[ad_1]
Introduction
The brand new Canon EOS R6 Mark II is a mid-range full-frame mirrorless digicam which replaces the unique EOS R6 that was initially launched in 2020. The R6 II utilities a brand new 24.2 megapixel CMOS sensor which gives a 20% enhance in decision in comparison with its 20 megapixel predecessor. It gives a class-leading burst taking pictures charge of 40fps with the digital shutter, double that of its predecessor, making it Canon’s quickest ever full-frame mirrorless digicam, surpassing even the usual 30fps mode supplied by the range-topping EOS R3. Different key options embody the most recent DIGIC X processor, 6K/60p limitless video recording, 8-stops of IBIS, expanded 50-204,000 ISO vary, improved AI monitoring which moreover recognises horses, plane and trains, new OVF simulation mode, twin SD UHS II card slots, 5GHz wi-fi and Bluetooth 5.0, and webcam and dwell streaming assist. The Canon EOS R6 Mark II physique solely is on the market now priced at £2,779.99 / €3,149.99 / $2,499.00 within the UK, Europe and US respectively. It’s designed and made in Japan.
Ease of Use
Wanting on the EOS R6 Mark II alongside the unique mannequin, you would be very arduous pressed to inform it other than its 3-year-old predecessor.
Canon have modified just a few points of the exterior management structure, most notably including a brand new On/Off/Lock swap on the right-hand-side of the top-plate and a brand new Digicam/Film swap on the left, however in any other case the 2 fashions are just about indistinguishable, apart from the addition of Mark II to the entrance nameplate.
This lack of change for modifications sake does imply that should you’re an unique EOS R6 proprietor, you may really feel immediately at dwelling utilizing this new model. There are additionally no quirky multi-controllers or multi-function contact bars right here to impress controversy, with the R6 II having a way more typical management structure that is very a lot within the lengthy custom of earlier EOS cameras, mirrorless and DSLR alike.
Regardless of the Canon EOS R6 Mark II utilising a largely polycarbonate physique, impressively it nonetheless gives the identical stage of weather-proofing because the EOS 6D Mark II and the 5D Mark IV DSLR cameras.
Subsequently it advantages from being each light-weight – 588g body-only or 670g with each a battery and reminiscence card fitted (10g lighter than the unique R6) – and absolutely weather-sealed. It measures 138.4 × 98.4 × 88.4 mm, making it a whopping 1mm greater than the R6!
The Canon R6 II advantages from having a really deep handgrip that comfortably accommodates 4 fingers, one thing that may’t be stated of quite a lot of mirrorless cameras that undergo from having too small a grip.
The minimalist entrance plate sports activities only a single management – the basic Depth of Area preview button, which helps you identify what your pictures will appear like earlier than the picture is taken. There’s additionally a porthole for the AF help mild and a lozenge formed button for releasing the lens.
On the coronary heart of the EOS R6 Mark II is a model new 24.2 megapixel CMOS sensor which gives a 20% enhance in decision in comparison with its predecessor.
This could reply among the critics of the unique mannequin’s extra modest 20 megapixel sensor, though inevitably there can be requires much more decision to have been offered.
We predict that 24 megapixels is the candy spot for this class of digicam, although, particularly given the blistering burst taking pictures speeds that the R6 II gives.
The ISO vary nonetheless runs from 100-102,400, which may be additional expanded as much as ISO 204,800 and right down to ISO 50, identical to on the unique mannequin.
The Canon EOS R6 Mark II once more incorporates 5-axis In-Physique Picture Stabilisation (IBIS). It has been designed to work collaboratively with the IS system that is constructed into many RF-mount lenses, with the lens and the sensor working collectively to right pitch and yaw and the sensor correcting the X-Y and roll actions.
This clever stabilisation system gives as much as a frankly unimaginable 8-stops of stabilisation when the digicam is paired with sure lenses, permitting you to hand-hold the digicam for as much as 4 seconds
and nonetheless get critically sharp outcomes.
Even some non-stabilised lenses such because the RF 85mm F1.2L USM or RF 28-70mm F2L USM provide 8 stops of stabilisation after they’re mounted on the EOS R6 Mark II, due to the big 54mm diameter of the of the RF Mount.
The EOS R6 Mark II can even stabilise older, non-IS lenses together with any EF lens that’s fitted to the R6 II by way of the Canon EF-EOS R mount adapter. The stabilisation system may also work with lenses from different producers – you simply must enter the focal size into the digicam’s menu system.
In follow, the EOS R6 Mark II and the RF 24-105mm F4 L IS USM lens that we had been despatched for testing offered as much as the headline grabbing 8-stops of stabilisation – it actually is feasible to hand-hold this mix at beforehand impossibly sluggish shutter speeds and nonetheless keep important sharpness.
The Canon R6 II now gives a class-leading burst taking pictures charge of 40fps with the digital shutter, double that of its predecessor. It could additionally shoot at 12fps with the mechanical shutter, each modes supporting full auto publicity (AE) and auto focus (AF) monitoring.
There is a tiny quantity of viewfinder and LCD blackout between every body when taking pictures at 40fps, however it’s barely discernible to the bare eye.
Extremely the R6 Mark II can report 1,000 or extra compressed uncooked photographs when taking pictures at 12fps earlier than its buffer turns into full. The buffer is far smaller when utilizing the 40fps mode at 190 JPEGs, 140 Compressed Raws, or 75 Uncompressed RAWs.
There’s additionally a brand new Uncooked burst mode wherein the digicam can shoot at 30fps with 0.5 seconds of pre-capture built-in which ought to assist much more with capturing that decisive sporting or wildlife second.
The R6 II is the primary Canon digicam to function the following era Twin Pixel CMOS AF II focusing system for each stills and video. Billed because the world’s quickest AF, the digicam is able to focusing in as little as 0.05 seconds.
It gives 4,897 manually selectable and 1,053 routinely selectable AF factors with 100% body protection.
Impressively the EOS R6 Mark II can even focus in mild ranges as little as -6.5EV (when used with an F1.2 lens), which is an actual boon to low-light taking pictures/
Due to its Digic X processor and new sensor, the EOS R6 Mark II even higher deep-learning primarily based automated face, eye and animal AF monitoring modes than the R6 Mark I.
The improved AI monitoring now moreover recognises horses, plane and trains in addition to the people, canine, cats and birds that the unique model may routinely detect.
Cleverly, if the digicam is ready to Face-only AF and the tracked topic exits the body, it will not routinely then deal with the background, as a substitute re-focusing on the face when it reenters the scene.
The newer mannequin additionally now incorporates a particular auto-select mode for topics, plus the identical Versatile AF mode from the EOS R3, and eye monitoring now features in all AF modes.
There is a new On/Off/Lock swap on the proper hand facet of the top-plate, with the digicam leaping into life nearly immediately, and a brand new Digicam/Film swap over on the left. The multi-controller on the rear has been subtly redesigned, and Canon’s newest multi-function shoe has been carried out.
In any other case you may really feel immediately at dwelling with the Mark II model should you’re upgrading from the unique R6.
There is a small however responsive shutter launch button on the high of the handgrip, with the tiny M-Fn behind it. This gives fast entry to among the digicam’s key controls, together with ISO, steady taking pictures, AF, white stability and publicity compensation.
Behind that’s the entrance management dial for principally setting the aperture or shutter pace, with a small, crimson one-touch film report button behind it sitting pleased with the digicam physique.
The Lock button on the EOS R6 has now been included into the Off/Lock/On swap on the brand new EOS R6 Mark II. As its identify suggests, this locks the 2 management dials on high of the digicam and the rear management wheel so as to’t by chance change the digicam’s key settings.
Finishing the highest of the digicam is the rear management dial that is ideally positioned for thumb operation and the brand new Digicam/Film swap on the left, which makes it far more intuitive to change between these two taking pictures modes.
The Canon R6 II gives two model new taking pictures modes – a number of publicity mode (JPEGs solely) and a Panorama mode, as beforehand seen on the just lately launched EOS R7. It additionally gives in-camera focus bracketing which can be a giant pull for a lot of stills photographers.
Turning to the rear of the Canon R6 II, it gives an array of controls that can be immediately acquainted to anybody who has used an EOS 5-series DSLR digicam earlier than, together with the basic Canon management wheel. There’s additionally a barely redesigned joystick that is a bit more tactile than the one discovered on the EOS R6.
Alongside the Menu backside on the far left is the Fee button, which lets you assign star rankings to your photographs throughout playback (Off, 1-5 stars).
The EOS R6 Mark II has precisely the the 0.5-inch 3.69 million dot EVF because the EOS R6, which continues to be spectacular to look by, working as much as 120fps for minimal lag when taking pictures fast-moving topics.
The brand new mannequin now incorporates a particular OVF simulation mode, just like the one on the EOS R3, which makes use of HDR know-how to simulate a extra “real-world” view of the scene.
One of many major management improvements on the EOS R6 Mark II is the inclusion of the basic Canon management wheel with the SET button at its coronary heart, which can be immediately acquainted to anybody who has used a Canon EOS 5-series DSLR digicam earlier than.
The one on the EOS R6 Mark II really serves much less function than the one on the EOS 5-series, although, just because there are already two management dials on high of the digicam for setting the aperture and shutter pace, and one on the RF lenses which may be usefully configured to manage the ISO pace, amongst different issues.
So the basic Canon management wheel is principally used for rapidly scrolling by the menu system and through picture playback as a substitute. Because the digicam additionally has a touch-screen, each of those features may be extra rapidly and intuitively managed by way of contact, which does beg the query as to why Canon determined to incorporate the management wheel in any respect.
The EOS R6 Mark II has precisely the identical 3-inch, 1.62 million dot, vari-angle LCD display screen as on the unique mannequin, which tilts out to the facet and faces forwards for extra handy vlogging and selfies. It may also be usefully folded flat towards the again of the digicam to guard it when in transit in a digicam bag.
A proximity sensor is situated instantly beneath the viewfinder, which routinely switches between the EVF and LCD display screen. When the LCD display screen is swung outwards, the EVF is cleverly turned off routinely.
A tilting LCD display screen all the time helps to encourage taking pictures from inventive angles and it additionally helps make the EOS R6 Mark II ideally suited to movie-shooting.
As talked about above, the LCD display screen is touch-sensitive, permitting you to manage the whole lot from setting the AF level and firing the shutter, navigating the menu methods and shopping your photographs throughout playback. It is a very exact, responsive system that is a veritable pleasure to make use of.
Alongside the rear joystick are three basic Canon controls – the AF-On button for individuals who choose back-button focusing, the Auto-exposure Lock button (denoted by a star) and the AF space choice button which makes it simpler to change the autofocus level when holding the digicam to your eye.
Beneath the AF-On button are a cluster of three buttons – the Magnification button, Data Button and the Fast button which opens the Fast Management display screen, which gives instantaneous entry to 10 key digicam controls.
Finishing the rear of the EOS R6 Mark II are the self-explanatory Playback and Delete buttons situated beneath the rear management wheel.
On the proper hand-side of the digicam is the reminiscence card compartment. The EOS R6 Mark II continues to assist two SD UHS II playing cards by way of twin slots, and you’ll select to report to each playing cards concurrently.
Provided that it could possibly now shoot at 40fps, it could have been nice if the quicker CFExpress normal had been included, however perhaps that is one thing that we’ll see on a future Mark III.
On the left hand-side of the digicam are three rubber flaps housing 5 totally different connections. The Canon EOS R6 Mark II has a microphone port, headphone jack, distant management port, USB-3 port and a mini HDMI connection – all of the issues that any fanatic photographer or videographer would wish from a connectivity standpoint, apart from a full-size HDMI port.
The R6 II continues to make use of the identical LP-E6NH lengthy life battery that can also be equipped with the unique R6, however Canon have someway managed to considerably prolong the CIPA-rated battery life from 380 photographs when utilizing the EVF to 450, and from 510 photographs when utilizing the LCD display screen to 760.
If one battery is not sufficient for you, the EOS R6 Mark II is suitable with precisely the identical BG-R10 Battery Grip that its predecessor supported, once more making upgrading simpler.
It provides customers the flexibility to energy the R6 II utilizing two batteries (LP-E6/N/NH) and likewise gives duplicate controls for simpler vertical taking pictures. Be aware that the batteries do should be charged while the grip is fitted on-camera.
The Canon EOS R6 II can report 4K video as much as 60p in 10-bit, achieved by oversampling from 6K, promising barely higher high quality than the unique R6 which oversampled from 5.1K. It additionally ups the ante considerably by providing 6K/60p ProRes Uncooked recording, however solely externally by way of HDMI moderately than internally.
1080p slow-motion recording continues to be accessible with AF assist, however the most body charge has been elevated as much as 180fps on the brand new mannequin. There’s additionally now not a 30-min time restrict on recording as on the unique R6 and Canon declare that rolling shutter has been lowered.
Cleverly, if the digicam is ready to Face-only AF and the tracked topic exits the body, it will not routinely then deal with the background, as a substitute re-focusing on the face when it reenters the scene.
The Mark II R6 additionally gives a number of new video options like focus respiration correction, a false color publicity help, a 3/5 second pre-recording operate, CLog3 profile, and a fast management display screen only for video.
With built-in up to date Bluetooth v.5 and Wi-Fi (5GHz) assist, the EOS R6 Mark II may be simply related to a smartphone and networks permitting high-speed file sharing and FTP/FTPS switch.
The R6 II may also be remotely managed utilizing Canon’s Digicam Join 3.0.0 and EOS Utility apps and tethered to a PC or Mac by way of Wi-Fi or high-speed USB 3.2. It additionally now gives the flexibility to function each as a webcam or for dwell streaming by way of UVC/UAC.
Picture High quality
The entire pattern photographs on this evaluation had been taken utilizing the 24 megapixel Wonderful JPEG setting, which supplies a mean picture dimension of round 8Mb.
The Canon EOS R6 Mark II produced nonetheless photographs of excellent high quality throughout the evaluation interval.
This digicam produces noise-free JPEG photographs from ISO 50 all the way in which as much as ISO 12800, with noise first showing at ISO 25600. The quicker settings of 51200 and 102400 show numerous noise, however they’re nonetheless superb to make use of for making smaller prints and net photographs. Even the quickest expanded setting of ISO 204800 can be utilized at a push.
The EOS R6 Mark II proved to be very succesful in low-light, with the utmost shutter pace of 30 seconds and the Bulb mode permitting you to seize sufficient mild in all conditions.
The assorted totally different Image Types and Inventive Results are an actual profit, all of which may be previewed earlier than you are taking the shot, as are the HDR settings, focus stacking and a number of publicity modes.
Assist for the most recent HEIF 10-bit file format continues to be just a little skinny on the bottom, however ought to provide a level of future-proofing if it is extra extensively adopted.
Noise
ISO sensitivity may be set between ISO 50 and ISO 204800 in full-stop increments. Listed here are some 100% crops which present the noise ranges for every ISO setting, with JPEG on the left and RAW on the proper.
JPEG
RAW
ISO 50 (100% Crop)
ISO 50 (100% Crop)
ISO 100 (100% Crop)
ISO 100 (100% Crop)
ISO 200 (100% Crop)
ISO 200 (100% Crop)
ISO 400 (100% Crop)
ISO 400 (100% Crop)
ISO 800 (100% Crop)
ISO 800 (100% Crop)
ISO 1600 (100% Crop)
ISO 1600 (100% Crop)
ISO 3200 (100% Crop)
ISO 3200 (100% Crop)
ISO 6400 (100% Crop)
ISO 6400 (100% Crop)
ISO 12800 (100% Crop)
ISO 12800 (100% Crop)
ISO 25600 (100% Crop)
ISO 25600 (100% Crop)
ISO 51200 (100% Crop)
ISO 51200 (100% Crop)
ISO 102400 (100% Crop)
ISO 102400 (100% Crop)
ISO 204800 (100% Crop)
ISO 204800 (100% Crop)
File High quality
The Canon EOS R6 Mark II has three totally different file high quality settings – Uncooked, Wonderful and Regular. Listed here are some 100% crops which present the distinction.
Wonderful (8.1Mb) (100% Crop)
Regular (4Mb) (100% Crop)
RAW (25.9Mb) (100% Crop)
JPEG vs HEIF
In contrast with the 8 bits (256-level greyscale) of the JPEG format, HEIF is able to storing picture knowledge at 10 bits (1024-level greyscale) or greater, and likewise helps the Rec. 2020 normal, which boasts an especially broad shade gamut.
What’s extra, HEIF is suitable with the HEVC (H.265) codec, which gives a better compression effectivity in storage in contrast with JPEG information of the identical picture high quality.
JPEG
HEIF
HDR
The Canon EOS R6 Mark II’s HDR Mode captures three totally different exposures and combines them into one, retaining extra shadow and spotlight element, with an Auto mode, three totally different strengths and a number of other varieties of HDR type accessible.
A number of Publicity
The EOS R6 Mark II’s a number of publicity mode lets you take between two and 9 photographs and merge them right into a single photograph in-camera.
Image Types
Canon’s Image Controls are preset combos of various sharpness, distinction, saturation and color tone settings. The EOS R6 Mark II’s seven accessible Image Controls are proven beneath within the following collection, which demonstrates the variations. There are additionally three Person Outlined styes so as to create your personal look.
Commonplace
Portrait
Panorama
Wonderful Element
Devoted
Impartial
Monochrome
Inventive Filters
The Inventive Filters taking pictures mode gives 10 totally different choices to assist boost your JPEG photographs.
Pattern Photos
It is a choice of pattern photographs from the Canon EOS R6 Mark II digicam, which had been all taken utilizing the 24 megapixel Wonderful JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any manner.
Pattern RAW Photos
The Canon EOS R6 Mark II permits customers to seize RAW and JPEG format information. We have offered some Canon RAW (CR3) samples so that you can obtain (thumbnail photographs proven beneath usually are not 100% consultant).
Pattern Motion pictures & Video
It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please observe that this 20 second film is 595Mb in dimension.
It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please observe that this 15 second film is 613Mb in dimension.
It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please observe that this 16 second film is 633Mb in dimension.
It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please observe that this 16 second film is 632Mb in dimension.
It is a pattern 4K film on the high quality setting of 3840×2160 at 25 frames per second. Please observe that this 15 second film is 314Mb in dimension.
It is a pattern slow-motion film on the high quality setting of 1920×1080 at 180 frames per second. Please observe that this 26 second film is 99Mb in dimension.
It is a pattern slow-motion film on the high quality setting of 1920×1080 at 180 frames per second. Please observe that this 22 second film is 82Mb in dimension.
It is a pattern slow-motion film on the high quality setting of 1920×1080 at 180 frames per second. Please observe that this 25 second film is 95Mb in dimension.
Product Photos
Conclusion
The brand new Canon EOS R6 II is a stable moderately than spectacular improve of the 2-year-old unique R6., however contemplating that the 2020 mannequin was already so good, that is actually no unhealthy factor.
Canon have sensibly chosen to refine, moderately than revolutionize, what was already a really succesful digicam, principally bettering its burst taking pictures capabilities and auto-focus system together with incorporating 20% extra decision, extra succesful video and improved connectivity.
Canon have tweaked just a few issues externally, most notably implementing the brand new On/Off/Lock and Digicam/Film switches, however in any other case the 2 fashions are just about indistinguishable, which is not any unhealthy factor should you’re upgrading from the already logically thought out unique.
With the sports-focused EOS R3 and 8K-shooting R5 positioned above it within the Canon hierarchy, it is maybe straightforward to miss the R6 II, however it could be a mistake to do this as that is probably the most well-rounded mannequin within the line-up.
The R6 continues to be a way more reasonably priced proposition that also delivers nearly the whole lot that an fanatic photographer or videographer may presumably need, buoyed by the addition of the brand new sensor, 40fps burst taking pictures, extra versatile auto-focusing and limitless video recording.
General, the brand new R6 Mark II is a wise evolution of a an already nice digicam, including sufficient new options and further efficiency to maintain it each aggressive and nonetheless worthy of our highest 5-star Important award.
Scores (out of 5)
Design
5
Options
5
Ease-of-use
4.5
Picture high quality
5
Worth for cash
4.5
Principal Rivals
Listed beneath are among the rivals of the Canon EOS R6 Mark II.
The Canon EOS R3 is knowledgeable full-frame mirrorless digicam for sports activities and motion photographers that incorporates a 24 megapixel stacked BSI sensor, 6K/60p Uncooked and 4K/120p video recording, 30fps burst taking pictures, eye-control autofocusing and a dual-grip design. Learn our in-depth Canon R3 evaluation full with full-size pattern pictures and movies to search out out simply what the all-action R3 is able to…
The EOS R5 has been the most well liked full-frame digicam on the block ever since Canon pre-announced it again at first of 2020, due to its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it just a few occasions since then, however now we are able to lastly deliver you our last Canon R5 evaluation, full with full-size pattern pictures and movies!
The EOS R6 is the most effective ever Canon mirrorless digicam – there, we stated it! If you wish to discover out why, keep it up studying our in-depth Canon EOS R6 evaluation, full with full-size pattern pictures and movies.
Canon is again within the APS-C recreation with the much-anticipated launch of the EOS R7, a really succesful prosumer digicam with a transparent deal with pace. Billed because the mirrorless successor to the a lot cherished EOS 7D Mark II DSLR, does the brand new R7 have what it takes to compete towards the likes of Fujifilm and Sony? Discover out now by studying our in-depth Canon R7 evaluation…
The X-H2S is the quickest, most succesful APS-C sensor digicam that Fujifilm have ever launched, however it’s additionally by far the most costly. Discover out precisely what this new flagship digicam is able to and who it is aimed toward by studying our full Fuji XH2S evaluation full with full-size JPEG, Uncooked and video samples.
The Nikon Z7 II full-frame mirrorless digicam is the 2020 replace of the unique Z7 mannequin, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Are these modifications sufficient for it to compete with its major rivals just like the Sony A7R IV and the Canon EOS R5? Discover out now by studying our in-depth Nikon Z7 II evaluation, full with full dimension pattern pictures and movies…
The brand new OM-1 flagship is each the final ever Olympus digicam and the primary ever OM System digicam. Confused? Properly no want to fret, as we take an in-depth take a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 evaluation, full with full-size pattern pictures and movies…
The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst taking pictures, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digicam that you just want. Discover out why we expect this is without doubt one of the greatest all-round cameras of 2021 by studying our in-depth Sony A7 IV evaluation…
Overview Roundup
Evaluations of the Canon EOS R6 Mark II from across the net.
What did not Canon embody on this digicam? It has 6K video, an EOS R3-beating taking pictures pace, the most effective IBIS within the enterprise, and astounding brand-new AI autofocus modes. That is hands-down the most effective digicam you should purchase proper now on this worth vary. It’s even nipping on the heels of its huge brother the Canon EOS R5. In actual fact, solely its decrease megapixel rely and its slower SD playing cards are holding it again from being a real challenger.
Learn the complete evaluation »
The Canon EOS R6 Mark II is a high-performing, mid-priced digicam physique that delivers excellent full-frame picture high quality at medium-high decision. This digicam targets content material creators, these presently utilizing a DSLR, and people in search of a general-purpose digicam that does the whole lot effectively, together with preserving household recollections.
Learn the complete evaluation »
Specs
Picture Sensor
Sort 35.9 x 23.9 mm CMOS
Efficient Pixels Approx. 24.2megapixels
Complete Pixels Approx. 25.6 megapixels
Side Ratio 3:2
Low-Move Filter Constructed-in/Fastened
Sensor Cleansing EOS built-in cleansing system
Color Filter Sort Major Color
Sensor Shift-IS Sure, as much as 8-Stops benefit relying on the lens used 1
Picture Processor
Lens
Lens Mount RF (EF and EF-S lenses may be hooked up utilizing: Mount Adapter EF-EOS R, Management Ring Mount Adapter EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R) EF-M lenses usually are not suitable
Focal Size Equal to 1.0x the focal size of the lens with RF and EF lenses 1.6x with RF-S and EF-S
Focusing
Sort Twin Pixel CMOS AF II
AF System / Factors 100% horizontal and 100% vertical with Face + Monitoring and Auto Choice modes 100% horizontal and 90% vertical with guide choice and enormous zone modes 2
AF Working Vary EV -6.5 – 21 (at 23°C & ISO100) 3
AF Modes One Shot, Servo AF, AI Focus AF
AF Level Choice Computerized choice: 1053 Obtainable AF areas when routinely chosen, Guide choice: 1-point AF (AF body dimension may be modified) 4897 AF positions accessible stills ( 4067 Motion pictures) Guide choice: AF level Enlargement 4 factors (up, down, left, proper) Guide choice: AF level Enlargement surrounding Guide choice: Versatile Zone AF 1-3 (all AF factors divided into minimal 9 to 999 most focusing zones)
AF Monitoring People, Animals (Canine, Cats, Birds and horses) or Autos (Racing vehicles or Motor bikes, Plane and Trains)
AF Lock Locked when shutter button is pressed midway or AF ON is pressed in One Shot AF mode. Utilizing customised button set to AF cease in AI servo
AF Help Beam Emitted by in-built LED or optionally available devoted Speedlite (flash)
Guide Focus Chosen on lens
Publicity Management
Metering Modes Actual-time with picture sensor, 384-zone metering. (1) Evaluative metering (linked to All AF factors) (2) Partial metering (approx. 5.9% of viewfinder at centre) (3) Spot metering: Centre spot metering (approx. 3% viewfinder at centre)- AF point-linked spot metering not offered (4) Centre weighted common metering
Metering Brightness Vary EV -3 – 20 (at 23°C, ISO100, with evaluative metering)
AE Lock Auto: AE lock takes impact when focus is achieved Guide: By AE lock button in P, Av, Fv, Television and M modes
Publicity Compensation +/-3 EV in 1/3 or 1/2 cease increments (may be mixed with AEB)
AEB +/-3 EV in 1/3 or 1/2 cease increments
Anti-flicker Taking pictures Sure. Flicker detected at a frequency of 100 Hz or 120 Hz. Most steady taking pictures pace could lower accessible with each digital and mechanical shutter Excessive Frequency anti flicker taking pictures for M and TV modes
ISO Sensitivity
Open
Auto 100-102400 (in 1/3-stop or 1 cease increments) ISO may be expanded to L:50, H:204,801
Shutter
Sort Electronically-controlled focal-plane shutter and Digital shutter operate on sensor
Pace Mechanical: 30-1/8000 sec (1/2 or 1/3 cease increments), Bulb Digital: 30-1/16000 (1/2 or 1/3 cease increments as much as 1/8000 then 1 cease to 1/16000) (Complete shutter pace vary. Obtainable vary varies by taking pictures mode) 4
Shutter Launch Smooth contact electromagnetic launch
White Steadiness
Sort Auto white stability with the imaging sensor
Settings AWB (Atmosphere precedence/White precedence), Daylight, Shade, Cloudy, Tungsten mild, White Fluorescent mild, Flash, Customized, Color Temperature Setting White stability compensation: 1. Blue/Amber +/-10 2. Magenta/Inexperienced +/-11
Customized White Steadiness Sure, 1 setting may be registered – From picture or Reside View
WB Bracketing +/-3 ranges in single stage increments 3, 2, 5 or 7 bracketed photographs per shutter launch Selectable Blue/Amber bias or Magenta/Inexperienced bias
Viewfinder
Sort 0.5-inch OLED color EVF
Dot Rely 3.69 Million dots
Protection (Vertical/Horizontal) Approx. 100%
Magnification Approx. 0.76x 5
Eyepoint Approx. 23mm (from eyepiece lens centre)
Dioptre Correction -4 to +2 m-1 (dioptre)
Show Efficiency Energy saving: 59.94 fps Easy 119.98 fps , supress low body charge 60 -119.8fps 6
Viewfinder Data Shutter pace, Aperture, ISO pace, AF level info, Publicity stage indicator, Variety of remaining exposures, Publicity compensation, Battery stage, Digital shutter, HDR taking pictures, Spotlight tone precedence, A number of-exposure taking pictures, Self-timer taking pictures mode, Most burst, AF technique, Topic to Monitor setting, Publicity simulation, Drive mode, AEB, Metering mode, FEB, Anti-flicker taking pictures, Nonetheless/video cropping, Taking pictures mode, Side ratio, Scene icons Auto Lighting Optimizer, AE lock Image Fashion, Flash-ready, White stability, FE lock, Picture High quality, Excessive-speed sync, Bluetooth operate, Wi-Fi on/off, Histogram, Digital stage, Focus distance scale in guide focus, SA management ring setting, IS system. Audio Stage – Guide (video), recording time remaining (video), headphone stage (video), Video recording decision body charge and compression (video) Rec indicator (video), Overheat indicator ( Video)
Depth of Area Preview Sure, by way of customised button or with “Publicity +DOP” ( as much as F8)
Eyepiece Shutter N/A
LCD Monitor
Sort 7.5cm (3.0″) Clear View LCD II, approx. 1.62 million dots
Protection Approx. 100%
Viewing Angle (Horizontally/Vertically) Approx. 170° vertically and horizontally
Coating Anti-smudge.
Brightness Adjustment Guide: Adjustable to considered one of seven ranges Color Tone Adjustment: 4 settings
Contact Display Operations Capacitive technique with menu features, Fast Management settings, playback operations, and magnified show. AF level choice in nonetheless and Motion pictures, contact shutter is feasible in nonetheless photograph taking pictures.
Show Choices (1) Fundamental Digicam settings (2) Advance Digicam settings (3) Digicam settings plus histogram and twin stage show (4) No data (5) Fast Management Display
Flash
Modes E-TTL II Auto Flash, Metered Guide
X-Sync 1/200sec mechanical shutter / 1/250th digital 1st curtain
Flash Publicity Compensation +/- 3EV in 1/3 or 1/2 cease increments with EX collection Speedlite flashes
Flash Publicity Bracketing Sure, with suitable Exterior Flash
Flash Publicity Lock Sure
Second Curtain Synchronisation Sure by way of Speedlite
HotShoe / PC Terminal Sure/No
Exterior Flash Compatibility E-TTL II with EX / EL collection Speedlite, wi-fi multi-flash assist
Exterior Flash Management by way of digicam menu display screen
Taking pictures
Modes Stills; Scene Clever Auto, Versatile precedence AE, Program AE, Shutter precedence AE, Aperture precedence AE, Guide, Bulb and Customized (x3) Film: Auto Publicity, TV, AV Guide and Customized (x3)
Image Types Auto, Commonplace, Portrait, Panorama, Wonderful Element, Impartial, Devoted, Monochrome, Person Outlined (x3)
Color House sRGB and Adobe RGB
Picture Processing Spotlight Tone Precedence (2 settings) Auto Lighting Optimizer (3 settings) Lengthy publicity noise discount Readability Excessive ISO pace noise discount (4 settings) (stills and video) Lens optical correction – Peripheral illumination correction, Chromatic aberration correction Distortion correction (throughout/after nonetheless photograph taking pictures, throughout video solely) Diffraction correction, Digital Lens Optimizer (throughout/after nonetheless photograph taking pictures solely) Focus Bracketing together with picture compositing Resize to M, S1, S2 Cropping of photographs (JPEG/HEIF) – Side ratios 3:2, 4:3, 16:9, 1:1 x1.6crop – Swap between vertical and horizontal cropping orientation – Picture straightening – Cropping body may be moved utilizing contact display screen operation RAW picture processing Twin Pixel RAW – Portrait Relighting, Background Readability ( in digicam) Uncooked Cloud processing A number of publicity HDR – with shifting topic supression HEIF to Jpeg conversion (single or batch)
Drive Modes Single, Steady Excessive+, Steady Excessive, Steady Low, Self timer (2s+distant, 10s+distant)
Steady Taking pictures Max. Approx. 12fps. with Mechanical shutter, pace maintained for 1000+ JPEG or 110 RAW 1000 CRAW photographs.Max. Approx. 40fps. with Digital shutter 7, 8 pace maintained for 190 JPEG or 75 RAW, 140 CRAW photographs RAW Burst 30fps with 0.3 or 0.5 seconds pre report for max approx 191 frames
Interval Timer Inbuilt
File Sort
Nonetheless Picture Sort JPEG: 2 compression choices RAW: RAW, C-RAW 14 bit (14-bit with Mechanical shutter and Digital 1st Curtain, 12-bit A/D conversion with Digital shutter, Canon unique RAW third version) HEIF: 10bit HEIF is on the market in HDR taking pictures with [HDR PQ] set to [Enable] Complies with Exif 2.31 and Design rule for Digicam File system 2.0 Complies with Digital Print Order Format [DPOF] Model 1.2
RAW+JPEG Simultaneous Recording Sure, any mixture of RAW + JPEG or RAW + HEIF potential
Picture Dimension 3:2 ratio (L, RAW, C-RAW) 6000 x 4000, (M) 3984 x 2656, (S1) 2976x 11984, (S2) 2400 x 1600 1.6x (crop) (L) 3744 x 2496, (S2) 2400 x 1600 4:3 ratio (L) 5328 x 4000, (M) 3552 x2664 (S1) 2656 x 1992 (S2) 2112 x 1600 16:9 ratio (L) 6000 x 3368, (M) 3984 x 2240, (S1) 2976 x 1680, (S2) 2400 x 1344 1:1 ratio (L) 4000 x 400, (M) 2656x 2656, (S1) 1984 x 1984, (S2) 1600 x 1600
Folders New folders may be manually created, named and chosen
File Numbering File Numbering (1) Consecutive numbering (2) Auto reset (3) Guide reset
File Naming 3 Person presets
EOS Film
Film Sort MP4 Video: 4K UHD, Full HD (16:9) 9 Audio: Linear PCM / AAC
Film Dimension 4K UHD (16:9) 3840 x 2160 (59.94, 50, 29.97, 25, 23.98fps) inter body (IPB) / (IPB Gentle) 104K UHD Timelapse (16:9) 3840 x 2160 (29.97, 25fps) intra body (All-I) Full HD (16:9) 1920 x 1080 (179.82, 150, 119.88, 100, 59.94, 50, 29.97, 25, 23.98fps) inter body (IPB) / (IPB Gentle) 11Full HD Timelapse (16:9) 1920 x 1080 (29.97, 25fps) intra body (All-I), Full HD HDR (16:9) 1920 x 1080 (29.97, 25fps) intra body (All-I) 12
Color Sampling (Inside Recording) 4K/ Full HD – YCbCr4:2:0 8-bit or YCbCr4:2:2 10bit
Canon Log Sure, Canon Log 3
Film Size Max length 6 hours (excluding Excessive Body Fee motion pictures, and energy and storage limitations ). 13Upto 5 seconds pre report potential. No 4GB file restrict with exFAT formatted SD card.
Excessive Body Fee Film Full HD at 180fps, 150fps, 100fps or 119.9fps 14Recorded as 1/6-speed sluggish movement film Single scene most recording as much as approx 1 hour 180/150fps 1hour 30mins 120/100fps
Body Seize 8.3-megapixel JPEG/HEIF nonetheless picture body seize from 4K UHD film potential (HEIF solely potential when HDR PQ is ready) >15
Bitrate / Mbps MP4 H.264 Canon Log Off4K (59.94p/50.00p): IPB Approx. 230 Mbps 4K (59.94p/50.00p): IPB (Gentle ) Approx. 120 Mbps 4K (29.97p/25.00p/23.98p): IPB Approx. 120 Mbps 4K (29.97p/25.00p/23.98p): IPB (Gentle ) Approx. 60 Mbps 4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps Full HD (179.82p/150.00p): IPB Approx. 180 Mbps Full HD (179.82p/150.00p): IPB (Gentle) Approx. 105Mbps Full HD (119.88p/100.00p): IPB Approx. 120 Mbps Full HD (119.88p/100.00p): IPB (Gentle) Approx. 70 Mbps Full HD (59.94p/50.00p): IPB Approx. 60 Mbps Full HD (59.94p/50.00p): IPB (Gentle) Approx. 35 Mbps Full HD (29.94p/25.00p/23.93p): IPB Approx. 30 Mbps Full HD (29.94p/25.00p): IPB (Gentle) Approx. 12 Mbps Full HD Timelapse (29.97, 25fps) All-I Approx. 90Mbps Full HDR Motion pictures (29.97, 25fps) IPB Approx. 30 Mbps MP4 H.265 Canon Log / HDR PQ: On4K (59.94p/50.00p): IPB Approx. 340 Mbps 4K (59.94p/50.00p): IPB (Gentle) Approx. 170 Mbps 4K (29.97p/25.00p/23.98p): IPB Approx. 170 Mbps 4K (29.97p/25.00p/23.98p): IPB (Gentle) Approx. 85 Mbps 4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps Full HD (179.82p/150.00p): IPB Approx. 270 Mbps Full HD (179.82p/150.00p): IPB (Gentle) Approx. 150 Mbps Full HD (119.88p/100.00p): IPB Approx. 180 Mbps Full HD (119.88p/100.00p): IPB (Gentle) Approx. 100 Mbps Full HD (59.94p/50.00p): IPB Approx. 90 Mbps Full HD (59.94p/50.00p): IPB (Gentle) Approx. 50 Mbps Full HD (29.94p/25.00p/23.93p): IPB Approx. 45 Mbps Full HD (29.94p/25.00p): IPB (Gentle) Approx. 28 Mbps Full HD Timelapse (29.97, 25fps) All-I Approx. 135Mbps
Twin Card Recording sure
Microphone Constructed-in stereo microphone (48 Khz, 16-bit x 2 channels), exterior mic or Multi-Operate shoe together with XLR by way of Tascam CAXLR2dC
HDMI Show Output to exterior monitor solely (output of photographs and taking pictures info, photographs are recorded to the cardboard)
HDMI Output Digicam display screen and Exterior Monitor output (no recording to the cardboard, digicam display screen reveals photographs with taking pictures info) 4K (UHD) 59.94p / 29.97p / 23.98p, Full HD 59.94p / 59.94i, 50.00p / 50.00i 480p 59.94p 576p 50p Uncompressed YCbCr 4:2:2, 8-bit or 10-bit, sound output by way of HDMI can also be potential 6k upto 60p RAW to Atomos Ninja V+ recorded as ProRes RAW or 3.7k RAW with crop
Focusing Twin Pixel CMOS AF with Eye/Face Detection, Face solely and Animal Monitoring AF, Film Servo AF Guide Focus (Peaking and Focus Information accessible)
ISO Auto: 100-6400, H: 204800 Guide: 100-25600, H: 204801
Different Options
Customized Capabilities 22 Customized Capabilities
Metadata Tag Person copyright info (may be set in digicam) Picture score (0-5 stars) IPTC knowledge (registered with EOS Utility or Cellular File Switch app) Picture switch with caption (Caption registered with EOS Utility)
LCD Panel / Illumination No/No
Water/Mud Resistance Sure 16
Voice Memo No
Clever Orientation Sensor Sure
Playback Zoom 1.5x – 10x in 15 steps
Show Codecs (1) Single picture (2) Single picture with info (2 ranges) Fundamental – Taking pictures info (shutter pace, aperture, ISO and Picture high quality) Detailed – Taking pictures info (shutter pace, aperture, ISO, metering Picture, high quality and file dimension), Lens info, Brightness and RGB histogram, White stability, Image Fashion, Shade house and noise discount, Lens optical correction, GPS info, IPTC info (3) 4 picture index (4) 9 picture index (5) 36 picture index (6) 100 picture index (7) Leap Show (1, 10 or 100 photographs, begin of burst sequence, Date, Folder, Motion pictures, Stills, Protected photographs, Score, ) (8) Film edit (9) RAW processing (10) Score
SlideShow Picture choice: All photographs, by Date, by Folder, Motion pictures, Stills, Protected photographs or Score Playback time: 1/2/3/5/10 or 20 seconds Repeat: On/Off
Histogram Brightness: Sure RGB: Sure
Spotlight Alert Sure
Picture Erase Single picture, choose vary, Chosen photographs, Burst sequence Folder, Card
Picture Erase Safety Erase safety of Single picture, Folder or Card all discovered photographs (solely throughout picture search)
Self Timer 4 or 10 sec.
Menu Classes (1) Taking pictures menu (2) AF Menu (3) Playback menu (4) Community (5) Setup menu (6) Customized Capabilities menu (7) My Menu
Menu Languages 30 Languages English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese language, Conventional Chinese language, Korean, Malay, Indonesia and Japanese
Firmware Replace Replace potential by the consumer (Digicam, Lens, Exterior Speedlite, BLE distant management, Lens adapter) by way of card or Digicam join app
Interface
Laptop SuperSpeed USB 3.2 Gen 2 USB C connector UVC/UAC assist Home windows / Mac OS suitable with Zoom / Skype / Groups / Meet / Webex
Wi-Fi Wi-fi LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), with Bluetooth v5.0 assist Options supported – EOS Utility, Smartphone, Add to Internet 17
Different HDMI micro out (Sort D), Exterior Microphone In (Stereo mini jack), Headphone socket (Stereo mini jack), E3-type terminal (distant management terminal), Multi-Operate shoe
Direct Print
Canon Printers Direct Print
PictBridge Not supported
Storage
Sort 2x SD/SDHC/SDXC and UHS-II
Supported Working System
PC Home windows 8.1 and Home windows 10, Home windows 11 (pill mode not supported)
Macintosh OS X v10.12, 10.13, 10.14,10.15, OS 11.x
Software program
Picture Processing Digital Photograph Skilled 4.17. or later, Digital Photograph Skilled Categorical cell app ( iOS solely) (RAW Picture Processing not DUAL PIXEL RAW on DPP Categorical moible)
Different EOS Utility 3.16 or later (incl. Distant Seize), Image Fashion Editor, EOS Lens Registration Device, EOS Internet Service Registration Device, Canon Digicam Join V3.0 app, Cellular File Switch app and picture.canon app (iOS/Android)
Energy Supply
Batteries Rechargeable Li-ion Battery LP-E6NH (equipped)/LP-E6N
Battery Life With LCD Approx. 760 photographs (at 23°C) With Viewfinder Approx. 450 photographs (at 23°C) 18
Battery Indicator 7 ranges + proportion
Energy Saving Energy turns off after 30 seconds, 1, 3, 5, 10 or 30mins
Energy Provide & Battery Chargers Battery charger LC-E6E (equipped), AC Adapter AC-E6N and DC Coupler DR-E6, AC Adapter Package ACK-E6N/ACK-E6, Automotive Battery Charger CBC-E6, PD-E1 USB energy adapter
Equipment
Wi-fi File Transmitter N/A
Circumstances / Straps N/A
Lenses All RF lenses (EF & EF-S by way of Lens adapters)
Lens Adapters Mount Adapter EF-EOS R Management Ring Mount Adapter EF-EOS R Drop-In Filter Mount Adapter EF-EOS R
Flash Canon Speedlite (EL-1, SPEEDLITE EL-5, EL-100, 90EX, 220EX, 270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III-RT, 470EX-AI, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX II-RT, Macro-Ring-Lite MR-14EX, Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX, Macro Twin Lite MT-26EX Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT,Speedlite Transmitter ST-E3-RT V2, Speedlite Transmitter ST-E10)
Distant Controller / Swap Distant management with E3 sort socket and Wi-fi Distant Management BR-E1
Different BG-R10 battery grip, GP-E2 GPS receiver (digital compass not supported), Stereo Microphone DM-E1 / DM-E100, Multi-Operate Shoe Adapter AD-E1, Multi-Operate Shoe Directional Stereo Microphone DM-E1D, Multi-Operate Shoe Adapter for Smartphone Hyperlink AD-P1 for Android, Tascam CA-XLR2d-C XLR microphone adapter
Bodily Specs
Physique Supplies Magnesium Alloy chassis, outer panels are polycarbonate resin with glass fiber
Working Surroundings 2 – 40 °C, 85% or much less humidity
Dimensions (W x H x D) 138.4 × 98.4 × 88.4 mm
Weight (Physique Solely) Approx. 588 g (670 g with card and battery)
Your Feedback
[ad_2]