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Introduction
The GFX 50S II is the fifth medium-format mirrorless digicam that Fujifilm have launched in the previous couple of years, and is by far probably the most inexpensive, making medium-format accessible to a a lot wider viewers.As its title suggests, it has a 50 megapixel picture sensor which bodily measures 43.8×32.9mm, a lot bigger than the 36x24mm sensor present in a 35mm full-frame digicam – roughly 1.7x bigger in truth.The Fuji 50S II really makes use of precisely the identical sensor because the older 50 megapixel 50S and 50R fashions, regardless of costing considerably lower than each at launch.It is a again illuminated CMOS sensor with the identical contrast-detect kind autofocus system because the 50S and 50R, with no phase-detection AF sensors embedded within the sensor as on the 100 megapixel GFX 100 and 100S cameras.Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.The native ISO vary runs from ISO 100 to ISO 12,800, which is expandable to 50-102,400.The GFX50S II does use the most recent, strongest X-Processor 4 picture processor, although, a function that’s shared with the 100 megapixel fashions, which allows the brand new model to supply a whopping 79 upgraded features when in comparison with the unique 50S mannequin.Identical to the GFX 100 and 100S, the 50S II options in-body picture stabilization (IBIS), however this time the five-axis picture stabilisation system gives a fair higher compensation ranking of as much as 6.5 stops.The Fuji 50S II presents 1080p video recording with a body price of 30fps, a limitation of the sensor that it makes use of, moderately than the 4K 30p video recording discovered on the GFX 100/S.The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of constructing the Mark II model lighter, smaller and crucially cheaper (because it’s easier to fabricate).Different key specs embody a weather-resistant magnesium alloy physique, 3.69M-dot OLED digital viewfinder with 100% protection and a magnification of 0.77x, 2.36 million dot tilting 3.2-inch LCD show, Face and Eye Detection AF, 3fps steady capturing speeds, and twin UHS-II SD reminiscence card slots.The 50S II additionally presents shutter speeds from 60 minutes to 1/4000th sec utilizing the mechanical focal airplane shutter or as much as 1/16000 sec through the digital shutter, interval capturing and a number of publicity modes, built-in Wi-Fi and Bluetooth connectivity, and a USB-C port.The Fujifilm GFX 50S II is out there now priced at £3499 / $3999 physique solely or £3999 / $4499 with the brand new GF 35-70mm package lens, within the UK and USA respectively, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A7R IV 35mm full-frame mirrorless cameras.
Ease of Use
Externally the brand new GFX 50S II is equivalent to final yr’s GFX 100S digicam, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and high LCD panel, and the identical rear LCD display screen, digital viewfinder and AF joystick on the rear.
The GFX 50S II can also be taking over the 35mm full-frame market by being equally sized to some DSLR and mirrorless fashions, regardless of having a bigger, medium format sensor – and have we already talked about that it is very equally priced to flagship full-frame fashions from Canon, Sony, Nikon and Panasonic, even with a lens included?
Regardless of having a medium format sensor, it is clear that Fujifilm believes the GFX 50S II essential rivals are 35mm sensor cameras, not the “conventional” medium-format market that primarily serves studio photographers.
With this new mannequin, Fujifilm have aggressively diminished the dimensions and the worth of the GFX 50S II to tackle the likes of the Sony Alpha A7R IV, Canon EOS R5, Nikon Z7 II and Panasonic Lumix S1R, to not point out DSLRs just like the Canon EOS 5D IV and Nikon D850.
Fujifilm would not have a 35mm digicam vary – as a substitute it has the extremely popular APS-C X-series and the comparatively new GFX medium-format collection.
So it is attacking the favored full-frame market from two angles – smaller, lighter and cheaper cameras just like the X-T4, and now a medium-format digicam that’s comparable in dimension, weight and even value to the most recent flagship 35mm fashions.
We’ve not even talked about the GFX 50S II’ medium format rivals, which aside from the now ageing Pentax 645Z are invariably bigger and far, far more costly than this digicam.
As ever with cameras, there isn’t any one mannequin that does all of it, although, so do not anticipate the GFX 50S II to rival smaller-sensor cameras for issues like burst capturing speeds, video and auto-focus efficiency.
It’s nonetheless very a lot a medium-format digicam in theses areas, which is particularly true with the 50S II as a result of it continues to make use of the now ageing 50 megapixel sensor that made its debut in 2017’s 50S digicam.
The Fuji 50S II weighs 900g and measures 150×104.2×87.2mm, making it barely larger and heavier than the unique 50S, which weighed in at 740g and measured 148x94x91mm, though the figures for the GFX 50S are with out the detachable EVF being fitted, and crucially it would not have IBIS both, not like the 50S II.
Identical to the GFX 100S, Fujifilm aren’t releasing an elective battery grip for the GFX 50S II – it would not even have {the electrical} contacts on the underside of the digicam physique – so there might be no Third-party choices accessible both.
As an alternative there’s a metallic hand grip accent referred to as the MHG-GFXS that enhances the in-hand really feel of the digicam, considerably sarcastically by making it larger.
So if you happen to’re a fan of both becoming an elective battery grip to your digicam for higher battery life and improved ergonomics when capturing in portrait mode, sadly the GFX 50S II will not meet your wants, and you may want to contemplate the older 50S or 50R fashions as a substitute.
So Fuji’s engineers have included an in-body 5-axis stabilisation unit for the primary time in a 50 megapixel mannequin, one which’s really much more efficient than the unit contained in the GFX 100S.
The GFX 100 presents 5.5 stops of compensation, the GFX 100S presents 6 stops of compensation, and the GFX 50S II presents a class-leading 6.5 stops of compensation, because of a barely redesigned IBIS unit.
That is the third GFX and third ever medium format digicam to function in-body picture stabilization. The Fuji GFX 50S II makes use of a well-known 5-axis system which gives as much as 6.5 stops of picture stabilization (when utilizing the GF 63mm F2.8 R WR lens).
The primary two 50 megapixel GFX cameras did not have IBIS built-in, as a substitute counting on the lens to offer it, which not all GFX lenses do. With the GFX 50S II, any lens that you simply connect to it’s going to robotically profit from as much as 6.5 stops of compensation. Moreover, the identical system is used to assist suppress shutter shock, which given the decision on supply is a really welcome profit.
Pixel Shift is a particular Multi-Shot perform that makes use of the IBIS unit to allow the GFX 50S II to create 205 megapixel photographs. The digicam’s IBIS unit is used to shift the picture sensor by as much as a pixel in varied instructions throughout a sequence of 16 photographs, which might then be robotically mix right into a single picture utilizing Fuji’s Pixel Shift Combiner software program.
Fuji additionally redesigned the focal airplane shutter unit with a view to scale back the dimensions of the 50S II, but it surely nonetheless presents the identical quickest shutter velocity of 1/4000th second and the longest publicity time of 60 minutes. There’s additionally an digital shutter which gives a fair quicker shutter velocity of as much as 1/16000 sec, which is beneficial for capturing in brilliant situations at wide-open apertures, for instance.
The third main design determination that has helped to make the GFX 50S II so small, along with the brand new IBIS and shutter items, is the adoption of a smaller battery.
The Fujifilm GFX 50S II makes use of precisely the identical NP-W235 battery because the X-T4 APS-C sensor digicam and the GFX 100S, moderately than the bodily bigger TP-125 battery utilized by the GFX 100 and the GFX 50S, and it is integrated into the underside of the handgrip, once more permitting the designers to make the 50S II smaller.
The NP-W235 presents a CIPA-rated battery lifetime of as much as 455 photographs on a single cost in regular mode, versus 400 photographs for the TP-125, so it really out-performs the larger battery.
The Fuji GFX 50S II is a really well-built digicam, as you’d in all probability anticipate for £3.5K, with completely no flex or motion in its chassis because of a die-cast magnesium alloy physique and machined management dials.
It is also dust-resistant, waterproof and freeze-resistant right down to -10°C, making this a medium format digicam that can be utilized exterior in addition to indoors, additional rising its versatility.
By way of its ergonomics and management format, the 50S II is the very best realised GFX mannequin but, and the one which we have most loved utilizing, primarily as a result of it handles identical to a premium full-frame DSLR or mirrorless digicam.
The entrance of the Fujifilm GFX 50S II is adorned with the white Fujifilm brand positioned above the lens. To the left of the lens mount, if viewing the digicam front-on, is a small black button that may be customised, which by default accesses the Efficiency Increase features. On the bottom-left of the lens is a round button for releasing the lens.
Due to the adoption of the NP-W235 battery and its placement, the 50S II has a really giant grip that I may comfortably match even my pinky finger round while working the shutter button together with your forefinger and gripping the again of the digicam together with your thumb, which makes it exceptionally simple to carry for prolonged quantities of time. Even quick durations of one-handed use are doable – what number of medium format cameras are you able to say that about?
Identical to they just lately did with the X-S10 APS-C digicam, Fujifilm have made the very-unlike-Fuji determination to considerably simplify the design of the GFX 50S II by not together with the normal shutter velocity and ISO velocity dials that adorn most of its cameras.
As an alternative, there is a conventional capturing mode dial on the left, full with a minimum of 6 (!) Customized mode settings and the standard PASM modes, and a big, monochrome top-panel LCD display screen on the appropriate, a mixture that is identical to the one on the GFX 100S.
In entrance of the capturing mode dial is the model new capturing mode swap, which toggles between Film and Nonetheless. It is a welcome simplification of the best way by which you selected these modes on earlier GFX cameras, though you do lose top-panel entry to the Drive modes, which are actually as a substitute accessed by the brand new Drive button on the rear of the digicam.
The 1.8″ top-panel LCD display screen cleverly replaces the standard bodily ISO and Shutter velocity dials by displaying three “digital” controls as a substitute, with ISO on the left, shutter velocity on the appropriate and publicity compensation on the underside.
Relying upon which capturing mode you are in, as you utilize the entrance and rear management dials to vary these settings, the digital show is up to date in real-time.
It can be toggled utilizing the small unmarked button to the bottom-right of the highest LCD display screen to alternatively show both a histogram or the Fuji GFX 50S II’s present key settings, together with the shutter velocity, aperture, publicity compensation, sensitivity, capturing mode, white stability and movie simulation mode.
It is not fairly as handy as having precise dials, however is a intelligent thought nonetheless, particularly as when set to the important thing settings mode, the LCD display screen stays on when the digicam is turned off, which acts as a fast reminder of your final used settings even earlier than you flip the digicam again on.
There’s additionally no helpful publicity compensation dial, nonetheless, as a substitute changed by a tiny devoted button on high of the digicam subsequent to the shutter button that is moderately awkwardly used along side the rear management dial.
Finishing the highest of the digicam is a small button for illuminating the highest LCD panel, an unmarked, re-configurable Perform button that by default toggles Face Detection on and off, and an On/Off swap that surrounds the shutter launch button – this is not threaded for a standard shutter launch cable, although, as on some X-series cameras.
The Fujifilm GFX 50R is supplied with a 43.8×32.9mm CMOS sensor with a decision of 51.4 megapixels and no optical low move filter that delivers 8256×6192 pixel nonetheless photographs.
The sensor is actually the identical because the one discovered within the Fujifilm GFX 50S, 50R and Hasselblad X1D cameras.
This chip has an imaging space that is 1.7x better than that of a 35mm “full-frame” sensor, and over 3.7 occasions bigger than the APS-C sized sensors utilized in Fujifilm’s X-series cameras.
Not like these cameras, although, the Fujifilm GFX 50R has a standard Bayer color filter array in entrance of the sensor. The pixel depend is not actually larger than that of the highest-resolution 35mm full-frame DSLRs – the Canon EOS 5DS and 5DS R – however the pixel pitch is bigger, promising a wider dynamic vary and a greater signal-to-noise ratio.
The Fujifilm GFX 50S II has the identical contrast-detect kind autofocus system as the unique 50S, with no phase-detection AF sensors embedded within the sensor as on the GFX 100/100S cameras, so if auto-focus velocity is paramount then one of many GFX 100 fashions is the most suitable choice.
Having stated that, Fujifilm have added a brand new Fast AF choice to the Mark II 50S, which hastens the contrast-based focusing and in addition makes it extra correct by utilizing the brand new IBIS unit to regulate sensor movement blur.
Additionally, the most recent X-Processor 4 contained in the 50SII advantages from having the most recent algorithm that improves the AF’s refresh price, leading to extra correct autofocus in Face / Eye Detection in comparison with the earlier mannequin.
Relying on the lighting situations, the GFX 50S II is quicker than the unique 50S mannequin however nonetheless a bit on the sluggish aspect to auto-focus, taking about 1/3 second to lock onto the topic and in addition susceptible to searching in low-light environments.
The AF level will be set to one in every of six completely different sizes through the rear management dial to realize extra exact focusing, and you may as well merely faucet on the touchscreen to set the AF level. If you need much more management, you may choose the 425 factors possibility which splits the identical space of the body right into a 17×25 grid of smaller AF factors.
The Fuji GFX 50S II additionally presents Zone and Large/Monitoring modes which utilise the bigger 425-point space to seize shifting topics.
In Zone mode, you may choose a 3×3, 5×5 or 7×7 zone out of the 425-point AF space. Throughout AF-C focus, the digicam frequently tracks the topic, positioning it on the centre of the zone.
The Large/Monitoring mode combines the Large mode (throughout AF-S), by which the GFX 50S II robotically identifies and tracks the realm in focus throughout the 425 level AF space, and the predictive Monitoring mode (throughout AF-C), which makes use of the whole 425-point space to proceed monitoring the topic. This function allows steady specializing in a topic that’s shifting up and down, left and proper or in the direction of and away from the digicam.
Guide focus can also be offered, and superb it’s too. As you’d anticipate, the handbook focus rings on all of the GFX lenses have a beautiful really feel, and two completely different focusing aids are offered – auto magnification and focus peaking. Along with the high-resolution digital viewfinder, we discovered it simple to precisely decide crucial sharpness.
The GFX 50S II presents a steady capturing price of 3fps, the identical price because the 50S, however the buffer depth is way better – for limitless JPEGs or 31 compressed Uncooked information if you happen to use a UHS-II SDXC card and the digital shutter, making it one of many quicker medium format cameras in the marketplace. When you favor to make use of the mechanical shutter, the speed drops to 2.2fps for limitless JPEGs or compressed Raws.
The GFX 50S II presents precisely the identical primary video mode because the 50S and 50R, supporting both Full HD (1920×1080 pixels) or 720p recording at 29.97, 25, 24, and 23.98 fps within the H.264 compressed MP4 format. There is no 4K recording on this digicam – you may must step as much as the 100 megapixel GFX 100/100S fashions for that function.
The Mark II does supply an improved most recording time of two hours, although, versus half-hour on the unique mannequin.
There are each 3.5mm Mic and three.5mm Headphone ports on the left-hand flank of the digicam when considered from the rear, with USB-C, HDMI and an X-Sync flash socket under them.
The GFX 50S II will be powered and charged through the USB-C connection, which is beneficial if you happen to’re out and about and have a suitable powerbank to plug the digicam into.
Two reminiscence card slots are situated on the right-hand flank of the digicam when considered from the rear. The GFX 50S II presents compatibility with Extremely Excessive Pace UHS-II SDXC reminiscence playing cards, which has the primary profit of accelerating the info writing velocity in steady mode to about twice that of a standard UHS-1 card.
Additionally situated on the appropriate of the digicam physique is the Distant socket, hidden beneath it is personal flap.
The Fuji GFX 50S II options each built-in wi-fi and Bluetooth connectivity. The latter possibility creates a continuing, low-power connection between the digicam and a smartphone/pill to switch photographs and video utilizing the Fujifilm Digital camera Distant smartphone app, whereas the previous permits you to remotely management the GFX 50S II through a 2.4Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photographs and video from one system to the opposite.
With its focal-plane mechanical shutter, the Fujifilm GFX 50S II has a high shutter-speed restrict of 1/4000th second in all capturing modes. This lets you choose a quicker aperture even in brilliant situations or when capturing with flash through the day, though there isn’t any built-in ND filter.
The GFX 50S II additionally has an digital shutter along with the mechanical one, which gives a a lot quicker high shutter velocity of 1/16,000th second. This lets you proceed capturing wide-open with quick aperture lenses within the brightest of situations with out having to resort to becoming a glass ND filter or utilizing exterior flash and lights.
There are some essential caveats with the digital shutter – the ISO vary is restricted to 100-12800 and you may’t use an exterior flashgun, however general it is an incredible function that makes the GFX 50S II extra versatile.
Relatively than a standard optical viewfinder, the Fuji GFX 50S II employs the identical 3.69M-dot OLED digital viewfinder that the GFX 100S makes use of, which is 0.5 inch in dimension with 100% scene protection and 0.77x magnification.
Not like the unique GFX 50, this digital viewfinder is fastened in place and never detachable. The EVF can really be fully faraway from the primary digicam physique on the 50S mannequin, whereas it is fastened in place on the brand new GFX 50S II. It presents the identical 3.69M-dot decision however has better 0.85x magnification.
The elective EVF-TL1 tilt and swivel adapter can be used with the 50S’ viewfinder to vary the angle of the viewfinder to a most angle of 90° when capturing horizontal landscapes and ±45° when capturing within the portrait place.
So the viewfinder on the 50S is extra versatile and higher-resolution than the one on the newer mannequin, at the price of nice complexity and an accompanying improve in value.
The scale of the rear LCD display screen is 3.2-inches and the decision is a powerful 2.36m-dots, precisely the identical because the display screen on the GFX 50S and 100/S. It can be usefully tilted up and down by about 90 levels when in panorama mode and upward when capturing in portrait mode through a easy press of a button on the aspect.
The Fujifilm GFX 50S II has an intuitive touchscreen interface, permitting you to both transfer the AF level or concurrently transfer the AF level and concentrate on the topic.
On the right-hand aspect of the display screen is a small icon which if you happen to press it permits you to select between utilizing the display screen to set the AF level, or to have it focus as properly. When you favor, you may flip off this performance altogether, however it’s faster than utilizing the joystick to set the AF level.
One disadvantage to leaving the touchscreen AF on is that we saved inadvertently shifting the AF level when altering lenses or utilizing the EVF. In picture playback, you may merely drag left and proper to undergo the sequence of photographs and pinch/double-tap to zoom out and in, though you continue to cannot use the primary menu system through the touchscreen.
Not like the GFX 100 with its moderately unfamiliar design, the rear panel of the 50S II will really feel extra welcoming to anybody who has ever dealt with a Fujifilm X-series digicam earlier than.
There’s the aforementioned Drive button and a Delete button situated to the left of the EVF and an AF Mode dial (S/C/M) on the appropriate, with a small AF On button for back-button focusing and the rear management dial alongside that.
The tiny Fast Menu button is ready into the rear thumb relaxation. This gives fast entry to a lot of ceaselessly used capturing settings together with the ISO velocity, White Steadiness, File Measurement and File High quality, with both the main target joystick, entrance management dial or the touchscreen used to rapidly change between them.
As an alternative of a standard 4-way controller with a centred Menu/OK button, the Fujifilm GFX 50S II has a vertical column of buttons, beginning with the brand new, tactile 8-way joystick which is primarily used for setting the AF level after which the AE-Lock button.
Beneath these controls within the Menu/OK button which accesses the seven completely different Taking pictures and Set-up menus, the Disp/Again button which is used for altering the LCD show or going again, and at last the Playback button.
The bottom of the digicam incorporates a screw tripod thread that is inline with the centre of the lens mount and the battery compartment.
Picture High quality
The entire pattern photographs on this overview have been taken utilizing the 51.2 megapixel SuperFine JPEG setting, which provides a median picture dimension of round 25Mb.
The Fujifilm GFX 50S II produced photographs of excellent high quality through the overview interval.
This digicam produces noise-free photographs at ISO 50 as much as ISO 3200, with some noise showing at ISO 6400. The quicker settings of ISO 12800 and 25600 are nonetheless usable, though we would recommend avoiding ISO 51200 and better if doable.
The RAW information have been additionally glorious, exhibiting extra noise however nonetheless producing very usable photographs from ISO 50-12800.
The night time {photograph} was superb, with the utmost shutter velocity of 60 minutes permitting you to seize sufficient mild in virtually all conditions. The Dynamic Vary settings subtly enhance element within the shadows and highlights, whereas the Movie Simulation modes hark again to a bygone period.
Noise
There are 12 ISO settings accessible on the Fujifilm GFX 50S II. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and Uncooked information.
JPEG
RAW
ISO 50
ISO 50
ISO 100
ISO 100
ISO 200
ISO 200
ISO 400
ISO 400
ISO 800
ISO 800
ISO 1600
ISO 1600
ISO 3200
ISO 3200
ISO 6400
ISO 6400
ISO 12800
ISO 12800
ISO 25600
ISO 25600
ISO 51200
ISO 51200
ISO 102400
ISO 102400
File High quality
The Fujifilm GFX 50S II has 3 completely different JPEG file high quality settings accessible, with SuperFine being the very best high quality possibility, and it additionally helps Uncooked. Listed below are some 100% crops which present the standard of the varied choices, with the file dimension proven in brackets.
SuperFine (26.5Mb) (100% Crop)
Nice (15.1Mb) (100% Crop)
Regular (9.12Mb) (100% Crop)
Uncooked (111Mb) (100% Crop)
Lengthy Exposures
The Fujifilm GFX 50S II’ most shutter velocity is 60 minutes within the Bulb mode, which is nice information if you happen to’re severely taken with night time images. The shot under was taken utilizing a shutter velocity of 30 seconds at ISO 100.
Dynamic Vary
The Fujifilm GFX 50S II has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digicam take management.
These settings progressively improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Word which you could’t really flip this function off.
Movie Simulations
The Fujifilm GFX 50S II presents 19 completely different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous, together with the comparatively new Nostalgic Unfavorable Movie Simulation, which is characterised by excessive saturation and mushy tonality and stated to be harking back to American New Color Pictures which emerged within the Seventies.
Pixel Shift
Pixel Shift is a particular Multi-Shot perform that can be utilized to create 205 megapixel photographs!
The digicam’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in varied instructions through the sequence of 16 photographs.
You then must obtain the brand new Pixel Shift Combiner software program from Fujifilm.com, manually choose the 16 information that make up every Pixel Shift shot, and the software program will then robotically mix them right into a single DNG file.
A number of Publicity
The Fujifilm GFX 50S II’s A number of Publicity drive mode permits you to take two consecutive pictures and mix them into one.
Pattern Pictures
It is a number of pattern photographs from the Fujifilm GFX 50S II digicam, which have been all taken utilizing the 51.4 megapixel Superfine JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any means.
Pattern RAW Pictures
The Fujifilm GFX 50S II allows customers to seize RAW and JPEG format information. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photographs proven under aren’t 100% consultant).
Pattern Film & Video
It is a pattern film on the high quality setting of 1920×1080 pixels at 30 frames per second. Please observe that this 15 second film is 100Mb in dimension.
Product Pictures
Conclusion
When the 100 megapixel GFX 100S was launched in 2019, we stated that medium-format images had by no means been fairly so compact, moveable, easy-to-use or versatile.
That assertion is simply as true with the introduction of the 50S II, with one essential caveat – you now want so as to add “inexpensive” to that checklist of superlatives.
By cunningly bringing collectively the confirmed 50 megapixel sensor from the 50S/R fashions with the identical physique and design because the 100S, Fujifilm have managed to create a comparatively tiny medium-format digicam that prices the identical as a high-end 35mm full-frame mannequin, one thing that is by no means been finished earlier than.
The brand new GFX 50S II is equally sized to some 35mm DSLR and mirrorless flagships from different manufacturers, but it nonetheless squeezes in a 1.7x bigger sensor and an IBIS unit into its comparatively svelte dimensions.
Positive, the GF lenses are bigger and heavier than their 35mm counterparts, which in flip makes the general GFX system heavier than full-frame, however the truth that we’re even evaluating the 2 programs on this regard in any respect is fairly exceptional.
The 50mp sensor is getting barely lengthy within the tooth from a focusing and video standpoint, and steady capturing is nothing to write down residence about, however on the flip-side it continues to ship the confirmed Fuji picture high quality that we have come to like, whether or not that is capturing JPEGs or Uncooked.
That is actually a medium format digicam that’s equally at residence within the studio or out within the subject, because of its amazingly compact design, large decision, very efficient stabilisation system, and full weather-proofing.
And due to its frankly astonishing price ticket, medium format has by no means been fairly so tempting financially both – at £$2000 lower than the unique GFX 50S value on launch 4 years in the past, it is clear that Fujifilm are going all out to tempt full-framers to make the leap as much as medium-format.
For a lot of photographers who do not want the eye-wateringly quick burst capturing charges, advanced AF programs or cutting-edge video specs of cameras just like the Sony A1 and Canon EOS R5, and as a substitute prioritise picture high quality over out-and-out velocity, the brand new Fujifilm GFX 50S II will in some ways be a greater match, with out having to pay the premium that stepping as much as medium format has historically demanded.
Rankings (out of 5)
Design
5
Options
4
Ease-of-use
4.5
Picture high quality
5
Worth for cash
5
Important Rivals
Listed under are a few of the rivals of the Fujifilm GFX 50S II.
The EOS R5 has been the most popular full-frame digicam on the block ever since Canon pre-announced it again at first of 2020, because of its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it just a few occasions since then, however now we will lastly deliver you our closing Canon R5 overview, full with full-size pattern pictures and movies!
The brand new 100-megapixel medium-format Fuji GFX 100S is smaller, lighter and extra versatile than the flagship GFX 100, and crucially, considerably cheaper too. A lot in order that it steps on the toes of high-end 35mm full-frame cameras just like the Sony Alpha 1, Canon EOS R5 and Nikon Z7 II. Does the GFX 100S actually show that medium-format is “Greater than full-frame”, and is it actually higher than the GFX 100? Discover out now by studying our in-depth overview, full with an enormous gallery of full-size pattern photographs and movies…
The Fujifilm GFX 50R is a rangefinder-style medium-format mirrorless digicam with a 50 megapixel sensor, 3.2-inch tilting touchscreen LCD, digital viewfinder, ISO vary of 50-102400, twin reminiscence card slots and 3fps steady capturing. Oh, and it solely prices £3999 / $4499, making it the most affordable medium format digicam in the marketplace. Learn our detailed Fujifilm GFX 50R overview now…
The Fujifilm GFX 50S is a brand new medium-format mirrorless digicam, providing a 50 megapixel sensor, a 3.2-inch tilting touchscreen LCD and a detachable digital viewfinder in a physique that is no larger than a 35mm full-frame DSLR. Learn our in-depth Fujifilm GFX 50S overview now…
The Hasselblad X1D II 50c is a contemporary medium-format mirrorless digicam with a 51 megapixel sensor, giant 3.6-inch touchscreen LCD and an improved digital viewfinder, all housed in a fantastically crafted physique. Learn our in-depth Hasselblad X1D II 50c overview now…
The Leica SL2-S is an impeccably constructed full-frame mirrorless digicam, providing a 24.6 megapixel BSI sensor, DCI 4K/60p video recording, 25fps burst capturing, a class-leading EVF, IBIS value 5.5 stops, ISO 100,000 and twin UHS-II SD reminiscence card slots. Learn our in-depth Leica SL2S overview to search out out what this £3,975 / $4,895 digicam is able to…
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Panasonic have loved plenty of success with their Micro 4 Thirds digicam vary, and now they’ve turned their consideration to the full-frame market with the discharge of the thrilling new Lumix S1R. It is a 47 megapixel full-frame mirrorless digicam with 187 megapixel excessive decision mode, class main digital viewfinder, 6-stop IBIS, and a strong weatherproof physique. Learn our in-depth Panasonic S1R overview now to search out out extra about this spectacular digicam…
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Evaluation Roundup
Evaluations of the Fujifilm GFX 50S II from across the net.
In virtually each respect, the 50S II is a lower-res model of the GFX 100S, sharing extra with its excessive pixel-count sibling than it does with the unique GFX 50S. The means it advantages from all of the refinements Fujifilm has launched within the 5 years because the first GFX 50S was launched but additionally sees some options pared again.
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Fujifilm’s improve to its comparatively inexpensive 50MP GFX digicam doesn’t look very spectacular on paper – no 4K video, solely 3fps steady capturing velocity – however some vital modifications each in and out have made this the primary 50MP stabilized shooter from Fujifilm, with the most affordable price ticket for a medium format digicam. Together with its impeccable picture high quality, it’s simple to fall in love with this digicam. Nonetheless, its comparatively sluggish autofocus (as in comparison with different mirrorless cameras), meager 3fps burst price and lack of 4K video may deter some customers.
Learn the complete overview »
It’s simply 5 years since Fujifilm revolutionised medium format digital with the launch of its GFX 50S. This digicam offered 51.4MP decision and mirrorless structure for £6,200 body-only, which was a ground-breaking value on the time. Since then, the GFX system has gone from energy to energy, with the GFX100S that appeared earlier this yr providing 102MP for £5,500, in physique that’s comparable in dimension to a full-frame DSLR. Now with the GFX50S II, Fujifilm has introduced the worth of entry even decrease, to simply £3500 body-only, or £3900 with the brand new matched GF 35-70mm F4.5-5.6 WR package zoom.
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Specs
Mannequin title
FUJIFILM GFX50S II
Lens Mount
FUJIFILM G mount
Picture sensor
43.8mm×32.9mm Bayer array with main shade filter
Variety of efficient pixels
51.4 million pixels
Sensor Cleansing System
Extremely Sonic Vibration
Picture Processing Engine
X-Processor 4
Storage media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Pace Class V90*1
File format of nonetheless picture
DCF
Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG
Exif Ver.2.32*2
RAW
14bit RAW (RAF unique format)
TIFF
8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels
［L］〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192［S］〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
Sensitivity
Nonetheless Picture
Normal Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)Prolonged Output: ISO50 / ISO25600 / ISO51200 / ISO102400
Film
Normal Output: AUTO / ISO200～6400 (1/3 step)
Publicity management
TTL 256-zone metering / Multi / Spot / Common / Heart Weighted
Publicity mode
P (Program AE) / A (Aperture Precedence AE) / S (Shutter Pace Precedence AE) / M (Guide Publicity)
Publicity compensation
Nonetheless
-5.0EV~+5.0EV 1/3EV step
Film
-2.0EV~+2.0EV 1/3EV step
Picture stabilizer
Mechanism
Picture sensor shift mechanism with 5-axis compensation
Compensation Impact
6.5 stops*based mostly on CIPA customary*Pitch/yaw shake solely*With GF63mmF2.8 R WR lens mounted
Digital Picture Stabilization
Sure (film mode solely)
IS MODE BOOST
Sure (film mode solely)
Shutter kind
Focal Aircraft Shutter
Shutter velocity
Mechanical shutter
P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.
Digital shutter
P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.*The Digital Shutter might not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Mechanical + Digital shutter
P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.*The Digital Shutter might not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Digital Entrance Curtain Shutter
P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/500sec.
Digital Entrance Curtain Shutter + Digital Shutter
P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/500sec, Mechanical shutter works till 1/4000sec.*The Digital Shutter might not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Film
FHD: 1/4000sec. to 1/24 sec.*Can not select slower shutter velocity than framerate.
Synchronized shutter velocity for flash
1/125sec. or slower
Steady capturing
CH Digital Entrance Curtain Shutter Approx. 2.2fps (JPEG: Countless, Compressed RAW: Countless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames)CH Approx. 3.0fps (JPEG: Countless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames)*Recordable frames depends upon recording media.*Pace of steady capturing depends upon capturing atmosphere and capturing frames.
Drive Mode
AE Bracketing
2 frames / 3 frames / 5 frames / 7 frames / 9 frames*by 1/3EV step, as much as ±3EV steps
Filmsimulation bracketing
Any 3 varieties of movie simulation selectable
Dynamic Vary Bracketing
100% / 200% / 400%
ISO sensitivity Bracketing
±1/3EV / ±2/3EV / ±1EV
White Steadiness Bracketing
±1 / ±2 / ±3
Focus Bracketing
AUTO / MANUAL
A number of Publicity
Sure (Max. 9 frames) / Additive / Common / Brilliant / Darkish
Pixel Shift Multi Shot
Sure
Focus
Mode
Single AF / Steady AF / MF
Kind
TTL Distinction AF
Low-light Efficiency
Distinction: -3.5EV *Low mild precedence AF-S ON / GF80mmF1.7 hooked up
AF body choice
Single level AF: 13×9 / 25×17 (Changeable dimension of AF body)Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 gridWide/Monitoring AF: Sure (AF-S: Large / AF-C: Monitoring)All: Sure
Face/eye detection
Sure
Flash
Sync. Mode
1st Curtain / 2nd Curtain / AUTO FP (HSS)When SHOE MOUNT FLASH is setTTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Scorching shoe
Sure (Devoted TTL Flash suitable)
Viewfinder
EVF: 0.5 inch OLED Shade Viewfinder, Approx. 3.69 million dotsCoverage of Viewing Space vs. Capturing Space: Approx. 100percentEyepoint: Approx. 23mm (from the Rear Finish of the Digital camera’s Eyepiece)Diopter Adjustment: -4～+2m-1Magnification: 0.77x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° )Constructed-In Eye Sensor
LCD monitor
3.2 inch Tilt-Kind(Three Path) Contact Display Shade LCD MonitorAspect Ratio: 4:3Dots: Approx. 2.36 million dots
Contact Display Mode
Taking pictures Mode
AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Perform Setting (ON/OFF), EVF Contact Display Space Setting
Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor
1.80 inch Monochrome LCD MonitorAspect Ratio: 4:3Dots: 303×230-dot
Film recording
File format
MOV:MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Film compression
Lengthy GOP
File dimension
Body rateBitrate
Recording time
[Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps As much as 120min.*For recording films, use a SD reminiscence card with UHS Pace Class 1 or larger.*Recording time can turn out to be quick relying on the temperature and/or capturing situations.
Movie simulation mode
19 modes (PROVIA/Normal, Velvia/Vivid, ASTIA/Delicate, Traditional Chrome, PRO Neg.Hello, PRO Neg.Std, Traditional Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROSACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Shade
Sure
Grain Impact
Roughness: STRONG, WEAK, OFFSize: LARGE, SMALL
Shade Chrome Impact
STRONG, WEAK, OFF
Shade chrome Blue
STRONG, WEAK, OFF
Easy Pores and skin Impact
STRONG, WEAK, OFF
Dynamic vary setting
Nonetheless
AUTO / 100％ / 200％ / 400％ISO restriction: DR100%: No restrict, DR200%: ISO200 or extra, DR400%: ISO400 or extra
Film
100％ / 200％ / 400％ISO restriction: DR100%: No restrict, DR200%: ISO400 or extra, DR400%: ISO800 or extra
White stability
Auto
White Precedence / Auto / Atmosphere Precedence
Customized
Custom1 – 3
Shade temperature choice
2500K～10000K
Preset
Nice / Shade / Fluorescent Gentle-1 / Fluorescent Gentle-2 / Fluorescent Gentle-3 / Incandescent Gentle / Underwater
Readability setting
±5 steps
Self-timer
10sec. / 2sec.
Interval timer capturing
Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer capturing publicity smoothing)
Wi-fi transmitter
Normal
IEEE802.11b/g/n (customary wi-fi protocol)
Encryption
WEP / WPA / WPA2 combined mode
Entry mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low vitality)
Working frequency (Heart frequency)
2402〜2480MHz
Terminal
Digital interface
USB Kind-C (USB3.2 Gen1x1)
HDMI output
HDMI Micro connector (Kind D)
Others
ø3.5mm, stereo mini connector (Microphone)ø3.5mm, stereo mini connector (Headphone)ø2.5mm, Distant Launch ConnectorHot shoeSynchronized terninal
Energy provide
NP-W235 Li-ion battery (included)
Battery life for nonetheless photographs*3
Regular Mode: Approx. 455 frames*Auto energy save ON*When GF63mmF2.8 R WR is ready
Precise battery lifetime of film seize*3
Full HD: Approx. 80min. (59.94p)*Face detection is ready to OFF
Continuance battery lifetime of film seize
*3
Full HD: Approx. 140min. (29.97p)*Face detection is ready to OFF
Dimensions
Width: 150.0mmHeight: 104.2mmDepth: 87.2mm(Minimal Depth) 44.0mm
Weight
together with battery and SD reminiscence card: Approx. 900gexcluding battery and SD reminiscence card: Approx. 819g
Operation Setting
Working Temperature
-10°C～+40°C
Working Humidity
10% – 80% (no condensation)
Beginning up interval
Approx. 0.4sec.
Equipment included
Li-ion battery NP-W235AC energy adapter AC-5VJPlug adapterUSB cableShoulder strapBody capHot shoe coverCable protectorOwner’s handbook
*1 *Please see the Fujifilm web site (https://fujifilm-x.com/help/compatibility/cameras/) to test reminiscence card compatibility.
*2 Exif 2.32 is a digital digicam file format that comprises quite a lot of capturing data for optimum printing.
*3 Approximate variety of frames or film recording time that may be taken with a fully-charged based mostly on CIPA Normal.
Information
The brand new Fujifilm GFX 50S II is probably the most inexpensive GFX branded medium-format digicam ever, providing a 51.4 megapixel sensor for simply £3499 / €3999 / $3999, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A1 full-frame mirrorless.
Paired with the equally new GF 35-70mm F4.5-5.6 WR package zoom, the 50SII prices lower than £4000 / €4500 / $4500 with a lens, making medium-format extra accessible than ever earlier than.
The brand new Mark II GFX 50S makes use of the identical 51.4 CMOS sensor as the unique 50S mannequin, however pairs it with the most recent X-Processor 4, which allows the brand new model to supply a whopping 79 upgraded features.
Externally it is equivalent to final yr’s GFX 100S digicam, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and high LCD panel, and the identical rear LCD display screen, digital viewfinder and AF joystick on the rear.
The GFX 50S II additionally advantages from 6.5 stops of IBIS, a function that was lacking on the unique 50S, and the next addition of a 205 megapixel Pixel Shift Multi Shot mode.
Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.
Video is restricted to 1080/30p moderately than 4K, a limitation of the sensor that the 50SII makes use of, and it is no velocity demon with a quickest steady capturing velocity of 3fps.
The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of constructing the Mark II model lighter, smaller and crucially cheaper (because it’s easier to fabricate).
We have got a gallery of full-size Fujifilm GFX 50S II pattern pictures (JPEG and Uncooked) and a gallery of Fujifilm GFX 50S II hands-on pictures so that you can get pleasure from.
Questioning what the variations are between the brand new and previous fashions? Then try our in-depth Fujifilm GFX 50S II vs GFX 50S Head-to-head Comparability to search out out.
Fujifilm Press Launch
Fujifilm pronounces FUJIFILM GFX50S II
A compact and light-weight physique geared up with highly effective picture stabilisation and excessive decision 51.4MP large-format sensor
FUJIFILM Company (President: Teiichi Goto) is happy to announce that the “FUJIFILM GFX50S II” (GFX50S II) might be launched in late September 2021 as the most recent addition to the GFX Sequence of mirrorless digital cameras geared up with a big format sensor*1.
The GFX50S II packs the 51.4MP large-format sensor to boast an unbelievable image-resolving energy, capturing each element in sharpness throughout the body. Gentle is recorded to the pixel which is 1.7 occasions that of a full-frame sensor*2 to realize a large dynamic vary and a excessive signal-to-noise ratio. The ensuing picture reproduces deep tonality and texture from shadows to highlights, and delivers picture readability with minimal noise even when taken in low mild. One of many strengths of the massive format sensor is its skill to provide a really shallow depth of subject. It’s complimented by GF lenses’ edge-to-edge sharpness to intensify the primary topic towards a blurred background for added three-dimensional definition.
The digicam is innovatively designed for added groundbreaking mobility in order that customers can discover its distinctive picture high quality in a broad vary of capturing fields. It integrates the high-speed picture processing engine “X-Processor 4” and the most recent algorithm with an autofocus system with an enhanced refresh price to grab a decisive shutter alternative. One other highly effective function is its five-axis in-body picture stabilization(IBIS) mechanism that gives as much as 6.5 stops of anti-shake benefit*3, the very best within the historical past of the GFX Sequence, to compensate for digicam shakes throughout hand-held capturing and reduce movement blur in low mild or in out of doors settings the place a tripod can’t be used.
Regardless of carrying a powerful array of key gadgets, the digicam is available in a compact type issue, weighing roughly 900g. Get pleasure from distinctive picture high quality in nice portability, afforded by its dimension equal to full-frame cameras. The GFX50S II brings the premium world of large-format picture high quality nearer than ever earlier than with its superior AF, high-performance In-Physique Picture Stabilization (IBIS) and compact light-weight physique, superior to standard medium-format cameras in each sense.
*1 A picture sensor that measures 55mm diagonally (43.8 mm x 32.9 mm) and is approx. 1.7 occasions larger than a 35 mm full-frame sensor*2 When in comparison with a 50 megapixel full-frame digicam*3 When mounted with the FUJINON Lens GF63mmF2.8 R WR
Product Options
Superior picture high quality delivered with using a novel 51.4MP large-format sensor
The GFX50S II is supplied with a 51.4MP giant format sensor, which delivers unbelievable picture decision when mixed with a GF lens.
The digicam makes use of a specialised design that makes use of smaller light-collecting micro lenses on the sensor to create a wider hole between adjoining pixels, thereby boosting mild decision per pixel for added picture sharpness.
Having a bigger light-receiving space per pixel ends in glorious ISO sensitivity, dynamic vary and tonality, controlling spotlight / shadow clipping whereas conveying the topic’s texture, definitions and even the environment of the scene in exact particulars.
The power of the massive format sensor to provide a really shallow depth-of-field renders background out of focus fantastically, including definitions to the topic and drawing consideration to the place the photographer meant.
Number of Movie Simulations
The GFX50S II comes with as many as 19 Movie Simulations, together with “Nostalgic Neg.,” developed for the launch of the GFX100S and characterised by excessive saturation and mushy tonality. Use Movie Simulation presets, designed for varied topic sorts and scenes, whereas checking how they have an effect on the ultimate picture in Dwell View.
Compact 5-axis In-Physique Stabilization delivering as much as 6.5-stops of Vibration Discount
The GFX50S II incorporates a five-axis picture stabilization mechanism that gives as much as 6.5 stops of benefit*3, the very best within the historical past of the GFX Sequence. This has been made doable with using a high-performance gyro sensor and accelerometer that may detect motions at excessive accuracy. The gyro sensor has been structured to spice up its detection accuracy for exact picture stabilization.
This digicam revolutionizes the best way standard medium-format digital cameras are used. Relatively than being mounted on a tripod for sluggish and cautious capturing, the GFX50S II can produce superior picture high quality hand-held with picture stabilization.
Quick and high-precision AF because of the high-speed processing engine and newest algorithm
The GFX50S II’s quick and high-precision AF system is assisted by the highly effective gadgets reminiscent of large-format excessive decision sensor, high-speed picture processing engine “X-Processor 4” and picture stabilization mechanism, operated with the most recent algorithm. Throughout the distinction detection course of for AF, the built-in highly effective picture stabilization mechanism controls sensor movement blur so as to add velocity and accuracy to the AF efficiency, guaranteeing to seize the decisive photograph alternative in any situations.
The GFX50S II makes use of the X-Processor 4 and the most recent algorithm that improves AF’s refresh price. This ends in extra correct autofocus in Face / Eye Detection in comparison with a earlier mannequin.*4 The power to rapidly attain focus regardless of utilizing the large-format sensor with a shallow depth of subject, assists customers vastly when capturing portraits with actions.
*4 FUJIFILM GFX 50S
Progressive compact and light-weight physique for superior mobility
Using the compact and highly effective in-body picture stabilization (IBIS) mechanism and shutter unit has been mixed with optimized format of assorted gadgets to realize a logic-defying compact physique for a large-format digicam, weighing roughly 900g and measuring 104.2mm excessive and 87.2mm deep.
The grip has been formed in order that the digicam sits comfortably within the hand, guaranteeing consolation by considerably lowering hand strains when utilizing a big zoom lens, for instance.
The casing is made from extremely inflexible magnesium alloy. Added thickness across the base of the lens mount, which is topic to better load particularly, has made the digicam physique extremely sturdy. The GFX50S II can also be weather-sealed at 60 areas to supply dust- and moisture-resistance and skill to function in temperatures as little as -10℃. The digicam’s distinctive portability is coupled with its robustness in all capturing conditions to develop the world of extremely high-resolution images.
Simple operability for a easy capturing expertise
The highest panel options the Mode dial, sometimes seen in lots of digital cameras, in order that customers can deal with the digicam in a well-known style. It presents six customizable positions C1 – C6, permitting customers to register their selection of features to every of the positions and activate them rapidly for a easy photograph shoot.
There’s a selector on the highest panel to immediately swap between the nonetheless and video modes for added comfort.
Using a flat-shaped Focus Lever reduces bodily discomfort even after prolonged use. It responds with enhanced sensitivity when shifting the main target level, permitting customers to realize focus on the meant location rapidly.
The 1.8-inch sub LCD monitor with glorious visibility is discovered on the highest panel, displaying key EXIF settings reminiscent of shutter velocity, aperture, ISO sensitivity and publicity. Further data displayed consists of the variety of frames remaining when capturing stills and the remaining submitting length when recording video. The show will be custom-made for added comfort.
On the rear panel is a 3.2-inch essential LCD monitor with 100% protection. It will probably tilt in three instructions to allow high- and low-angle capturing, for which the digital viewfinder (EVF) can’t be simply used.
“Pixel Shift Multi-Shot” perform to seize and generate 200MP photographs freed from false shade
The GFX50S II options the Pixel Shift Multi-Shot perform, able to creating 200MP photographs freed from false shade presentation. The power to breed a photograph topic’s colours, texture and even its environment within the most interesting of particulars makes the digicam an ideal selection for archiving. Massive artworks and historic artifacts, beforehand troublesome to {photograph} intimately due to their dimension, will be captured in exact particulars in edge-to-edge readability.
This perform makes use of the digicam’s IBIS to shift the picture sensor by 0.5 pixel to incrementally document 16 RAW photographs and mix them right into a single Digital Unfavorable (DNG) RAW file within the software program “Pixel Shift Combiner,” producing an ultra-high-definition 200MP picture. The excessive pixel depend results in an astonishing degree of tonality and three-dimensional definitions for edge-to-edge readability.
The picture sensor is shifted in excessive precision to make sure that every pixel information picture knowledge in crimson, inexperienced and blue, fully eliminating false shade and recording the topic in correct shade data.
The perform will be configured to provide 51.4MP photographs, that are simpler to deal with, freed from false shade.
Product title, launch date and value
Product title
Launch date
Advisable retail value
Digital digicam “FUJIFILM GFX50S II”
Late September 2021
3,999US$
£3,499
Digital digicam & lens package
“FUJIFILM GFX50S II”
“GF35-70mmF4.5-5.6 WR”
Late September 2021
£3899
4,499US$
The GFX 50S was officialy discontinued in February 2021 and the 50R mannequin can even comply with swimsuit with the discharge of the brand new 50S II.
Anticipate to see the Fujifilm GFX 50S II accessible in-store from September twenty third 2021.
Picture Gallery
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Fingers On
Wish to see precisely what the brand new Fujifilm GFX 50S II medium-format digicam appears to be like like within the flesh?
Try our hands-on gallery of pictures of the Fujifilm GFX 50S II digicam.
A gallery of hands-on pictures of the brand new Fujifilm GFX 50S II digicam.
Picture Gallery
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