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ProRes RAW is turning into increasingly more widespread as tons of current digicam releases are supporting it. Uncooked video was restricted to skilled cinema cameras and intense workflows with devoted crew members there simply to wrangle the footage. Now you may get it with some off-the-shelf SSDs and a consumer-grade mirrorless digicam.
Utilizing it’s nonetheless just a little little bit of a problem when you aren’t used to uncooked workflows. If you’re stepping your toes within the ProRes RAW waters, this video from Harv Video/Audio Stuff walks by way of the way to correctly coloration grade the footage. There are lots of settings to concentrate on, so it’s price watching.
Earlier than we being, it’s best to perceive what ProRes RAW truly is. It’s a new compressed format that makes an attempt to retain as a lot of the uncooked sensor knowledge as attainable. This could present glorious flexibility in post-production whereas the near-lossless compression retains your file sizes smaller than precise uncooked clips.
Being made by Apple and the ProRes group, ProRes RAW is optimized for sure NLEs—like Ultimate Lower. Additionally, the ProRes DNA guarantees ultra-fast playback and modifying in comparison with conventional uncooked codecs which PCs typically wrestle with. In Harv’s exams the ProRes RAW does truly run very nicely. Almost as quick as common ProRes.
Harv does his exams with the precise uncooked clips and chooses to not transcode them. It’s attainable with many computer systems truly. The footage is from a Sony FX6 linked to an Atomos Ninja V.
Picture Credit score: Atomos
After importing into Ultimate Lower chances are you’ll discover the clip appears to be like a bit off, perhaps with blown highlights or bizarre coloration. What you wish to do is head to the inspector and head all the way down to the uncooked settings. If you’re snug with present log workflows the very first thing to take a look at is the Uncooked to Log Conversion choice. This can take the uncooked footage and convert it to a log profile of your selecting – although it ought to match the digicam system used.
You may as well add on a LUT to provide you a decent-looking picture to work with. After this, if you wish to regulate publicity shortly many cameras will provide ISO management and you may make changes there to convey again highlights or increase the shadows.
Going again to only a log conversion you possibly can work in an identical method to different workflows. The chain is normally coloration wheels for publicity and coloration corrections. You need to use no matter instruments you’re most snug with. Subsequent for Harv is Curves for distinction changes. Then he throws on a LUT for a glance after which one other Shade Wheels adjustment for remaining tweaks.
Picture Credit score: Apple
On this instance, Harv applies a corrective LUT to the log footage. Then he makes use of a plug-in of Lightroom controls to use some tweaks to publicity, coloration temperature, highlights, shadows, saturation and simply making it look good to his style. For a remaining polish he makes use of the colour wheels to desaturate the highlights and citing the saturation of the shadows whereas additionally including just a little distinction.
For the following instance he heads to the Lightroom plug-in, then to paint curves, and at last to a LUT. He selects his LUT after which makes use of the plug-in to punch it up just a little bit. For coloration curves he makes use of lots of management factors as this has lots of dynamic vary.
Harv discovered the information to be very simple to work with. There may be loads of element and dynamic vary, plus the ProRes RAW codecs are very simple on computer systems in comparison with different uncooked codecs. Additionally, whereas the footage is sort of heavy for storage, the clips are a lot better than issues like REDRAW.
His ProRes RAW Ideas:
Use uncooked settings to remodel clips first
Make publicity changes with ISO
Transcode or use proxy media for additional pace
Versatile information can take daring grading
ProRes RAW has fewer uncooked settings than typical uncooked codecs
Have you ever used ProRes RAW? Harv is giving it a glowing assessment right here.
[source: Harv Video/Audio Stuff]
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