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Introduction
The Fujifilm X-H2 is a flagship APS-C sensor mirrorless digital camera which was launched in September 2022. Together with the X-H2S mannequin, it successfully replaces the three-year-old X-H1. The X-H2 has a model new 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor, the most recent X-Processor 5 picture processing engine, 8K/30p, 6.2K/30p and DCI 4K video recording at as much as 60p in 4:2:0 8-bit internally and 4:2.2 10-bit externally through HDMI with recording occasions of as much as 160min, and an prolonged ISO vary of 64-51200. The XH2 can shoot at 20fps with steady phase-detect auto-focus and auto-exposure when utilizing the digital shutter, utterly blackout-free with a 1.29x crop, and 15fps steady capturing when utilizing the mechanical shutter. Different key options embrace 5-axis in-body picture stabilisation (IBIS) which supplies as much as 7 shutter steps of compensation for stills, a 5.76M-dot OLED digital viewfinder with 0.80x magnification and 120fps refresh price, a tilting 3-inch touchscreen LCD with 1.62-million-dot decision, and twin UHS-II SD and CFexpress Sort B reminiscence card slots. There are 425 AF factors with part detection pixels throughout the complete body (100%) and the auto-focus algorithm has been improved in order that it is 3x quicker and provides higher eye/face detection than the X-T4. The X-H2 can routinely detect animals, birds, automobiles, bikes, planes and trains because of the X-Processor 5’s AI deep studying capabilities, a function that no Fujifilm digital camera aside from the X-H2S has had earlier than. The X-H2 is the primary ever X-Collection digital camera to function Pixel Shift Multi-Shot, which routinely takes 20 pictures to ship 160 megapixel photos for the last word high quality when element actually issues. The X-H2 moreover provides an ultra-fast digital shutter that’s able to exposures as much as an unimaginable 1/180000sec, publicity compensation as much as ±5 stops, wi-fi and Bluetooth connectivity, 720-shot battery life and USB-C charging, interval timer capturing, in-camera uncooked conversion, a number of publicity and panoramic capturing modes, and a variety of filter results and movie simulation modes. The Fujifilm X-H2 is obtainable in Black priced at £1899 / $1999 for the digital camera physique solely within the UK and US respectively. The XH2 is manufactured in Japan.
Ease of Use
Whereas the X-H2S targeted on out-and-out velocity with its spectacular 26 megapixel stacked sensor and 40fps steady capturing functionality, the even newer X-H2 concentrates on delivering sheer decision and excessive ranges of element, with a model new 40-megapixel X-Trans CMOS 5 HR sensor making its debut within the Fuji X-series digital camera vary.
This can be a BSI (back-side illuminated) sensor design that has way more of a concentrate on element and determination than out-and-out velocity, backed up by the introduction of the Pixel Shift Multi Shot mode which creates 160 megapixel photos.
The 40 megapixel sensor additionally permits the XH2 to report 8K video, truly surpassing the XH2S which might solely report as much as 6K video as a result of it is restricted by its 26 megapixel sensor.
The X-H2 is the primary ever X-Collection digital camera to function Pixel Shift Multi-Shot, which delivers 160 megapixel photos for the last word high quality when element actually issues.
Beforehand solely seen on the corporate’s GFX-branded medium-format cameras, within the Pixel Shift Multi-Shot the digital camera data 20 frames, shifting the sensor by 0.5 pixels between every body.
The ensuing photos are routinely mixed into one DNG RAW file, which may be output to a desired file format utilizing appropriate RAW processing software program.
You might not just like the much less conventional, much less Fuji-like person interface or the slightly eye-watering price-tag, however if you need the highest-resolution cropped-sensor digital camera available on the market, that is the one to spring for.
The brand new Fujifilm X-H2 is outwardly completely equivalent to its sister mannequin, the X-H2S, when it comes to their exterior design, dimension and weight – every part is similar aside from their nameplates.
Measuring 135.5 x 92.9 x 86.9mm and weighing 660g, the brand new X-H2 is barely smaller however barely heavier than the unique X-H1 (which measures 140 x 97 x 86 mm and 623g) , though not by that a lot. In the event you’re a long-time person of the XH1 than you will not discover an excessive amount of distinction between them in dimension and weight.
What is going to turn out to be shortly obvious, although, is the radically totally different management format of this newest digital camera. Lengthy recognized for his or her retro styling and plethora of conventional controls, Fuji have determined to drastically pare again the XH2 interface, a lot in order that it bears little resemblance to its forebear.
Most notably, the traditional Fujifilm ISO and Shutter Velocity dials that have been positioned on prime of the XH1 have made manner for a lockable, DSLR-like PASM dial on this new mannequin, positioned to the left of the viewfinder.
Along with the PASM and video modes, there’s additionally slightly curiously a Filter choice and likewise an enormous variety of Customized capturing modes – 7 the truth is – which is probably the most that we have ever seen on any digital camera.
The pondering is you could setup and register this hybrid digital camera in many alternative methods for each stills and video, then shortly recall them utilizing the capturing mode dial.
It nonetheless stays to be seen how followers react to what’s fairly a radical departure from the same old Fujifilm blueprint, however it definitely makes quite a lot of sense for a digital camera that may doubtlessly be used to seize all kinds of topics in all kinds of how.
The X-H2 has a big, sculpted hand-grip on the entrance. You possibly can positively match three fingers on it, possibly even 4 relying in your hand dimension, along with your little finger naturally curling beneath the underside of the physique. There’s additionally a outstanding grip on the rear of the digital camera in your proper thumb.
A textured faux-leather floor runs across the full width of the digital camera, with two steel eyelets on both facet of the physique used for connecting the equipped shoulder strap.
Different key adjustments to the X-H-series person interface embrace the addition of much more Operate buttons, once more meant so as to add as a lot flexibility to the setup of the digital camera as potential, together with the substitute of the MCS dial on the entrance of the X-H1 with an unmarked Operate button on the X-H2.
The rear of the digital camera has additionally been considerably tweaked, with the thumb operated joystick sitting a lot larger than earlier than and the AF On and AE Lock buttons extra conveniently positioned round it.
Over on the appropriate of the highest panel, the XH2 retains the very helpful top-panel LCD, however it’s now been transfer straight alongside the viewfinder hump and been joined by a column of ISO, white steadiness and performance buttons, together with a brand new one-touch video-record button that sits alongside the shutter launch button, which is encircled by the Off/On change.
Publicity compensation and shutter velocity are actually set utilizing the entrance and rear command dials slightly than through exterior controls as on the X-H1, with the aperture management dependent upon whether or not the hooked up lens has an aperture ring or not (nearly all of Fuji’s lenses do) and whether or not it is set to Auto or not.
General, the X-H2 reminds us of the X-S10, which additionally eschewed Fuji’s customary ISO dial, Shutter Velocity dial and Publicity Compensation dials. These adjustments have been made to that exact digital camera within the pursuit of simplicity and affordability, although, whereas with the X-H2 they have been made to allow the digital camera to be extra versatile and faster to make use of.
The X-H2 provides a barely totally different customary sensitivity vary of ISO 125 to ISO 12,800 to the X-H2S, which may be expanded right down to ISO 64 and as much as ISO 51,200. This makes the X-H2 nicely suited to low-light capturing, permitting you to hand-hold the digital camera in locations the place you’d normally be reaching for a tripod or different help.
Fuji’s intelligent ISO Auto Management setting means that you can set a most sensitivity (as much as 6400) and a minimal shutter velocity (1/thirtieth is an effective place to begin), with the digital camera over-riding your ISO selection if it thinks you are being too formidable while sustaining a shutter velocity that will not introduce digital camera shake.
The picture sensor used within the X-H2 is the subsequent era 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor, making its debut within the Fuji X-series digital camera vary.
Though it will probably’t match as much as the headline-grabbing 40fps steady capturing velocity provided by the X-H2S and its stacked sensor, the brand new XH2 is definitely no slouch in relation to burst sequences.
The X-H1 was a comparatively quick digital camera when it was launched in 2018, able to capturing at 14fps utilizing the digital shutter or 8fps with the mechanical shutter., however the brand new X-H2 with the X-Processor 5 on-board ups the ante significantly.
Compared, the XH2 can shoot at 20fps when utilizing the digital shutter, utterly blackout-free with steady phase-detect auto-focus and auto-exposure, slightly than being locked on the first body. In contrast to the XH2S, a modest 1.29x crop is utilized although. It additionally provides a a lot quicker 15fps steady capturing velocity when utilizing the mechanical shutter, this time with none crop.
This makes the X-H2 one of many quickest cameras that Fujifilm have ever made when it comes to burst capturing, second solely to the X-H2S the truth is.
Relying in your topic, with the ability to decide from 20 incrementally totally different pictures might imply the distinction between a near-miss and a “good” picture, though you may want massive capability, high-speed CFexpress Sort B reminiscence playing cards to take full benefit of the sheer velocity on supply.
To assist with capturing the exact second, the X-H2 additionally a intelligent Pre-shot burst capturing mode, with the digital camera continuously filling the buffer whereas your half-press the shutter button, after which preserving the newest ones taken 0.5-1 seconds earlier than a full press of the shutter button, eliminating any digital camera and human-added delay. Notice that this function solely works with the digital shutter.
Because of its 40 megapixel sensor, the XH2 provides a better variety of PDAF factors (3.3 million) than the XH2S. Fujifilm say that the brand new mannequin is not fairly as quick at monitoring shifting topics because the X-H2S, although.
The X-H2 truly has two sorts of shutter, mechanical and digital. When utilizing its mechanical focal-plane shutter, it has a prime shutter-speed restrict of 1/8000th second in all capturing modes.
There is no built-in ND filter, so if you wish to use a really quick lens in very vivid daylight while utilizing the mechanical shutter, then it is a good suggestion to purchase an precise glass ND filter. The X-H2 has a flash-sync velocity of 1/250th second with the mechanical shutter and 1/a hundred and twenty fifth second with the digital shutter.
The X-H2 additionally has a totally silent digital shutter which supplies a a lot, a lot quicker prime shutter velocity of 1/180,000th second. This lets you proceed capturing wide-open with quick aperture lenses within the brightest of situations with out having to resort to becoming a glass ND filter or utilizing an exterior flash and lights.
To make the digital camera even much less obtrusive, when the digital shutter is chosen, there is a Silent menu choice which turns off the speaker, flash, AF-assist lamp and most significantly the shutter-release sound, immediately making the X-H2 completely suited to extra candid images.
It is all very nicely with the ability to report at 20fps, however until the digital camera can shortly, precisely and reliably concentrate on no matter fast-moving topic you are attempting to seize, it is all for nothing.
Fortunately, though the brand new X-H2 has the identical hybrid autofocus system with as much as 425 selectable part detection and and distinction detections factors because the X-H1, X-T4 and X-Pro3 fashions, Fujifilm have made numerous actually important enhancements to make it their finest AF system but.
Chief amongst these is the debut of subject-based computational AI, with the XH2 with the ability to routinely detect animals, birds, vehicles, bikes and bikes, airplanes and practice.
You do should particularly select which of these you wish to monitor from the Topic Detection Setting menu, however as beforehand talked about, you may simply register totally different settings to the customized modes on the capturing mode dial to keep away from having to continuously dive into the menu.
Turning this function on resulted in a super-high hit price when it comes to auto-focusing, with the digital camera usually capable of concentrate on the topic earlier than we would even noticed it ourselves.
The improved auto-focus algorithm that is stated to be 3x quicker than the X-T4 and significantly the topic detection modes assist to make sure that most of your photos are sharp.
Additionally serving to to maintain issues sharp is the XH2′ 5-axis in-body picture stabilisation (IBIS) system. The unique X-H1 was the primary ever Fuji mirrorless digital camera to function In-Physique Picture Stabilization (IBIS), and the X-H2 joins it and the X-H2S, X-T4 and X-S10 because the fifth Fuji digital camera to supply it.
And as with most of its different key options, this new mannequin ups the ante significantly. Whereas the X-H1 solely offered as much as 5.5 shutter steps of compensation for stills, the X-H2 supplies as much as a most of seven stops, 1.5 stops higher and the joint-best of any present Fujifilm digital camera.
Equally, the OLED digital viewfinder on the X-H2 has better 5.76M-dot decision, bigger 0.80x magnification and a quicker 120fps refresh price than the X-H1, which had a 3.68M-dot EVF with 0.75x magnification and 100fps refresh price.
Maybe extra importantly for a hybrid stills and video digital camera, Fuji have made an vital change to this mannequin’s LCD display screen. The older X-H1 had a intelligent three-direction tilting LCD display screen, however it did not tilt out to the facet just like the one on the brand new XH2, which has a completely articulating, vari-angle, 3-inch LCD display screen with 1.62M-dot decision.
You possibly can flip out the display screen to the facet, rotate it forwards for simpler operation when pointing the digital camera at your self, and fold it flat towards the again of the digital camera to cease it from getting scratched, which proves to be a extra versatile display screen for vlogging, film capturing and images typically.
The X-H2S provides a greater video mode than the X-H2 and is unquestionably the one to purchase should you’re predominantly a videographer, though this new mannequin definitely offers it a run for its cash predominantly because of its 40 megapixel sensor.
The newer digital camera provides a highest high quality price of 8K/30p with no crop recorded in 4:2:2 10-bit internally for about 160 minutes. The XH2S cannot report in any respect in 8K due to its decrease decision 26 megapixel sensor, topping out at 6K/30p.
Mixed with a appropriate HDMI recording machine from Atomos or Blackmagic Design, 12-bit RAW video output from the X-H2 may be recorded as Apple ProRes RAW or Blackmagic RAW at resolutions and body charges of as much as 8K and 29.97 frames per second.
The X-H2 additionally incorporates a digital zoom perform that makes use of the digital camera’s 40.2MP sensor to ship as much as 2x of digital zoom with little to no loss in decision, when recording video in 4K.
Because of its stacked sensor design, the XH2S provides a quicker rolling shutter than the X-H2 (1/180s vs 1/88s in 4K), although, and likewise provides better dynamic vary (14+ stops versus 13+ on the XH-2). For 8K recording the rolling shutter on the X-H2 is even worse at 1/33s.
Most crucially, the XH2S can report in 4K at as much as 120fps, whereas the X-H2 is restricted to 4K/60p, which for a lot of videographers will likely be extra vital than having 8K recording.
Each cameras can make the most of a particular fan accent which screws into the again of the digital camera and improves the utmost recording time from 17 to 51 minutes at 40 Celsius.
The X-H2 options each built-in wi-fi and Bluetooth connectivity. The latter choice creates a relentless, low-power connection between the X-H2 and a smartphone/pill to switch photos and video utilizing the Fujifilm Digital camera Distant smartphone app, whereas the previous means that you can remotely management the X-H2 through a 2.4Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photos and video from one machine to the opposite.
One other key change to the design of the X-H2 is reminiscence playing cards, particularly the sort that it makes use of slightly than the quantity. Each the unique X-H1 and this new mannequin have twin reminiscence card slots, however whereas the older mannequin had two UHS-II SD format slots, the X-H2 has one UHS-II SD slot and one CFexpress Sort B slot.
So if you wish to make the most of all of the velocity and determination benefits that the XH2 provides, you may must spend money on some CFexpress Sort B reminiscence playing cards and possibly a brand new card reader too, because the digital camera merely cannot shoot and report at its quickest charges should you solely use SD playing cards.
Fujifilm have additionally paid shut consideration to the X-H2’s battery life, in order that they’ve switched from utilizing the smaller capability NP-W126S battery that the X-H1 used to precisely the identical NP-W235 batteries because the X-T4.
This provides a CIPA-rated battery lifetime of as much as 720 pictures on a single cost in regular mode on the X-H2, with real-life utilization yielding even longer life. The X-H1 was rated at solely 310 pictures.
The XH2 will also be powered and charged through a USB-C connection, which is helpful should you’re out and about and have a appropriate power-bank to plug the digital camera into.
In the event you actually wish to lengthen the battery life, there is a Vertical Battery Grip (VBG-XH) accessible for the X-H2 which accepts two NP-W235 rechargeable lithium-ion batteries to increase the life for as much as 1700 frames between recharges.
A steel tripod mount is positioned inline with the centre of the lens and much away from the battery/reminiscence card compartment, so you do not have to take away the digital camera from the tripod to alter the battery or the reminiscence card.
Picture High quality
All the pattern photos on this evaluate have been taken utilizing the 40.2 megapixel Tremendous JPEG setting, which provides a mean picture dimension of round 18Mb.
The Fujifilm X-H2 produced photos of excellent high quality. It data noise-free JPEG photos from ISO 64 as much as ISO 3200, with just a little noise at ISO 6400 and extra seen noise on the quicker settings of ISO 12800 and 25600 (ISO 51200 is finest prevented), a tremendous efficiency for a digital camera with a 40 megapixel APS-C sensor. The RAW information have been additionally glorious, exhibiting extra noise than their JPEG counterparts however nonetheless producing very usable photos from ISO 64-6400.
The night time {photograph} was glorious, with the utmost shutter velocity of 30 seconds being lengthy sufficient for many after-dark pictures, and the Bulb mode permitting for much longer exposures if required. The Dynamic Vary and HDR settings subtly enhance element within the shadows and highlights, whereas the in depth vary of Movie Simulation modes hark again to a bygone period, and the Superior Filters help you have just a little enjoyable along with your photos in-camera.
Noise
There are 11 full ISO settings accessible on the Fujifilm X-H2 for JPEGs and RAW information. Listed below are some 100% crops which present the noise ranges for every ISO setting.
File High quality
The Fujifilm X-H2 has 2 totally different picture high quality settings accessible, with Tremendous being the best high quality choice. Listed below are some 100% crops which present the standard of the assorted choices, with the file dimension proven in brackets.
Tremendous (18Mb) (100% Crop)
Regular (9.1Mb) (100% Crop)
RAW (85.5Mb) (100% Crop)
Evening
The Fujifilm X-H2’s most shutter velocity is 30 seconds within the Time shutter velocity mode, and there is a Bulb mode which permits exposures as much as 60 minutes lengthy, which is good news should you’re critically inquisitive about night time images. The shot under was taken utilizing a shutter velocity of 15 seconds at ISO 125.
Pixel Shift Multi Shot
Pixel Shift is a particular Multi-Shot perform that can be utilized to create 160 megapixel photos!
The digital camera’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in varied instructions through the sequence of 20 pictures.
You then must obtain the Pixel Shift Combiner software program from Fujifilm.com, manually choose the 20 information that make up every Pixel Shift shot, and the software program will then routinely mix them right into a single DNG file.
A number of Publicity
The Fujifilm X-H2’s A number of Publicity mode combines as much as 9 totally different photos collectively in-camera to create one composite picture, with 4 alternative ways of mixing them – Additive, Common, Vivid, Darkish.
Dynamic Vary
The Fujifilm X-H2 has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.
These settings step by step enhance the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Notice you could’t truly flip this function off. All three settings can be found from ISO 500 upwards.
HDR
The Fujifilm X-H2 has a Excessive Dynamic Vary mode with 5 totally different settings – AUTO, 200%, 400%, 800%, 800%+. The digital camera takes three pictures with totally different exposures, altering the shutter velocity for each, after which combining them in-camera.
Movie Simulations
The Fujifilm X-H2 provides 19 totally different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous.
Superior Filters
The Fujifilm X-H2 provides 13 totally different artistic filter results which may be previewed on the LCD display screen and/or within the EVF earlier than taking a photograph.
Toy Digital camera
Miniature
Pop Colour
Excessive-Key
Low-Key
Dynamic Tone
Tender Focus
Partial Colour (Crimson)
Partial Colour (Orange)
Partial Colour (Yellow)
Partial Colour (Inexperienced)
Partial Colour (Blue)
Partial Colour (Purple)
Pattern Photographs
This can be a number of pattern photos from the Fujifilm X-H2 digital camera, which have been all taken utilizing the 40.2 megapixel Tremendous JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any manner.
Pattern RAW Photographs
The Fujifilm X-H2 permits customers to seize RAW and JPEG format information. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photos proven under aren’t 100% consultant).
Pattern Motion pictures & Video
This can be a pattern 8K film on the high quality setting of 7680×4320 pixels at 30 frames per second. Please notice that this 16 second film is 204Mb in dimension.
This can be a pattern 6K film on the high quality setting of 6240×3510 pixels at 60 frames per second. Please notice that this 16 second film is 204Mb in dimension.
This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second. Please notice that this 16 second film is 204Mb in dimension.
This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 30 frames per second. Please notice that this 15 second film is 192Mb in dimension.
This can be a pattern slow-motion film on the high quality setting of 1920×1080 pixels at 120 frames per second. Please notice that this 160 second film is 393Mb in dimension.
Product Photographs
Conclusion
2022 is shaping as much as be a giant yr for Fujifilm with the launch of not one, however two flagship APS-C cameras within the equivalent shapes of the speed-centric X-H2S and now the resolution-focused X-H2.
Each fashions characterize absolutely the pinnacle of what Fuji can presently obtain with an APS-C sensor and, ably supported by a protracted checklist of fantastic lenses, they far surpass what the likes of Canon, Nikon and Sony have to supply with their equal programs.
Certainly, the 2 new X-H fashions are so good that in addition they characterize a less expensive, but nonetheless very top quality various, to their rivals’ full-frame programs, providing comparable ranges of velocity and determination with out having to interrupt the financial institution.
The one query for us and extra importantly for you is which mannequin to plump for? The X-H2S provides unimaginable 40fps burst capturing, the most effective video capabilities of any X-series digital camera, and smart 26 megapixel decision.
In the meantime the brand new X-H2 ups the element ante to 40 megapixels, the best of any APS-C digital camera, impressively with out introducing an excessive amount of noise at larger ISO values, and it additionally provides the cherry on prime of 8K/30p video recording and nonetheless blazing quick 20fps burst capturing, albeit the latter being with a modest 1.29x crop.
Because the X-H2 is equivalent to the X-H2S aside from their nameplates, you’ll nonetheless must get on-board with their very un-Fuji-like person interfaces, no less than till the X-T5 is introduced.
We truly suppose that the maybe controversially revised management format, with its reliance on perform buttons and customized modes slightly than shutter velocity and ISO dials, is best suited to what’s a flexible hybrid digital camera that lends itself to being utilized in a mess of various methods. Your mileage could nicely differ although.
In the event you do not want the excessive decision, higher AF and improved video capabilities of the X-H2, you may fortunately save fairly some huge cash by choosing one of many cheaper former flagship fashions such because the X-T4, a deal that’s sweetened even additional should you choose their extra conventional person interfaces.
The X-H2 does have one main benefit over its speedy sibling, particularly value. The brand new Fujifilm X-H2 is priced at £1899 / $1999 within the UK and USA respectively, making it the second costliest X-series APS-C sensor digital camera ever launched.
That title goes to the Fujifilm X-H2S, which is priced at £2499 / $2499 physique solely. This makes the XH2S a whopping £600 / $500 costlier than the brand new XH2, a distinction that’s primarily pushed by the stacked sensor inside it, which is way more pricey to fabricate than the BSI sensor discovered contained in the X-H2.
In abstract, whereas the X-H2 and X-H2S could look completely equivalent, because of their sensor applied sciences they’re aimed toward two fairly various kinds of finish person, though the previous mannequin’s 8K video mode will muddy the waters just a little for some customers. Each are excellent cameras although – all it’s good to do is make sure that to select the appropriate one…
Scores (out of 5)
Design
4.5
Options
4.5
Ease-of-use
5
Picture high quality
5
Worth for cash
5
Foremost Rivals
Listed under are a few of the rivals of the Fujifilm X-H2.
The X-H2S is the quickest, most succesful APS-C sensor digital camera that Fujifilm have ever launched, however it’s additionally by far the costliest. Discover out precisely what this new flagship digital camera is able to and who it is aimed toward by studying our full Fuji XH2S evaluate full with full-size JPEG, Uncooked and video samples.
The Fujifilm X-T4 is the successor to the very talked-about X-T3, which was launched in 2018, principally including in-body picture stabilisation, significantly improved battery life, a faster and quieter mechanical shutter, enhanced steady AF and numerous design tweaks. Can the brand new X-T4 enhance on what was already an excellent digital camera? Discover out now by studying our in-depth Fujifilm X-T4 evaluate…
The Z5 is Nikon’s model new entry-level full-frame mirrorless digital camera, sitting under the mid-range Z6 and flagship Z7 fashions within the three-camera lineup, and above the APS-C sensor Z50. Designed to compete with the likes of the Canon EOS R, Sony A7 III and Panasonic Lumix S1, does the Z5 have what it takes to face out in an more and more crowded market? Discover out now by studying our in-depth Nikon Z5 evaluate, full with full-size pattern pictures and movies.
The brand new OM-1 flagship is each the final ever Olympus digital camera and the primary ever OM System digital camera. Confused? Properly no want to fret, as we take an in-depth take a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 evaluate, full with full-size pattern pictures and movies…
The a lot anticipated Panasonic GH6 is lastly right here! However what does this new flagship digital camera supply, and might it actually enhance on the best-selling GH5? We discover out in our evaluate of the Panasonic Lumix GH6 mirrorless digital camera, full with pattern pictures, check pictures, movies and extra…
The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst capturing, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digital camera that you simply want. Discover out why we expect this is among the finest all-round cameras of 2021 by studying our in-depth Sony A7 IV evaluate…
Specs
Mannequin identify
FUJIFILM X-H2
Lens Mount
FUJIFILM X mount
Picture sensor
23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with major coloration filter
Variety of efficient pixels
40.2 hundreds of thousands pixels
Sensor Cleansing System
Extremely Sonic Vibration
Picture Processing Engine
X-Processor 5
Storage media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Velocity Class V90 / CFexpress Sort B Card (-2TB)*Please test Compatibility for extra element.*Please test the checklist of the operation confirmed CFexpress Sort B Card
File format of nonetheless picture
DCF
Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG
Exif Ver.2.32*1
HEIF
4:2:2 10bit
RAW
14bit RAW (RAF unique format)
TIFF
8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels
［L］
〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432×5152
［M］
〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560×3648
［S］
〈4:3〉 3464 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264×2592
Panorama
［L］
〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440
［M］
〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440
Digital Tele-Converter
2.0x / 1.4x / OFF
Sensitivity
Nonetheless Picture
Normal Output: AUTO1 / AUTO2 / AUTO3 /ISO125-12800 (1/3 step)Prolonged Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200
Film
Normal Output: AUTO / ISO125-12800 (1/3 step)Prolonged Output: ISO25600
Publicity management
TTL 256-zone metering / Multi / Spot / Common / Heart Weighted
Publicity mode
P (Program AE) / A (Aperture Precedence AE) / S (Shutter Velocity Precedence AE) / M (Handbook Publicity)
Publicity compensation
Nonetheless
-5.0EV – +5.0EV 1/3EV step
Film
-2.0EV – +2.0EV 1/3EV step
Picture stabilizer
Mechanism
Picture sensor shift mechanism with 5-axis compensation
Compensation Impact
7.0 stops*primarily based on CIPA customary*Pitch/yaw shake solely*With XF35mmF1.4 R lens mounted
Digital Picture Stabilization
Sure (film mode solely)
IS MODE BOOST
Sure (film mode solely)
Shutter sort
Focal Aircraft Shutter
Shutter velocity
Mechanical shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Digital shutter
P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fastened
Digital entrance curtain shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Mechanical + Digital shutter
P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.*Mechanical shutter works till 1/8000sec.
E-front + Mechanical shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/2000sec.
E-front + Mechanical + Digital shutter
P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.*Digital entrance curtain shutter works till 1/2000sec, Mechanical shutter works till 1/8000sec.*The Digital Shutter might not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Film
8K: 1/8000sec. to 1/24 sec. 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec.*Can’t select slower shutter velocity than framerate for some settings.
Synchronized shutter velocity for flash
Mechanical shutter: 1/250sec. or slowerElectronic shutter: 1/125sec. or slower
Steady capturing
CH Digital shutter Approx. 20fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 202 frames, Compressed RAW + JPEG 129 frames, Lossless compressed RAW + JPEG 95 frames, Uncompressed RAW + JPEG 90 frames)CH Digital shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 372 frames, Lossless compressed RAW + JPEG 361 frames, Uncompressed RAW + JPEG 223 frames)CH Digital shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames)CH Digital shutter Approx. 13fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 131 frames, Lossless compressed RAW+JPEG 131 frames, Uncompressed RAW+JPEG 127 frames)CH Digital shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 769 frames, Lossless compressed RAW+JPEG 751 frames, Uncompressed RAW+JPEG 302 frames)CH Mechanical shutter Approx. 15fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 400 frames, Compressed RAW+JPEG 110 frames, Lossless compressed RAW+JPEG 108 frames, Uncompressed RAW+JPEG 104 frames)CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 512 frames, Lossless compressed RAW+JPEG 492 frames, Uncompressed RAW+JPEG 223 frames)CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames)Pre-shot Digital shutter Approx. 20fps (1.29x Crop) (Whereas half press 20 frames, After full press 1000+ frames)Pre-shot Digital shutter Approx. 13fps (1.29x Crop) (Whereas half press 13 frames, After full press 1000+ frames)Pre-shot Digital shutter Approx. 10fps (1.29x Crop) (Whereas half press 10 frames, After full press 1000+ frames)Pre-shot Digital shutter Approx. 13fps (Whereas half press 13 frames, After full press 1000+ frames)*No. of recordable frames are calculated primarily based on CFexpress Sort B card in a chilly begin*Recordable frames depends upon recording media*Velocity of steady capturing depends upon capturing atmosphere and capturing frames
Drive Mode
AE Bracketing
2 frames / 3 frames / 5 frames / 7 frames / 9 frames*by 1/3EV step, as much as ±3EV steps
Movie Simulation Bracketing
Any 3 forms of movie simulation selectable
Dynamic Vary Bracketing
100% / 200% / 400%
ISO sensitivity Bracketing
±1/3EV / ±2/3EV / ±1EV
White Stability Bracketing
±1 / ±2 / ±3
Focus Bracketing
AUTO / MANUAL
A number of Publicity
Sure (Max. 9 frames) / Additive / Common / Vivid / Darkish
HDR Mode
AUTO / 200% / 400% / 800% / 800% +
Superior Filter
Toy digital camera / Miniature / Pop coloration / Excessive-key / Low-key / Dynamic tone / Tender focus / Partial coloration (Crimson / Orange / Yellow / Inexperienced / Blue / Purple)
Pixel Shift Multi Shot
Sure
Focus
Mode
Single AF / Steady AF / MF
Sort
Clever Hybrid AF (TTL distinction AF / TTL part detection AF)
Low-light Efficiency
Distinction: -4.0EV XF50mmF1.0 attachedPhase Detection: -7.0EV XF50mmF1.0 hooked up
AF body choice
Single level AF: 13×9 / 25×17 (Changeable dimension of AF body)Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 gridWide/Monitoring AF: Sure (AF-S: Huge / AF-C: Monitoring)All: Sure
Face/eye detection
Sure
Topic detection
Sure (Animal/Hen/Vehicle/Bike&Bike/Airplane/Prepare)
Flash
EF-X8
Information Quantity: approx. 11 (ISO200・m) / approx. 8 (ISO100・m)Sync. Mode: 1st Curtain / 2nd CurtainFlash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
Shoe mount flash
Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is ready / OFF
Synchronized terminal
Sync. Mode: 1st Curtain / 2nd CurtainFlash Mode: MANUAL
Sizzling shoe
Sure (Devoted TTL Flash appropriate)
Viewfinder
EVF: 0.5 inch OLED Colour Viewfinder, Approx. 5.76 million dotsCoverage of Viewing Space vs. Capturing Space: Approx. 100percentEyepoint: Approx. 24mm (from the Rear Finish of the Digital camera’s Eyepiece)Diopter Adjustment: -5～+3m-1Magnification: 0.80x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° )Constructed-In Eye Sensor
LCD monitor
3.0 inch vari-angle Contact Display screen Colour LCD MonitorAspect Ratio: 3:2Dots: Approx. 1.62 million dots
Contact Display screen Mode
Taking pictures Mode
Taking pictures, AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Operate Setting (ON/OFF), Contact Zoom (ON/OFF), EVF Contact Display screen Space Setting
Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor
1.28 inch Monochrome LCD MonitorAspect Ratio: 1:1Dots: 128×128-dot
Film recording
File format
MOV:Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)MP4:MPEG-4 AVC/H.264, AAC
Film compression
All Intra / Lengthy GOP
File dimension
Body price
Bitrate
[8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps[Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)[Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)*For recording motion pictures, use a CFexpress Sort B card or SD reminiscence card with UHS Velocity Class 3 or larger.*For recording motion pictures in 360Mbps, use a CFexpress Sort B card or SD reminiscence card with Video Velocity Class 60 or larger.*For recording motion pictures in 720Mbps, use a CFexpress Sort B card or SD reminiscence card with Video Velocity Class 90 or larger.*Selectable bitrate will likely be modified depends upon the setting.*Apple ProRes codec may be solely recorded to CFexpress Sort B card*Bitrate for Apple ProRes codec isn’t selectable.*Recording time can turn out to be brief relying on the temperature and/or capturing situations
Movie simulation mode
19 modes (PROVIA/Normal, Velvia/Vivid, ASTIA/Tender, Basic Chrome, PRO Neg.Hello, PRO Neg.Std, Basic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Colour
Sure
Grain Impact
Roughness
STRONG, WEAK, OFF
Measurement
LARGE, SMALL
Colour Chrome Impact
STRONG, WEAK, OFF
Colour chrome Blue
STRONG, WEAK, OFF
Easy Pores and skin Impact
STRONG, WEAK, OFF
Dynamic vary setting
Nonetheless
AUTO / 100％ / 200％ / 400％ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
Film
100％ / 200％ / 400％ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
White steadiness
Auto
White Precedence / Auto / Atmosphere Precedence
Customized
Custom1 – 3
Colour temperature choice
2500K-10000K
Preset
Daylight / Shade / Fluorescent Mild-1 / Fluorescent Mild-2 / Fluorescent Mild-3 / Incandescent Mild / Underwater
Readability setting
±5 steps
Self-timer
10sec. / 2sec.
Interval timer capturing
Sure (Setting : Interval, Variety of pictures, Beginning time, Interval timer capturing publicity smoothing)
Wi-fi transmitter
Normal
IEEE802.11a/b/g/n/ac (customary wi-fi protocol)
Encryption
WPA/WPA2 combined mode, WPA3
Entry mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low vitality)
Working frequency (Heart frequency)
2402 – 2480MHz
Terminal
Digital interface
USB Sort-C (USB3.2 Gen2x1)
HDMI output
HDMI connector (Sort A)
Others
ø3.5mm, stereo mini connector (Microphone)ø3.5mm, stereo mini connector (Headphone)ø2.5mm, Distant Launch ConnectorHot shoeSynchronized terninal
Energy provide
NP-W235 Li-ion battery (included)
Battery life for nonetheless photos*2
Economic system Mode: Approx. 680 framesNormal Mode: Approx. 540 frames*When XF35mmF1.4 R is ready
Precise battery lifetime of film seize*2
8K: Approx. 70min. (29.97p)4K: Approx. 75min. (59.94p)Full HD: Approx. 85min. (59.94p), Approx. 90min. (120P)*Face detection is ready to OFF
Continuance battery lifetime of film seize*2
8K: Approx. 100min. (29.97p)4K: Approx. 120min. (59.94p)Full HD: Approx. 140min. (59.94p)*Face detection is ready to OFF
Dimensions
Width: 136.3mmHeight: 92.9mmDepth: 84.6mm(Minimal Depth: 42.8mm)
Weight
together with battery and reminiscence card: Approx. 660gexcluding battery and reminiscence card: Approx. 579g
Operation Surroundings
Working Temperature
-10℃ – +40℃
Working Humidity
10% – 80% (no condensation)
Beginning up interval
Approx. 0.49sec.
Equipment included
Li-ion battery NP-W235AC energy adapter AC-5VJPlug adapterUSB cableShoulder strapBody capHot shoe coverFile transmitter/vertical battery grip connector coverMemory card slot coverSync terminal coverCooling fan connector coverCable protectorOwner’s handbook
*1 Exif 2.32 is a digital digital camera file format that comprises a wide range of capturing data for optimum printing
*2 Approximate variety of frames or film recording time that may be taken with a fully-charged primarily based on CIPA Normal.
Film Specification
Media Rec (CFexpress Sort B card / SD reminiscence card)
Decision/Side
Measurement
Body price
File format/Compression
Bit price*2
Bit depth
HDMI outuptResolution(Body price)/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
8K 16:9
7680 x 4320
29.97p25.00p24.00p23.98p
ProRes 422 HQ MOV*1
3520Mbps(29.97p)*3
10bit
FHD 4:2:2 10bit*4
Notpossible
1.0x
ProRes 422 MOV*1
2352Mbps(29.97p)*3
ProRes 422 LT MOV*1
1632Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOVH.265 All-Intra 4:2:0 MOV
720Mbps360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV chosen)*44K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV chosen)*4
Notpossible
1.0x
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
720Mbps360Mbps200Mbps100Mbps50Mbps
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*44K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*4
Notpossible
1.0x
6.2K 16:9
6240 x 3510
29.97p25.00p24.00p23.98p
ProRes 422 HQ MOV*1
2324Mbps(29.97p)*3
10bit
FHD 4:2:2 10bit*4
Notpossible
1.0x
ProRes 422 MOV*1
1553Mbps(29.97p)*3
ProRes 422 LT MOV*1
1077Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOVH.265 All-Intra 4:2:0 MOV
720Mbps360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV chosen)*44K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV chosen)*4
Notpossible
1.0x
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
720Mbps360Mbps200Mbps100Mbps50Mbps
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*44K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*4
Notpossible
1.0x
DCI4K HQ 17:94K HQ 16:9
4096 x 21603840 x 2160
29.97p25.00p24.00p23.98p
ProRes 422 HQ MOV*1
939Mbps(DCI 4K 29.97p)*3
10bit
DCI4K/4K 4:2:2 10bit
Notpossible
1.0x
ProRes 422 MOV*1
627Mbps(DCI 4K 29.97p)*3
ProRes 422 LT MOV*1
435Mbps(DCI4K 29.97p)*3
H.265 All-Intra 4:2:2 MOVH.265 All-Intra 4:2:0 MOV
720Mbps360Mbps
Notpossible
1.0x
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
720Mbps360Mbps200Mbps100Mbps50Mbps
Notpossible
1.0x
H.264 All-Intra 4:2:0 MOV
360Mbps
8bit
DCI4K/4K 4:2:2 8bit
Notpossible
1.0x
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
360Mbps200Mbps100Mbps50Mbps
Notpossible
1.0x
DCI4K 17:94K 16:9
4096 x 21603840 x 2160
59.94p50.00p29.97p25.00p24.00p23.98p
ProRes 422 HQ MOV*1
1877Mbps(DCI4K 59.94p)*3
10bit
DCI4K/4K 4:2:2 10bit
Notpossible
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1
1254Mbps(DCI4K 59.94p)*3
ProRes 422 LT MOV*1
870Mbps(DCI4K 59.94p)*3
H.265 All-Intra 4:2:2 MOVH.265 All-Intra 4:2:0 MOV
720Mbps360Mbps
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
720Mbps360Mbps200Mbps100Mbps50Mbps
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV
360Mbps
8bit
DCI4K/4K 4:2:2 8bit
1.1x
1.0x
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
360Mbps200Mbps100Mbps50Mbps
1.1x
1.0x
FHD 17:9FHD 16:9
2048 x 10801920 x 1080
59.94p50.00p29.97p25.00p24.00p23.98p
ProRes 422 HQ MOV*1
440Mbps(FHD16:9 59.94p)*3
10bit
FHD 4:2:2 10bit*5
Notpossible
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1
294Mbps(FHD16:9 59.94p)*3
ProRes 422 LT MOV*1
204Mbps(FHD16:9 59.94p)*3
H.265 All-Intra 4:2:2 MOVH.265 All-Intra 4:2:0 MOV
720Mbps360Mbps
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
720Mbps360Mbps200Mbps100Mbps50Mbps
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV
360Mbps
8bit
FHD 4:2:2 8bit*5
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
360Mbps200Mbps100Mbps50Mbps
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
Excessive speedFHD 17:9FHD 16:9
2048 x 10801920 x 1080
240fps(4×/8×/10×)200fps(4×/8×)120p (2x/4x/5x)100p (2x/4x)
ProRes 422 HQ MOV*1
1760Mbps(when recording FHD16:9 240p)*3
10bit
FHD(59.94p) 4:2:2 10bit*6
Notpossible
1.23x
ProRes 422 MOV*1
1176Mbps(when recording FHD16:9 240p)*3
ProRes 422 LT MOV*1
816Mbps(when recording FHD16:9 240p)*3
H.265 All-Intra 4:2:2 MOVH.265 All-Intra 4:2:0 MOV
720Mbps (when recording)360Mbps (when recording)
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
720Mbps (when recording)360Mbps (when recording)200Mbps (when recording)
H.264 All-Intra 4:2:0 MOV
360Mbps (when recording)
8bit
FHD(59.94p) 4:2:2 8bit*6
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
360Mbps (when recording)200Mbps (when recording)
HDMI Output
Decision/Side
Measurement
Body price
HDMI outuptResolution/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
8K 16:9
7680 x 4320
29.97p25.00p24.00p23.98p
8K 4:2:2 10bit
Notpossible
1.0x
6.2K 16:9
6240 x 3510
29.97p25.00p24.00p23.98p
FHD 4:2:2 10bit*4
Notpossible
1.0x
DCI4K HQ 17:94K HQ 16:9
4096 x 21603840 x 2160
29.97p25.00p24.00p23.98p
DCI4K/4K 4:2:2 10bit
Notpossible
1.0x
DCI4K 17:94K 16:9
4096 x 21603840 x 2160
59.94p50.00p29.97p25.00p24.00p23.98p
DCI4K/4K 4:2:2 10bit
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9FHD 16:9
2048 x 10801920 x 1080
59.94p50.00p29.97p25.00p24.00p23.98p
FHD 4:2:2 10bit *5
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
HDMI Output (Excessive velocity REC HDMI ONLY）
Decision/Side
Measurement
Body price
HDMI outuptResolution(Body price)/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
FHD 16:9
1920 x 1080
120p100p
FHD(120p/100p) 4:2:2 10bit
不可
1.23x
HDMI RAW Output
Decision/Side
Measurement
Body price
Crop Magnification
DIS ON
DIS OFF
8K 16:9
7680 x 4320
29.97p25.00p24.00p23.98p
不可
1.0x
*1 ProRes codec may be recorded to solely CFexpress Sort B card
*2 Bit price will likely be modified depend upon the topic
*3 Bit price for ProRes codec cannot be chosen
*4 The decision from HDMI output is totally different from chosen setting
*5 When the facet ratio isn’t 16:9, the picture is output in 16:9 with a black band.
*6 The body price from HDMI output is totally different from chosen setting
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