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In a sequence that can by no means finish, we now have a side-by-side comparability between the Canon EOS C70 and the ARRI ALEXA Mini LF. Or, to place it one other method, now we have $6,000 up towards $75,000. Each are unbelievable cinema cameras, although they’ve very totally different working procedures and vastly totally different audiences.
I need to admit, although, that testing this seemingly ridiculous comparability is loads of enjoyable. This one was dealt with by DP Griffin Conway, who has a very good monitor file of performing cameras exams on his channel. Hit play if you wish to see inexpensive versus the business commonplace.
Picture high quality is the primary take a look at and it is a easy setup with an individual to evaluate pores and skin tones and a primary background. You’ll instantly see there’s a enormous distinction with how the cameras select to deal with colour within the scene. There have been additionally some over and underexposure pictures thrown in for good measure.
You possibly can actually inform the distinction in case you are in any respect conversant in the kinds of footage they produce. The Canon has a powerful magenta tint whereas ARRI leaned inexperienced. There’s a little little bit of desire in there as to what appears to be like higher, however the ARRI footage tends to be what everybody prefers while you begin working with it. It additionally feels a bit extra pure.
Picture Credit score: Canon
Now, as for operation, the C70 is clearly higher fitted to run-and-gun productions. It’s smaller and designed to be operated with minimal equipment. It additionally has choices for taking pictures 4K as much as 120 fps utilizing the total Tremendous 35mm sensor. The ARRI is a good bit heavier, however produces an unbelievable picture.
The massive-format sensor has a a lot totally different look, although it’s extra restricted with cropping required to get to 4K 60 fps and no choice for 4K at 120 fps.
Certainly one of Griffin’s favourite issues in regards to the ARRI is that the menu system is extremely smart. It additionally has choices to file in ProRes, which is extremely pleasant for enhancing. A taller sensor and open gate recording even make life simpler in case you are attempting to do some recording for vertical side ratios.
Picture Credit score: ARRI
One other factor is that ARRI cameras simply look extra skilled. It shouldn’t matter all that a lot, however for purchasers and out of doors observers, it makes an influence while you present up on set with a severe rig.
Though we now have a ton of fantastic and comparatively inexpensive choices for cinema cameras – lots of which might compete with ARRI – it must be stated that there’s a purpose that ARRI cameras are nonetheless as costly as they’re and completely price it. That distinction turns into extra essential while you go to theater as a substitute of simply YouTube, too.
What do you concentrate on these two cameras?
[source: Griffin Conway]
Order Hyperlinks:
Canon EOS C70 Cinema Digicam (B&H, Amazon)
ARRI ALEXA Mini LF Cinema Digicam (B&H)
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