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ProRes RAW is turning into increasingly frequent as tons of latest digicam releases are supporting it. Uncooked video was once restricted to skilled cinema cameras and intense workflows with devoted crew members there simply to wrangle the footage. Now you may get it with some off-the-shelf SSDs and a consumer-grade mirrorless digicam.
Utilizing it’s nonetheless a bit little bit of a problem for those who aren’t used to uncooked workflows. If you’re stepping your toes within the ProRes RAW waters, this video from Harv Video/Audio Stuff walks via methods to correctly coloration grade the footage. There are a variety of settings to pay attention to, so it’s value watching.
Earlier than we being, it’s best to perceive what ProRes RAW truly is. It’s a new compressed format that makes an attempt to retain as a lot of the uncooked sensor knowledge as attainable. This could present wonderful flexibility in post-production whereas the near-lossless compression retains your file sizes smaller than precise uncooked clips.
Being made by Apple and the ProRes staff, ProRes RAW is optimized for sure NLEs—like Remaining Reduce. Additionally, the ProRes DNA guarantees ultra-fast playback and modifying in comparison with conventional uncooked codecs which PCs typically battle with. In Harv’s assessments the ProRes RAW does truly run very properly. Almost as quick as common ProRes.
Harv does his assessments with the precise uncooked clips and chooses to not transcode them. It’s attainable with many computer systems truly. The footage is from a Sony FX6 related to an Atomos Ninja V.
Picture Credit score: Atomos
After importing into Remaining Reduce you could discover the clip seems to be a bit off, perhaps with blown highlights or bizarre coloration. What you need to do is head to the inspector and head right down to the uncooked settings. If you’re comfy with current log workflows the very first thing to have a look at is the Uncooked to Log Conversion possibility. This may take the uncooked footage and convert it to a log profile of your selecting – although it ought to match the digicam system used.
You may also add on a LUT to provide you a decent-looking picture to work with. After this, if you wish to modify publicity shortly many cameras will provide ISO management and you may make changes there to convey again highlights or elevate the shadows.
Going again to only a log conversion you possibly can work in an analogous option to different workflows. The chain is often coloration wheels for publicity and coloration corrections. You should utilize no matter instruments you’re most comfy with. Subsequent for Harv is Curves for distinction changes. Then he throws on a LUT for a glance after which one other Coloration Wheels adjustment for ultimate tweaks.
Picture Credit score: Apple
On this instance, Harv applies a corrective LUT to the log footage. Then he makes use of a plug-in of Lightroom controls to use some tweaks to publicity, coloration temperature, highlights, shadows, saturation and simply making it look good to his style. For a ultimate polish he makes use of the colour wheels to desaturate the highlights and citing the saturation of the shadows whereas additionally including a bit distinction.
For the following instance he heads to the Lightroom plug-in, then to paint curves, and at last to a LUT. He selects his LUT after which makes use of the plug-in to punch it up a bit bit. For coloration curves he makes use of a variety of management factors as this has a variety of dynamic vary.
Harv discovered the information to be very simple to work with. There may be loads of element and dynamic vary, plus the ProRes RAW codecs are very simple on computer systems in comparison with different uncooked codecs. Additionally, whereas the footage is sort of heavy for storage, the clips are a lot better than issues like REDRAW.
His ProRes RAW Ideas:
Use uncooked settings to rework clips first
Make publicity changes with ISO
Transcode or use proxy media for further pace
Versatile information can take daring grading
ProRes RAW has fewer uncooked settings than standard uncooked codecs
Have you ever used ProRes RAW? Harv is giving it a glowing overview right here.
[source: Harv Video/Audio Stuff]
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