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ARRI Rental has simply introduced two new large-format lens sequence: the ARRI Rental ALFA and Moviecam lineups. The previous takes the standard of the ARRI Grasp Anamorphic lenses one step additional, whereas the latter leverages the sense of nostalgia by giving classic glass a extra trendy look. Each sequence can be found worldwide completely by ARRI Rental services.ARRI Rental’s sole mission is that of offering cinema and broadcast professionals all over the world with essentially the most superior imaging applied sciences out there at this time. Amongst different achievements, this big staff effort resulted within the growth of the ARRI Prime DNA and DNA LF large-format lenses.Nonetheless, ARRI Rental didn’t cease. Certainly, their R&D staff has been working aspect by aspect with skilled cinematographers to develop two new large-format lens sequence. So please welcome the ARRI Rental ALFA and Moviecam glass.ARRI Rental ALFA manufacturing course of. Supply: ARRIARRI ALFA and Moviecam sequence: widespread featuresThe ARRI ALFA and Moviecam sequence are particularly designed for large-format cinematography. Constructed across the LPL-Mount system, they’re suitable with the ARRI 65 and LF cameras.The development of those lenses depends on ARRI’s experience. This ensures a stable build-quality with integrated trendy options, just like the LDA chips for environment friendly information workflows.Regardless of the similarities, these two lineups ought to present very completely different imaging traits. So let’s take a more in-depth look.ARRI Rental Moviecam manufacturing course of. Supply: ARRIARRI ALFA: large-format anamorphicsThe ARRI ALFA sequence builds on the legacy of the ARRI Grasp Anamorphic lenses. Nonetheless, added parts and optical scheme modifications create a never-seen-before look.This sequence of large-format anamorphics consists of 8 lenses starting from 40 to 190mm. Most lenses within the lineup have a most mild transmission of T2.5.In creating the ALFA sequence, the ARRI Rental staff didn’t work alone. The truth is, important inputs got here from cinematographers Greig Fraser (ACS, ASC) and Nikolaus Summerer. They requested, the ARRI Rental staff listened.In line with Fraser, the ALFA lenses present “a pleasant vignette of softness across the edges however a super-sharp middle”.ARRI Rental ALFA Sequence. Supply: ARRIARRI Moviecam Sequence: classic nostalgiaWhile the ALFA lenses produce a robust anamorphic look, the Moviecam sequence goals at giving classic glass a complete new life, offering the nostalgic look many filmmakers are taking care of.The optical scheme of this glass dates again to the Nineteen Seventies, whereas the housing has a contemporary, trendy, high-performance design, with uniform lens sizes and ring placements. In line with ARRI, the lenses on this sequence are light-weight and compact in dimension.The ARRI Moviecam lineup consists of 11 large-format spherical lenses starting from 16 to 135mm. Most of them boast a most aperture of T2, excluding the 100 and 135mm T2.8 and 60mm T1.5.ARRI Rental Moviecam Sequence. Supply: ARRIAvailabilityThese lenses actually signify the state-of-the-art of our craft at this time and they need to present final picture high quality. Nonetheless, they don’t seem to be for everybody and it received’t be straightforward to place arms on them.The truth is, as within the case of the ARRI Prime DNA and DNA LF lenses, the ALFA and Moviecam Sequence are solely out there by ARRI Rental’s community of services all over the world, notably in North America and Europe.What do you consider these new ARRI Rental lens sequence? Have you ever ever shot on the ARRI 65 or LF cameras? Share your expertise within the feedback beneath!
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