[ad_1]
Introduction
The GFX 50S II is the fifth medium-format mirrorless digicam that Fujifilm have launched in the previous couple of years, and is by far essentially the most reasonably priced, making medium-format accessible to a a lot wider viewers.As its identify suggests, it has a 50 megapixel picture sensor which bodily measures 43.8×32.9mm, a lot bigger than the 36x24mm sensor present in a 35mm full-frame digicam – roughly 1.7x bigger the truth is.The Fuji 50S II truly makes use of precisely the identical sensor because the older 50 megapixel 50S and 50R fashions, regardless of costing considerably lower than each at launch.It is a again illuminated CMOS sensor with the identical contrast-detect kind autofocus system because the 50S and 50R, with no phase-detection AF sensors embedded within the sensor as on the 100 megapixel GFX 100 and 100S cameras.Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.The native ISO vary runs from ISO 100 to ISO 12,800, which is expandable to 50-102,400.The GFX50S II does use the most recent, strongest X-Processor 4 picture processor, although, a characteristic that’s shared with the 100 megapixel fashions, which allows the brand new model to supply a whopping 79 upgraded capabilities when in comparison with the unique 50S mannequin.Identical to the GFX 100 and 100S, the 50S II options in-body picture stabilization (IBIS), however this time the five-axis picture stabilisation system gives a good higher compensation ranking of as much as 6.5 stops.The Fuji 50S II presents 1080p video recording with a body fee of 30fps, a limitation of the sensor that it makes use of, relatively than the 4K 30p video recording discovered on the GFX 100/S.The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of creating the Mark II model lighter, smaller and crucially cheaper (because it’s less complicated to fabricate).Different key specs embrace a weather-resistant magnesium alloy physique, 3.69M-dot OLED digital viewfinder with 100% protection and a magnification of 0.77x, 2.36 million dot tilting 3.2-inch LCD show, Face and Eye Detection AF, 3fps steady capturing speeds, and twin UHS-II SD reminiscence card slots.The 50S II additionally presents shutter speeds from 60 minutes to 1/4000th sec utilizing the mechanical focal airplane shutter or as much as 1/16000 sec through the digital shutter, interval capturing and a number of publicity modes, built-in Wi-Fi and Bluetooth connectivity, and a USB-C port.The Fujifilm GFX 50S II is on the market now priced at £3499 / $3999 physique solely or £3999 / $4499 with the brand new GF 35-70mm equipment lens, within the UK and USA respectively, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A7R IV 35mm full-frame mirrorless cameras.
Ease of Use
Externally the brand new GFX 50S II is an identical to final yr’s GFX 100S digicam, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and prime LCD panel, and the identical rear LCD display, digital viewfinder and AF joystick on the rear.
The GFX 50S II can also be taking over the 35mm full-frame market by being equally sized to some DSLR and mirrorless fashions, regardless of having a bigger, medium format sensor – and have we already talked about that it’s totally equally priced to flagship full-frame fashions from Canon, Sony, Nikon and Panasonic, even with a lens included?
Regardless of having a medium format sensor, it is clear that Fujifilm believes the GFX 50S II principal rivals are 35mm sensor cameras, not the “conventional” medium-format market that primarily serves studio photographers.
With this new mannequin, Fujifilm have aggressively diminished the scale and the worth of the GFX 50S II to tackle the likes of the Sony Alpha A7R IV, Canon EOS R5, Nikon Z7 II and Panasonic Lumix S1R, to not point out DSLRs just like the Canon EOS 5D IV and Nikon D850.
Fujifilm would not have a 35mm digicam vary – as an alternative it has the very talked-about APS-C X-series and the comparatively new GFX medium-format sequence.
So it is attacking the favored full-frame market from two angles – smaller, lighter and cheaper cameras just like the X-T4, and now a medium-format digicam that’s related in measurement, weight and even value to the most recent flagship 35mm fashions.
We have not even talked about the GFX 50S II’ medium format rivals, which except for the now ageing Pentax 645Z are invariably bigger and far, way more costly than this digicam.
As ever with cameras, there isn’t any one mannequin that does all of it, although, so do not count on the GFX 50S II to rival smaller-sensor cameras for issues like burst capturing speeds, video and auto-focus efficiency.
It’s nonetheless very a lot a medium-format digicam in theses areas, which is very true with the 50S II as a result of it continues to make use of the now ageing 50 megapixel sensor that made its debut in 2017’s 50S digicam.
The Fuji 50S II weighs 900g and measures 150×104.2×87.2mm, making it barely greater and heavier than the unique 50S, which weighed in at 740g and measured 148x94x91mm, though the figures for the GFX 50S are with out the detachable EVF being fitted, and crucially it would not have IBIS both, not like the 50S II.
Identical to the GFX 100S, Fujifilm aren’t releasing an non-obligatory battery grip for the GFX 50S II – it would not even have {the electrical} contacts on the underside of the digicam physique – so there can be no Third-party choices accessible both.
As a substitute there’s a steel hand grip accent known as the MHG-GFXS that enhances the in-hand really feel of the digicam, considerably paradoxically by making it greater.
So if you happen to’re a fan of both becoming an non-obligatory battery grip to your digicam for higher battery life and improved ergonomics when capturing in portrait mode, sadly the GFX 50S II will not meet your wants, and you will want to contemplate the older 50S or 50R fashions as an alternative.
So Fuji’s engineers have included an in-body 5-axis stabilisation unit for the primary time in a 50 megapixel mannequin, one which’s truly much more efficient than the unit contained in the GFX 100S.
The GFX 100 presents 5.5 stops of compensation, the GFX 100S presents 6 stops of compensation, and the GFX 50S II presents a class-leading 6.5 stops of compensation, because of a barely redesigned IBIS unit.
That is the third GFX and third ever medium format digicam to characteristic in-body picture stabilization. The Fuji GFX 50S II makes use of a well-known 5-axis system which gives as much as 6.5 stops of picture stabilization (when utilizing the GF 63mm F2.8 R WR lens).
The primary two 50 megapixel GFX cameras did not have IBIS built-in, as an alternative counting on the lens to offer it, which not all GFX lenses do. With the GFX 50S II, any lens that you just connect to it is going to robotically profit from as much as 6.5 stops of compensation. Moreover, the identical system is used to assist suppress shutter shock, which given the decision on provide is a really welcome profit.
Pixel Shift is a particular Multi-Shot operate that makes use of the IBIS unit to allow the GFX 50S II to create 205 megapixel pictures. The digicam’s IBIS unit is used to shift the picture sensor by as much as a pixel in varied instructions throughout a sequence of 16 photographs, which may then be robotically mix right into a single picture utilizing Fuji’s Pixel Shift Combiner software program.
Fuji additionally redesigned the focal airplane shutter unit with the intention to cut back the scale of the 50S II, but it surely nonetheless presents the identical quickest shutter velocity of 1/4000th second and the longest publicity time of 60 minutes. There’s additionally an digital shutter which gives a good sooner shutter velocity of as much as 1/16000 sec, which is helpful for capturing in shiny situations at wide-open apertures, for instance.
The third main design choice that has helped to make the GFX 50S II so small, along with the brand new IBIS and shutter models, is the adoption of a smaller battery.
The Fujifilm GFX 50S II makes use of precisely the identical NP-W235 battery because the X-T4 APS-C sensor digicam and the GFX 100S, relatively than the bodily bigger TP-125 battery utilized by the GFX 100 and the GFX 50S, and it is included into the underside of the handgrip, once more permitting the designers to make the 50S II smaller.
The NP-W235 presents a CIPA-rated battery lifetime of as much as 455 photographs on a single cost in regular mode, versus 400 photographs for the TP-125, so it truly out-performs the larger battery.
The Fuji GFX 50S II is a really well-built digicam, as you’d in all probability count on for £3.5K, with completely no flex or motion in its chassis because of a die-cast magnesium alloy physique and machined management dials.
It is also dust-resistant, water resistant and freeze-resistant all the way down to -10°C, making this a medium format digicam that can be utilized outdoors in addition to indoors, additional rising its versatility.
When it comes to its ergonomics and management structure, the 50S II is the most effective realised GFX mannequin but, and the one which we have most loved utilizing, primarily as a result of it handles similar to a premium full-frame DSLR or mirrorless digicam.
The entrance of the Fujifilm GFX 50S II is adorned with the white Fujifilm brand positioned above the lens. To the left of the lens mount, if viewing the digicam front-on, is a small black button that may be customised, which by default accesses the Efficiency Increase capabilities. On the bottom-left of the lens is a round button for releasing the lens.
Due to the adoption of the NP-W235 battery and its placement, the 50S II has a really massive grip that I may comfortably match even my pinky finger round while working the shutter button together with your forefinger and gripping the again of the digicam together with your thumb, which makes it exceptionally straightforward to carry for prolonged quantities of time. Even quick intervals of one-handed use are potential – what number of medium format cameras are you able to say that about?
Identical to they not too long ago did with the X-S10 APS-C digicam, Fujifilm have made the very-unlike-Fuji choice to considerably simplify the design of the GFX 50S II by not together with the standard shutter velocity and ISO velocity dials that adorn most of its cameras.
As a substitute, there is a conventional capturing mode dial on the left, full with a minimum of 6 (!) Customized mode settings and the same old PASM modes, and a big, monochrome top-panel LCD display on the fitting, a mix that is similar to the one on the GFX 100S.
In entrance of the capturing mode dial is the model new capturing mode swap, which toggles between Film and Nonetheless. It is a welcome simplification of the way in which through which you selected these modes on earlier GFX cameras, though you do lose top-panel entry to the Drive modes, which at the moment are as an alternative accessed by the brand new Drive button on the rear of the digicam.
The 1.8″ top-panel LCD display cleverly replaces the same old bodily ISO and Shutter velocity dials by displaying three “digital” controls as an alternative, with ISO on the left, shutter velocity on the fitting and publicity compensation on the underside.
Relying upon which capturing mode you are in, as you employ the entrance and rear management dials to alter these settings, the digital show is up to date in real-time.
It can be toggled utilizing the small unmarked button to the bottom-right of the highest LCD display to alternatively show both a histogram or the Fuji GFX 50S II’s present key settings, together with the shutter velocity, aperture, publicity compensation, sensitivity, capturing mode, white stability and movie simulation mode.
It isn’t fairly as handy as having precise dials, however is a intelligent concept nonetheless, particularly as when set to the important thing settings mode, the LCD display stays on when the digicam is turned off, which acts as a fast reminder of your final used settings even earlier than you flip the digicam again on.
There’s additionally no helpful publicity compensation dial, nonetheless, as an alternative changed by a tiny devoted button on prime of the digicam subsequent to the shutter button that is relatively awkwardly used along with the rear management dial.
Finishing the highest of the digicam is a small button for illuminating the highest LCD panel, an unmarked, re-configurable Perform button that by default toggles Face Detection on and off, and an On/Off swap that surrounds the shutter launch button – this is not threaded for a conventional shutter launch cable, although, as on some X-series cameras.
The Fujifilm GFX 50R is provided with a 43.8×32.9mm CMOS sensor with a decision of 51.4 megapixels and no optical low cross filter that delivers 8256×6192 pixel nonetheless pictures.
The sensor is basically the identical because the one discovered within the Fujifilm GFX 50S, 50R and Hasselblad X1D cameras.
This chip has an imaging space that is 1.7x better than that of a 35mm “full-frame” sensor, and over 3.7 occasions bigger than the APS-C sized sensors utilized in Fujifilm’s X-series cameras.
In contrast to these cameras, although, the Fujifilm GFX 50R has a conventional Bayer color filter array in entrance of the sensor. The pixel depend is not actually larger than that of the highest-resolution 35mm full-frame DSLRs – the Canon EOS 5DS and 5DS R – however the pixel pitch is larger, promising a wider dynamic vary and a greater signal-to-noise ratio.
The Fujifilm GFX 50S II has the identical contrast-detect kind autofocus system as the unique 50S, with no phase-detection AF sensors embedded within the sensor as on the GFX 100/100S cameras, so if auto-focus velocity is paramount then one of many GFX 100 fashions is the most suitable choice.
Having mentioned that, Fujifilm have added a brand new Fast AF choice to the Mark II 50S, which hurries up the contrast-based focusing and likewise makes it extra correct by utilizing the brand new IBIS unit to manage sensor movement blur.
Additionally, the most recent X-Processor 4 contained in the 50SII advantages from having the most recent algorithm that improves the AF’s refresh fee, leading to extra correct autofocus in Face / Eye Detection in comparison with the earlier mannequin.
Relying on the lighting situations, the GFX 50S II is quicker than the unique 50S mannequin however nonetheless somewhat on the sluggish facet to auto-focus, taking about 1/3 second to lock onto the topic and likewise vulnerable to looking in low-light environments.
The AF level will be set to one among six totally different sizes through the rear management dial to realize extra exact focusing, and you too can merely faucet on the touchscreen to set the AF level. If you would like much more management, you’ll be able to choose the 425 factors choice which splits the identical space of the body right into a 17×25 grid of smaller AF factors.
The Fuji GFX 50S II additionally presents Zone and Huge/Monitoring modes which utilise the bigger 425-point space to seize shifting topics.
In Zone mode, you’ll be able to choose a 3×3, 5×5 or 7×7 zone out of the 425-point AF space. Throughout AF-C focus, the digicam frequently tracks the topic, positioning it on the centre of the zone.
The Huge/Monitoring mode combines the Huge mode (throughout AF-S), through which the GFX 50S II robotically identifies and tracks the world in focus throughout the 425 level AF space, and the predictive Monitoring mode (throughout AF-C), which makes use of your entire 425-point space to proceed monitoring the topic. This characteristic allows steady specializing in a topic that’s shifting up and down, left and proper or in direction of and away from the digicam.
Handbook focus can also be offered, and excellent it’s too. As you’d count on, the guide focus rings on all of the GFX lenses have a stunning really feel, and two totally different focusing aids are offered – auto magnification and focus peaking. Together with the high-resolution digital viewfinder, we discovered it straightforward to precisely decide important sharpness.
The GFX 50S II presents a steady capturing fee of 3fps, the identical fee because the 50S, however the buffer depth is far better – for limitless JPEGs or 31 compressed Uncooked information if you happen to use a UHS-II SDXC card and the digital shutter, making it one of many sooner medium format cameras available on the market. For those who favor to make use of the mechanical shutter, the speed drops to 2.2fps for limitless JPEGs or compressed Raws.
The GFX 50S II presents precisely the identical primary video mode because the 50S and 50R, supporting both Full HD (1920×1080 pixels) or 720p recording at 29.97, 25, 24, and 23.98 fps within the H.264 compressed MP4 format. There is not any 4K recording on this digicam – you will have to step as much as the 100 megapixel GFX 100/100S fashions for that characteristic.
The Mark II does provide an improved most recording time of two hours, although, versus half-hour on the unique mannequin.
There are each 3.5mm Mic and three.5mm Headphone ports on the left-hand flank of the digicam when considered from the rear, with USB-C, HDMI and an X-Sync flash socket under them.
The GFX 50S II will be powered and charged through the USB-C connection, which is helpful if you happen to’re out and about and have a appropriate powerbank to plug the digicam into.
Two reminiscence card slots are situated on the right-hand flank of the digicam when considered from the rear. The GFX 50S II presents compatibility with Extremely Excessive Velocity UHS-II SDXC reminiscence playing cards, which has the principle profit of accelerating the info writing velocity in steady mode to about twice that of a standard UHS-1 card.
Additionally situated on the fitting of the digicam physique is the Distant socket, hidden below it is personal flap.
The Fuji GFX 50S II options each built-in wi-fi and Bluetooth connectivity. The latter choice creates a continuing, low-power connection between the digicam and a smartphone/pill to switch pictures and video utilizing the Fujifilm Digicam Distant smartphone app, whereas the previous lets you remotely management the GFX 50S II through a 2.4Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch pictures and video from one system to the opposite.
With its focal-plane mechanical shutter, the Fujifilm GFX 50S II has a prime shutter-speed restrict of 1/4000th second in all capturing modes. This lets you choose a sooner aperture even in shiny situations or when capturing with flash through the day, though there isn’t any built-in ND filter.
The GFX 50S II additionally has an digital shutter along with the mechanical one, which gives a a lot sooner prime shutter velocity of 1/16,000th second. This lets you proceed capturing wide-open with quick aperture lenses within the brightest of situations with out having to resort to becoming a glass ND filter or utilizing exterior flash and lights.
There are some necessary caveats with the digital shutter – the ISO vary is restricted to 100-12800 and you’ll’t use an exterior flashgun, however general it is an ideal characteristic that makes the GFX 50S II extra versatile.
Somewhat than a conventional optical viewfinder, the Fuji GFX 50S II employs the identical 3.69M-dot OLED digital viewfinder that the GFX 100S makes use of, which is 0.5 inch in measurement with 100% scene protection and 0.77x magnification.
In contrast to the unique GFX 50, this digital viewfinder is fastened in place and never detachable. The EVF can truly be fully faraway from the principle digicam physique on the 50S mannequin, whereas it is fastened in place on the brand new GFX 50S II. It presents the identical 3.69M-dot decision however has better 0.85x magnification.
The non-obligatory EVF-TL1 tilt and swivel adapter can be used with the 50S’ viewfinder to alter the angle of the viewfinder to a most angle of 90° when capturing horizontal landscapes and ±45° when capturing within the portrait place.
So the viewfinder on the 50S is extra versatile and higher-resolution than the one on the newer mannequin, at the price of nice complexity and an accompanying improve in worth.
The dimensions of the rear LCD display is 3.2-inches and the decision is a formidable 2.36m-dots, precisely the identical because the display on the GFX 50S and 100/S. It can be usefully tilted up and down by about 90 levels when in panorama mode and upward when capturing in portrait mode through a easy press of a button on the facet.
The Fujifilm GFX 50S II has an intuitive touchscreen interface, permitting you to both transfer the AF level or concurrently transfer the AF level and deal with the topic.
On the right-hand facet of the display is a small icon which if you happen to press it lets you select between utilizing the display to set the AF level, or to have it focus as effectively. For those who favor, you’ll be able to flip off this performance altogether, however it’s faster than utilizing the joystick to set the AF level.
One disadvantage to leaving the touchscreen AF on is that we saved inadvertently shifting the AF level when altering lenses or utilizing the EVF. In picture playback, you’ll be able to merely drag left and proper to undergo the sequence of pictures and pinch/double-tap to zoom out and in, though you continue to cannot use the principle menu system through the touchscreen.
In contrast to the GFX 100 with its relatively unfamiliar design, the rear panel of the 50S II will really feel extra welcoming to anybody who has ever dealt with a Fujifilm X-series digicam earlier than.
There’s the aforementioned Drive button and a Delete button situated to the left of the EVF and an AF Mode dial (S/C/M) on the fitting, with a small AF On button for back-button focusing and the rear management dial alongside that.
The tiny Fast Menu button is about into the rear thumb relaxation. This gives fast entry to a lot of regularly used capturing settings together with the ISO velocity, White Steadiness, File Dimension and File High quality, with both the main target joystick, entrance management dial or the touchscreen used to shortly change between them.
As a substitute of a conventional 4-way controller with a centred Menu/OK button, the Fujifilm GFX 50S II has a vertical column of buttons, beginning with the brand new, tactile 8-way joystick which is primarily used for setting the AF level after which the AE-Lock button.
Beneath these controls within the Menu/OK button which accesses the seven totally different Capturing and Set-up menus, the Disp/Again button which is used for altering the LCD show or going again, and eventually the Playback button.
The bottom of the digicam incorporates a screw tripod thread that is inline with the centre of the lens mount and the battery compartment.
Picture High quality
All the pattern pictures on this overview have been taken utilizing the 51.2 megapixel SuperFine JPEG setting, which supplies a median picture measurement of round 25Mb.
The Fujifilm GFX 50S II produced pictures of excellent high quality through the overview interval.
This digicam produces noise-free pictures at ISO 50 as much as ISO 3200, with some noise showing at ISO 6400. The sooner settings of ISO 12800 and 25600 are nonetheless usable, though we would recommend avoiding ISO 51200 and better if potential.
The RAW information have been additionally wonderful, exhibiting extra noise however nonetheless producing very usable pictures from ISO 50-12800.
The night time {photograph} was excellent, with the utmost shutter velocity of 60 minutes permitting you to seize sufficient gentle in virtually all conditions. The Dynamic Vary settings subtly enhance element within the shadows and highlights, whereas the Movie Simulation modes hark again to a bygone period.
Noise
There are 12 ISO settings accessible on the Fujifilm GFX 50S II. Listed here are some 100% crops which present the noise ranges for every ISO setting for each JPEG and Uncooked information.
JPEG
RAW
ISO 50
ISO 50
ISO 100
ISO 100
ISO 200
ISO 200
ISO 400
ISO 400
ISO 800
ISO 800
ISO 1600
ISO 1600
ISO 3200
ISO 3200
ISO 6400
ISO 6400
ISO 12800
ISO 12800
ISO 25600
ISO 25600
ISO 51200
ISO 51200
ISO 102400
ISO 102400
File High quality
The Fujifilm GFX 50S II has 3 totally different JPEG file high quality settings accessible, with SuperFine being the best high quality choice, and it additionally helps Uncooked. Listed here are some 100% crops which present the standard of the assorted choices, with the file measurement proven in brackets.
SuperFine (26.5Mb) (100% Crop)
High quality (15.1Mb) (100% Crop)
Regular (9.12Mb) (100% Crop)
Uncooked (111Mb) (100% Crop)
Lengthy Exposures
The Fujifilm GFX 50S II’ most shutter velocity is 60 minutes within the Bulb mode, which is nice information if you happen to’re severely considering night time images. The shot under was taken utilizing a shutter velocity of 30 seconds at ISO 100.
Dynamic Vary
The Fujifilm GFX 50S II has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digicam take management.
These settings step by step improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Notice which you could’t truly flip this characteristic off.
Movie Simulations
The Fujifilm GFX 50S II presents 19 totally different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous, together with the comparatively new Nostalgic Damaging Movie Simulation, which is characterised by excessive saturation and mushy tonality and mentioned to be paying homage to American New Color Pictures which emerged within the Seventies.
Pixel Shift
Pixel Shift is a particular Multi-Shot operate that can be utilized to create 205 megapixel pictures!
The digicam’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in varied instructions through the sequence of 16 photographs.
You then have to obtain the brand new Pixel Shift Combiner software program from Fujifilm.com, manually choose the 16 information that make up every Pixel Shift shot, and the software program will then robotically mix them right into a single DNG file.
A number of Publicity
The Fujifilm GFX 50S II’s A number of Publicity drive mode lets you take two consecutive images and mix them into one.
Pattern Photos
It is a choice of pattern pictures from the Fujifilm GFX 50S II digicam, which have been all taken utilizing the 51.4 megapixel Superfine JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any means.
Pattern RAW Photos
The Fujifilm GFX 50S II allows customers to seize RAW and JPEG format information. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail pictures proven under should not 100% consultant).
Pattern Film & Video
It is a pattern film on the high quality setting of 1920×1080 pixels at 30 frames per second. Please word that this 15 second film is 100Mb in measurement.
Product Photos
Conclusion
When the 100 megapixel GFX 100S was launched in 2019, we mentioned that medium-format images had by no means been fairly so compact, transportable, easy-to-use or versatile.
That assertion is simply as true with the introduction of the 50S II, with one necessary caveat – you now want so as to add “reasonably priced” to that checklist of superlatives.
By cunningly bringing collectively the confirmed 50 megapixel sensor from the 50S/R fashions with the identical physique and design because the 100S, Fujifilm have managed to create a comparatively tiny medium-format digicam that prices the identical as a high-end 35mm full-frame mannequin, one thing that is by no means been completed earlier than.
The brand new GFX 50S II is equally sized to some 35mm DSLR and mirrorless flagships from different manufacturers, but it nonetheless squeezes in a 1.7x bigger sensor and an IBIS unit into its comparatively svelte dimensions.
Positive, the GF lenses are bigger and heavier than their 35mm counterparts, which in flip makes the general GFX system heavier than full-frame, however the truth that we’re even evaluating the 2 methods on this regard in any respect is fairly outstanding.
The 50mp sensor is getting barely lengthy within the tooth from a focusing and video perspective, and steady capturing is nothing to write down residence about, however on the flip-side it continues to ship the confirmed Fuji picture high quality that we have come to like, whether or not that is capturing JPEGs or Uncooked.
That is actually a medium format digicam that’s equally at residence within the studio or out within the discipline, because of its amazingly compact design, large decision, very efficient stabilisation system, and full weather-proofing.
And due to its frankly astonishing price ticket, medium format has by no means been fairly so tempting financially both – at £$2000 lower than the unique GFX 50S value on launch 4 years in the past, it is clear that Fujifilm are going all out to tempt full-framers to make the leap as much as medium-format.
For a lot of photographers who do not want the eye-wateringly quick burst capturing charges, complicated AF methods or cutting-edge video specs of cameras just like the Sony A1 and Canon EOS R5, and as an alternative prioritise picture high quality over out-and-out velocity, the brand new Fujifilm GFX 50S II will in some ways be a greater match, with out having to pay the premium that stepping as much as medium format has historically demanded.
Rankings (out of 5)
Design
5
Options
4
Ease-of-use
4.5
Picture high quality
5
Worth for cash
5
Important Rivals
Listed under are a number of the rivals of the Fujifilm GFX 50S II.
The EOS R5 has been the most well liked full-frame digicam on the block ever since Canon pre-announced it again at the beginning of 2020, because of its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it a number of occasions since then, however now we will lastly convey you our remaining Canon R5 overview, full with full-size pattern images and movies!
The brand new 100-megapixel medium-format Fuji GFX 100S is smaller, lighter and extra versatile than the flagship GFX 100, and crucially, considerably cheaper too. A lot in order that it steps on the toes of high-end 35mm full-frame cameras just like the Sony Alpha 1, Canon EOS R5 and Nikon Z7 II. Does the GFX 100S actually show that medium-format is “Greater than full-frame”, and is it actually higher than the GFX 100? Discover out now by studying our in-depth overview, full with an enormous gallery of full-size pattern pictures and movies…
The Fujifilm GFX 50R is a rangefinder-style medium-format mirrorless digicam with a 50 megapixel sensor, 3.2-inch tilting touchscreen LCD, digital viewfinder, ISO vary of 50-102400, twin reminiscence card slots and 3fps steady capturing. Oh, and it solely prices £3999 / $4499, making it the most cost effective medium format digicam available on the market. Learn our detailed Fujifilm GFX 50R overview now…
The Fujifilm GFX 50S is a brand new medium-format mirrorless digicam, providing a 50 megapixel sensor, a 3.2-inch tilting touchscreen LCD and a detachable digital viewfinder in a physique that is no greater than a 35mm full-frame DSLR. Learn our in-depth Fujifilm GFX 50S overview now…
The Hasselblad X1D II 50c is a contemporary medium-format mirrorless digicam with a 51 megapixel sensor, massive 3.6-inch touchscreen LCD and an improved digital viewfinder, all housed in a superbly crafted physique. Learn our in-depth Hasselblad X1D II 50c overview now…
The Leica SL2-S is an impeccably constructed full-frame mirrorless digicam, providing a 24.6 megapixel BSI sensor, DCI 4K/60p video recording, 25fps burst capturing, a class-leading EVF, IBIS price 5.5 stops, ISO 100,000 and twin UHS-II SD reminiscence card slots. Learn our in-depth Leica SL2S overview to seek out out what this £3,975 / $4,895 digicam is able to…
The Nikon Z7 II full-frame mirrorless digicam is the 2020 replace of the unique Z7 mannequin, principally enhancing the autofocusing, buffer and video and including a second reminiscence card slot. Are these modifications sufficient for it to compete with its principal rivals just like the Sony A7R IV and the Canon EOS R5? Discover out now by studying our in-depth Nikon Z7 II overview, full with full measurement pattern images and movies…
Panasonic have loved a number of success with their Micro 4 Thirds digicam vary, and now they’ve turned their consideration to the full-frame market with the discharge of the thrilling new Lumix S1R. It is a 47 megapixel full-frame mirrorless digicam with 187 megapixel excessive decision mode, class main digital viewfinder, 6-stop IBIS, and a sturdy weatherproof physique. Learn our in-depth Panasonic S1R overview now to seek out out extra about this spectacular digicam…
The Sony Alpha 1 digicam, or Sony A1 for brief, is the most effective digicam that Sony have ever launched, and presently the most effective all-round digicam available on the market. It is also some of the costly, so learn our in-depth Sony A1 overview full with full-size pattern JPEG and Uncooked images and films to seek out out if it is actually the One for you…
Historically, you’d need to make a tricky alternative between decision and velocity in the case of high-end cameras, however with the brand new flagship A7R IV mirrorless mannequin, Sony are trying to supply the most effective of each worlds. Can it actually succeed as a digicam that fits every kind of photographers? Learn our in-depth Sony A7R IV overview to seek out out…
Overview Roundup
Evaluations of the Fujifilm GFX 50S II from across the net.
In virtually each respect, the 50S II is a lower-res model of the GFX 100S, sharing extra with its excessive pixel-count sibling than it does with the unique GFX 50S. The means it advantages from all of the refinements Fujifilm has launched within the 5 years because the first GFX 50S was launched but additionally sees some options pared again.
Learn the total overview »
Fujifilm’s improve to its comparatively reasonably priced 50MP GFX digicam doesn’t look very spectacular on paper – no 4K video, solely 3fps steady capturing velocity – however some important modifications each in and out have made this the primary 50MP stabilized shooter from Fujifilm, with the most cost effective price ticket for a medium format digicam. Together with its impeccable picture high quality, it’s straightforward to fall in love with this digicam. Nevertheless, its comparatively sluggish autofocus (as in comparison with different mirrorless cameras), meager 3fps burst fee and lack of 4K video may deter some customers.
Learn the total overview »
It’s simply 5 years since Fujifilm revolutionised medium format digital with the launch of its GFX 50S. This digicam offered 51.4MP decision and mirrorless structure for £6,200 body-only, which was a ground-breaking worth on the time. Since then, the GFX system has gone from energy to energy, with the GFX100S that appeared earlier this yr providing 102MP for £5,500, in physique that’s related in measurement to a full-frame DSLR. Now with the GFX50S II, Fujifilm has introduced the worth of entry even decrease, to only £3500 body-only, or £3900 with the brand new matched GF 35-70mm F4.5-5.6 WR equipment zoom.
Learn the total overview »
Specs
Mannequin identify
FUJIFILM GFX50S II
Lens Mount
FUJIFILM G mount
Picture sensor
43.8mm×32.9mm Bayer array with main colour filter
Variety of efficient pixels
51.4 million pixels
Sensor Cleansing System
Extremely Sonic Vibration
Picture Processing Engine
X-Processor 4
Storage media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Velocity Class V90*1
File format of nonetheless picture
DCF
Compliant with Design rule for Digicam File system (DCF2.0)
JPEG
Exif Ver.2.32*2
RAW
14bit RAW (RAF authentic format)
TIFF
8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels
［L］〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192［S］〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
Sensitivity
Nonetheless Picture
Commonplace Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)Prolonged Output: ISO50 / ISO25600 / ISO51200 / ISO102400
Film
Commonplace Output: AUTO / ISO200～6400 (1/3 step)
Publicity management
TTL 256-zone metering / Multi / Spot / Common / Middle Weighted
Publicity mode
P (Program AE) / A (Aperture Precedence AE) / S (Shutter Velocity Precedence AE) / M (Handbook Publicity)
Publicity compensation
Nonetheless
-5.0EV~+5.0EV 1/3EV step
Film
-2.0EV~+2.0EV 1/3EV step
Picture stabilizer
Mechanism
Picture sensor shift mechanism with 5-axis compensation
Compensation Impact
6.5 stops*based mostly on CIPA normal*Pitch/yaw shake solely*With GF63mmF2.8 R WR lens mounted
Digital Picture Stabilization
Sure (film mode solely)
IS MODE BOOST
Sure (film mode solely)
Shutter kind
Focal Airplane Shutter
Shutter velocity
Mechanical shutter
P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.
Digital shutter
P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.*The Digital Shutter will not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Mechanical + Digital shutter
P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.*The Digital Shutter will not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Digital Entrance Curtain Shutter
P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/500sec.
Digital Entrance Curtain Shutter + Digital Shutter
P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/500sec, Mechanical shutter works till 1/4000sec.*The Digital Shutter will not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Film
FHD: 1/4000sec. to 1/24 sec.*Can not select slower shutter velocity than framerate.
Synchronized shutter velocity for flash
1/125sec. or slower
Steady capturing
CH Digital Entrance Curtain Shutter Approx. 2.2fps (JPEG: Infinite, Compressed RAW: Infinite, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames)CH Approx. 3.0fps (JPEG: Infinite, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames)*Recordable frames relies on recording media.*Velocity of steady capturing relies on capturing setting and capturing frames.
Drive Mode
AE Bracketing
2 frames / 3 frames / 5 frames / 7 frames / 9 frames*by 1/3EV step, as much as ±3EV steps
Filmsimulation bracketing
Any 3 varieties of movie simulation selectable
Dynamic Vary Bracketing
100% / 200% / 400%
ISO sensitivity Bracketing
±1/3EV / ±2/3EV / ±1EV
White Steadiness Bracketing
±1 / ±2 / ±3
Focus Bracketing
AUTO / MANUAL
A number of Publicity
Sure (Max. 9 frames) / Additive / Common / Vivid / Darkish
Pixel Shift Multi Shot
Sure
Focus
Mode
Single AF / Steady AF / MF
Kind
TTL Distinction AF
Low-light Efficiency
Distinction: -3.5EV *Low gentle precedence AF-S ON / GF80mmF1.7 hooked up
AF body choice
Single level AF: 13×9 / 25×17 (Changeable measurement of AF body)Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 gridWide/Monitoring AF: Sure (AF-S: Huge / AF-C: Monitoring)All: Sure
Face/eye detection
Sure
Flash
Sync. Mode
1st Curtain / 2nd Curtain / AUTO FP (HSS)When SHOE MOUNT FLASH is setTTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Scorching shoe
Sure (Devoted TTL Flash appropriate)
Viewfinder
EVF: 0.5 inch OLED Coloration Viewfinder, Approx. 3.69 million dotsCoverage of Viewing Space vs. Capturing Space: Approx. 100percentEyepoint: Approx. 23mm (from the Rear Finish of the Digicam’s Eyepiece)Diopter Adjustment: -4～+2m-1Magnification: 0.77x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° )Constructed-In Eye Sensor
LCD monitor
3.2 inch Tilt-Kind(Three Path) Contact Display screen Coloration LCD MonitorAspect Ratio: 4:3Dots: Approx. 2.36 million dots
Contact Display screen Mode
Capturing Mode
AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Perform Setting (ON/OFF), EVF Contact Display screen Space Setting
Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor
1.80 inch Monochrome LCD MonitorAspect Ratio: 4:3Dots: 303×230-dot
Film recording
File format
MOV:MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Film compression
Lengthy GOP
File measurement
Body rateBitrate
Recording time
[Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps As much as 120min.*For recording motion pictures, use a SD reminiscence card with UHS Velocity Class 1 or larger.*Recording time can turn into quick relying on the temperature and/or capturing situations.
Movie simulation mode
19 modes (PROVIA/Commonplace, Velvia/Vivid, ASTIA/Smooth, Traditional Chrome, PRO Neg.Hello, PRO Neg.Std, Traditional Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROSACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Coloration
Sure
Grain Impact
Roughness: STRONG, WEAK, OFFSize: LARGE, SMALL
Coloration Chrome Impact
STRONG, WEAK, OFF
Coloration chrome Blue
STRONG, WEAK, OFF
Easy Pores and skin Impact
STRONG, WEAK, OFF
Dynamic vary setting
Nonetheless
AUTO / 100％ / 200％ / 400％ISO restriction: DR100%: No restrict, DR200%: ISO200 or extra, DR400%: ISO400 or extra
Film
100％ / 200％ / 400％ISO restriction: DR100%: No restrict, DR200%: ISO400 or extra, DR400%: ISO800 or extra
White stability
Auto
White Precedence / Auto / Atmosphere Precedence
Customized
Custom1 – 3
Coloration temperature choice
2500K～10000K
Preset
High quality / Shade / Fluorescent Gentle-1 / Fluorescent Gentle-2 / Fluorescent Gentle-3 / Incandescent Gentle / Underwater
Readability setting
±5 steps
Self-timer
10sec. / 2sec.
Interval timer capturing
Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer capturing publicity smoothing)
Wi-fi transmitter
Commonplace
IEEE802.11b/g/n (normal wi-fi protocol)
Encryption
WEP / WPA / WPA2 blended mode
Entry mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low power)
Working frequency (Middle frequency)
2402〜2480MHz
Terminal
Digital interface
USB Kind-C (USB3.2 Gen1x1)
HDMI output
HDMI Micro connector (Kind D)
Others
ø3.5mm, stereo mini connector (Microphone)ø3.5mm, stereo mini connector (Headphone)ø2.5mm, Distant Launch ConnectorHot shoeSynchronized terninal
Energy provide
NP-W235 Li-ion battery (included)
Battery life for nonetheless pictures*3
Regular Mode: Approx. 455 frames*Auto energy save ON*When GF63mmF2.8 R WR is about
Precise battery lifetime of film seize*3
Full HD: Approx. 80min. (59.94p)*Face detection is about to OFF
Continuance battery lifetime of film seize
*3
Full HD: Approx. 140min. (29.97p)*Face detection is about to OFF
Dimensions
Width: 150.0mmHeight: 104.2mmDepth: 87.2mm(Minimal Depth) 44.0mm
Weight
together with battery and SD reminiscence card: Approx. 900gexcluding battery and SD reminiscence card: Approx. 819g
Operation Surroundings
Working Temperature
-10°C～+40°C
Working Humidity
10% – 80% (no condensation)
Beginning up interval
Approx. 0.4sec.
Equipment included
Li-ion battery NP-W235AC energy adapter AC-5VJPlug adapterUSB cableShoulder strapBody capHot shoe coverCable protectorOwner’s guide
*1 *Please see the Fujifilm web site (https://fujifilm-x.com/help/compatibility/cameras/) to examine reminiscence card compatibility.
*2 Exif 2.32 is a digital digicam file format that comprises quite a lot of capturing info for optimum printing.
*3 Approximate variety of frames or film recording time that may be taken with a fully-charged based mostly on CIPA Commonplace.
Information
The brand new Fujifilm GFX 50S II is essentially the most reasonably priced GFX branded medium-format digicam ever, providing a 51.4 megapixel sensor for simply £3499 / €3999 / $3999, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A1 full-frame mirrorless.
Paired with the equally new GF 35-70mm F4.5-5.6 WR equipment zoom, the 50SII prices lower than £4000 / €4500 / $4500 with a lens, making medium-format extra accessible than ever earlier than.
The brand new Mark II GFX 50S makes use of the identical 51.4 CMOS sensor as the unique 50S mannequin, however pairs it with the most recent X-Processor 4, which allows the brand new model to supply a whopping 79 upgraded capabilities.
Externally it is an identical to final yr’s GFX 100S digicam, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and prime LCD panel, and the identical rear LCD display, digital viewfinder and AF joystick on the rear.
The GFX 50S II additionally advantages from 6.5 stops of IBIS, a characteristic that was lacking on the unique 50S, and the next addition of a 205 megapixel Pixel Shift Multi Shot mode.
Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.
Video is restricted to 1080/30p relatively than 4K, a limitation of the sensor that the 50SII makes use of, and it is no velocity demon with a quickest steady capturing velocity of 3fps.
The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of creating the Mark II model lighter, smaller and crucially cheaper (because it’s less complicated to fabricate).
We have a gallery of full-size Fujifilm GFX 50S II pattern images (JPEG and Uncooked) and a gallery of Fujifilm GFX 50S II hands-on images so that you can take pleasure in.
Questioning what the variations are between the brand new and outdated fashions? Then try our in-depth Fujifilm GFX 50S II vs GFX 50S Head-to-head Comparability to seek out out.
Fujifilm Press Launch
Fujifilm broadcasts FUJIFILM GFX50S II
A compact and light-weight physique outfitted with highly effective picture stabilisation and excessive decision 51.4MP large-format sensor
FUJIFILM Company (President: Teiichi Goto) is happy to announce that the “FUJIFILM GFX50S II” (GFX50S II) can be launched in late September 2021 as the most recent addition to the GFX Collection of mirrorless digital cameras outfitted with a big format sensor*1.
The GFX50S II packs the 51.4MP large-format sensor to boast an unimaginable image-resolving energy, capturing each element in sharpness throughout the body. Gentle is recorded to the pixel which is 1.7 occasions that of a full-frame sensor*2 to realize a large dynamic vary and a excessive signal-to-noise ratio. The ensuing picture reproduces deep tonality and texture from shadows to highlights, and delivers picture readability with minimal noise even when taken in low gentle. One of many strengths of the massive format sensor is its means to supply a really shallow depth of discipline. It’s complimented by GF lenses’ edge-to-edge sharpness to intensify the principle topic in opposition to a blurred background for added three-dimensional definition.
The digicam is innovatively designed for added groundbreaking mobility in order that customers can discover its distinctive picture high quality in a broad vary of capturing fields. It integrates the high-speed picture processing engine “X-Processor 4” and the most recent algorithm with an autofocus system with an enhanced refresh fee to grab a decisive shutter alternative. One other highly effective characteristic is its five-axis in-body picture stabilization(IBIS) mechanism that gives as much as 6.5 stops of anti-shake benefit*3, the best within the historical past of the GFX Collection, to compensate for digicam shakes throughout hand-held capturing and decrease movement blur in low gentle or in out of doors settings the place a tripod can’t be used.
Regardless of carrying a formidable array of key units, the digicam is available in a compact type issue, weighing roughly 900g. Get pleasure from distinctive picture high quality in nice portability, afforded by its measurement equal to full-frame cameras. The GFX50S II brings the premium world of large-format picture high quality nearer than ever earlier than with its superior AF, high-performance In-Physique Picture Stabilization (IBIS) and compact light-weight physique, superior to standard medium-format cameras in each sense.
*1 A picture sensor that measures 55mm diagonally (43.8 mm x 32.9 mm) and is approx. 1.7 occasions greater than a 35 mm full-frame sensor*2 When in comparison with a 50 megapixel full-frame digicam*3 When mounted with the FUJINON Lens GF63mmF2.8 R WR
Product Options
Superior picture high quality delivered with using a singular 51.4MP large-format sensor
The GFX50S II is provided with a 51.4MP massive format sensor, which delivers unimaginable picture decision when mixed with a GF lens.
The digicam makes use of a specialised design that makes use of smaller light-collecting micro lenses on the sensor to create a wider hole between adjoining pixels, thereby boosting gentle decision per pixel for added picture sharpness.
Having a bigger light-receiving space per pixel leads to wonderful ISO sensitivity, dynamic vary and tonality, controlling spotlight / shadow clipping whereas conveying the topic’s texture, definitions and even the ambiance of the scene in exact particulars.
The power of the massive format sensor to supply a really shallow depth-of-field renders background out of focus superbly, including definitions to the topic and drawing consideration to the place the photographer supposed.
Number of Movie Simulations
The GFX50S II comes with as many as 19 Movie Simulations, together with “Nostalgic Neg.,” developed for the launch of the GFX100S and characterised by excessive saturation and mushy tonality. Use Movie Simulation presets, designed for varied topic varieties and scenes, whereas checking how they have an effect on the ultimate picture in Dwell View.
Compact 5-axis In-Physique Stabilization delivering as much as 6.5-stops of Vibration Discount
The GFX50S II incorporates a five-axis picture stabilization mechanism that gives as much as 6.5 stops of benefit*3, the best within the historical past of the GFX Collection. This has been made potential with using a high-performance gyro sensor and accelerometer that may detect motions at excessive accuracy. The gyro sensor has been structured to spice up its detection accuracy for exact picture stabilization.
This digicam revolutionizes the way in which typical medium-format digital cameras are used. Somewhat than being mounted on a tripod for sluggish and cautious capturing, the GFX50S II can produce superior picture high quality hand-held with picture stabilization.
Quick and high-precision AF because of the high-speed processing engine and newest algorithm
The GFX50S II’s quick and high-precision AF system is assisted by the highly effective units resembling large-format excessive decision sensor, high-speed picture processing engine “X-Processor 4” and picture stabilization mechanism, operated with the most recent algorithm. Through the distinction detection course of for AF, the built-in highly effective picture stabilization mechanism controls sensor movement blur so as to add velocity and accuracy to the AF efficiency, making certain to seize the decisive picture alternative in any situations.
The GFX50S II makes use of the X-Processor 4 and the most recent algorithm that improves AF’s refresh fee. This leads to extra correct autofocus in Face / Eye Detection in comparison with a earlier mannequin.*4 The power to shortly attain focus regardless of utilizing the large-format sensor with a shallow depth of discipline, assists customers tremendously when capturing portraits with actions.
*4 FUJIFILM GFX 50S
Progressive compact and light-weight physique for superior mobility
Using the compact and highly effective in-body picture stabilization (IBIS) mechanism and shutter unit has been mixed with optimized structure of assorted units to realize a logic-defying compact physique for a large-format digicam, weighing roughly 900g and measuring 104.2mm excessive and 87.2mm deep.
The grip has been formed in order that the digicam sits comfortably within the hand, making certain consolation by considerably decreasing hand strains when utilizing a big zoom lens, for instance.
The casing is product of extremely inflexible magnesium alloy. Added thickness across the base of the lens mount, which is topic to better load specifically, has made the digicam physique extremely strong. The GFX50S II can also be weather-sealed at 60 places to supply dust- and moisture-resistance and talent to function in temperatures as little as -10℃. The digicam’s distinctive portability is coupled with its robustness in all capturing conditions to increase the world of extremely high-resolution images.
Simple operability for a clean capturing expertise
The highest panel options the Mode dial, sometimes seen in lots of digital cameras, in order that customers can deal with the digicam in a well-known style. It presents six customizable positions C1 – C6, permitting customers to register their alternative of capabilities to every of the positions and activate them shortly for a clean picture shoot.
There’s a selector on the highest panel to immediately swap between the nonetheless and video modes for added comfort.
Using a flat-shaped Focus Lever reduces bodily discomfort even after prolonged use. It responds with enhanced sensitivity when shifting the main target level, permitting customers to realize focus on the supposed location shortly.
The 1.8-inch sub LCD monitor with wonderful visibility is discovered on the highest panel, displaying key EXIF settings resembling shutter velocity, aperture, ISO sensitivity and publicity. Extra info displayed contains the variety of frames remaining when capturing stills and the remaining submitting period when recording video. The show will be custom-made for added comfort.
On the rear panel is a 3.2-inch principal LCD monitor with 100% protection. It may possibly tilt in three instructions to allow high- and low-angle capturing, for which the digital viewfinder (EVF) can’t be simply used.
“Pixel Shift Multi-Shot” operate to seize and generate 200MP pictures freed from false colour
The GFX50S II options the Pixel Shift Multi-Shot operate, able to creating 200MP pictures freed from false colour presentation. The power to breed a photograph topic’s colours, texture and even its ambiance within the most interesting of particulars makes the digicam an ideal alternative for archiving. Giant artworks and historic artifacts, beforehand troublesome to {photograph} intimately due to their measurement, will be captured in exact particulars in edge-to-edge readability.
This operate makes use of the digicam’s IBIS to shift the picture sensor by 0.5 pixel to incrementally file 16 RAW pictures and mix them right into a single Digital Damaging (DNG) RAW file within the software program “Pixel Shift Combiner,” producing an ultra-high-definition 200MP picture. The excessive pixel depend results in an astonishing degree of tonality and three-dimensional definitions for edge-to-edge readability.
The picture sensor is shifted in excessive precision to make sure that every pixel information picture information in crimson, inexperienced and blue, fully eliminating false colour and recording the topic in correct colour info.
The operate will be configured to supply 51.4MP pictures, that are simpler to deal with, freed from false colour.
Product identify, launch date and worth
Product identify
Launch date
Beneficial retail worth
Digital digicam “FUJIFILM GFX50S II”
Late September 2021
3,999US$
£3,499
Digital digicam & lens equipment
“FUJIFILM GFX50S II”
“GF35-70mmF4.5-5.6 WR”
Late September 2021
£3899
4,499US$
The GFX 50S was officialy discontinued in February 2021 and the 50R mannequin may also observe go well with with the discharge of the brand new 50S II.
Count on to see the Fujifilm GFX 50S II accessible in-store from September twenty third 2021.
Picture Gallery
Click on on a thumbnail to see the total model.
Fingers On
Need to see precisely what the brand new Fujifilm GFX 50S II medium-format digicam appears to be like like within the flesh?
Take a look at our hands-on gallery of images of the Fujifilm GFX 50S II digicam.
A gallery of hands-on images of the brand new Fujifilm GFX 50S II digicam.
Picture Gallery
Click on on a thumbnail to see the total model.
Your Feedback
[ad_2]