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Introduction
The GFX 100 II is the sixth medium-format mirrorless digital camera that Fujifilm have launched since 2019, and because the title suggests, the third to have an enormous 100 megapixels. The sensor contained in the GFX 100 II bodily measures 43.8×32.9mm, which is way bigger than the 36x24mm sensor present in a 35mm full-frame digital camera – roughly 1.7x bigger the truth is. In addition to extra decision for greater prints and aggressive cropping, the massive sensor format guarantees to ship higher picture high quality and better depth of subject with out compromising an excessive amount of on the scale and weight of the digital camera when in comparison with a typical 35mm mannequin. The GFX 100II makes use of a very new 102 megapixel high-speed picture sensor referred to as the “GFX 102MP CMOS II HS” and the very newest X-Processor 5. Collectively they promise to make this the quickest, most responsive GFX digital camera but launched, offering vital efficiency enhancements in steady taking pictures, auto-focusing and video recording. The GFX 100 II nonetheless has a again illuminated CMOS sensor with 3.76 million section detection autofocus factors which cowl nearly 100% of the body, however the brand new sensor delivers as much as double the sign readout pace in comparison with the unique 4-year-old GFX 100 that this mannequin replaces. The native ISO vary now runs from ISO 80 to ISO 12,800, which is expandable to 40-102,400. Similar to the GFX 100, the 100 II options in-body picture stabilization (IBIS), however this time the five-axis picture stabilisation system gives a fair higher compensation score of as much as 8 stops when sure specified lenses are used. That is presently the perfect efficiency of any Fujifilm digital camera no matter its sensor dimension, a fairly exceptional achievement for a medium-format digital camera. The GFX 100 II can also be probably the most succesful medium-format digital camera for video ever launched, providing 8K/30p, 4K/60p/30p, FHD 120p recorded at 4:2:2 10-bit video internally plus Apple ProRes recording to a suitable ATOMOS HDMI exterior system. Different key specs embrace a weather-resistant magnesium alloy physique, an incredible 9.44m-dot OLED EVF with 120fps refresh fee and most impressively 1.0x magnification, a 2.36 million dot tilting 3.2-inch LCD show and as much as 8fps steady taking pictures speeds There’s additionally a particular 400 megapixel Pixel Shift Multi-Shot mode, AI-based subject-detection AF developed with Deep Studying know-how, new Reala Ace movie simulation mode, ethernet, full-size HDMI and UB-C ports, and twin UHS-II SD slot and CFexpress Sort B reminiscence card slots. The Fujifilm GFX 100 II is priced at £6999 / €7999 / $7499 body-only within the UK, Europe and USA respectively. It’s designed and made in Japan.
Ease of Use
The GFX digital camera system from Fujifilm has at all times been about delivering the perfect picture high quality potential, with three 50 megapixel and two 100 megapixel fashions launched because the launch of the GFX 50S in 2017.
Now Fujifilm have determined to significantly up the ante by specializing in each picture high quality and pace. This new digital camera is a transparent try to broaden the scope and attraction of GFX to embody not simply the style, business and panorama classes the place it has gained a foothold, but in addition the sports activities and information images genres the place pace is of the essence.
It primarily achieves this formidable objective by pairing a model new high-speed picture sensor – the catchily named GFX 102MP CMOS II HS – with the high-speed X-Processor 5 that first made its debut within the newest technology of X-series APS-C cameras just like the X-T5, X-H2 and X-H2s.
The ensuing headline enhancements because the earlier GFX 100S mannequin that was launched in early 2021 are spectacular for any digital camera, by no means thoughts one with a medium-format sensor. These embrace the AI subject-detect AF system from these afore-mentioned APS-C fashions, 8fps burst taking pictures with full-time AE and AF monitoring, and as much as 8K/30p video, all issues that no medium-format digital camera has ever been able to earlier than.
When it comes to its design, the brand new GFX 100 II carefully follows the ethos of the GFX 100S digital camera fairly than the GFX 100 that it really replaces within the Fujifilm vary, simply with a squarer, extra rugged design.
The GFX 100 was a really large digital camera with an built-in battery grip and an uncommon management structure that actually divided opinion, whereas the GFX 100S squeezed the entire GFX 100’s tech inside a a lot smaller, lighter physique with extra typical controls.
The brand new GFX 100 II is clearly based mostly on the GFX 100S fairly than the unique 100 mannequin, however this time round there’s an non-compulsory battery grip obtainable (Fujifilm surprisingly determined to not supply one for the 100S).
So that you successfully get the perfect of each worlds – both the super-compact, out-of-the field physique that weighs in at a mere 948g together with battery and SD reminiscence card, or a barely bigger than GFX 100 digital camera with three batteries and two units of controls when you select to purchase the non-compulsory the VG-GFX II vertical grip. It might need taken till the third technology 100-megapixel GFX mannequin to hit the appropriate stability, however we predict that Fujifilm are lastly there.
When it is fitted with the excellent digital viewfinder however not the grip, the GFX 100 II is way more compact and moveable than you may suppose a medium-format digital camera might be, measuring 152.4mm x 117.4mm x 98.6mm and weighing simply over a kilo.
Regardless of having a 1.7x bigger medium format sensor, the GFX 100 II continues to be capable of tackle the 35mm full-frame market by being equally sized to some flagship mirrorless fashions just like the Sony Alpha 1, Canon EOS R5, Nikon Z9/Z8 and Panasonic Lumix S1R, amongst others.
Maybe extra importantly, it is nearly gentle sufficient to make use of for prolonged intervals of time – we paired it with the wonderful and equally new GF 55mm F1.7 prime at some point of our testing which weighs in at 780g / 1.72 lb, and had no points with utilizing it for a full day of taking pictures.
The GFX 100 II does not have too many direct medium-format rivals merely due to its aggressive price-tag of £6999 / €7999 / $7499 body-only, which makes nearly each different possibility invariably bigger and far, way more costly than this digital camera. The Hasselblad X2D 100C is probably the GFX 100 II’s essential rival, however it may well’t match the headline-grabbing specs of Fujifilm’s newest digital camera.
Regardless of having a medium format sensor, it is blindingly clear that Fujifilm believes the GFX 100 II essential rivals are 35mm sensor cameras, not the “conventional” medium-format market that primarily serves studio photographers.
Fujifilm does not have its personal 35mm full-frame digital camera vary – as an alternative it has the very fashionable APS-C sensor X-series and this nonetheless comparatively new GFX medium-format collection.
So it is attacking the favored full-frame market from two angles – smaller, lighter and cheaper cameras just like the X-T5 and X-H2/S, and medium-format cameras that aren’t too dissimilar in dimension, weight and even value to the newest flagship 35mm fashions.
Better of all, the GFX 100 II now rivals a lot smaller sensor cameras for issues like burst taking pictures speeds, auto-focus efficiency and video specs, while nonetheless providing the superlative picture high quality that its giant medium format sensor is greater than able to delivering.
The obvious stride forwards that Fujifilm have taken for the GFX 100 II is the sheer pace of it. Medium format cameras have by no means been identified for being fast at something, which has tended to constrain them to life within the studio and/or to slower-moving topics.
The GFX 100 II affords superb steady taking pictures speeds for a medium-format digital camera, even placing some 35mm full-frame fashions to disgrace.
It helps 8fps bursts utilizing the mechanical shutter for each CFExpress and SD reminiscence card codecs, with a buffer of 1000K+ JPEGs, 325 Uncooked Comp, 75 Uncooked + JPEG.
In direct comparability, the Hasselblad X2D 100C can solely shoot JPEGs constantly at a fairly pedestrian 3.3fps, though you possibly can carry taking pictures at that fee till its large 8Gb of inside reminiscence is full.
Having the ability to constantly shoot at 8fps for an primarily limitless variety of JPEGs with a 100 megapixel digital camera has beforehand been the stuff of science fiction, however not any extra!
All of that pace can be nugatory with no succesful auto-focus system to make it possible for these fast-moving topics are sharp, so it is nice to see the GFX 100 II bringing the AI-based subject-detection in addition to the newest prediction AF algorithm that was initially developed for the X-H2S to the GFX collection.
Which means that its twin phase-detection and contrast-detection kind autofocus system with 3.76 million phase-detection AF pixels can now detect animals, birds, vehicles, bikes, bicycles, airplanes, trains, bugs and drones, similar to the very newest X-series APS-C cameras.
The AF level may be set to considered one of six totally different sizes by way of the rear management dial to attain extra exact focusing, and you may as well merely faucet on the touchscreen to set the AF level. In order for you much more management, you possibly can choose the 425 factors possibility which splits the identical space of the body right into a 17×25 grid of smaller AF factors.
The Fuji GFX 100 II additionally affords Zone and Large/Monitoring modes which utilise the bigger 425-point space to seize shifting topics.
In Zone AF mode, you possibly can choose a 3×3, 5×5 or 7×7 zone out of the 425-point AF space. Throughout AF-C focus, the digital camera regularly tracks the topic, positioning it on the centre of the zone.
The GFX 100 II’s Zone AF perform can now be personalized by the consumer. The form of the AF space may be adjusted to higher swimsuit a selected taking pictures scenario for extra correct autofocusing.
The Large/Monitoring mode combines the Large mode (throughout AF-S), during which the GFX 100 II robotically identifies and tracks the world in focus throughout the 425 level AF space, and the predictive Monitoring mode (throughout AF-C), which makes use of your complete 425-point space to proceed monitoring the topic. This characteristic allows steady specializing in a topic that’s shifting up and down, left and proper or in direction of and away from the digital camera.
Handbook focus can also be supplied, and excellent it’s too. As you’d anticipate, the handbook focus rings on all of the GFX lenses have a beautiful really feel, and two totally different focusing aids are supplied – auto magnification and focus peaking. Together with the high-resolution digital viewfinder, we discovered it simple to precisely decide important sharpness.
Activating the Increase mode on the GFX 100 II units the show body fee of the digital viewfinder to 120fps, greater than sufficient to maintain up with fast-moving topics, though it does cut back the magnification to a nonetheless spectacular 0.77x.
Capturing at 8fps is not fairly black-out free because of the want to make use of the mechanical shutter, even with an elevated buffer reminiscence. You may want to modify to the digital shutter to attain black-out free taking pictures, albeit at a slower body fee of 5.3fps.
One other different is to make use of the 35mm format mode, the place the GFX 100 II affords quicker blackout-free 8.7fps and 5.8fps burst charges and nearly actually sufficient decision too for many finish makes use of the place pace is of the essence.
Along with massively rushing up the digital camera, Fujifilm have not rested on their laurels in relation to picture high quality, incorporating a number of enhancements to make the GFX 100 II the perfect ever GFX digital camera for stills and video.
It is geared up with a really comparable 43.8×32.9mm CMOS sensor to the GFX 100 and GFX 100S, with a decision of 102 megapixels and no optical low go filter that delivers 11648×8736 pixel nonetheless photos.
This chip has an imaging space that is 1.7x better than that of a 35mm “full-frame” sensor, and over 3.7 instances bigger than the APS-C sized sensors utilized in Fujifilm’s X-series cameras. Not like these cameras, although, the Fujifilm GFX 100 II has a standard Bayer color filter array in entrance of the sensor, fairly than an X-Trans sensor.
The mixture of the picture sensor and X-Processor 5 processing engine additionally implies that the digital camera helps 16-bit RAW mode in single-shot mode (it drops to 14-bit within the burst taking pictures modes), producing 200Mb information. The GFX 100 II additionally helps 16-bit TIFF in-camera file conversion, which creates whopping 600Mb information!
The GFX 100II now has a brand new ISO 80 base worth (ISO 100 for motion pictures), which Fujifilm claims affords 30% extra dynamic vary and decrease noise than the bottom ISO 100 worth on the GFX 100/S. It may be additional expanded to ISO 40-102,400 if required.
That is the newest Fujifilm digital camera to assist the HEIF format, a 10-bit picture file with over a billion colours. It delivers larger picture high quality than JPEG, however makes use of as much as 30% much less area.
Due to the next compression effectivity, HEIF information are smaller than JPEGs despite the fact that they comprise considerably extra knowledge. How way more? Nicely, HEIF information are 10-bit whereas JPEG information are 8-bit. It is a heck of much more tonal element and wider color gamut.
Within the GFX 100 II each HEIF and JPEG codecs can be found, though you possibly can’t choose each on the identical time. Whichever format possibility you choose can then be captured independently or concurrently with RAW.
For the primary time on any Fujifilm digital camera, there is a model new movie simulation referred to as Reala Ace. This can be a detrimental movie simulation that is much like Provia, however is barely much less saturated and contrasty. The brand new Reala Ace brings the full of movie simulations obtainable on the GFX 100 II to twenty.
Pixel Shift is a particular Multi-Shot perform that makes use of the IBIS unit to allow the GFX 100 II to create large 400 megapixel photos for the last word high quality when element actually issues.
The digital camera’s IBIS unit is used to shift the picture sensor by 0.5 pixel in numerous instructions throughout a sequence of 16 photographs, which might then be robotically mix right into a single picture utilizing Fuji’s Pixel Shift Combiner laptop software program. The ensuing DNG file measures 23,296×17,472 pixels and is round 1.5Gb in dimension!
The GFX 100II moreover affords a model new 4 picture Pixel Shift Multi-shot mode for simpler archiving, which creates a lot smaller information than the usual mode.
That is the third GFX medium format digital camera to characteristic in-body picture stabilization. The Fuji GFX 100 II makes use of a well-recognized 5-axis system however it additionally now enhances the stabilization accuracy through the use of picture info too.
This now gives as much as a really spectacular 8-stops of IBIS (when utilizing both the 63mm lens, 80mm or 110mm lenses), which is presently the perfect efficiency of any Fujifilm digital camera, no matter its sensor dimension.
With the GFX 100 II, any lens that you simply connect to it’s going to robotically profit from as much as 8 stops of compensation, with the efficient quantity step by step reducing because the lenses get longer.
Moreover, the identical IBIS system is used to assist suppress shutter shock, which given the unimaginable decision on supply is a really welcome profit.
The GFX 100 II is probably the most succesful medium-format digital camera for video ever launched, providing 8K/30p, 4K/60p/30p, FHD 120p and
Apple ProRes (422 HQ, 422 and 422 LT) assist.
The important thing video modes are 8K/30p (31ms rolling shutter, 1.51x crop), 8K/24p (30ms, 1.42x crop), 4K/60p (15ms, no crop) and FHD 120fps (7ms, no crop). All of those modes may be recorded at 4:2:2 10-bit internally.
The readout pace of the picture sensor has been elevated to suppress the rolling shutter impact for extra pure filming of a shifting topic, and ISO 100 is the brand new base ISO pace within the video mode.
When it comes to recording deadlines, there’s
a most of round 90 minutes battery life for 4K, 80 minutes for 8K, and at
40 levels the GFX 100 II can function for 38 minutes with out the non-compulsory FAN-001 Cooling Fan accent or 64 minutes with the accent for 4K, and 26/50 minutes for 8K high quality.
The F-log2 profile is supported for the primary time on GFX, and it affords 13+ stops of dynamic vary in any mode and over 14+ stops in dynamic vary precedence mode, though this solely helps the GF/Premista modes as much as DCI4K/4K/30p and has better 25ms rolling shutter.
There may be
IDT assist for the primary time on GFX, which is a cinema commonplace prolonged color area, and it additionally helps numerous cine recording codecs together with GF, Premista, 35mm and 35mm Anamorphic lenses, over 1000 in whole, utilizing the non-compulsory mount adapter.
AF monitoring for motion pictures in addition to stills can also be obtainable for the very first time on the GFX system utilizing the AF-C + Large / Monitoring AF mode – merely contact the display to specify which topic needs to be tracked and the digital camera will tenaciously maintain it in focus and ignore all different topics within the body.
Mixed with a suitable ATOMOS HDMI system, RAW video output from GFX100 II may be recorded as 12-bit Apple ProRes RAW at resolutions as much as 8K and body charges as much as 29.97fps.
The GFX 100 II helps the Body.io Digital camera to Cloud service, permitting Apple ProRes Proxy information and quite a lot of different video information to be uploaded on to Body.io, dramatically streamlining the workflow from taking pictures to enhancing.
With Blackmagic Design Video Help 12G HDRs, RAW video output from the digital camera may be recorded as Blackmagic RAW at resolutions as much as 8K and body charges as much as 29.97fps.
The brand new GFX 100 II is way more comparable in look to the GFX 100S digital camera than to the GFX 100 that it really replaces within the vary, simply with a extra sq., angular, rugged design.
The sub-LCD display on the highest is larger at 2.09-inch, there’s a new row of three unmarked programmable Perform buttons simply behind the shutter button, and the top-plate has been tilted by 11° to make it simpler to see.
Fujifilm have additionally employed a brand new BISHAMON-TEX synthetic leather-based texture is used to maximise the digital camera’s grip when hand-held at numerous angles.
In any other case it is tough to inform the GFX 100II and the GFX 100S aside visually once they’re side-by-side. That implies that house owners of the GFX 100, with its built-in grip and plenty of unmarked buttons, might want to take a while to get accustomed to the structure of the GFX100II, whereas GFX I00S customers will rapidly really feel at residence.
The Fuji GFX 100 II is a really well-built digital camera, as you’d most likely anticipate for £$7K, with completely no flex or motion in its chassis because of a die-cast magnesium alloy physique and machined management dials.
It is also dust-resistant, waterproof and freeze-resistant right down to -10°C, making this a medium format digital camera that can be utilized exterior in addition to indoors, additional growing its versatility.
The Fujifilm 100 II weighs 948g together with a battery and SD reminiscence card and measures 152.4×103.5×73.5mm, similar to the GFX 100S and quite a bit smaller and lighter than the GFX 100.
There may be an non-compulsory battery grip obtainable for the GFX 100 II, fairly than having an built-in one as on the unique GFX 100 mannequin, or not having one in any respect on the GFX 100S.
The GFX 100 II is suitable with the brand new VG-GFX II non-compulsory vertical grip accent, which additionally has an additional set of key controls for horizontal use and likewise holds two further batteries, supporting a most of three in whole if you additionally rely the one within the digital camera.
Fujifilm by no means launched an non-compulsory battery grip for the GFX 100S, and it did not even have {the electrical} contacts on the underside of the digital camera physique, so there have been by no means any Third-party choices obtainable both.
The GFX 100 II has a focal aircraft shutter unit which affords a quickest shutter pace of 1/4000th second and longest publicity time of 60 minutes. There’s additionally an digital shutter which gives a fair quicker shutter pace of as much as 1/32000 sec, which may be very helpful for taking pictures in brilliant circumstances at wide-open apertures, for instance.
The Fujifilm GFX 100 II makes use of precisely the identical NP-W235 battery because the X-T5 and X-H2/S APS-C sensor cameras, fairly than the bodily bigger TP-125 battery utilized by the GFX 100 and the GFX 50S, and it is as soon as once more included into the underside of the handgrip.
Fujifilm claims that it affords 540 shot life, so round 20% longer per battery than the GFX 100, and round 1620 photographs when you use the non-compulsory grip and set up all three batteries.
It may also be powered and charged by way of a USB-C connection, which is helpful when you’re out and about and have a suitable power-bank to plug the digital camera into.
The GFX 100 II introduces a model new characteristic on any Fujifilm digital camera, specifically the flexibility to attach an exterior SSD drive by way of the USB-C port after which document stills and movies on to the SSD drive in any mode or format, together with 4K/60P and 8K/30P.
The brand new GFX100II ups the ante significantly by that includes a 9.44m-dot OLED EVF with 120fps refresh fee and most impressively 1.0x magnification. As soon as you have appeared by this EVF, you will not wish to attempt one other one ever once more!
The digital viewfinder is detachable, slotting into the flash hotshoe on prime of the digital camera, bettering system modularity and enabling the digital camera to shed some weight if essential, for instance when used tethered in a studio.
This mannequin has precisely the identical LCD display as its predecessor. and the GFX 100S, which is 3.2-inches in dimension and a couple of.36m-dots in decision.
It has a three-way tilting design, so it may be tilted up and down by about 90 levels when in panorama mode and likewise upward when taking pictures in portrait mode by way of a easy press of a button on the aspect.
To completely assist 8K video and 8fps burst taking pictures, the Mark II GFX 100 has one UHS-II SD slot and one CFexpress Sort B slot, a mix additionally seen on the current X-H2S and X-H2 X-series cameras.
You really want to make use of use a CFexpress Sort B card with a quick write pace to take full benefit of all of the totally different video modes which might be obtainable, so be sure that to price range for this.
The GFX 100 II has just about all of the ports that you can ever want from a contemporary, linked digital camera, together with a headphone jack, shared MIC / distant launch port, new Ethernet port, USB-C port and a full-size HDMI Sort A port.
The Fuji GFX 100 II options each built-in wi-fi and Bluetooth 4.2 connectivity. The latter possibility creates a relentless, low-power connection between the digital camera and a smartphone/pill to switch photos and video utilizing the Fujifilm Digital camera Distant smartphone app, whereas the previous permits you to remotely management the GFX 100 II by way of a 2.4Ghz or 5Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photos and video from one system to the opposite.
Picture High quality
The entire pattern photos on this overview had been taken utilizing the 102 megapixel SuperFine JPEG setting, which supplies a median picture dimension of round 50Mb.
The Fujifilm GFX 100 II produced photos of excellent high quality in the course of the overview interval.
This digital camera information noise-free JPEG photos from ISO 50 all the best way as much as ISO 3200, with vital noise first showing at ISO 6400.
The quicker settings of ISO 12800 and 25600 are nonetheless usable, though we might counsel keep away from utilizing ISO 51200 and the best obtainable setting of 102400 if potential.
The RAW information had been additionally glorious, exhibiting extra noise than the JPEGs however nonetheless producing very usable photos from ISO 50-12800.
The evening {photograph} was excellent, with the utmost shutter pace of 60 minutes permitting you to seize sufficient gentle in nearly any scenario.
The Dynamic Vary settings subtly enhance element within the shadows and highlights, whereas the varied Movie Simulation modes efficiently emulate fashionable Fujifilm movie shares from the previous, with the brand new addition of Reala Ace bringing the full quantity to twenty.
Noise
There are 13 essential ISO settings obtainable on the Fujifilm GFX 100 II, with the usual vary operating from ISO 80-12800 and the expanded vary from 40-102400. Listed here are some 100% crops which present the noise ranges for every ISO setting for each JPEG and Uncooked codecs.
JPEG
RAW
ISO 40
ISO 40
ISO 80
ISO 80
ISO 100
ISO 100
ISO 200
ISO 200
ISO 400
ISO 400
ISO 800
ISO 800
ISO 1600
ISO 1600
ISO 3200
ISO 3200
ISO 6400
ISO 6400
ISO 12800
ISO 12800
ISO 25600
ISO 25600
ISO 51200
ISO 51200
ISO 102400
ISO 102400
File High quality
The Fujifilm GFX 100 II has 3 totally different JPEG and HEIF file high quality settings obtainable, with SuperFine being the best high quality possibility for each codecs, and it additionally helps Uncooked, with three ranges of compression obtainable. Listed here are some 100% crops which present the standard of the varied choices, with the general file dimension proven in brackets.
SuperFine JPEG (39.1Mb)
High quality JPEG (17.8Mb)
Regular JPEG (9.4Mb)
SuperFine HEIF (14.4Mb)
High quality HEIF (6.8Mb)
Regular HEIF (4.2Mb)
Uncooked Uncompressed (208Mb)
Uncooked Lossless (109Mb)
Uncooked Compressed (70.6Mb)
Lengthy Exposures
The Fujifilm GFX 100 II’ most shutter pace is 60 minutes within the Bulb mode, which is nice information when you’re critically taken with evening images. The shot beneath was taken utilizing a shutter pace of 30 seconds at ISO 80.
Dynamic Vary
The Fujifilm GFX 100 II has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.
These settings step by step improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture.
Word which you could’t really flip this characteristic off. You additionally have to set the ISO to at the very least 320 if you wish to entry all three settings.
Movie Simulations
The Fujifilm GFX 100 II affords 20 totally different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous, together with the model new Reala Ace simulation.
A number of Publicity
The Fujifilm GFX 100 II’s A number of Publicity drive mode permits you to take two consecutive pictures and mix them into one.
Pixel Shift
Pixel Shift is a particular Multi-Shot perform, accessed by way of the drive mode dial, that can be utilized to create 400 megapixel photos.
The digital camera’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in numerous instructions throughout a sequence of 16 photographs.
You then have to obtain the Pixel Shift Combiner software program from Fujifilm.com, manually choose the 16 information that make up every Pixel Shift shot, and the software program will then robotically mix them right into a single DNG file.
The ensuing Pixel Shift DNG file is 23,296×17,472 pixels and round 1.5Gb in dimension!
The GFX 100 II moreover affords a 4 picture Pixel Shift Multi-shot mode for simpler archiving, which creates a lot smaller information than the usual 16 shot mode.
Pattern Photographs
This can be a collection of pattern photos from the Fujifilm GFX 100 II digital camera, which had been all taken utilizing the 102 megapixel Superfine JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any manner.
Pattern RAW Photographs
The Fujifilm GFX 100 II allows customers to seize RAW and JPEG format information. We have supplied some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photos proven beneath are usually not 100% consultant).
Pattern Films & Video
This can be a pattern 8K Cine film on the high quality setting of 8192×4320 pixels at 30 frames per second. Please observe that this 11 second film is 934Mb in dimension.
This can be a pattern 8K/30p film on the high quality setting of 7680×4320 pixels at 30 frames per second. Please observe that this 16 second film is 1.4Gb in dimension.
This can be a pattern 5.8K Cine film on the high quality setting of 5824×2476 pixels at 30 frames per second. Please observe that this 11 second film is 868Mb in dimension.
This can be a pattern 4K Cine film on the high quality setting of 4096×2160 pixels at 60 frames per second. Please observe that this 11 second film is 970Mb in dimension.
This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second. Please observe that this 14 second film is 1.07Gb in dimension.
This can be a pattern 1080p film on the high quality setting of 1920×1080 pixels at 60 frames per second. Please observe that this 11 second film is 371Gb in dimension.
This can be a pattern 5x slow-motion 1080p film on the high quality setting of 1920×1080 pixels at 24 frames per second. Please observe that this 55 second film is 795Gb in dimension.
This can be a pattern 8K Cine film on the high quality setting of 8192×4320 pixels at 30 frames per second. Please observe that this 11 second film is 962Mb in dimension.
This can be a pattern 8K film on the high quality setting of 7680×4320 pixels at 30 frames per second. Please observe that this 11 second film is 967Mb in dimension.
This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second. Please observe that this 11 second film is 969Mb in dimension.
This can be a pattern 5x slow-motion 1080p film on the high quality setting of 1920×1080 pixels at 24 frames per second. Please observe that this 55 second film is 966Gb in dimension.
This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second which demonstrates the topic monitoring AF. Please observe that this 11 second film is 1.19Gb in dimension.
Product Photographs
Conclusion
Fujifilm proceed to enhance and refine their medium-format GFX system, and the launch of the brand new GFX 100 II fashions sees them focus their efforts on making it quicker and simpler to make use of, in flip growing its versatility to embody shifting in addition to nonetheless topics in each indoor and out of doors environments.
Sporting a really comparable design to the cheaper GFX 100S that sits beneath it within the vary, the £$7000 GFX 100 II now affords the perfect nonetheless and video high quality, quickest burst taking pictures, and most superior AF of any medium-format digital camera presently available on the market.
It additionally considerably narrows the hole between flagship 35mm full-frame cameras just like the Sony Alpha 1, Canon EOS R5 and Nikon Z9.
Certain, all of these cameras supply a lot quicker burst taking pictures charges and extra superior AF techniques than the GFX 100 II, even with the strides that this technology of GFX has made, however each the monetary and efficiency gaps between them have positively narrowed, a lot in order that some customers could also be swayed by the 100 megapixels of superlative picture high quality that the brand new GFX affords.
Fujifilm have additionally made the eminently wise choice to separate the scale hole between the massive GFX 100 with its built-in grip and the marginally smaller GFX 100S with mystifyingly no grip possibility in any respect.
Having the ability to use the GFX 100 II stripped proper down with no EVF or vertical grip, or so as to add each and profit from longer battery life and higher dealing with, makes way more sense than the earlier strategy on the GFX 100 and 100S.
As does the price-tag, which is a few £$3000 lower than the launch value of the unique GFX 100 mannequin again in 2019, and solely £$1500 greater than the GFX 100S. For positive, £$7000 continues to be some huge cash in right this moment’s monetary local weather, however the extra aggressive price-tag will certainly assist GFX attain a wider viewers.
As will the quicker burst taking pictures speeds, way more succesful AF system that is inherited from the X-series cameras, that frankly superb viewfinder and the a lot improved IBIS, which allow the GFX 100 II to seize quicker shifting topics with the next hit-rate than earlier GFX fashions.
Though 8fps continues to be a bit on the slow-side for some sports activities and the AF is not fairly as responsive or tenacious as on the perfect full-frame techniques from Sony and Canon, it is nonetheless exceptional what now you can seize hand-held with a 100 megapixel, medium-format digital camera.
The ultimate key enchancment is video, with the 100 Mark II once more reaching a quantum leap ahead on this space. Fujifilm have actually targeting opening up their medium-format system to severe videographers, not simply by leaping from 4K to 8K high quality, but in addition by newly supporting an unlimited array of various lenses and codecs.
The brand new GFX 100 II is clearly probably the most succesful GFX digital camera that Fujifilm have but launched. When you can obtain nearly the identical stills high quality with the extra inexpensive GFX 100S, this new mannequin affords so many enhancements while retaining very comparable dealing with and ergonomics that we would positively suggest discovering the additional £$1500 when you can.
Fujifilm’s GFX system undoubtedly stays one thing of a distinct segment product, one thing that the majority of us will aspire to fairly than personal, however it positively lowers the purpose of entry for medium-format even additional while making it extra succesful than ever earlier than, tempting each high-end full-frame customers and videographers alike along with these on the lookout for the last word in picture high quality.
Rankings (out of 5)
Design
4.5
Options
4.5
Ease-of-use
4.5
Picture high quality
5
Worth for cash
4.5
Principal Rivals
Listed beneath are among the rivals of the Fujifilm GFX 100 II.
The EOS R5 has been the most popular full-frame digital camera on the block ever since Canon pre-announced it again initially of 2020, because of its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it a couple of instances since then, however now we will lastly carry you our last Canon R5 overview, full with full-size pattern pictures and movies!
It isn’t daily {that a} 100 megapixel digital camera hits the market, and positively not daily that we get to overview one. So with out additional ado, this is our in-depth overview of the model new Fujifilm GFX 100 medium format mirrorless digital camera, full with full-size pattern photos and movies…
The brand new 100-megapixel medium-format Fuji GFX 100S is smaller, lighter and extra versatile than the flagship GFX 100, and crucially, considerably cheaper too. A lot in order that it steps on the toes of high-end 35mm full-frame cameras just like the Sony Alpha 1, Canon EOS R5 and Nikon Z7 II. Does the GFX 100S actually show that medium-format is “Greater than full-frame”, and is it actually higher than the GFX 100? Discover out now by studying our in-depth overview, full with an enormous gallery of full-size pattern photos and movies…
The Fujifilm GFX 50R is a rangefinder-style medium-format mirrorless digital camera with a 50 megapixel sensor, 3.2-inch tilting touchscreen LCD, digital viewfinder, ISO vary of 50-102400, twin reminiscence card slots and 3fps steady taking pictures. Oh, and it solely prices £3999 / $4499, making it the most cost effective medium format digital camera available on the market. Learn our detailed Fujifilm GFX 50R overview now…
The brand new Fuji GFX 50S II is probably the most inexpensive medium-format ever launched – it is so low cost that it competes with high-end 35mm full-frame cameras just like the Sony Alpha 7R IV, Canon EOS R5 and Nikon Z7 II. However absolutely there is a catch – is it simply too inexpensive for its personal good? Discover out now by studying our in-depth Fujifilm GFX 50S II overview, full with full-size pattern pictures and movies…
The Fujifilm GFX 50S is a brand new medium-format mirrorless digital camera, providing a 50 megapixel sensor, a 3.2-inch tilting touchscreen LCD and a detachable digital viewfinder in a physique that is no greater than a 35mm full-frame DSLR. Learn our in-depth Fujifilm GFX 50S overview now…
The Hasselblad 907X 50C is a digital medium-format digital camera like no different, using a modular system that is comprised of the 51.2-megapixel CVF II digital again and the retro 907X physique. With a price ticket of £5,999 for the again and physique, one of many key points of interest of the 907X 50C is its compatibility with movie cameras, such because the Hasselblad 500C/M physique and CF80mm f/2.8 lens that we examined it with. Learn our in-depth Hasselblad 907X 50C with full-size pattern pictures and movies.
The Hasselblad X1D II 50c is a contemporary medium-format mirrorless digital camera with a 51 megapixel sensor, giant 3.6-inch touchscreen LCD and an improved digital viewfinder, all housed in a fantastically crafted physique. Learn our in-depth Hasselblad X1D II 50c overview now…
The Hasselblad X1D-50c is a brand new medium-format compact system digital camera, providing a 50 megapixel sensor, a 3-inch touchscreen LCD and an digital viewfinder in a stunningly-designed physique that is smaller than many DSLRs. Learn our in-depth Hasselblad X1D-50c overview now…
The Leica M11 is a model new digital rangefinder digital camera for 2022, providing a 60 megapixel full-frame BSI CMOS sensor, 64Gb built-in reminiscence, longer battery life and USB-C charging. Oh, and did we point out that Leica have dropped the detachable baseplate, a characteristic that has adorned M-series cameras for actually many years? Discover out if that is the perfect ever fusion of outdated and new tech by studying our in-depth Leica M11 overview, full with full-size pattern pictures.
The Leica Q2 is an thrilling full-frame mirrorless compact digital camera with a 28mm mounted lens. The Q2 encompasses a a brand new 47.3 megapixel sensor, 4K video mode recording at 30/24fps, high-resolution OLED viewfinder, mud and water resistance, and focusing pace of 0.15 seconds. Is that this the last word compact digital camera? Discover out now by studying our in-depth Leica Q2 overview, full with full-size pattern pictures and movies…
Because the religious successor to the favored D850 DSLR, the brand new Z8 full-frame mirrorless digital camera may develop into one of the vital merchandise that Nikon have ever launched. Learn our in-depth Nikon Z8 overview, full with full-size pattern pictures and movies, to search out out extra about this mirrorless marvel…
The Nikon Z9 is knowledgeable degree, full-frame mirrorless digital camera for photographers and videographers that encompasses a 45 megapixel stacked BSI sensor, 8K/30p and 4K/120p video recording, 30fps burst taking pictures and a dual-grip design. Learn our in-depth Nikon Z9 overview full with full-size pattern pictures and movies to search out out simply what this flagship digital camera is able to…
The Sony Alpha 1 digital camera, or Sony A1 for brief, is the perfect digital camera that Sony have ever launched, and presently the perfect all-round digital camera available on the market. It is also one of the costly, so learn our in-depth Sony A1 overview full with full-size pattern JPEG and Uncooked pictures and films to search out out if it is actually the One for you…
Historically, you’d should make a troublesome alternative between decision and pace in relation to high-end cameras, however with the brand new flagship A7R IV mirrorless mannequin, Sony are trying to supply the perfect of each worlds. Can it actually succeed as a digital camera that fits all types of photographers? Learn our in-depth Sony A7R IV overview to search out out…
The Sony A7R V full-frame digital camera is a hybrid powerhouse that in some methods outperforms even the flagship Alpha 1 mannequin. Can this thrilling digital camera actually meet the wants of all types of photographers? Learn our in-depth Sony A7R V overview to search out out…
Specs
Mannequin title
FUJIFILM GFX 100 II
Lens Mount
FUJIFILM G mount
Picture sensor
43.8mm×32.9mm GFX 102MP CMOS II HS with main shade filter
Variety of efficient pixels
102 million pixels
Sensor Cleansing System
Extremely Sonic Vibration
Picture Processing Engine
X-Processor 5
Storage media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Pace Class V90 / CFexpress Sort B Card (-2TB) / SSD (-2TB)*Please see the Fujifilm web site (https://fujifilm-x.com/assist…) to examine reminiscence card compatibility.
File format of nonetheless picture
DCF
Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG
Exif Ver.2.32*1
HEIF
4:2:2 10bit
RAW
14bit / 16bit RAW (RAF unique format)
TIFF
8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels
［L］
〈4:3〉 11648 x 8736 〈3:2〉 11648 x 7768 〈16:9〉 11648 x 6552 〈1:1〉 8736 x 8736 〈65:24〉 11648 x 4304 〈5:4〉 10928 x 8736 〈7:6〉 10192 x 8736
［M］
〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192
［S］
〈4:3〉 4000 x 3000 〈3:2〉 4000 x 2664 〈16:9〉 4000 x 2248 〈1:1〉 2992 x 2992 〈65:24〉 4000 x 1480 〈5:4〉 3744 x 3000 〈7:6〉 3504 x 3000
Sensitivity
Nonetheless Picture
Normal Output: AUTO1 / AUTO2 / AUTO3 / ISO80～12800 (1/3 step)Prolonged Output: ISO40 / ISO25600 / ISO51200 / ISO102400
Film
Normal Output: AUTO / ISO100～12800 (1/3 step)Prolonged Output: ISO25600
Publicity management
TTL 256-zone metering / Multi / Spot / Common / Middle Weighted
Publicity mode
P (Program AE) / A (Aperture Precedence AE) / S (Shutter Pace Precedence AE) / M (Handbook Publicity)
Publicity compensation
Nonetheless
-5.0EV～+5.0EV 1/3EV step
Film
-2.0EV～+2.0EV 1/3EV step
Picture stabilizer
Mechanism
Picture sensor shift mechanism with 5-axis compensation
Compensation Impact
8.0 stops*based mostly on CIPA commonplace*Pitch/yaw shake solely*With GF63mmF2.8 R WR lens mounted
Digital Picture Stabilization
Sure (film mode solely)
IS MODE BOOST
Sure (film mode solely)
Shutter kind
Focal Airplane Shutter
Shutter pace
Mechanical shutter
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.
Digital shutter
P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: as much as 60min.*The Digital Shutter is probably not appropriate for fast-moving objects or handheld taking pictures. Flash can’t be used.
Mechanical + Digital shutter
P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: as much as 60min.*Mechanical shutter works till 1/4000sec.*The Digital Shutter is probably not appropriate for fast-moving objects or handheld taking pictures. Flash can’t be used.
E-front + Mechanical shutter (GFX: Digital Entrance Curtain Shutter)
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/1250sec.*When utilizing the digital entrance curtain shutter, the continual taking pictures helps CL solely
E-front + Mechanical + Digital shutter (GFX: E-Entrance + Digital Shutter)
P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/1250sec, Mechanical shutter works till 1/4000sec.*The Digital Shutter is probably not appropriate for fast-moving objects or handheld taking pictures. Flash can’t be used.*When utilizing the digital entrance curtain shutter, the continual taking pictures helps CL solely
Film
8K/DCI8K: 1/4000sec. to 1/24 sec. 5.8K: 1/4000sec. to 1/24 sec. 5.4K: 1/4000sec. to 1/24 sec. 4.8K: 1/4000sec. to 1/24 sec. 4.6K(ANAMOR): 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/8 sec. FHD: 1/4000sec. to 1/8 sec.*Can’t select slower shutter pace than framerate for some settings.
Synchronized shutter pace for flash
Mechanical shutter: 1/125sec. or slower
Steady taking pictures
CH Digital shutter Approx. 8.7fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 260 frames, Compressed RAW + JPEG 156 frames, Lossless compressed RAW + JPEG 148 frames, Uncompressed RAW + JPEG 71 frames)CH Digital shutter Approx. 5.8fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames)CH Digital shutter Approx. 5.3fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 390 frames, Compressed RAW+JPEG 119 frames, Lossless compressed RAW+JPEG 119 frames, Uncompressed RAW+JPEG 98 frames)CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 325 frames, Lossless compressed RAW 302 frames, Uncompressed RAW 76 frames, Compressed RAW+JPEG 75 frames, Lossless compressed RAW+JPEG 75 frames, Uncompressed RAW+JPEG 55 frames)CH Mechanical shutter Approx. 5.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 497 frames, Compressed RAW+JPEG 153 frames, Lossless compressed RAW+JPEG 152 frames, Uncompressed RAW+JPEG 116 frames)CL Mechanical shutter Approx. 2.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames)*Digital Entrance Curtain Shutter assist CL solely.*No. of recordable frames are calculated based mostly on CFexpress Sort B card in a chilly begin*Recordable frames is dependent upon recording media*Pace of steady taking pictures is dependent upon taking pictures surroundings and taking pictures frames
Drive Mode
AE Bracketing
2 frames / 3 frames / 5 frames / 7 frames / 9 frames*by 1/3EV step, as much as ±3EV steps
Filmsimulation bracketing
Any 3 forms of movie simulation selectable
Dynamic Vary Bracketing
100% / 200% / 400%
ISO sensitivity Bracketing
±1/3EV / ±2/3EV / ±1EV
White Stability Bracketing
±1 / ±2 / ±3
Focus Bracketing
AUTO / MANUAL
A number of Publicity
Sure (Max. 9 frames) / Additive / Common / Vivid / Darkish
Pixel Shift Multi Shot
HIGH RESOLUTION + ACCURATE COLOR: YesACCURATE COLOR: Sure
Focus
Mode
Single AF / Steady AF / MF
Sort
Clever Hybrid AF (TTL distinction AF / TTL section detection AF)
Low-light Efficiency
Distinction: -2.5EV GF80mmF1.7 attachedPhase Detection: -5.5EV GF80mmF1.7 connected
AF body choice
Single level AF: 13×9 / 25×17 (Changeable dimension of AF body)Zone AF: 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 gridWide/Monitoring AF: Sure (AF-S: Large / AF-C: Monitoring)All: Sure
Face/eye detection
Sure
Topic detection
Sure (Animal/Chicken/Car/Motorbike&Bike/Airplane/Practice)
Flash
Shoe mount flash
Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is about / OFF
Synchronized terminal
Sync. Mode: 1st Curtain / 2nd CurtainFlash Mode: MANUAL
Scorching shoe
Sure (Devoted TTL Flash suitable)
Viewfinder
EVF: 0.64 inch OLED Coloration Viewfinder, Approx. 9.44 million dotsCoverage of Viewing Space vs. Capturing Space: Approx. 100percentEyepoint: Approx. 21mm (from the Rear Finish of the Digital camera’s Eyepiece)Diopter Adjustment: -5～+2m-1Magnification: 1.00x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° )Constructed-In Eye Sensor
LCD monitor
3.2 inch Tilt-Sort(Three Route) Contact Display screen Coloration LCD MonitorAspect Ratio: 4:3Dots: Approx. 2.36 million dots
Contact Display screen Mode
Capturing Mode
AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Perform Setting (ON/OFF), EVF Contact Display screen Space Setting
Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor
2.09 inch Monochrome LCD MonitorAspect Ratio: 4:3Dots: 320×219-dot
Film recording
File format
MOV:Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)MP4:MPEG-4 AVC/H.264, AAC
Film compression
All Intra / Lengthy GOP
File dimension
Body fee Bitrate
[8K(17:9)] 8192 x 4320 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[8K(2.76:1)] 8192 x 2968 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[5.8K(2.35:1)] 5824 x 2476 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[5.4K(17:9)] 5440 x 2868 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[4.8K(3:2)] 4776 x 3184 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[4.8K(16:9)] 4776 x 2688 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[4.6K(1.38:1)] 4664 x 3380 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[Full HD(17:9) High speed rec.] 2048 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording)[Full HD(16:9) High speed rec.] 1920 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording)*Selectable mode shall be modified relying on the “Picture Format” setting.*For recording motion pictures, use a CFexpress Sort B card or SD reminiscence card with UHS Pace Class 3 or larger.*For recording motion pictures in 360Mbps, use a CFexpress Sort B card or SD reminiscence card with Video Pace Class 60 or larger.*For recording motion pictures in 720Mbps, use a CFexpress Sort B card or SD reminiscence card with Video Pace Class 90 or larger.*Selectable bitrate shall be modified is dependent upon the setting.*Apple ProRes codec may be solely recorded to CFexpress Sort B card*Bitrate for Apple ProRes codec just isn’t selectable.*Recording time can develop into quick relying on the temperature and/or taking pictures circumstances
Movie simulation mode
20 modes (PROVIA/Normal, Velvia/Vivid, ASTIA/Mushy, Basic Chrome, REALA ACE, PRO Neg.Hello, PRO Neg.Std, Basic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Coloration
Sure
Grain Impact
Roughness
STRONG, WEAK, OFF
Measurement
LARGE, SMALL
Coloration Chrome Impact
STRONG, WEAK, OFF
Coloration chrome Blue
STRONG, WEAK, OFF
Clean Pores and skin Impact
STRONG, WEAK, OFF
Dynamic vary setting
Nonetheless
AUTO / 100％ / 200％ / 400％ISO restriction: DR100%: No restrict、DR200%: ISO160 or extra、DR400%: ISO320 or extra
Film
100％ / 200％ / 400％ISO restriction: DR100%: No restrict、DR200%: ISO200 or extra、DR400%: ISO400 or extra
White stability
Auto
White Precedence / Auto / Atmosphere Precedence
Customized
Custom1 – 3
Coloration temperature choice
2500K～10000K
Preset
Daylight / Shade / Fluorescent Mild-1 / Fluorescent Mild-2 / Fluorescent Mild-3 / Incandescent Mild / Underwater
Readability setting
±5 steps
Self-timer
Nonetheless
10sec. / 2sec.
Film
10sec. / 5sec. / 3sec.
Interval timer taking pictures
Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer taking pictures publicity smoothing, Interval precedence mode)
Wi-fi transmitter
Normal
IEEE802.11a/b/g/n/ac (commonplace wi-fi protocol)
Encryption
WPA/WPA2 blended mode, WPA3
Entry mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low vitality)
Working frequency (Middle frequency)
2402～2480MHz
Terminal
Digital interface
USB Sort-C (USB3.2 Gen2x1)
HDMI output
HDMI connector (Sort A)
LAN Terminal
1000BASE-T、100BASE-TX、10BASE-T
Others
ø3.5mm, stereo mini connector (Microphone and Distant Launch)ø3.5mm, stereo mini connector (Headphone)Scorching shoeSynchronized terninal
Energy provide
NP-W235 Li-ion battery (included)
Battery life for nonetheless photos*2
Regular Mode: Approx. 540 frames*Auto energy save ON*When GF63mmF2.8 R WR is about
Precise battery lifetime of film seize*2
8K: Approx. 60min. (29.97p)4K: Approx. 60min. (59.94p)Full HD: Approx. 80min. (59.94p)*Face detection is about to OFF
Continuance battery lifetime of film seize*2
8K: Approx. 80min. (29.97p)4K: Approx. 90min. (59.94p)Full HD: Approx. 140min. (59.94p)*Face detection is about to OFF
Dimensions
Width: 152.4mmHeight: 117.4mmDepth: 98.6mm(Minimal Depth: 46.5mm)
Excluding EVF
Width: 152.4mmHeight: 103.5mmDepth: 73.5mm(Minimal Depth: 46.5mm)
Weight
together with battery and reminiscence card: Approx. 948g (together with EVF: 1,030g)excluding battery and reminiscence card: Approx. 867g (together with EVF: 949g)
Operation Setting
Working Temperature
-10℃～+40℃
Working Humidity
10% – 80% (no condensation)
Equipment included
Interchangeable digital viewfinder EVF-GFX3Li-ion battery NP-W235AC energy adapter AC-5VJPlug adapterUSB cableShoulder strapBody capHot shoe coverVertical battery grip connector coverMemory card slot coverSync terminal coverCooling fan connector coverCable protector
*1 Exif 2.32 is a digital digital camera file format that comprises quite a lot of taking pictures info for optimum printing
*2 Approximate variety of frames or film recording time that may be taken with a fully-charged based mostly on CIPA Normal.
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