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ProRes RAW is turning into an increasing number of widespread as tons of latest digicam releases are supporting it. Uncooked video was once restricted to skilled cinema cameras and intense workflows with devoted crew members there simply to wrangle the footage. Now you will get it with some off-the-shelf SSDs and a consumer-grade mirrorless digicam.
Utilizing it’s nonetheless somewhat little bit of a problem when you aren’t used to uncooked workflows. In case you are stepping your toes within the ProRes RAW waters, this video from Harv Video/Audio Stuff walks by way of methods to correctly colour grade the footage. There are numerous settings to pay attention to, so it’s value watching.
Earlier than we being, you need to perceive what ProRes RAW truly is. It’s a new compressed format that makes an attempt to retain as a lot of the uncooked sensor knowledge as doable. This could present glorious flexibility in post-production whereas the near-lossless compression retains your file sizes smaller than precise uncooked clips.
Being made by Apple and the ProRes group, ProRes RAW is optimized for sure NLEs—like Ultimate Minimize. Additionally, the ProRes DNA guarantees ultra-fast playback and modifying in comparison with conventional uncooked codecs which PCs usually wrestle with. In Harv’s assessments the ProRes RAW does truly run very nicely. Almost as quick as common ProRes.
Harv does his assessments with the precise uncooked clips and chooses to not transcode them. It’s doable with many computer systems truly. The footage is from a Sony FX6 linked to an Atomos Ninja V.
Picture Credit score: Atomos
After importing into Ultimate Minimize you could discover the clip seems to be a bit off, possibly with blown highlights or bizarre colour. What you need to do is head to the inspector and head all the way down to the uncooked settings. In case you are comfy with current log workflows the very first thing to have a look at is the Uncooked to Log Conversion possibility. This may take the uncooked footage and convert it to a log profile of your selecting – although it ought to match the digicam system used.
You can even add on a LUT to present you a decent-looking picture to work with. After this, if you wish to regulate publicity shortly many cameras will provide ISO management and you may make changes there to deliver again highlights or increase the shadows.
Going again to only a log conversion you possibly can work in an analogous approach to different workflows. The chain is often colour wheels for publicity and colour corrections. You need to use no matter instruments you might be most comfy with. Subsequent for Harv is Curves for distinction changes. Then he throws on a LUT for a glance after which one other Coloration Wheels adjustment for remaining tweaks.
Picture Credit score: Apple
On this instance, Harv applies a corrective LUT to the log footage. Then he makes use of a plug-in of Lightroom controls to use some tweaks to publicity, colour temperature, highlights, shadows, saturation and simply making it look good to his style. For a remaining polish he makes use of the colour wheels to desaturate the highlights and mentioning the saturation of the shadows whereas additionally including somewhat distinction.
For the subsequent instance he heads to the Lightroom plug-in, then to paint curves, and at last to a LUT. He selects his LUT after which makes use of the plug-in to punch it up somewhat bit. For colour curves he makes use of numerous management factors as this has numerous dynamic vary.
Harv discovered the recordsdata to be very straightforward to work with. There’s loads of element and dynamic vary, plus the ProRes RAW codecs are very straightforward on computer systems in comparison with different uncooked codecs. Additionally, whereas the footage is kind of heavy for storage, the clips are significantly better than issues like REDRAW.
His ProRes RAW Suggestions:
Use uncooked settings to remodel clips first
Make publicity changes with ISO
Transcode or use proxy media for additional pace
Versatile recordsdata can take daring grading
ProRes RAW has fewer uncooked settings than typical uncooked codecs
Have you ever used ProRes RAW? Harv is giving it a glowing overview right here.
[source: Harv Video/Audio Stuff]
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