Fujifilm GFX 100RF Assessment | Images Weblog

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Fujifilm GFX 100RF Assessment | Images Weblog

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Introduction

The brand new GFX 100RF is the primary fixed-lens mannequin within the GFX sequence of medium-format sensor digital cameras. It makes use of the identical 102 megapixel sensor because the GFX 100S II and the identical high-speed picture processing engine ‘X-Processor 5’, paired with a newly developed 35mm F4 fastened lens (equal to 28mm in 35mm format) full with a leaf shutter and a 4-stop ND filter. The ten components in 8 teams lens configuration, which incorporates two aspherical lenses, reduces spherical aberration and area curvature, delivering excessive decision efficiency. A newly developed Nano GI coating, optimized for lenses with important curvature, suppresses mild reflection even on the periphery of the lens. Weighing in at simply 735g with an SD card and battery fitted and solely barely taller than an X100 VI, the rangefinder-esque GFX100RF has a prime plate that’s made out of a 500g block of strong aluminium that takes round 5 hours to mill. This new digital camera is considerably lighter than the earlier lightest mannequin within the GFX Collection, the GFX50R, which weighs 775g for the physique solely with out a lens fitted. It has a 3.15-inch, 2.1 million-dot, two-axis tilting LCD monitor and an digital viewfinder with 5.76 million dots of decision and 0.84x magnification. A brand new encompass view perform has been added, displaying areas outdoors the taking pictures body in a semi-transparent or line format in keeping with the facet ratio, offering an OVF-like expertise even with an EVF. A model new facet ratio dial on the rear gives the same old seven Fujifilm ratios plus new 3:4 and 17:6 facet ratios, and there are 20 movie simulations obtainable together with Reala Ace. Knurling on all management dials makes for a really tactile consumer expertise, whereas the digital teleconverter lever on entrance gives fast and quick access to the assorted extra focal lengths (45mm (equal to 36mm in 35mm format), 63mm (equal to 50mm in 35mm format), and 80mm (equal to 63mm in 35mm format)). The GFX100RF can shoot at a decent 6fps burst mode, options most 1/4,000th / 1/16,000th shutter mechanical and digital shutter speeds, and presents the identical AI topic detection auto-focus modes and collection of ports because the GFX 100S II. It may well report DCI 4K/30P 4:2:2 10-bit video, with as much as 100 minutes of battery life in 4K, and there is Digital IS obtainable for video albeit with a 1.32x crop. The digital camera has twin UHS-II SD card slots and the NP-W235 battery gives 820 body battery life in keeping with CIPA requirements. Mud and splash proof with the adapter ring fitted, the GFX100RF is available in a completely loaded equipment that features a precision-machined aluminum lens hood, filter, rope-type shoulder strap, devoted adapter ring, hood cap, and lens caps. The Fujifilm GFX 100RF is priced at £4,699 within the UK, $4,899 within the USA and €5,499 in Europe. Will probably be available for purchase from seventh April 2025 and is offered in silver/black for the primary time on GFX in addition to all-black. It’s made in Japan.

Ease of Use

In the event you’ve ever needed an X100-series fastened lens digital camera however been postpone by the “small” APS-C sensor, then the brand new GFX 100RF is the final word improve, albeit one which prices many £$ extra.

Clearly taking inspiration from 2024’s X100VI, the 100RF in some way squeezes a medium-format sensor that is 4x larger than an APS-C sensor right into a physique that is not that a lot bigger or heavier than its fashionable APS-C sibling, while increasing additional on the X100VI’s distinctive design philosophy.

In contrast to each GFX-series digital camera earlier than it, the 100RF eschews the GFX interchangeable lens mount in favour of a set 35mm lens that gives an efficient focal size of 28mm in full-frame phrases.

Ditching the big GFX lens mount is the principal cause why this new mannequin is a lot smaller than its friends, weighing in at 735g with an SD card and battery, which is significantly lower than the GFX50R even with out a lens fitted.

Measuring 134 x 90 x 77mm, the 100RF even compares fairly favourably to the X100VI, which weighs 521g and measures 128 x 75 x 55mm.

While this new GFX is clearly heavier and bigger than its shut APS-C relative, its dimension and heft undoubtedly falls inside the realms of being utterly manageable on a day-to-day foundation, and a few customers may very well discover the bigger footprint simpler to deal with.

There’s an apparent trade-off of this specific GFX mannequin in that you just lose the flexibility of having the ability to change the focal size by becoming a special lens.

For these photographers who need extra than simply an efficient 28mm wide-angle focal size, Fujifilm have considerably offset this apparent limitation by offering quick access to a few further focal lengths – 36, 50 and 63mm – achieved by activating the Digital Tele-Converter perform to crop into the 102 megapixel sensor.

The “further” 36, 50 and 63mm focal lengths produce 66, 31 and 20 megapixel photographs respectively, so whilst you solely get the total 102 megapixel decision on the native 28mm setting, having the extra 36mm / 66mp, 50mm / 31mp and 63mm / 20mp on-board genuinely provides to this cameras versatility.

That is very true as a result of Fujifilm have integrated a model new digital teleconverter lever on the entrance of the 100RF which falls below your proper forefinger and makes it a cinch to toggle between the 4 focal lengths.

This spring loaded lever strikes left and proper, toggling by means of the 4 choices as you go, with 45, 63 and 80 displayed onscreen (however not 28) and the efficient crop additionally clearly proven within the viewfinder/LCD display.

It will have been good to have a faster solution to return to 28mm, for instance pushing the lever in, reasonably than having to toggle backwards, and the lever is totally redundant in video mode as you’ll be able to solely activate the assorted crop modes for stills.

On the entire, although, it is a very welcome, model new addition to the X100 blueprint that we might additionally prefer to see integrated on the X100VII.

A much less welcome change to the X100VI is the entrance command dial, which sits above the digital teleconverter lever and is equally sized. Regardless of having a knurled textured grip, this dial is trickier to find and use than the corresponding dial on the X100VI, and it is also not clickable both.

Stacked straight above the digital teleconverter lever on the underside and the entrance command dial within the center is the On/Off swap, into which is ready the springy shutter launch that is threaded to simply accept a smooth shutter launch button, similar to on the X100VI.

Extra controls which have been inherited from the X100VI embrace the rocker lever situated to the fitting of the lens barrel which by default adjusts the viewfinder mode, the publicity compensation dial on the far-right of the top-panel with +-3EV and Customized settings, and the big, tactile shutter pace dial with 1-4000th sec, Timer and Bulb settings.

Cleverly set into the shutter pace dial is the ISO pace dial, which is accessed by lifting up the outer ring. Slightly surprisingly on such an costly digital camera, although, the motion of this ring was considerably unfastened and inaccurate.

I additionally discovered it disconcerting that there was no click on when transferring by means of the ISO speeds, in contrast to the shutter speeds, which made it essential to maintain seeking to discover out which worth I might really chosen.

Having stated that, for those who sometimes shoot in handbook mode you may love having the ability to clearly see the aperture on the lens barrel and the shutter pace, ISO pace and publicity compensation on the highest panel – the entire key publicity settings obtainable at a look with out having to have a look at the LCD display.

Finishing the highest panel is a flash hotshoe with multi-function help for varied equipment in addition to flashguns and a tiny, unmarked, customisable Operate button to the fitting of the shutter button which by default turns face detection on and off.

Turning to the rear of the digital camera and there are extra acquainted X100-series controls within the type of a bigger, chunky, knurled rear command dial, a shared AEL/AFL button, a tiny Fast menu button, and a thumb-operated AF joystick which proved to be just a little “spongy” in use.

Beneath it is a column of 4 self-explanatory buttons – Menu/OK. Show/Again, Play and Drive/Delete. The latter one is a very powerful for videographers, as sadly the GFX 100RF would not have a Nonetheless/ Film swap for altering between stills and video. As an alternative the Film mode is buried away on the finish of the Drive menu, similar to on the X100VI, which has all the time been reasonably incongruous.

The digital camera does not less than swap between devoted in-camera menu programs while you change modes, so you do not have to scroll by means of extreme video choices when all you wish to do is pictures, and vice versa, and the menu system for each disciplines is very well laid out.

Similar to the GFX 100S II, the 100RF can report DCI 4K/30P or 1080/60p 4:2:2 10-bit video with no crop and as much as 100 minutes of battery life in 4K.

There’s a Digital IS mode obtainable for video which can assist stabilise hand-held footage, albeit with a 1.32x crop. Mixed with a suitable HDMI recording gadget from Atomos or Blackmagic Design, 12-bit RAW video output could be recorded as Apple ProRes RAW or Blackmagic RAW. It additionally presents the F-Log 1/2 profiles with as much as 14+ stops of dynamic vary.

There are two model new controls which you will not discover on the X100VI, There is a new AF mode swap with S/C/M settings set flush into the rear of the digital camera, and maybe extra excitingly a management that we have by no means encountered earlier than.

That is the model new facet ratio management, which appears to be like like a big flat wheel set into the rear of the digital camera and has a knurled edge that permits you to swap between the 9 totally different facet ratios, with the present one displayed from above in a small window.

This wheel has a really stiff motion so there is no hazard of inadvertently deciding on the “mistaken” ratio. 4:3 is the native ratio that utilises all 102 megapixels, with the eight different choices (3:2, 16:9, 65:24, 17:6, 3:4, 1:1, 7:6, 5:4, and a customized choice) all cropping into the sensor and solely working for stills, similar to the digital tele-converter.

By default selecting a facet ratio aside from the native 4:3 shows black bars across the clean areas of the body, however you’ll be able to extra usefully change this utilizing the rocker lever situated to the fitting of the lens barrel which by default adjusts the viewfinder mode. Notice that this method can also be used for the assorted digital teleconverter focal lengths.

There’s additionally a dimmed setting or one with white strains, each of which nonetheless show what’s straight outdoors the present body, subsequently making it simpler to see what could also be about to enter the body. These modes are very very similar to the optical viewfinder expertise of the X100 and X-Professional sequence cameras.

Talking of viewfinders, the GFX 100RF doesn’t have a hybrid digital/optical viewfinder just like the X100 and X-Professional. As an alternative it inherits the superb EVF from the GFX100S II which has a magnification of 0.84x, refresh price of as much as 100fps, and backbone of 5.76 million dots.

This simplifies using the GFX 100RF while undoubtedly making it cheaper to provide from Fujifilm’s viewpoint, and the intelligent viewing mode system that mimics the hybrid optical viewfinder largely makes up for its absence.

Additionally notably absent on the 100RF is any type of stabilisation, both optical through the lens or in-body, which once more makes it simpler for Fujifilm to maintain the digital camera small, mild and (comparatively) inexpensive.

This contrasts markedly with each the GFX 100S II which options five-axis in-body picture stabilization (IBIS) that gives a compensation score of as much as 8 stops when sure specified lenses are used, and the X100VI which gives round 6 stops of compensation for each stills and video.

On the GFX100RF you may must be way more cautious when utilizing slower shutter speeds hand-held to keep away from lack of sharpness, one thing that’s compounded by the 102 megapixel sensor. It additionally signifies that this mannequin would not have the 400-megapixel Pixel Shift Multi-Shot mode supplied by different GFX cameras, which make use of the IBIS unit to provide these composite photographs.

This digital camera really has two sorts of shutter, mechanical and digital. When utilizing its mechanical leaf shutter, it has a prime shutter-speed restrict of 1/4000th second in all taking pictures modes.

Using a leaf shutter has two major advantages. It may well sync flashes all the best way as much as 1/4000th second, whereas the focal aircraft shutter on the GFX100S II is proscribed to 1/one hundred and twenty fifth, and it helps eradicate vibrations, which considerably negates the shortage of stabilisation when hand-holding the digital camera at gradual shutter speeds (however not utterly).

The 100RF presents precisely the identical AI topic detection auto-focus modes because the GFX 100S II which let you select between animals, birds, cars, bikes and bikes, aeroplanes and trains. There isn’t any Auto choice as featured on latest X-series our bodies although, so that you do must particularly select which of these you wish to monitor from the Topic Detection Setting menu, however you’ll be able to simply register totally different settings to the digital camera’s varied customized modes.

The GFX100RF has a really related 2-way tilting LCD display to the X100VI that makes it simpler to shoot at each waist-level and while holding the digital camera above your head. It may be tilted right down to 45˚ and pulled additional away when turned upwards, however you’ll be able to’t tilt it out to the facet, which might have been best for video use.

The panel is larger decision, although, 2.1M dots on the GFX100RF versus 1.62M dots on the X100VI, whereas the 4:3 facet ratio completely matches the medium-format sensor so you aren’t getting any black bars above and beneath the body as on the APS-C fashions.

Fujifilm have additionally gone to nice lengths to successfully cover the LCD panel by making an extremely skinny display that sits flush in opposition to the rear of the digital camera. Certainly, if it wasn’t for the slight indent and tab within the backside left nook that is used for pulling it outwards, you’d most likely assume that the display was fastened in place.

On the left-hand flank of the digital camera is a single plastic flap that homes the three.5mm microphone and headphone jacks, USB-C port and Micro HDMI connection.

The GFX100RF could be powered and charged through the USB-C connection, which is helpful for those who’re out and about and have a suitable power-bank to plug the digital camera into. It makes use of the newer Sort C normal which additionally permits it for use as a port for a exterior headphones through an adapter and as a regular UVC/UAC webcam.

This digital camera options each built-in wi-fi and Bluetooth connectivity. The latter choice creates a relentless, low-power connection between the digital camera and a smartphone/pill to switch photographs and video utilizing the Fujifilm Digicam Distant smartphone app.

The previous permits you to remotely management the digital camera through both a 2.4Ghz or 5GHz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photographs and video from one gadget to the opposite.

On the right-hand flank is a lockable door that homes not one however two UHS-II SD reminiscence card slots, which compares very favourably with the only SD reminiscence card slot on the X100VI that is housed within the battery compartment on the underside of the digital camera and which solely helps the slower UHS-I normal.

Together with a threaded tripod mount, the battery compartment is situated on the underside of the digital camera. The GFX100RF makes use of an NP-W235 lithium-ion battery which gives 820 body battery life in keeping with stringent CIPA requirements, which compares favourably to the X100VI and is excellent for what’s ostensibly a compact digital camera.

Similar to the X100VI, the Fuji GFX 100RF is weather-sealed, one thing that additional provides to its versatility as a go-anywhere avenue digital camera.

There’s fairly a giant catch, although – while the digital camera physique is totally weather-sealed out of the field, the lens is not, requiring the becoming of the PRF-49 protecting filter with the AR-X100 adapter ring to totally defend it from the weather.

Fujifilm have stated that they did not wish to make the digital camera larger and costlier by making the lens weatherproof out-of-the-box. Whereas that is commendable, having to suit equipment that make the digital camera larger and heavier is not precisely a great resolution for anybody who wish to shoot within the rain or dusty environments.

They do not less than present these equipment within the field, although, in contrast to the X100VI the place they’re costly elective extras, they usually additionally embrace a top quality rope-style shoulder strap and a really good lens hood and cap.

Picture High quality

The entire pattern photographs on this evaluate have been taken utilizing the 102 megapixel SuperFine JPEG setting, which provides a median picture dimension of round 50Mb.The Fujifilm GFX 100RF produced photographs of excellent high quality through the evaluate interval.This digital camera information noise-free JPEG photographs from ISO 40 all the best way as much as ISO 6400, with important noise first showing at ISO 12800.The sooner settings of ISO 25600 and 51200 are nonetheless usable, though we would counsel keep away from utilizing the best obtainable setting of 102400 if attainable.The RAW recordsdata have been additionally wonderful, exhibiting extra noise than the JPEGs however nonetheless producing very usable photographs from ISO 40-12800.The Dynamic Vary settings subtly enhance element within the shadows and highlights, whereas the assorted Movie Simulation modes efficiently emulate fashionable Fujifilm movie shares from the previous, with the latest addition of Reala Ace bringing the overall quantity to twenty.

NoiseThere are 13 major ISO settings obtainable on the Fujifilm GFX 100RF, with the usual vary working from ISO 80-12800 and the expanded vary from 40-102400. Listed here are some 100% crops which present the noise ranges for every ISO setting for each JPEG and Uncooked codecs.

File QualityThe Fujifilm GFX 100RF has 3 totally different JPEG and HEIF file high quality settings obtainable, with SuperFine being the best high quality choice for each codecs, and it additionally helps Uncooked, with three ranges of compression obtainable. Listed here are some 100% crops which present the standard of the assorted choices, with the general file dimension proven in brackets.

Dynamic RangeThe Fujifilm GFX 100RF has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.These settings regularly improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture.Notice that you would be able to’t really flip this function off. You additionally have to set the ISO to not less than 320 if you wish to entry all three settings.

Movie SimulationsThe Fujifilm GFX 100RF presents 20 totally different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous.

A number of ExposureThe Fujifilm GFX 100RF’s A number of Publicity drive mode permits you to take two consecutive pictures and mix them into one.

Focal RangeThe 35mm fastened focal size gives an angle of view of 40 levels, which is equal to 28mm on a 35mm full body sensor.35mm

Digital Tele-ConverterThe Digital Teleconverter Lever on the entrance of the digital camera toggles between the native 35mm and cropped 45, 63 and 80mm equal focal lengths (28, 35, 50 and 63mm in 35mm phrases).35mm45mm63mm80mm

Side RatiosThe Side Ratio dial allows you to rapidly choose a body form, with 9 totally different choices obtainable.4:33:216:965:2417:63:41:17:65:4

Chromatic AberrationsChromatic aberrations, sometimes seen as blue or purple fringes alongside contrasty edges, weren’t very obvious in our take a look at pictures, solely showing in very excessive distinction areas.

VignettingWith the lens set to its most aperture of f/4, there may be just some very delicate mild fall-off within the corners in each the JPEG and Uncooked recordsdata.

DistortionThe Fujifilm GFX 100RF reveals very delicate barrel distortion in each the JPEG and Uncooked recordsdata, which you’ll have to appropriate in post-processing.

Sunstars and FlareThe GFX 100RF’s lens produces good sunstars when stopped-down to f/22, as proven beneath, and flare is pretty properly managed when taking pictures straight into the solar.

MacroThe Fujifilm GFX 100RF presents a minimal focusing distance of 0.2m/0.66ft, which is pretty helpful for macro topics regardless of the wide-angle focal size.

BokehBokeh is a phrase used for the out-of-focus areas of {a photograph}, and is often described in qualitative phrases, equivalent to clean / creamy / harsh and so forth.Within the GFX 100RF’s lens, Fujifilm employed an iris diaphragm with 9 rounded blades, which has resulted in pretty interesting bokeh regardless of the slowish most aperture of f/4.We do realise, nonetheless, that bokeh analysis is subjective, so we have included a number of examples to your perusal.

Pattern Pictures

It is a collection of pattern photographs from the Fujifilm GFX 100RF digital camera, which have been all taken utilizing the 102 megapixel Superfine JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any means.

Pattern RAW Pictures
The Fujifilm GFX 100RF allows customers to seize RAW and JPEG format recordsdata. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photographs proven beneath should not 100% consultant).

Pattern Films & Video

Product Pictures

Conclusion

Fujiflm have efficiently created a brand new photographer-focused digital camera that can enchantment equally to present X100-series and GFX homeowners due to its intelligent mix of options and design from each platforms.For the previous, the 100RF presents all the advantages of a a lot bigger, a lot larger decision sensor in a physique that is not unmanageably larger or heavier. For the latter, it gives virtually the total GFX expertise in a a lot smaller, lighter shell that makes it a real all-day companion.It must also show significantly tempting for anybody remotely within the costlier Leica Q 43 with its 35mm full-frame sensor or different high-end compacts, not that there are too a lot of these.The 100RF represents a fairly unbelievable feat of engineering, in some way squeezing a medium format sensor right into a compact physique that comes throughout like a chunky X100VI.The truth that it has twin reminiscence card slots, wonderful battery life, nice digital viewfinder, wonderful 28mm fastened lens and a plethora of exterior controls solely provides additional to its appreciable appeal.Positive, there are inevitably a number of spoilers, most notably the whole lack of stabilisation and gradual most aperture of f/4 which makes good method much more necessary, however the leaf shutter and the clear ISO efficiency each assist out at slower speeds.Some could bemoan the absence of the X100VI’s hybrid digital/optical viewfinder, however the wonderful EVF on the 100RF makes the digital camera easier to make use of and cheaper to provide.Fujifilm have additionally intelligently leaned into the digital tele-converter and facet ratios, offering new well-thought out controls and usually making them a extra built-in a part of the digital camera as an entire.Though it presents 4K/30p video and 5fps burst taking pictures, the GFX 100RF could be very a lot a pondering photographer’s digital camera, one which lends itself to a extra thought-about method due to the whole suite of publicity controls which are obtainable.Worth relies upon completely by yourself viewpoint. The 100RF is a few £$3000 costlier than an X100VI, however £$300 cheaper than a GFX 100S II with out a lens. The Leica Q3 43 is a whopping £5900 / $6895 however does have a a lot sooner lens.General, we’re keen about the GFX 100RF. Its distinctive mix of medium-format picture high quality, compact light-weight physique, well-thought out controls and shocking versatility greater than make up for a number of quirks. If it fits your specific photographic imaginative and prescient of landscapes, cityscapes and journey, then undoubtedly add it to your (very) short-list…

Scores (out of 5)

Design
5

Options
4.5

Ease-of-use
4.5

Picture high quality
5

Worth for cash
4.5

Important Rivals
Listed beneath are a number of the rivals of the Fujifilm GFX 100RF.

The Fujifilm GFX 100 II is a 100-megapixel, 8K video, 8-stop IBIS, 8fps steady taking pictures, medium-format monster that’s mild sufficient to make use of all day, indoors and out. Discover out simply how good it’s by studying our in-depth Fujifilm GFX 100 II evaluate, full with a gallery of full-size pattern JPEG / Uncooked photographs and movies…

We have kicked off our Fujifilm GFX 100S II evaluate with pattern JPEG and RAW photographs, product pictures and extra…

The brand new Fuji GFX 50S II is essentially the most inexpensive medium-format ever launched – it is so low cost that it competes with high-end 35mm full-frame cameras just like the Sony Alpha 7R IV, Canon EOS R5 and Nikon Z7 II. However absolutely there is a catch – is it simply too inexpensive for its personal good? Discover out now by studying our in-depth Fujifilm GFX 50S II evaluate, full with full-size pattern pictures and movies…

The X100VI is the sixth era of Fujfilm’s basic 35mm fastened lens premium compact digital camera sequence. It now has a 40 megapixel sensor, 6K video recording, in-body picture stabilisation (IBIS) and model new Reala Ace movie simulation. Learn our in-depth Fujifilm X100VI evaluate now, full with full-size pattern photographs and movies…

The Hasselblad 907X 50C is a digital medium-format digital camera like no different, using a modular system that is comprised of the 51.2-megapixel CVF II digital again and the retro 907X physique. With a price ticket of £5,999 for the again and physique, one of many key sights of the 907X 50C is its compatibility with movie cameras, such because the Hasselblad 500C/M physique and CF80mm f/2.8 lens that we examined it with. Learn our in-depth Hasselblad 907X 50C with full-size pattern pictures and movies.

The Hasselblad X1D II 50c is a contemporary medium-format mirrorless digital camera with a 51 megapixel sensor, giant 3.6-inch touchscreen LCD and an improved digital viewfinder, all housed in a superbly crafted physique. Learn our in-depth Hasselblad X1D II 50c evaluate now…

The Leica Q3 43 is a compact digital camera like no different, with a 60 megapixel full-frame sensor, 8K video recording and a model new 43mm f/2 fastened lens, all housed in a conventional, pared-back physique. Discover out extra by studying our in-depth Leica Q3 43 evaluate, full with full-size pattern pictures and movies…

The Leica Q3 is a compact digital camera like no different, with a 60 megapixel full-frame sensor, 8K/30p video recording, hybrid AF system and a 28mm f/1.7 fastened lens all housed in a conventional physique. Is that this the final word instrument for avenue and panorama pictures? Discover out now by studying our in-depth Leica Q3 evaluate, full with full-size pattern pictures and movies…

The Leica SL3 is a model new digital digital camera with a 60 megapixel sensor, 8K/30p video recording and a hybrid AF system. Does this premium tackle a 35mm full-frame interchangeable lens digital camera ship premium outcomes? Discover out now by studying our in-depth Leica SL3 evaluate, full with full-size pattern pictures and movies…

The Sony A7R V full-frame digital camera is a hybrid powerhouse that in some methods outperforms even the flagship Alpha 1 mannequin. Can this thrilling digital camera actually meet the wants of every kind of photographers? Learn our in-depth Sony A7R V evaluate to seek out out…

Assessment Roundup

Opinions of the Fujifilm GFX 100RF from across the internet.

In the course of the presentation/introduction assembly in november 2024 in Prague I bear in mind pulling the GFX100RF from the reasonably inconspicuous bubble wrapping, simply trying on the small dimension footprint, the extremely sharp edges, the minimalist design language, with a transparent reference to the X100 sequence, in addition to the X-E sequence. It was all there. Similar to I had hoped the product could be designed all these years in the past.
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The GFX100RF is a real marvel of engineering and places Fujifilm’s GFX medium format sensor in its most compact type but – one that may genuinely be carried outdoors of the studio similar to every other (albeit barely giant) compact digital camera.
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The Fujifilm GFX100RF produces fabulous picture high quality that belies its compact dimension. It’s satisfying to shoot with and provides nice outcomes, with the facet ratio dial encouraging artistic composition.
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