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I’ll summarize if nobody has ever heard of the Fujifilm X100 sequence: these are mounted, non-interchangeable optical cameras.
The 23 mm f/2 is equal to a 35 mm in full-frame format. The digital camera has an unmistakable classic look, making it really feel like an actual analog digital camera.
The presence of bodily dials for adjusting the publicity triad—aperture, shutter pace, and ISO variation—additionally deserves point out. There’s additionally an publicity compensation dial when utilizing the digital camera with semi-automatisms, such because the aperture precedence and shutter pace precedence mode.
The digital camera has three different distinctive elements for this class:
A hybrid viewfinder will be optical / Galilean with a small digital digital preview.
A central shutter (which permits a really excessive Flash synchronization time)
Together with a four-stop ND filter that may be turned on and off at will.
X100VI, My Second Digicam In The Sequence
I wish to begin by saying that the Fujifilm X100VI ($1,599) is my second digital camera within the X100 sequence after the X100T, which I’ve had for nearly ten years. I beforehand reviewed it on this article (one of the vital learn on my web site!).
I waited lengthy earlier than updating my earlier X100T, partly as a result of I had the X-Professional 2 digital camera subsequent to me. Now, I’ve the X-Professional 3 and the X-T3, X-T4, and X-H2. The X100F and X100V updates had been thrilling however not too putting for me.
Diary, Rijeka, Croatia, March 2024
With the X100VI, I’ve precisely what I wished: a miniaturized model of my X-H2 (clearly with many extra limitations). The 2 cameras can work collectively: I discover the identical APS-C sensor with 40mp of decision, the identical algorithms with AI help for face recognition, the identical movie simulations (though I sit up for the replace of the X-H2 that can deliver the Reala Ace simulation to the digital camera), and in addition the picture stabilizer on the sensor.
On paper, subsequently, the X100VI is the proper digital camera to hold round. It was within the final month that I had it: I used to be fortunate sufficient to search out it at a retailer in my metropolis already just a few days after the presentation, and since they had been promoting tremendous quick, I didn’t suppose twice and purchased it.
The Digicam To Have At all times With You
Since that day, the digital camera has at all times been with me: it’s comfy to hold the X100VI round and prepare your eyes to take photos each day. It was an thrilling month for me, throughout which I discovered many inspirations from Joel Meyerowitz’s work: I purchased his newest guide, “A Query of Colour” (I’ll focus on it intimately in a future article) and, due to a present, adopted his on-line masterclass.
I like Meyerowitz’s work concerning on a regular basis life, avenue pictures’s inspiration, and the power to search out visible and photographic curiosity even in seemingly trivial issues.
The Aesthetic Of The Fujifilm X100VI
From the digital camera’s stylistic viewpoint, I in contrast it with my earlier X100F, noticing many adjustments: the shapes are a bit sharper and extra angular. The end of the silver X100VI is extra matte than my earlier X100T, and I have to say that in the beginning, it gave me extra of a sense of plastic than the end of the X100T.
It must be famous that the higher shell of the digital camera is just not manufactured from actual metallic however is painted plastic with this matte silver end.Observe: As talked about in Maximus’ remark, I’ve additionally checked on-line, and Fujifilm states that the highest plate is “Aluminium.” Effectively, it’s higher to find this. I’m nearly certain that the X-T3 and X-T4 I had as a substitute had been simply plastic with silver paint.
We must see if the brand new digital camera will stand the check of time effectively: my earlier X-T3 and X-T4 have proven apparent indicators of use on the higher shells regardless of at all times being saved inside baggage or backpacks.
What’s New On The X100VI From Earlier Cameras
Essentially the most important leap for this digital camera is the sensor, autofocus, and picture stabilizer.
The sensor is identical 40mp sensor discovered on the X-H2 and the X-T5.
This sensor’s yield is superb; even on the highest ISOs, the noise is at all times comparatively low (I not often shot greater than ISO 6400).
One of many options I’ve used essentially the most within the final month with the Fujifilm X100VI has been digital cropping, which lets you get a 50 mm at 20 mp decision or a 70 mm at 10 mp decision. The good factor is which you could set your focus ring because the teleconverter, making it “nearly” like a zoom.
Storm approaching, Croatia, 2024 | I used the digital teleconverter to create a 70mm lens equal for this photograph.
I discover this characteristic fascinating as a result of, in follow, it’s as if I at all times have three extra lenses with you.
Particularly the 50 mm at 20 mp decision is just not so removed from an X-Professional 2 with 24 mp or the X-Professional 3 with 26 mp.
Opatija, Croatia, 2024 | I used the digital teleconverter to create a 50mm lens equal for this photograph.
The 70 mm to 10 mp file can also be very usable. I keep in mind that my first DSLR was the 6mp Pentax ist*D, after which I used the Pentax K10 and Canon 40D for a few years, which had 10 mp sensors. I did a lot of my first jobs with these cameras, even weddings. We at the moment are very spoiled by these very excessive resolutions, and we overlook that the ultimate decision solely counts primarily based on the output of our photographs.
I really feel that the times we’d like the additional optical teleconverter are gone. I keep in mind I bought the earlier TCL-X100 teleconverter and reviewed it some years in the past.Actually, I didn’t use it so typically and was reselling it. I discovered it fairly tedious to need to screw it in on and off to have the equal 50 mm lens. However these had been different days since my X100T has solely 16 mp of decision!
New Autofocus On The Fujifilm X100VI
One other large characteristic of the X100VI is the brand new AI algorithms for focusing.These had been launched with the brand new X-Processor 5 current from the X-H2s onwards and have now been introduced contained in the X100VI.
Using these algorithms helps quite a bit with focus, particularly in recognizing the topics dealing with the digital camera. For my type of pictures, I attempted face and eye recognition algorithms, at all times discovering glorious outcomes.
Nevertheless, the issue stays linked to the lens’s pace of motion, which I nonetheless discover a bit gradual. On the one hand, there are AI algorithms that do a fast job of figuring out the topics, however then again, the motion to deliver the lens to that time of focus remains to be comparatively gradual. I believe that is because of the technical limitations of the digital camera’s house. I’d love a lens redesign with a linear focus mechanism for the following iteration.
New Movie Simulation: Reala Ace
Reala Ace is the most recent simulation movie launched by Fujifilm with the medium format digital camera GFX 100 II.
That is the primary time this movie simulation has been launched on a digital camera with an Aps-C kind sensor. Nevertheless, Fujifilm has introduced that every one present cameras with X-Processor 5 will likely be up to date and can obtain this new simulation movie sooner or later.
Find out how to describe this new “Reala Ace” simulation? Fujifilm’s web site refers to it as “true-to-life coloration copy and a tough tonality.” I discovered this simulation sensible with the tones, with deeper blues however lighter yellows. Crimson is well-balanced with the proper punch.
I’ve seen that the black tends to be a bit “lifted” even when you will have sturdy distinction, so it provides that analog vibe if you normally attempt to raise a bit the shade.
Trieste, March 2024 | Reala Ace movie simulation with a barely hotter tone provides a really pleasing consequence.
Nevertheless, I wish to spotlight an important level of those movie simulations: the outcomes on the kind of coloration obtained are extremely associated to the {photograph}’s publicity and, above all, to the white stability you set.
If I take an overexposed photograph, I’ll have extra pastel colours. If I shoot underexposed, the colour tones will likely be extra intense. If I range the colour temperature on hotter tones, the colours will even be hotter.
So, along with selecting the movie simulation you favor, it is going to be important to search out the proper white stability and do publicity checks to note the variations between the colours (I keep in mind that these checks will be carried out rapidly with Fujifilm’s free software program, X Uncooked Studio).
First day of Spring, Lubjiana, Slovenia, 2024
Bonus: My Reala Ace Recipe
I’ll briefly recap the world of Fujifilm digital cameras for these unfamiliar with it.
Over the previous 10+ years, each Fujifilm digital camera has included movie simulations developed immediately by Fujifilm engineers.It’s about reproducing the feel and appear of iconic movies pretty faithfully. This idea has been born on-line, particularly ranging from Fuji X-Weekly, which shares the setup used to acquire a sure coloration and movie appear and feel. To attain this, you’ll change the parameters within the digital camera, normally within the first menù I.Q. of the digital camera pictures settings.
I wish to share my changes for the brand new Reala-Ace simulation with you. My purpose was to attain extra definition and saturation between the colours.
AM | Reala Ace 2024_01(this setting works at the moment solely on Fujifilm X100VI and GFX 100II )
Movie Simulation: Reala Ace
Grain Impact: Off (I favor so as to add in after)
Colour Chrome Impact: Off
Colour Chrome Fx Blue: Robust
Clean Pores and skin Impact: Off
White Steadiness: Auto Atmosphere Precedence R:1 B:-1
Dynamic Vary: Auto (word, to make this work, you need to set your ISO greater than 160 or use Auto ISO)
D Vary Precedence: Off
Tone Curve: H + 1, S + 1
Colour: +3
Sharpness: -2
Excessive Iso NR: -4
I primarily use the HEIF file format, which permits me to save lots of extra knowledge at much less compression than JPG.
What I Dislike
Like each digital camera and gear, nobody is ideal. Presently, what I dislike:
The highest plate end building. As talked about above, I’ve lately found it’s aluminum, however I most well-liked the magnesium end of the earlier X100T.
The AI focus algorithms are quick, however the lens has the identical earlier pace when transferring to the purpose. So, it’s slower than the opposite 23 mm lens on the X-Sequence digital camera.
I’d love a second slot for card backup, even when they used the Micro-Sd, as Nikon did with the Nikon Zf digital camera.
In case you have some other questions, be at liberty to ask me within the feedback, and I’ll reply them and replace the overview.
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