% Crop)
ISO 6400 (100% Crop)
ISO 12800 (100% Crop)
ISO 12800 (100% Crop)
ISO 25600 (100% Crop)
ISO 25600 (100% Crop)
ISO 51200 (100% Crop)
ISO 51200 (100% Crop)
ISO 102400 (100% Crop)
ISO 102400 (100% Crop)
File High quality
The Sony A7R V has 4 totally different JPEG picture high quality settings obtainable, with Additional Positive being the best high quality choice. The A7R V additionally helps the HEIF file format with 2 choices obtainable. There are 3 totally different Uncooked compression settings, with Uncompressed being the best high quality choice.
Because of a better compression effectivity, HEIF recordsdata are smaller than JPEGs regardless that they include considerably extra knowledge. How far more? Nicely, HEIF recordsdata are 10-bit whereas JPEG recordsdata are 8-bit. It is a heck of much more tonal element and wider color gamut.
Within the A7R V each HEIF and JPEG codecs can be found, though you’ll be able to’t choose each on the similar time. Whichever format choice you choose can then be captured independently or concurrently with RAW.
Listed below are some 100% crops which present the standard of the varied choices, with the precise file dimension proven in brackets.
Night time
The Sony A7R V’s most shutter pace is 30 seconds and there is additionally a Bulb mode for even longer exposures, which is good news if you happen to’re severely enthusiastic about night time images. The shot beneath was taken utilizing a shutter pace of 30 seconds at ISO 100.
Dynamic Vary Optimizer
D-Vary Optimiser (DRO) is Sony’s resolution to enhance shadow element in photographs taken in contrasty mild. There are 5 totally different ranges and an Auto choice.
Artistic Appears to be like
There are 10 Artistic Look preset results that you need to use to vary the look of your photographs which can be found when capturing JPEG and/or Uncooked recordsdata.
There are ten inventive look presets for JPEG footage and a further six ‘customized’ presets might be manually saved for fast entry. The presets are Commonplace (‘ST’), Portrait (‘PT’), Impartial (‘NT’), Vivid (‘VV’), ‘VV2’, ‘FL’, ‘IN’, ‘SH’, Black & White (‘BW’) and Sepia (‘SE’).
ST
PT
NT
VV
VV2
FL
IN
SH
BW
SE
Image Profiles
The Sony A7R V provides a spread of 11 Image Profiles which can be found when capturing JPEG and/or Uncooked recordsdata.
Along with the inventive seems to be, there are image profile primarily designed for video use. By default, the ten parameters (PP1-PP11) are set to cowl the next in-camera gamma profiles; Film, nonetheless, Cine1-4, ITU709, ITU 709 (800%), S-Log-2, S-Log3 and HLG1-3), with handbook management over quite a few parameters together with black stage, color mode and saturation.
PP1
PP2
PP3
PP4
PP5
PP6
PP7
PP8
PP9
PP10
PP11
Pattern Photographs
It is a number of pattern photographs from the Sony A7R V digital camera, which have been all taken utilizing the 61 megapixel Additional Positive JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any approach.
Pattern RAW Photographs
The Sony A7R V permits customers to seize RAW and JPEG format recordsdata. We have supplied some Sony RAW (ARW) samples so that you can obtain (thumbnail photographs proven beneath usually are not 100% consultant).
Pattern Motion pictures & Video
Product Photographs
Conclusion
The Sony A7R V has clearly developed past being simply Sony’s highest-resolution digital camera to change into a hybrid powerhouse that in plenty of methods challenges even the flagship A1 mannequin.
With 8K and 4K/60p video recording, the perfect AI and IBIS techniques of any present Alpha digital camera, a terrific viewfinder and beautifully versatile LCD display, the brand new A7R V is a compelling all-rounder.
Costing round £4,000 physique solely within the UK, $3,900 within the US and €4,500 in Europe, it is also considerably cheaper than the flagship Alpha 1 too, so you might purchase a top quality GM lens to go together with the A7R V for across the similar worth because the A1 body-only.
In actual fact, until you really want the lightning quick 30fps burst speeds supplied by the A1 because of its stacked CMOS sensor with integral reminiscence, which delivers sooner efficiency and far sooner burst speeds, then for us the A7R V is a greater match for many fanatic photographers.
Having stated that, the Alpha A7R V is a a lot better video digital camera than the earlier A7R IV mannequin, however it nonetheless cannot fairly match the flagship A1 which moreover gives 8K/30p, 4K 120p and 1080 240p recording choices, so 50/50 hybrid video and stills shooters ought to most likely go for the flagship mannequin if they’ll afford it.
Though it will possibly’t fairly match the Alpha 1 by way of video specs or steady capturing speeds, the brand new A7R V truly outperforms its large brother in some methods, most notably the extra succesful AI-driven AF system which might recognise extra topics extra simply, the wonderful 4-axis LCD display, more practical 8-stop IBIS, and naturally its continued billing because the highest-resolution Alpha digital camera, all at a a lot lower cost level.
The A7R V’s fundamental rival might be the not too long ago launched Nikon Z8, which takes nearly every thing that we beloved concerning the flagship Z9 and squeezes it right into a a lot smaller, lighter and crucially considerably cheaper physique. The Sony A7R V is much less of an all-round hybrid digital camera than the Z8, maybe higher suited to stills images with its wonderful viewfinder, mechanical shutter and better megapixel rely.
It is also a detailed run factor between the Sony A7R V and the Canon EOS R5, with the previous providing extra megapixels, an unbelievable LCD display and viewfinder, and a 241 megapixel multi-shot capturing mode, however Canon combating again with uncropped 8K and 4K video, a lot sooner burst capturing, and a extra ergonomic design.
Total, the Sony A7R V is a unbelievable full-frame digital camera that is particularly suited to stills however which does not neglect videographers, providing a large number of enhancements that make it each an enormous improve from its predecessor and a critical various to the costlier flagship Alpha 1.
Rankings (out of 5)
Design
5
Options
5
Ease-of-use
4.5
Picture high quality
5
Worth for cash
4.5
Most important Rivals
Listed beneath are a few of the rivals of the Sony A7R V.
The EOS R5 has been the most well liked full-frame digital camera on the block ever since Canon pre-announced it again at the beginning of 2020, because of its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it just a few occasions since then, however now we are able to lastly carry you our last Canon R5 assessment, full with full-size pattern photographs and movies!
The brand new 100-megapixel medium-format Fuji GFX 100S is smaller, lighter and extra versatile than the flagship GFX 100, and crucially, considerably cheaper too. A lot in order that it steps on the toes of high-end 35mm full-frame cameras just like the Sony Alpha 1, Canon EOS R5 and Nikon Z7 II. Does the GFX 100S actually show that medium-format is “Greater than full-frame”, and is it actually higher than the GFX 100? Discover out now by studying our in-depth assessment, full with an enormous gallery of full-size pattern photographs and movies…
The brand new Fuji GFX 50S II is essentially the most reasonably priced medium-format ever launched – it is so low-cost that it competes with high-end 35mm full-frame cameras just like the Sony Alpha 7R IV, Canon EOS R5 and Nikon Z7 II. However absolutely there is a catch – is it simply too reasonably priced for its personal good? Discover out now by studying our in-depth Fujifilm GFX 50S II assessment, full with full-size pattern photographs and movies…
The Hasselblad X1D II 50c is a contemporary medium-format mirrorless digital camera with a 51 megapixel sensor, massive 3.6-inch touchscreen LCD and an improved digital viewfinder, all housed in a fantastically crafted physique. Learn our in-depth Hasselblad X1D II 50c assessment now…
Because the religious successor to the favored D850 DSLR, the brand new Z8 full-frame mirrorless digital camera might turn into probably the most vital merchandise that Nikon have ever launched. Learn our in-depth Nikon Z8 assessment, full with full-size pattern photographs and movies, to search out out extra about this mirrorless marvel…
The Sony Alpha 1 digital camera, or Sony A1 for brief, is the perfect digital camera that Sony have ever launched, and at the moment the perfect all-round digital camera available on the market. It is also probably the most costly, so learn our in-depth Sony A1 assessment full with full-size pattern JPEG and Uncooked photographs and flicks to search out out if it is really the One for you…
Historically, you’d need to make a tricky alternative between decision and pace on the subject of high-end cameras, however with the brand new flagship A7R IV mirrorless mannequin, Sony are trying to supply the perfect of each worlds. Can it actually succeed as a digital camera that fits every kind of photographers? Learn our in-depth Sony A7R IV assessment to search out out…
Assessment Roundup
Evaluations of the Sony A7R V from across the internet.
In late 2022, nearly a decade after the debut of the unique mirrorless Alpha 7R, the wraps got here off the Sony Alpha A7R V, or simply the A7R V because it’s mostly identified. Because the title implies, it’s the fifth within the sequence, and nonetheless the most recent. And, identical to each ‘R’ sequence digital camera, it’s a digital camera for many who need most decision and picture element.
Learn the total assessment »
The Sony a7R V is constructed across the similar 60MP BSI CMOS full-frame sensor because the Mark IV was, however Sony says the brand new processor permits it to make use of the total extent of the sensor’s capabilities in a approach the earlier era digital camera could not. The corporate would not be any extra particular in its declare, making it tough to evaluate.
Learn the total assessment »
A bit like Coen brothers motion pictures, Sony cameras might be good after which nice, alternating between the 2. However with the A7R V, it’s secure to say that it’s within the ‘nice’ class, and maintains the place of the highest-resolution full-frame mirrorless digital camera obtainable. Nevertheless, whereas some options are geared in direction of sport and wildlife, it doesn’t provide the burst charges of the A9 II, and video is sweet, however inferior to what you get with the A7S III. So the A7R V seems to be a jack of all trades, however solely a grasp of some.
Learn the total assessment »
Extra energy! Extra pace! Extra every thing! The Sony A7R V is like an episode of laddish TV present Prime Gear. However whereas Sony pitches this digital camera because the decision specialist, it blurs all of the video and sports activities boundaries too and makes it tougher than ever to decide on the ‘proper’ Sony digital camera. The A7R V is an incredible technological achievement, however is it not off course – or certainly any specific path in any respect?
Learn the total assessment »
Specs
Lens
LENS MOUNT
E-mount
Picture Sensor
ASPECT RATIO
3:2
NUMBER OF PIXELS (EFFECTIVE)
Approx. 61.0 megapixels
NUMBER OF PIXELS (TOTAL)
Approx. 62.5 megapixels
SENSOR TYPE
35mm full body (35.7 x 23.8 mm), Exmor R CMOS sensor
ANTI-DUST SYSTEM
Sure (Cost safety coating on Optical Filter and ultrasonic vibration mechanism)
Recording (nonetheless photographs)
RECORDING FORMAT
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
IMAGE SIZE (PIXELS) [3:2]
35mm full body L: 9504 x 6336 (60 M), M: 6240 x 4160 (26 M), S: 4752 x 3168 (15 M), APS-C M: 6240 x 4160 (26 M), S: 4752 x 3168 (15 M)
IMAGE SIZE (PIXELS) [4:3]
35mm full body L: 8448 x 6336 (54 M), M: 5552 x 4160 (23 M), S: 4224 x 3168 (13 M), APS-C M: 5552 x 4160 (23 M), S: 4224 x 3168 (13 M)
IMAGE SIZE (PIXELS) [16:9]
35mm full body L: 9504 x 5344 (51 M), M: 6240 x 3512 (22 M), S: 4752 x 2672 (13 M), APS-C M: 6240 x 3512 (22 M), S: 4752 x 2672 (13 M)
IMAGE SIZE (PIXELS) [1:1]
35mm full body L: 6336 x 6336 (40 M), M: 4160 x 4160 (17 M), S: 3168 x 3168 (10 M), APS-C M: 4160 x 4160 (17 M), S: 3168 x 3168 (10 M)
IMAGE QUALITY MODES
RAW (Compressed / Lossless Compressed (L / M / S) / Uncompressed), JPEG (Additional wonderful / Positive / Commonplace / Gentle), HEIF (4:2:0 / 4:2:2) (Additional wonderful / Positive / Commonplace / Gentle), RAW & JPEG, RAW & HEIF
PICTURE EFFECT
–
CREATIVE STYLE
–
PICTURE PROFILE
Sure (Off / PP1-PP11) Parameters: Black stage, Gamma (Film, Nonetheless, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Shade Mode, Saturation, Shade Part, Shade Depth, Element, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Customized Look (1-6)
DYNAMIC RANGE FUNCTIONS
Off, Dynamic Vary Optimizer
COLOUR SPACE
sRGB normal (with sYCC gamut), Adobe RGB normal and Rec. ITU-R BT.2100 normal (BT.2020 gamut).
1
14BIT RAW
Sure
Recording (film)
RECORDING FORMAT
XAVC S, XAVC HS
COLOUR SPACE
Rec. ITU-R BT.2100 normal suitable (BT.2020 gamut)
2
PICTURE EFFECT
–
CREATIVE STYLE
–
SOFT SKIN EFFECT
Sure
PICTURE PROFILE
Sure (Off / PP1-PP11) Parameters: Black stage, Gamma (Film, Nonetheless, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Shade Mode, Saturation, Shade Part, Shade Depth, Element, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Customized Look (1-6)
MOVIE RECORDING SYSTEM (XAVC HS 8K)
7680 x 4320 (4:2:0, 10bit, NTSC) (Approx.): 24p (400 Mbps / 200 Mbps)
3
4
, 7680 x 4320 (4:2:0, 10bit, PAL) (Approx.): 25p (400 Mbps / 200 Mbps)]
4
MOVIE RECORDING SYSTEM (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps)
3
5
, 24p (100 Mbps / 50 Mbps / 30 Mbps)
3
, 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 50p (150 Mbps / 75 Mbps / 45 Mbps)
5
, 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps / 100 Mbps)
3
5
, 24p (100 Mbps / 50 Mbps)
3
, 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.)): 50p (200 Mbps / 100 Mbps)
5
MOVIE RECORDING SYSTEM (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 60p (150 Mbps)
3
5
, 30p (100 Mbps / 60 Mbps)
3
, 24p (100 Mbps / 60 Mbps)
3
, 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 50p (150 Mbps)
5
, 25p (100 Mbps / 60 Mbps),3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps)
3
5
, 30p (140 Mbps)
3
, 24p (100 Mbps)
3
, 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps)
5
, 25p (140 Mbps)
MOVIE RECORDING SYSTEM (XAVC S HD)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps)
3
6
, 60p (50 Mbps / 25 Mbps)
3
, 30p (50 Mbps / 16 Mbps)
3
, 24p (50 Mbps)
3
,1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps)
6
, 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps),1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps)
3
, 30p (50 Mbps)
3
, 24p (50 Mbps)
3
,1920 x 1080 (4:2:2, 10bit, PAL) (Approx.):50p (50 Mbps), 25p (50 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps)
3
5
, 30p (300 Mbps)
3
, 24p (240 Mbps)
3
, 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps)
5
, 25p (250 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps)
3
, 30p (111 Mbps)
3
, 24p (89 Mbps)
3
,1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps
7
8
6
, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps
7
8
6
MOVIE FUNCTIONS
Audio Degree Show, Audio Rec Degree, PAL/NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC/UB, Auto Sluggish Shutter, Gamma Disp. Help, RAW Output(HDMI)
Recording system (film)
VIDEO COMPRESSION
XAVC S: MPEG-4 AVC/H.264,XAVC HS: MPEG-H HEVC/H.265
AUDIO RECORDING FORMAT
LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit)
9
, LPCM 4ch (48kHz 24bit)
9
, MPEG-4 AAC-LC 2ch
10
USB Streaming
VIDEO DATA FORMAT
MJPEG, YUV420
11
VIDEO RESOLUTION
3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)
AUDIO DATA FORMAT
LPCM 2 ch (16 bit 48 kHz)
SIMULTANEOUS INTERNAL RECORDING
Sure
Recording System
LOCATION INFORMATION LINK FROM SMARTPHONE
Sure
MEDIA
SD reminiscence card, SDHC reminiscence card (UHS-I/II compliant), SDXC reminiscence card (UHS-I/II compliant), CFexpress Kind A reminiscence card
MEMORY CARD SLOT
SLOT1: Multi slot for SD (UHS-I/II compliant) reminiscence card / CFexpress Kind A card, SLOT2: Multi slot for SD (UHS-I/II compliant) reminiscence card / CFexpress Kind A card
RECORDING MODE ON 2 MEMORY CARDS
Simult. Rec, Type, Auto Change Media, Copy
Noise Discount
NOISE REDUCTION
Lengthy publicity NR: On/Off, obtainable at shutter speeds longer than 1 s, Excessive ISO NR: Regular / Low / Off
White Steadiness
WHITE BALANCE MODES
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Shade Temperature (2500 to 9900 Ok) & shade filter / Customized
SHUTTER AWB LOCK
Sure (Shut. Midway Down / Cont. Capturing / Off)
Focus
FOCUS TYPE
Quick Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS SENSOR
Exmor R CMOS sensor
FOCUS POINT
35mm full body: 693 factors (phase-detection AF), APS-C mode with FF lens: 693 factors (phase-detection AF), with APS-C lens: 567 factors (phase-detection AF) / 25 factors (contrast-detection AF)
FOCUS SENSITIVITY RANGE
EV-4 to EV20 (ISO100 equal with F2.0 lens connected)
FOCUS MODE
AF-A (Automated AF), AF-S (Single-shot AF), AF-C (Steady AF), DMF (Direct Handbook Focus), Handbook Focus
FOCUS AREA
Huge / Zone / Heart Repair / Spot / Increase Spot / Monitoring
EYE AF / SUBJECT RECOGNITION AF
Human (Proper/Left Eye Choose) / Animal (Proper/Left Eye Choose) / Fowl / Insect / Automobile・Practice / Airplane
OTHER FEATURES
Predictive management, Focus lock, AF Observe Sens. (Nonetheless), AF Subj. Shift Sensitivity (Film), AF Transition Velocity (Film), Change V/H AF Space, AF Space Regist., Circ. of Focus Level, Focus Map (Film), AF Help (Film)
AF ILLUMINATOR
Sure (with Constructed-in LED sort)
AF ILLUMINATOR RANGE
Approx. 0.3 m – approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens connected)
Publicity
METERING TYPE
1200-zone evaluative metering
METERING SENSOR
Exmor R CMOS sensor
METERING SENSITIVITY
EV-3 to EV20 (ISO100 equal with F2.0 lens connected)
METERING MODE
Multi-segment, Heart-weighted, Spot (Commonplace / Massive), Total Display Avg., Spotlight
EXPOSURE COMPENSATION
+/- 5.0EV (1/3 EV, 1/2 EV steps selectable)
EXPOSURE BRACKETING
Bracket: Cont., Bracket: Single, 2/3/5/7/9 frames selectable. (Ambient mild, Flash mild)
AE LOCK
Locked when shutter button is pressed midway. Accessible with AE lock button. (On/Off/Auto)
EXPOSURE MODES
AUTO (iAuto), Programmed AE (P), Aperture precedence (A), Shutter-speed precedence (S), Handbook (M), Film (Programmed AE (P) / Aperture precedence (A) / Shutter-speed precedence (S) / Handbook (M) / Versatile Exp. Mode), Sluggish & Fast Movement (Programmed AE (P) / Aperture precedence (A) / Shutter-speed precedence (S) / Handbook (M) / Versatile Exp. Mode)
ISO SENSITIVITY
Nonetheless photographs: ISO 100-32000 (ISO numbers up from ISO 50 to ISO 102400 might be set as expanded ISO vary.), AUTO (ISO 100-12800, selectable decrease restrict and higher restrict), Motion pictures: ISO 100-32000 equal, AUTO (ISO 100-12800, selectable decrease restrict and higher restrict)
ANTI-FLICKER SHOOT.
Sure
12
SCENE SELECTION
–
Viewfinder
VIEWFINDER TYPE
1.6 cm (0.64 sort) digital viewfinder (Quad-XGA OLED)
NUMBER OF DOTS
9 437 184 dots
FIELD COVERAGE
100%
MAGNIFICATION
Approx. 0.90x (with 50 mm lens at infinity, -1 m-1)
DIOPTRE ADJUSTMENT
-4.0 to +3.0 m-1
EYE POINT
Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece body at -1 m-1 (CIPA normal)
DISPLAY FUNCTION
Histogram, Actual-time image-adjustment show, Digital stage gauge, Grid line, Focus verify, Peaking MF, Zebra, Film marker, Emphasised show throughout REC
FINDER FRAME RATE SELECTION
NTSC mode: STD 60 fps / HI 120 fps, PAL mode: STD 50 fps / HI 100 fps
LCD Display
MONITOR TYPE
8.0 cm (3.2-type) sort TFT
NUMBER OF DOTS
2 095 104 dots
TOUCH PANEL
Sure
BRIGHTNESS CONTROL
Handbook (5 steps between -2 and +2), Sunny Climate mode
ADJUSTABLE ANGLE
Opening Angles (approx.): Up 98°, down 40°, facet 180°, rotation 270°
FOCUS MAGNIFIER
Sure, Focus Magnifier (35mm full body: 4.7x / 9.3x, APS-C: 3.1x / 6.1x)
Different Options
PLAYMEMORIES CAMERA APPS™
–
CLEAR IMAGE ZOOM
Nonetheless photographs: Approx. 2x, Motion pictures: Approx. 1.5x (4K / 8K), Approx. 2x (HD)
DIGITAL ZOOM
Sensible zoom (Nonetheless photographs): 35mm full body: M: approx. 1.5x, S: approx. 2x / APS-C: S: approx. 1.3x, Digital zoom (Nonetheless photographs): 35 mm full body: L: approx. 4x, M: approx. 6.1x, S: approx. 8x,APS-C: M: approx. 4x, S: approx. 5.3x,Digital zoom (Film): 35mm full body: approx. 4x ,APS-C: approx. 4x
FACE DETECTION
Modes: Face/Eye Precedence in AF, Face Precedence in Multi Metering, Regist. Faces Precedence
SELF-PORTRAIT SELF-TIMER
–
Shutter
TYPE
Electronically-controlled, vertical-traverse, focal-plane sort
SHUTTER TYPE
Mechanical shutter / Digital shutter
SHUTTER SPEED
Nonetheless photographs: 1/8000 to 30 s, Bulb, Motion pictures (NTSC mode): 1/8000 to 1/4 (1/3 steps), as much as 1/60 in AUTO mode (as much as 1/30 in Auto sluggish shutter mode), Motion pictures (PAL mode): 1/8000 to 1/4 (1/3 steps), as much as 1/50 in AUTO mode (as much as 1/25 in Auto sluggish shutter mode)
FLASH SYNC. SPEED
1/250 s (35 mm full body), 1/320 s (APS-C)
ELECTRONIC FRONT CURTAIN SHUTTER
Sure (ON/OFF)
SILENT SHOOTING
Sure (ON/OFF)
Picture Stabilization
TYPE
Picture Sensor-Shift mechanism with 5-axis compensation (Compensation depends upon lens specs)
COMPENSATION EFFECT
8.0 stops (primarily based on CIPA normal. Pitch/yaw shake solely. With FE 50mm F1.2 GM lens mounted. Lengthy publicity NR off.)
Flash Management
CONTROL
Pre-flash TTL
13
FLASH COMPENSATION
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
FLASH MODES
Flash off, Autoflash, Fill-flash, Sluggish Sync., Rear Sync., Purple-eye discount (on/off selectable), Wi-fi
14
, Hello-speed sync.
14
RECYCLING TIME
–
EXTERNAL FLASH COMPATIBILITY
Sony α System Flash suitable with Multi Interface Shoe, connect the shoe adaptor for flash suitable with Auto-lock accent shoe
FE LEVEL LOCK
Sure
WIRELESS CONTROL
Sure (Gentle sign: Accessible with Fill-flash, Sluggish Sync., Hello-speed sync. / Radio sign: Accessible with Fill-flash, Rear Sync., Sluggish Sync., Hello-speed sync.)
Drive
DRIVE MODES
Single Capturing, Steady capturing (Hello+/Hello/Mid/Lo selectable), Self-timer,Self-timer (Cont.), Bracket: Single, Bracket: Cont., Focus Bracket, White Steadiness bracket, DRO bracket
CONTINUOUS DRIVE SPEED (APPROX. MAX.)
Steady capturing: Hello+: 10 fps, Hello: 8 fps, Mid: 6 fps, Lo: 3 fps
NO. OF RECORDABLE FRAMES (APPROX.)
JPEG Additional wonderful L: over 1000 frames, JPEG Positive L: over 1000 frames, JPEG Commonplace L: over 1000 frames, RAW: 583 frames, RAW & JPEG: 184 frames, RAW (Lossless Compressed): 547 frames, RAW (Lossless Compressed) & JPEG: 159 frames, RAW (Uncompressed): 135 frames, RAW (Uncompressed) & JPEG: 88 frames
SELF-TIMER
10 s delay / 5 s delay / 2 s delay / Steady self-time / Bracketing self-timer / Self-timer (Film)
PIXEL SHIFT MULTI SHOOTING
Sure (4 photographs / 16 photographs)
15
Accessibility
SCREEN READER
–
Playback
PHOTO CAPTURE
Sure
MODES
Single (with or with out capturing data Y RGB histogram & spotlight / shadow warning), Index view, Enlarged show mode (L: 18.6x, M: 12.2x, S: 9.3x), Auto Assessment, Picture orientation, Folder choice (Date / Nonetheless / Film), Shield, Ranking, Show as Group, Shot Mark (Film), Divider Body,Crop
Interface
PC INTERFACE
Mass-storage / MTP
MULTI / MICRO USB TERMINAL
Sure
USB TYPE-C TERMINAL
Sure (SuperSpeed USB 10 Gbps (USB 3.2) suitable)
BLUETOOTH
Sure (Bluetooth Commonplace Ver. 5.0 (2.4 GHz band))
MULTI INTERFACE SHOE
Sure (with Digital Audio Interface)
WIRELESS LAN（BUILT-IN）
Sure (Wi-Fi Suitable, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))
MIC TERMINAL
Sure (3.5 mm Stereo minijack)
SYNC TERMINAL
Sure
HEADPHONE TERMINAL
Sure (3.5 mm Stereo minijack)
VERTICAL GRIP CONNECTOR
Sure
LAN TERMINAL
–
FUNCTIONS
FTP Switch Func.(Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Distant management through Smartphone, PC Distant, BRAVIA Sync (Management for HDMI), PhotoTV HD
Audio
MICROPHONE
Constructed-in, stereo
SPEAKER
Constructed-in, monaural
COMPATIBLE STANDARDS
Exif Print, Print Picture Matching III
Customized perform
TYPE
Customized key settings, Programmable Setting (Physique 9 units /reminiscence card 12 units), My Dial Settings, My Menu, Reg Cust Shoot Set
Lens Compensation
SETTING
Peripheral Shading, Chromatic Aberration, Distortion, Respiratory (Film)
Energy
SUPPLIED BATTERY
One rechargeable battery pack NP-FZ100
BATTERY LIFE (STILL IMAGES)
Approx. 440 photographs (Viewfinder) / Approx. 530 photographs (LCD monitor) (CIPA normal)
BATTERY LIFE (MOVIE, ACTUAL RECORDING)
Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA normal)
BATTERY LIFE (MOVIE, CONTINUOUS RECORDING)
Approx. 145 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA normal)
INTERNAL BATTERY CHARGE
Sure (Accessible with USB Kind-C Terminal. USB Energy Supply suitable)
POWER CONSUMPTION WITH VIEWFINDER
Nonetheless photographs: Approx. 4.5 W (with FE 28-70 mm F3.5-5.6 OSS lens connected), Motion pictures: Approx. 6.8 W (with FE 28-70 mm F3.5-5.6 OSS lens connected)
POWER CONSUMPTION WITH LCD SCREEN
Nonetheless photographs: Approx. 3.7 W (with FE 28-70 mm F3.5-5.6 OSS lens connected), Motion pictures: Approx. 6.6 W (with FE 28-70 mm F3.5-5.6 OSS lens connected)
USB POWER SUPPLY
Sure (Accessible with USB Kind-C Terminal. USB Energy Supply suitable)
Others
OPERATING TEMPERATURE
0 – 40 ℃ / 32 – 104 °F
Measurement & Weight
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)
Approx. 723 g (approx. 1 lb 9.6 oz)
DIMENSIONS (W X H X D)
Approx. 131.3 x 96.9 x 82.4 mm, Approx. 131.3 x 96.9 x 72.3 mm (FROM GRIP TO MONITOR)(approx. 5 1/4 x 3 7/8 x 3 1/4 inches, Approx. 5 1/4 x 3 7/8 x 2 7/8 inches (FROM GRIP TO MONITOR))
What’s In The Field
Rechargeable Battery NP-FZ100, Battery Charger BC-QZ1, Energy wire, Cable Protector, Shoulder strap, Physique cap, Accent shoe cap, Eyepiece cup, USB-A to USB-C cable (USB 3.2)
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