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In a sequence that can by no means finish, we now have a side-by-side comparability between the Canon EOS C70 and the ARRI ALEXA Mini LF. Or, to place it one other approach, we now have $6,000 up in opposition to $75,000. Each are unimaginable cinema cameras, although they’ve very completely different working procedures and vastly completely different audiences.
I have to admit, although, that trying out this seemingly ridiculous comparability is numerous enjoyable. This one was dealt with by DP Griffin Conway, who has an excellent monitor file of performing cameras exams on his channel. Hit play if you wish to see reasonably priced versus the trade normal.
Picture high quality is the primary check and this can be a easy setup with an individual to evaluate pores and skin tones and a primary background. You’ll instantly see there’s a big distinction with how the cameras select to deal with shade within the scene. There have been additionally some over and underexposure photographs thrown in for good measure.
You may actually inform the distinction in case you are in any respect accustomed to the forms of footage they produce. The Canon has a robust magenta tint whereas ARRI leaned inexperienced. There’s a little little bit of desire in there as to what appears higher, however the ARRI footage tends to be what everybody prefers whenever you begin working with it. It additionally feels a bit extra pure.
Picture Credit score: Canon
Now, as for operation, the C70 is clearly higher suited to run-and-gun productions. It’s smaller and designed to be operated with minimal equipment. It additionally has choices for capturing 4K as much as 120 fps utilizing the complete Tremendous 35mm sensor. The ARRI is a good bit heavier, however produces an unimaginable picture.
The big-format sensor has a a lot completely different look, although it’s extra restricted with cropping required to get to 4K 60 fps and no possibility for 4K at 120 fps.
Considered one of Griffin’s favourite issues in regards to the ARRI is that the menu system is extremely wise. It additionally has choices to file in ProRes, which is extremely pleasant for modifying. A taller sensor and open gate recording even make life simpler in case you are attempting to do some recording for vertical facet ratios.
Picture Credit score: ARRI
One other factor is that ARRI cameras simply look extra skilled. It shouldn’t matter all that a lot, however for shoppers and out of doors observers, it makes an impression whenever you present up on set with a severe rig.
Though we now have a ton of wonderful and comparatively reasonably priced choices for cinema cameras – lots of which may compete with ARRI – it ought to be mentioned that there’s a cause that ARRI cameras are nonetheless as costly as they’re and completely price it. That distinction turns into extra necessary whenever you go to theater as a substitute of simply YouTube, too.
What do you concentrate on these two cameras?
[source: Griffin Conway]
Order Hyperlinks:
Canon EOS C70 Cinema Digicam (B&H, Amazon)
ARRI ALEXA Mini LF Cinema Digicam (B&H)
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