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Introduction
The Z6 III is the long-awaited alternative for 2020’s Z6 II mid-range mirrorless digicam, which was itself solely a modest replace of the unique Z6 that was launched manner again in 2018. The 2024 model is an altogether totally different beast that represents a giant step ahead for Nikon’s extra inexpensive full-frame cameras, on paper at the least. Whereas the megapixel rely stays the identical as its predecessor at 24.5MP, it now boasts a world’s first “partially-stacked” sensor design which presents sooner scan charges and readouts than its predecessor. In flip, this guarantees to supply extra detailed photos with elevated dynamic vary and extra correct color constancy. As well as the broader native ISO vary now runs from 100 to 64000 (expandable to 50-204800). Together with the identical EXPEED 7 processor that drives the higher-end Z8 and Z9 fashions, the brand new sensor delivers a raft of enhancements similar to sooner auto-focusing, as much as 120fps burst capturing full with Pre-Launch Seize, a 4000-nit, 5670k-dot EVF that is 33% brighter than the flagship Z9, and diminished rolling shutter distortion for fast-moving topics. Different key options of the Z6 III embody inside 6K/60p RAW, 4K/120p and 1080/240p video, 8.0 stops of 5-axis picture stabilisation, prime shutter velocity of 1/16,000 sec, totally articulating 2100k-dot touchscreen, climate sealing and chilly resistance all the way down to -10 C/14 F, twin CFexpress Sort B and UHS-II SD reminiscence card slots, and assist for 96 megapixel photos utilizing pixel shift know-how. The Nikon Z6 III is obtainable now priced in black at £2699 / / $2499 / €3099 physique solely within the UK, Europe and USA respectively. It’s made in Thailand. Learn on for our in-depth Nikon Z6 III evaluation, full with full-size pattern pictures and movies so that you can obtain and consider.
Ease of Use
Nikon has used just about the identical physique design for the Z6 III because the Z6 II, which does not come as an ideal shock in a mature market the place upgrades are much less frequent and extra incremental.
Measuring 138.5 x 101.5 x 74 mm (5.5 x 4 x 3 in.) and weighing 760 g (1 lb. 10.9 oz.) with battery and reminiscence card, fitted, it’s a few mm wider and deeper and 45g heavier than its predecessor, primarily to accommodate the chunkier hand grip, which we predict is certainly definitely worth the commerce off for the marginally higher dealing with that it presents.
In any other case you would be hard-pressed to to inform the 2 cameras aside side-by-side, with the exterior management layouts being nearly an identical – it is contained in the digicam the place nearly all of the enhancements have been made.
Burst capturing charges and buffer capacities have been significantly improved on this new Z6 mannequin. The Z6 II was no slouch, providing 14fps charges and a buffer of 112 raws or 200 JPEGs. The Mark III takes issues to a different degree, although, now being able to capturing at 120fps (10MP DX-format JPEGs), or 60fps (24MP full-frame JPEGs), or 20fps (as much as 1,000 24MP full-frame RAWs), all utilizing the digital shutter, or 14fps with the mechanical shutter.
As well as, the Z6 III additionally boasts Pre-Launch Seize, an ideal function that makes it simpler to seize the decisive second even when capturing at 120fps. When activated, the digicam can buffer photos as much as 1 second earlier than you totally depress the shutter button. Burst capturing then begins when the shutter is half-pressed and the buffer will retain as much as 4 seconds’ value of frames after totally urgent the shutter.
There’s one essential caveat when utilizing this mode, which applies to all of the Nikon digicam that supply it to this point. Pre-Launch Seize is simply out there when capturing JPEGs, not RAW recordsdata, whereas the rival Canon EOS R6 II helps each JPEG and RAW codecs for its equal function.
On a extra optimistic notice, the Nikon Z6 III can shoot at 60fps at full decision within the Pre-Launch Seize mode, one thing that no different Nikon digicam can match, together with each the Z8 and Z9 (they each cut back the decision to 19 megapixels).
Backing up the improved burst capturing and making the Z6 III a lot better suited to wildlife and sports activities images is the revamped auto-focus system which is similar to the one discovered on the flagship Z8/Z9.
The 493-point phase-detection AF system covers the total sensor space and AF calculations are performed at as much as 120fps to maintain up with the quick steady capturing speeds.
3D Monitoring AF inherited from the corporate’s DSLR cameras helps the Z6 III to trace fast-moving topics, with the digicam utilizing a single AF level to trace no matter’s beneath it when you half-press the shutter button.
It additionally inherits most, however not all, of the topic recognition modes which might be out there on the Zf, Z8 and Z9, with the notable exception of a devoted chicken detection mode which is a part of the extra common animal detection mode.
When paired with an F1.2 lens, the Z6 III boasts AF sensitivity which means it might probably auto-focus all the way down to an unbelievable -10EV, even when not utilizing the particular Starlight AF capturing mode.
When it comes to AF efficiency, the Z6 III represents a giant enchancment when put next with the Z6 II, getting it proper much more regularly than that digicam did and making it a lot simpler to suggest for anyone that shoots numerous shifting topics, similar to wildlife or sport.
The in-body picture stabilization system has been considerably improved with the Z6 III now providing 8.0 stops of 5-axis picture stabilisation constructed into the digicam’s physique, up from 5 stops on the Z6 II, plus there’s electronic-VR for video recording. The non-compulsory Focus Level VR function stabilises the world across the lively focus level when capturing stills.
The Z6III’s video capabilities have additionally gained a big improve within the 4 years because the launch of the Mark II model.
The brand new mannequin presents 12-bit 6K and oversampled 4K RAW (N-RAW and ProRES RAW ) recording internally as much as 60fps for N-RAW and 30fps for ProRES, plus common 4K at as much as 120fps (1.5x crop) and 10x gradual movement as much as 240fps in Full HD.
Inner recording can be supported with 10-bit coloration and 4:2:2 sampling within the ProRes 422 HQ codec and 4:2:0 sampling within the H.265 codec at 5.4K 30p and 5.4K 60p.
The utmost recording time is a formidable 120 minutes, regardless of the absence of a cooling fan or different heat-dissipating design.
As with its predecessor, Nikon has opted for a chunky and strong design which shrinks down all of the very important parts of the bigger Z8/Z9 fashions, with out it being frustratingly small to make use of.
The physique of the Z6 III continues to be replete with loads of dials and buttons which all have sufficient area to breathe, and we’ll undergo these in additional element as we progress via this evaluation.
It feels very well-built and has a premium-feeling textured protecting across the hand-grip and rear thumb relaxation, which helps to each make the digicam really feel snug and safe in your hand in addition to including to the overall feeling of high quality.
A lot of the buttons and dials are discovered on the correct hand facet of the digicam, notably people who you are probably to make use of regularly. Which means you can also make nearly all the major modifications to settings utilizing simply your proper hand and conceivably even use the digicam one-handed in case you so wished.
Positioned on the left of the highest plate, you will discover the digicam’s capturing mode dial. Right here there’s all the same old guide and semi-automatic modes, (PSAM), in addition to totally auto, and three slots for user-customised settings.
The latter three modes (U1-U3) are available very useful in case you’re usually capturing a specific sort of topic, similar to sports activities or motion, and need to shortly flick to a sure group of settings that you have already configured.
Simply beneath the mode dial on the rear of the digicam, you will discover the newly relocated burst capturing button, which has swapped locations with the playback button, and the delete button.
Shifting over to the right-hand facet of the highest plate and to begin with you have bought the LCD show, which reveals you all the important thing settings, similar to aperture, battery, remaining pictures, drive mode and shutter velocity. It is an effective way to shortly verify in case you have the settings you need chosen, with out having to show the digicam on and test the rear display.
To the correct of the display, there’s a big unmarked dial which you’ll rotate together with your thumb and is used to regulate totally different settings relying on the capturing mode you are in – for instance in shutter precedence mode, it can management the shutter velocity. You may as well use it together with one of many different buttons – similar to ISO – to make changes.
Towards the entrance of the highest plate, on the prime of the grip, you will discover the Off/On swap, in addition to the shutter launch button. That is surrounded by a devoted video file button, an ISO button and an publicity compensation button.
On the entrance/prime of the hand-grip is one other scrolling dial, which once more controls totally different settings relying on the mode you are utilizing – for instance in aperture precedence mode, it adjusts the aperture setting.
The rear of the digicam is the place you will discover nearly all of the buttons. Beginning on the prime, you have bought a show button which you should utilize to regulate how each the display and the viewfinder shows – for instance, you may swap off the dwell view feed altogether and simply present settings on the rear display, and you’ll swap on and off a histogram and horizon degree. Within the viewfinder you may toggle on the extent, histogram and show across the body.
Across the show button, there is a swap which you should utilize to maneuver between stills mode and video mode. It is fairly a stiff swap, so it is unlikely you’d do that accidentally and find yourself within the improper mode.
To the correct of this button/dial mixture is the AF-on button, which you’ll customise to permit for back-button focusing in case you desire to activate AF in that manner. Which means once you press the shutter launch, it will not try and refocus once more, which is helpful for focusing and recomposing, or for photographing fast shifting topics.
Beneath the AF-On button, there is a joystick. This is available in extraordinarily useful for shifting the AF level across the body, both whereas composing through the display, or whereas composing through the viewfinder.
Not like another cameras available on the market, you may’t use the touchscreen whereas capturing via the viewfinder, so it’s totally probably you will be utilizing the joystick for this goal. You may as well use the stick to maneuver round both the short or full menu.
You’ll be able to entry a fast menu by urgent the “i” button beneath the mode dial. Right here you will discover a group of settings which you are probably to make use of regularly, similar to Image Management, Flash, Launch mode, AF-area mode, metering, and so forth. You’ll be able to navigate round this menu both by utilizing the joystick, the directional keys or by relating the setting you need to change.
You’ll be able to then use the scrolling dials to regulate the setting as required. In the event you discover there are settings on this menu that you do not use all that always, you may customise the “i” menu in the principle menu, swapping out any settings you do not use for ones which you do. One other technique to entry the short menu is to faucet the “i” displayed on the digicam display, too.
Beneath the “i” button is an unmarked four-way navigational pad, with an OK button on the centre. You should use the directional keys to maneuver the AF level across the display, in addition to navigate round photos in playback, or carry up details about mentioned photos. The OK button can be utilized for menu navigation, but additionally for features similar to resetting the AF level to the centre of the body.
Beneath the navi-pad is a button with a magnifying glass on it, which you should utilize to zoom into the scene you are photographing – it is notably helpful for checking vital focus, particularly when utilizing guide focus.
Instantly beneath it there is a zoom out button, too. You may as well use these buttons in playback to test areas of the scene. To the correct of the zoom in button is the principle menu button, the place you will discover a huge array of settings, these which you are unlikely to vary on fairly as common a foundation as these settings discovered within the fast menu.
There are a number of pages to maneuver via, however they’re fairly well-organised right into a set of various folders, similar to Playback, Photograph Capturing, Film Capturing, Customized Settings, Setup and a Retouch menu.
There’s additionally a “My Menu”, the place it can save you any menu settings which you entry regularly, to save lots of you scrolling via pages of menus to search out the precise setting which you want.
You may discover the twin reminiscence card slots behind a door which doubles up because the rear thumb relaxation. There’s one slot for XQD / CFExpress, whereas the secondary slot accepts SD format playing cards. Given the smaller measurement of the cameras it presumably would not be potential to place two XQD formed slots right here, so it is a good compromise to have the smaller format alongside the extra rugged / sooner format.
There are a selection of the way you may arrange the secondary slot – you may both have it as a backup slot, which makes a straight copy of the primary card as you are capturing, you may have arrange as “overflow”, so it solely comes into play when the primary card is full, or you may arrange each playing cards to file totally different codecs. So, you might have the XQD card slot file uncooked recordsdata, and the SD card slot file JPEGs, or one might file stills, and the opposite film.
Two issues which have modified because the earlier model are the rear LCD display and the digital viewfinder. The Z6 III now has a a lot higher-resolution 5670k-dot OLED viewfinder with a refresh charge of 60fps, plus 4000-nit brightness which is 33% brighter than the flagship Z9. One other first on a Nikon digicam is the EVF’s huge (DCI-P3) color gamut which shows extra life-like colors with no color banding.
You’ll be able to set the viewfinder to change on robotically as you raise the digicam to your eye (the default setting), or you may swap it to so it is completely on (and the rear display will not be / shows solely digicam settings), or you may even set it to completely off in case you desire.
A button on the left-hand facet of the viewfinder controls all of those settings, whereas there is a diopter dial on the other facet of the finder for adjusting the main target of the viewfinder.
Additionally upgraded on the Mark III model of the Z6 is the rear display. It is nonetheless a 3.2-inch, 2.1m-dot TFT touch-sensitive display, however has now been modified from a tilting up/down design to a extra versatile totally articulating design that may be flipped out each to the facet and forwards/backwards. That is far more helpful for capturing selfies or recording movies to digicam and makes the Z6 III attraction extra to vloggers.
On the left hand facet of the digicam is the place you will discover all of the ports housed beneath two rubber flaps, together with a headphone and microphone jack, a full-size HDMI port, a distant management port and a USB-C port which you should utilize for charging the digicam. One small enchancment is that the digicam’s exterior mic enter can now be used as a line-level enter for pro-quality sound.
The Z6 III retains the flexibility to cost the digicam whereas it’s recording stills/video, which may very well be helpful or videographers trying to lengthen the recording occasions. Battery life from the EN‑EL15c rechargeable Li-ion battery is quoted as 390 stills utilizing the LCD display and 340 utilizing the viewfinder in response to CIPA requirements.
A brand new Energy Battery Pack, the MB-N14, can be out there which be used for vertical capturing in addition to to extend capturing time with two EN-EL15c batteries housed within the grip.
Picture High quality
The entire pattern photos on this evaluation have been taken utilizing the 24.5 megapixel Positive* JPEG setting, which produces a median picture measurement of round 9Mb.
NoiseThe base sensitivity of the Nikon Z6 is ISO 100 however you may go all the way down to ISO 50 (L1.0) if you want. On the different finish of the dimensions, the very best native sensitivity of the Nikon Z6 is ISO 64000, however boosted settings together with ISO 102400 and ISO 204800 are additionally out there. Listed below are some 100% crops which present the noise ranges for every ISO setting, with JPEG on the left and RAW on the correct.
File QualityThe Nikon Z6 III has two totally different file choices – Uncooked and JPEG – with three compression choices out there for Uncooked and 6 for JPEG. Listed below are some 100% crops which present the variations between all of them, with the total picture measurement proven in brackets.
Energetic D-lighting (ADL)D-lighting is Nikon’s dynamic vary optimisation software that makes an attempt to squeeze the total dynamic vary of the sensor into JPEGs. Energetic D-lighting works “on the fly”, earlier than the in-camera processing engine converts the uncooked picture information into JPEGs. The out there settings are Off, Low, Regular, Excessive, Additional Excessive 1 and Additional Excessive 2, plus an Auto mode.OffLowNormalHighExtra Excessive 1Extra Excessive 2
HDRThe Nikon Z6 III’s HDR Mode captures three totally different exposures and combines them into one, retaining extra shadow and spotlight element, with an Auto mode, and 4 totally different strengths.OffLowNormalHighExtra Excessive
Image ControlsNikon’s Image Controls are preset mixtures of sharpening, distinction, brightness, saturation and hue. All 31 totally different Image Controls will be tweaked to your liking, then saved and transferred to different cameras.AutoStandardNeutralVividMonochromeFlat MonochromeDeep Tone MonochromePortraitRich Tone PortraitLandscapeFlatDreamMorningPopSundaySomberDramaticSilenceBleachedMelancholicPureDenimToySepiaBlueRedPinkCharcoalGraphiteBinaryCarbon
A number of ExposureThe Nikon Z6 III’s a number of publicity mode lets you take between two and ten photos and merge them right into a single photograph in-camera.
Pattern Photographs
This can be a choice of pattern photos from the Nikon Z6 III digicam, which have been all taken utilizing the 45.7 megapixel Positive* JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any manner.
Pattern RAW Photographs
The Nikon Z6 III allows customers to seize RAW and JPEG format recordsdata. We have offered some Nikon RAW (NEF) samples so that you can obtain (thumbnail photos proven under are usually not 100% consultant).
Pattern Motion pictures & Video
This can be a pattern 6K/60p film on the high quality setting of 5376×3024 pixels at 60 frames per second.
This can be a pattern 4K/120p film on the high quality setting of 3840×2160 pixels at 120 frames per second.
This can be a pattern 4K/60p film on the high quality setting of 3840×2160 pixels at 60 frames per second.
This can be a pattern 4K/24p film on the high quality setting of 3840×2160 pixels at 24 frames per second.
This can be a pattern FHD/240p film on the high quality setting of 1920×1080 pixels at 240 frames per second.
Product Photographs
Conclusion
Whereas the Z6 II felt like a reasonably incremental improve of the unique model that launched two years earlier, the brand new Mark III is far more the true successor to the 2018 debutant, taking Nikon’s mid-range mirrorless digicam forwards in veritable leaps and bounds.It is also a greater than viable different to the costlier Z8 mannequin, providing sufficient comparable options and efficiency (and even a couple of further ones) in a smaller, lighter physique at a decrease price-point, clearly making it the higher alternative for lots of customers.In our Z6 II evaluation we commented that “it is nonetheless not a digicam that will be ideally suited to capturing quick motion or shifting topics – which means that Nikon nonetheless does not have a mirrorless digicam to rival its personal DSLRS on the subject of the sort of work. It additionally does not have a digicam which really rivals different mirrorless producers together with Sony and its arch-nemesis, Canon”. Ouch!Nikon should certainly have listened to each us and different unbiased sources, nevertheless, as the identical criticism can definitely not be levelled at their prosumer providing.With a wealth of enhancements to burst capturing charges and buffer measurement, auto-focusing velocity and reliability, class-leading IBIS and the wonderful digital viewfinder, the Z6 III is eminently well-suited to capturing each stills and video of wildlife, sports activities and something that strikes shortly, one thing that could not be confidently mentioned about its predecessor.The official value has gone up by round £$500 because the £2000 launch of the Z6 and Z6 II, bringing the Mark III immediately in keeping with the Sony A7 IV and the Canon EOS R6 II, each of that are barely older however nonetheless very critical rivals.You additionally want to contemplate if actually you want the Z6 III if you have already got a Z6 II, or, because the latter digicam continues to be on sale, in case you’re considering choosing one up for the primary time. If price range is a giant concern, it can save you a hefty chunk of money by both sticking with what you have already bought or plumping for the earlier, however not but discontinued, mannequin.Total, although, the shiny new Z6 III is a compelling all-rounder that quietly and confidently delivers 90% of the options and efficiency that almost all of its audience actually need – which is excessive reward certainly!
Scores (out of 5)
Design
5
Options
4.5
Ease-of-use
4.5
Picture high quality
5
Worth for cash
4
Predominant Rivals
Listed under are a number of the rivals of the Nikon Z6 III.
The EOS R5 has been the most well liked full-frame digicam on the block ever since Canon pre-announced it again at first of 2020, due to its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it a couple of occasions since then, however now we are able to lastly carry you our closing Canon R5 evaluation, full with full-size pattern pictures and movies!
The EOS R6 Mark II is the successor to one in every of our favorite full-frame mirrorless cameras, principally including a brand new 24 megapixel sensor, 40fps burst capturing and improved auto-focusing. Learn our in-depth Canon EOS R6 II evaluation now, full with full-size pattern pictures and movies.
The Nikon Z6 II mirrorless digicam is an evolutionary improve of the unique Z6, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Is that this sufficient to compete with its major rivals? Discover out now by studying our in-depth Nikon Z6 II evaluation, full with full measurement pattern pictures and movies…
The Nikon Z7 II full-frame mirrorless digicam is the 2020 replace of the unique Z7 mannequin, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Are these modifications sufficient for it to compete with its major rivals just like the Sony A7R IV and the Canon EOS R5? Discover out now by studying our in-depth Nikon Z7 II evaluation, full with full measurement pattern pictures and movies…
Because the non secular successor to the favored D850 DSLR, the brand new Z8 full-frame mirrorless digicam might turn into one of the vital essential merchandise that Nikon have ever launched. Learn our in-depth Nikon Z8 evaluation, full with full-size pattern pictures and movies, to search out out extra about this mirrorless marvel…
The Nikon Z9 is knowledgeable degree, full-frame mirrorless digicam for photographers and videographers that encompasses a 45 megapixel stacked BSI sensor, 8K/30p and 4K/120p video recording, 30fps burst capturing and a dual-grip design. Learn our in-depth Nikon Z9 evaluation full with full-size pattern pictures and movies to search out out simply what this flagship digicam is able to…
Classic, retro, heritage – Nikon are again with the Zf, a really fashionable 35mm full-frame digital digicam housed inside a physique that is clearly been impressed by the basic FM2 SLR from the Nineteen Eighties. We take an in-depth have a look at the Nikon Zf in our full evaluation, full with full-size pattern pictures and movies.
Lastly! The brand new Lumix S5 II is the primary ever Panasonic digicam to have a section hybrid detection AF system, answering the critics of its contrast-based DFD system. However does this highly effective hybrid photograph and video digicam have what it takes to beat its major rivals? Discover out now by studying our in-depth Panasonic Lumix S5 II evaluation, full with full-size pattern pictures and movies.
We have kicked off our Panasonic Lumix S9 evaluation with pattern JPEG and RAW photos, product pictures and extra…
Overview Roundup
Opinions of the Nikon Z6 III from across the net.
You don’t get one thing for nothing. The Z6 III is by far the costliest Z6-series digicam to this point, bumping up the acquisition value at launch by about 25 %, in contrast with earlier fashions.
Learn the total evaluation »
Specs
Lens mountNikon Z mountImage sensor formatFXImage sensor typeCMOSSensor size35.9 mm x 23.9 mmTotal pixels26.79 millionDust-reduction systemImage sensor cleansing, Picture Mud Off reference information (requires NX Studio)Efficient pixels24.5 millionImage measurement (pixels)[FX (36 x 24)] chosen for picture space:(L) 6048 x 4032 ( 24.4 million)(M) 4528 x 3024 ( 13.7 million)(S) 3024 x 2016 ( 6.1 million)[DX (24 x 16)] chosen for picture space:(L) 3984 x 2656 ( 10.6 million)(M) 2976 x 1992 ( 5.9 million)(S) 1984 x 1328 ( 2.6 million)[1:1 (24 x 24)] chosen for picture space:(L) 4032 x 4032 ( 16.3 million)(M) 3024 x 3024 ( 9.1 million)(S) 2016 x 2016 ( 4.1 million)[16:9 (36 x 20)] chosen for picture space:(L) 6048 x 3400 ( 20.6 million)(M) 4528 x 2544 ( 11.5 million)(S) 3024 x 1696 ( 5.1 million)File format (picture high quality)NEF (RAW): 14 bit; select from lossless compression, excessive effectivity (excessive), and excessive effectivity optionsJPEG: JPEG-Baseline compliant with wonderful (approx. 1 : 4), regular (approx. 1 : 8), or fundamental (approx. 1 : 16) compression; size-priority and optimal-quality compression availableHEIF: Helps wonderful (approx. 1 : 4), regular (approx. 1 : 8), or fundamental (approx. 1 : 16) compression; size-priority and optimal-quality compression availableNEF (RAW)+JPEG: Single {photograph} recorded in each NEF (RAW) and JPEG formatsNEF (RAW)+HEIF: Single {photograph} recorded in each NEF (RAW) and HEIF formatsPicture Management SystemAuto , Commonplace , Impartial , Vivid , Monochrome , Flat Monochrome , Deep Tone Monochrome , Portrait , Wealthy Tone Portrait , Panorama , FlatCreative Image Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Pink, Pink, Charcoal, Graphite, Binary, Carbon); chosen Image Management will be modified; storage for Customized Image ControlsNote: Alternative of Image Controls is restricted to Commonplace, Monochrome, and Flat when HLG is chosen for tone mode throughout nonetheless images.MediaCFexpress (Sort B) , XQD , SD , SDHC (UHS-II compliant) , SDXC (UHS-II compliant)Twin card slot1 CFexpress card or XQD card and 1 Safe Digital (SD) cardEither card can be utilized for overflow or backup storage, for separate storage of NEF (RAW) and JPEG or HEIF footage, or for storage of duplicate JPEG or HEIF footage at totally different sizes and picture qualities; footage will be copied between playing cards.File systemDCF 2.0, Exif 2.32, MPEG‑A MIAFViewfinder1.27-cm/0.5-in. approx. 5760k-dot UXGA OLED digital viewfinder with coloration stability and auto and 19-level guide brightness controls; excessive frame-rate show availableFrame coverageApprox. 100% horizontal and 100% verticalMagnificationApprox. 0.8x (50 mm lens at infinity, -1.0 m-1)Eyepoint21 mm (-1.0 m-1; from rearmost floor of viewfinder eyepiece lens)Diopter adjustment-4 to +2 m-1Eye sensorAutomatically switches between monitor and viewfinder displaysCompatible lensesZ mount NIKKOR lensesF mount NIKKOR lenses (mount adapter required; restrictions might apply)Shutter typeElectronically-controlled vertical-travel focal-plane mechanical shutter; digital front-curtain shutter; digital shutterShutter speed¹⁄₈₀₀₀ to 30 s (select from step sizes of ¹⁄₃, ¹⁄₂, and 1 EV, extendable to 900 s in mode M), bulb, timeWhen utilizing an digital shutter, the shutter velocity will be set as much as ¹⁄₁₆₀₀₀ s.Flash sync speedFlash synchronizes with shutter at speeds of ¹⁄₂₀₀ s or slower; sooner sync speeds are supported with auto FP high-speed syncWhen utilizing an digital shutter, flash synchronizes with the shutter at speeds of ¹⁄₆₀ s or slower; and auto FP high-speed sync can’t be used.Launch modeSingle body , steady low-speed , steady high-speed , steady high-speed (prolonged) , high-speed body seize + with Pre-Launch Seize , Self-timerApproximate body advance rateUp to 120 fpsContinuous low-speed: Approx. 1 to 7 fpsContinuous excessive velocity: Approx. 8.1 fps (when utilizing the digital shutter and picture high quality settings aside from NEF (RAW) and NEF (RAW) +: approx. 16 fps)Steady excessive velocity (prolonged): Approx. 14 fps (with digital shutter: Approx. 20 fps)Excessive-speed body seize + (C30): Approx. 30 fpsHigh-speed body seize + (C60): Approx. 60 fpsHigh-speed body seize + (C120): Approx. 120 fpsMaximum body advance charge as measured by in-house exams.Self-timer2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2, or 3 sExposure Metering SystemTTL metering utilizing digicam picture sensorExposure Metering modeMatrix meteringCenter-weighted metering: Weight of 75% given to 12 or 8 mm circle in heart of body or weighting will be primarily based on common of whole frameSpot metering: Meters circle with a diameter of roughly 4 mm centered on chosen focus pointHighlight-weighted meteringExposure Vary-4 to +17 EVFigures are for ISO 100 equal and f/2.0 lens at 20 °C/68 °FExposure ModeAUTO: auto, P: programmed auto with versatile program, S: shutter-priority auto, A: aperture-priority auto, M: manualExposure compensation-5 to +5 EV (select from step sizes of ¹⁄₃ and ¹⁄₂ EV)Publicity lockLuminosity locked at detected valueISO sensitivity (Advisable Publicity Index)ISO 100 to 64000 (select from step sizes of ¹⁄₃ and 1 EV);can be set to approx. 0.3, 0.7, or 1 EV (ISO 50 equal) under ISO 100 or to approx. 0.3, 0.7, 1, or 1.7 EV (ISO 204800 equal) above ISO 64000; auto ISO sensitivity management availableNote: ISO sensitivity is restricted to 400 to 64000 when HLG is chosen for tone mode.Energetic D-LightingAuto, Additional excessive, Excessive, Regular, Low, and OffMultiple exposureAdd, common, lighten, darkenOther optionsHDR overlay, photograph mode flicker discount, high-frequency flicker reductionAutofocus systemHybrid phase-detection/distinction AF with AF assistDetection range-10 to +19 EVMeasured in photograph mode at ISO 100 equal and a temperature of 20 °C/68 °F utilizing single-servo AF (AF‑S) and a lens with a most aperture of f/1.2Lens servoAutofocus (AF):Single-servo AF (AF-S) , continuous-servo AF (AF-C) , full-time AF (AF-F; out there solely in video mode); predictive focus trackingManual focus (M):Digital rangefinder will be usedFocus Point273 focus factors (single-point AF), 299 focus factors (auto-area AF);Variety of focus factors out there in photograph mode with FX chosen for picture areaAF-area modePinpoint (out there in photograph mode solely), single-point, dynamic-area (S, M, and L; out there in photograph mode solely), wide-area (S, L, C1, and C2), and auto-area AF; 3D-tracking (out there in photograph mode solely); subject-tracking AF (out there in video mode solely)Focus lockFocus will be locked by urgent shutter-release button midway (single-servo AF/AF‑S) or by urgent the middle of the sub-selectorCamera on-board VR5-axis picture sensor shiftLens on-board VRLens shift (out there with VR lenses)Flash controlTTL: i‑TTL flash management; i‑TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, customary i‑TTL fill-flash with spot meteringFlash modesFront-curtain sync, gradual sync, rear-curtain sync, red-eye discount, red-eye discount with gradual sync, offFlash compensation-3 to +1 EV (select from step sizes of ¹⁄₃ and ¹⁄₂ EV)Flash-ready indicatorLights when non-compulsory flash unit is totally charged; flashes as underexposure warning after flash is fired at full outputAccessory shoeISO 518 hot-shoe with sync and information contacts and security lockNikon Artistic Lighting System (CLS)i-TTL flash management, radio-controlled Superior Wi-fi Lighting, optical Superior Wi-fi Lighting, modeling illumination, FV lock, Coloration Data Communication, auto FP high-speed sync, unified flash controlWhite balanceAuto (3 sorts), pure gentle auto, direct daylight, cloudy, shade, incandescent, fluorescent (3 sorts), flash, select coloration temperature (2500 to 10,000 Okay), preset guide (as much as 6 values will be saved), all with fine-tuningBracketing typesExposure and/or flash, white stability, ADLOther choices for nonetheless photographyVignette management, diffraction compensation, auto distortion management, pores and skin softening, portrait impression stability, and interval-timer, focus-shift, and pixel-shift photographyVideo Metering systemTTL metering utilizing digicam picture sensorVideo Metering modeMatrix, center-weighted, or highlight-weightedVideo Body measurement (pixels) and body rate5376 x 3024 (5.4K): 60p/50p/30p/25p/24p3840 x 2160 (4K UHD): 120p/100p/60p/50p/30p/25p/24p1920 x 1080: 240p/200p/120p/100p/60p/50p/30p/25p/24p1920 x 1080 (slow-motion): 30p x4/25p x4/24p x5Note: Precise body charges for 240p, 200p, 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 239.76, 200, 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.Video Body measurement (pixels) and body charge (RAW video)6048 x 3402: 60p/50p/30p/25p/24p4032 x 2268: 60p/50p/30p/25p/24p3984 x 2240: 120p/100p/60p/50p/30p/25p/24pNote: Precise body charges for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.Video File formatNEV, MOV, MP4Video compressionN-RAW (12 bit), Apple ProRes RAW HQ (12 bit), Apple ProRes 422 HQ (10 bit), H.265/HEVC (8 bit/10 bit), H.264/AVC (8 bit)Audio recording formatLinear PCM (48 KHz, 24 bit, for movies recorded in NEV or MOV format) , AAC (48 KHz, 16 bit, for movies recorded in MP4 format)Audio recording deviceBuilt-in stereo or exterior microphone can be utilized; exterior audio units can be utilized through line enter, audio enter sensitivity adjustable; attenuator, frequency response, and wind noise discount functionsExposure compensation-3 to +3 EV (select from step sizes of ¹⁄₃ and ¹⁄₂ EV)ISO sensitivity (Advisable Publicity Index)Mode M: Handbook choice (ISO 100 to 51200; select from step sizes of ¹⁄₆, ¹⁄₃ and 1 EV); with extra choices out there equal to roughly 0.3, 0.7, 1, or 2 EV (ISO 204800 equal) above ISO 51200; auto ISO sensitivity management (ISO 100 to Hello 2.0) out there with selectable higher limitNote: ISO sensitivity is restricted to 400 to 51200 when HLG is chosen for tone mode.Notice: ISO sensitivity is restricted to Lo 0.3 to 2.0 and 800 to 51200 when N-Log is chosen for tone mode.Modes P, S, A: Auto ISO sensitivity management (ISO 100 to Hello 2.0) with selectable higher limitAUTO mode: Auto ISO sensitivity management (ISO 100 to 51200)Energetic D-LightingExtra excessive, Excessive, Regular, Low, and OffOther choices for video recordingTime-lapse video recording, digital vibration discount, time codes, N-Log and HDR (HLG) video, wave-form show, purple REC body indicator, video recording show zoom (50%, 100%, and 200%), prolonged shutter speeds (modes S and M), and dual-format (proxy-video) recording for RAW video; choice to view video recording data out there through i menu; Hello-Res ZoomMonitor size8 -cm ( 3.2 –in.) diagonalMonitor typeVari-angle TFT touch-sensitive LCD with 170° viewing angle, roughly 100% body protection, and coloration stability and 15-level guide brightness controlsMonitor resolutionApprox. 2100 k-dotPlaybackFull-frame and thumbnail (as much as 4, 9, or 72 footage) playback with playback zoom, playback zoom cropping, video playback, slide reveals, histogram show, highlights, photograph info, location information show, auto image rotation, image score, voice memo recording and playback, IPTC info embedding and show, filtered playback, skip to first shot in collection, collection playback, save consecutive frames, and movement blendUSB connectorType C SuperSpeed USB connector; connection to built-in USB ports is recommendedHDMI output connectorType A HDMI connectorExternal audio inputStereo mini-pin jack (3.5 mm diameter; plug-in energy and line enter supported)Audio outputStereo mini-pin jack (3.5 mm diameter)Accent terminalBuilt-in (can be utilized with MC-DC2 distant cords and different non-compulsory equipment)Wi-Fi “NIJ”Requirements:IEEE802.11b/g/n/a/acOperating frequency:2412 to 2472 MHz (channel 13) and 5180 to 5700 MHzMaximum output energy (EIRP):2.4 GHz band: 3.8 dBm5 GHz band: 9.5 dBmAuthentication:Open system, WPA2-PSK, WPA3-SAEWi-Fi “NICS”Requirements:IEEE 802.11b/g/n/a/acOperating frequency:2412 to 2472 MHz (channel 13) and 5150 to 5850 MHz (5150 to 5350 MHz and 5725 to 5850 MHz)Most output energy (EIRP):2.4 GHz band: 3.8 dBm5 GHz band: 9.5 dBmAuthentication:Open system, WPA2-PSK, WPA3-SAEWi-Fi “NIKC”Requirements:IEEE 802.11b/g/n/a/acOperating frequency:2412 to 2472 MHz (channel 13) and 5180 to 5825 MHz (5180 to 5700 MHz and 5745 to 5825 MHz)Most output energy (EIRP):2.4 GHz band: 3.8 dBm5 GHz band: 9.5 dBmAuthentication:Open system, WPA2-PSK, WPA3-SAEWi-Fi “Others”Requirements:IEEE 802.11b/g/n/a/ac (Europe, Africa, the Center East, Asia, Oceania, U.S.A., Canada, and Mexico)IEEE 802.11b/g/n/a (The Americas, aside from U.S.A., Canada, and Mexico)Working frequency:Europe (aside from Ukraine), Israel, Turkey and India: 2412 to 2472 MHz (channel 13) and 5180 to 5825 MHz (5180 to 5700 MHz and 5745 to 5825 MHz)Algeria, Egypt, Morocco, the Republic of Congo, and Ukraine: 2412 to 2462 MHz (channel 11) and 5180 to 5320 MHzAfrica (aside from Algeria, Egypt, Morocco, and the Republic of Congo), Asia (aside from Turkey), and the Center East (aside from Israel): 2412 to 2462 MHz (channel 11) and 5745 to 5805 MHzU.S.A., Canada, Mexico, Australia, New Zealand, the Republic of Fiji, and Papua New Guinea: 2412 to 2462 MHz (channel 11) and 5180 to 5825 MHz (5180 to 5580 MHz, 5660 to 5700 MHz, and 5745 to 5825 MHz)Different nations within the Americas: 2412 to 2462 MHz (channel 11) and 5180 to 5805 MHz (5180 to 5320 MHz and 5745 to 5805 MHz)Most output energy (EIRP):2.4 GHz band: 3.8 dBm5 GHz band: 9.5 dBmAuthentication:Open system, WPA2-PSK, WPA3-SAEBluetoothCommunication protocols:Bluetooth Specification model 5.0Operating frequency:Bluetooth: 2402 to 2480 MHzBluetooth Low Power: 2402 to 2480 MHzMaximum output energy (EIRP):Bluetooth: -1.7 dBmBluetooth Low Power: -3.2 dBmBatteryOne EN‑EL15c rechargeable Li-ion battery**EN‑EL15b and EN‑EL15a batteries can be utilized instead of the EN‑EL15c. Notice, nevertheless, that fewer footage will be taken on a single cost than with the EN‑EL15c. EH-8P AC adapters can be utilized to cost EN‑EL15c and EN‑EL15b batteries solely.Battery packMB-N14 energy battery packs (out there individually) taking two EN‑EL15c* batteries*EN‑EL15b and EN‑EL15a batteries can be utilized instead of the EN‑EL15c. Notice, nevertheless, that fewer footage will be taken on a single cost than with the EN‑EL15c.AC adapterEH-8P AC adapters (out there individually); provided UC‑E25 USB cable requiredEH‑5d, EH‑5c, and EH‑5b AC adapters; requires EP‑5B energy connector (out there individually)Tripod socket0.635 cm (¹⁄₄ in., ISO 1222)Dimensions (W x H x D)Approx. 138.5 x 101.5 x 74 mm ( 5.5 x 4 x 3 in.)WeightApprox. 760 g( 1 lb. 10.9 oz. )with battery and reminiscence card however with out physique cap and accent shoe cowl; approx. 670 g/1 lb. 7.7 oz. (digicam physique solely)Working EnvironmentTemperature: -10 °C to 40 °C (+14 °F to 104 °F)Humidity: 85% or much less (no condensation)Equipped accessoriesBS‑1 Accent Shoe Cowl (comes connected to digicam), DK‑29 Rubber Eyecup (comes connected to digicam), BF‑N1 Physique Cap, EN‑EL15c Rechargeable Li-ion Battery with terminal cowl, HDMI/USB Cable Clip, AN‑DC26 Strap, UC‑E25 USB Cable
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