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Hello there! I’m Martin, a marriage photographer from Nottingham, UK. I specialize in documentary wedding ceremony pictures and I’ve been doing so for almost a decade. I’m a curious observer and love taking pictures weddings in a very unobtrusive method. I consider that wedding ceremony pictures ought to be as distinctive and genuine because the folks in it. I don’t apply a template or work to any pre-planned concepts. I strategy every wedding ceremony with a recent thoughts and open eyes. In always altering environment spontaneous picture alternatives await. It’s a bit like avenue pictures at weddings. Discovering myself amongst a big crowd of individuals that’s totally loaded with constructive feelings is sort of a free ticket to a Funland! Being round completely satisfied folks makes me completely satisfied. Creating significant and storytelling imagery for folks is each very thrilling and fulfilling. Cameras Fuji X-T3 x2 – Till early 2018 I used to be a loyal Nikon shooter, I then determined to go mirrorless. I switched to Fuji and completely love this technique. It was probably the greatest choices I’ve made. I’m not a digicam geek and technical elements of photographic gear usually are not that essential to me. If the digicam is able to capturing the picture I’m aiming for, it’s a winner. Fuji provides me precisely that, but it’s such a pleasure to deal with. It could sound bizarre, however I one way or the other really feel an emotional reference to Fuji cameras. I really like them for his or her picture character, colors, grain, dimension, and publicity triangle dials. Lenses Fujinon XF 23mm f/1.4 – That is my most used lens throughout the wedding ceremony day and it’s honest to say that I seize 85% of my photos with this magnificence. I typically {photograph} in ambient mild and would solely attain for the flash on the dance flooring, so having a sooner lens is a large bonus. It stays hooked up to at least one digicam physique all day lengthy. Fujinon WR 23mm f/2 – That is my go-to lens for avenue pictures, days out, and journey. I completely adore it for picture high quality and dimension. At weddings, it normally sits in my automobile as a backup to the principle 23mm f/1.4. Fujinon 56mm f/1.2 – This lens goes on my second X-T3 physique. I educated my photographic eye to see in both 35mm or 85mm, it’s a pure gem. Nevertheless, it solely covers a small share of the general wedding ceremony shoot. Fujinon 16mm WR f/2.8 – It is a very current substitute to its huge brother the 16mm f/1.4. I take advantage of this lens primarily on the dance flooring once I’m tremendous near the motion, or in small rooms the place 23mm is a tad too slender. To flash the motion on the dance flooring I take advantage of my trusty pocket FLASHQ 20 from LightPix Lab. I even have a Nissin i60 that I sometimes pull out of the bag, normally when the FLASHQ battery goes flat. On high of the talked about gear, I pack a number of objects into my Peak Design On a regular basis Sling bag 10L together with numerous SD reminiscence playing cards from Sandisk and Lexar, plus a number of spare batteries for my Fujis. To not overlook a tiny umbrella for wet days. Through the years I went by some digicam gear obsessions and by eliminating unneeded and undesirable stuff, I discovered my excellent cameras and lenses. www.makowskiphotography.co.uk | @makowskiphotography
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