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It appears that evidently Atomos continues to develop its LUMIX and Apple ProRes RAW eco-system. The just-announced Panasonic LUMIX BS1H will quickly be able to recording as much as 5.9Kp30, 4.1Kp60, and three.5Kp50 anamorphic ProRes RAW when mixed with both the Atomos Ninja V or Ninja V+.
No phrase on a launch date of this replace but, however it’s protected to say that it ought to be out sooner slightly than later contemplating all earlier associated bulletins made by Atomos previously.
Picture Credit score: Atomos
To recap, the Panasonic LUMIX BS1H is the latest digital camera launched by Panasonic and is a flexible box-style digital camera. It combines gorgeous cinema-quality video efficiency of the full-frame LUMIX S1H together with spectacular bokeh, low-light efficiency, vast dynamic vary of 14+ stops V-Log, and community connectivity. All in an the easy-to-deploy box-style profile with complete skilled I/O and lots of mounting choices.
The digital camera’s constant look of pictures minimizes post-production processing when used with different Panasonic LUMIX manufacturing cameras reminiscent of BGH1, a Micro 4 Thirds box-style digital camera, or S1H, a full-frame mirrorless cinema digital camera, are used collectively. A fantastic addition to the LUMIX BS1H is the famend colorimetry of the VariCam line-up of cinema cameras.
The small and compact dimension makes it good for gimbal and drone capturing, plus versatile broadcast, cinema and multicamera manufacturing. Its full-frame 24.2 MP picture sensor offers anamorphic seize and twin native ISO present the following stage of manufacturing using the ability of ProRes RAW throughout the vary.
Picture Credit score: Atomos
The Ninja V or Ninja V+ and the LUMIX BS1H mixture for multicamera productions is facilitated by the digital camera’s LTC and Genlock inputs completely complemented with the Atomos UltraSync One wi-fi sync system which works alongside the AtomX SYNC module for Ninja V and Ninja V+.
In the meantime, ProRes RAW continues to construct momentum in 2021 with over 30 cameras supported by Atomos, cementing its place because the trade normal for RAW video seize.
The format offers filmmakers huge latitude when adjusting the look of their pictures and lengthening brightness and shadow element, making it perfect for HDR workflows. Manageable file sizes , however, pace up and simplify file switch, media administration, and archiving.
ProRes RAW is absolutely supported in Ultimate Minimize Professional, Adobe Premiere Professional, and Avid Media Composer, together with a group of different purposes, together with ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.
[source: Atomos]
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