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Introduction
The Lumix S5 II is the smallest and lightest mannequin in Panasonic’s vary of full-frame mirrorless cameras. It is positioned as a extra reasonably priced all-round hybrid digital camera with options designed to enchantment to each photographers and videographers alike. It is a lot smaller than the costlier S1, S1R and S1H full-frame cameras and is definitely about the identical dimension because the GH6 mannequin, which has a relatively tiny Micro 4 Thirds sensor. The Panasonic S5 II includes a newly developed sensor that for the primary time on any Lumix digital camera helps Hybrid Section Detection Auto-Focus. All earlier cameras, together with the unique S5, have used a solely contrast-based AF system. It gives 24.2 efficient megapixels from its 25.28 megapixel full body sensor, an expanded ISO vary of 50-204,800, the most recent Venus picture processing engine, a free-angle 3.0-inch touchscreen LCD with 1.84m-dot decision, and a 3.68m-dot, 0.78x magnification OLED viewfinder. By way of video, it helps inside 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) at 30fps and 4:2:2 C4K and 4K at as much as 60fps, whereas a brand new low-profile warmth administration system permits for limitless recording instances. The S5 Mark II additionally gives HFR (Excessive Body Price) recording at as much as 120fps and Sluggish & Fast seize at as much as 180fps and it has a full-size HDMI Sort A terminal, somewhat than a micro model as on the unique S5. Different key options of the Panasonic Lumix S5 II embrace a 6.5-stop Twin Picture Stabilizer, 9fps steady capturing with the mechanical shutter and 30fps with the digital shutter, and the the Excessive Decision mode, which permits the Panasonic S5 II to seize 96-megapixel equal pictures by quickly taking 8 separate photographs and mixing them into one. The weatherproof Lumix S5 II has a thumb-controlled AF joystick on the rear, twin SD UHS-II reminiscence card slots, Bluetooth 5.0 and 5GHz/2.4GHz Wi-Fi connectivity, and USB Sort-C charging. The Panasonic Lumix S5 II is obtainable now priced at £1999 / €2199 / $1999 body-only within the UK, Europe and USA respectively.
Ease of Use
The Lumix S5 II is the primary ever Panasonic digital camera to assist Section Detection Auto-Focus. For a lot of Panasonic followers, that can be each an infinite aid and cause sufficient to purchase the S5 II.
For folks not invested both emotionally or financially within the Lumix system, it removes one of many major technological and advertising and marketing boundaries for not doing so.
It is maybe not an understatement to say that the Lumix S5 II is the primary Panasonic digital camera to have the ability to compete on a stage enjoying discipline with its major rivals, who’ve all supplied hybrid distinction and phase-detect auto-focus programs for a few years now.
Merely put, part detection is a really large deal for the S5 II and extra typically Panasonic cameras, which can presumably all assist this characteristic in future releases (Panasonic officers have already strongly hinted that their Micro 4 Thirds vary can even incorporate it).
Providing quick and reliable 779-area metering, the brand new system is ready to detect goal topics in troublesome situations equivalent to low mild and backlighting and, as soon as locked on, will stay monitoring them even with different shifting objects within the body.
There is no signal of the S5’s attribute “pulsing” impact within the steady AF-C mode because the DFD system scans backwards and forwards.
If efficient steady auto-focusing is prime of your necessities checklist, then it is undoubtedly value selecting the newer S5 II mannequin with its superior AF system.
The brand new Lumix S5 II introduces phase-detection auto-focus for the primary time on any Panasonic digital camera – for many individuals, that would be the solely cause that they should significantly take into account this digital camera.
Measuring 134.3 x 102.3 x 90.1 mm and weighing 740g physique solely, it is barely bigger and heavier than its predecessor, the S5 II, which compared measures 132.6 x 97.1 x 81.9 mm and weighs 630g. That is predominantly due to the brand new low-profile warmth administration system which permits for limitless video recording instances.
Remarkably, the brand new Panasonic S5 II is definitely smaller than the favored Lumix GH5, a Micro 4 Thirds mannequin which measures 138.4mm x 100.3 x 99.6mm and weighs 823g.
You probably have been contemplating the Lumix S-series however had been delay by the comparatively massive dimension of the flagship S1 our bodies, then the S5 II is unquestionably small and light-weight sufficient to warrant a second have a look at the vary.
The Lumix S5 II remains to be a remarkably small and compact full-frame digital camera, and one which fortunately would not sacrifice the general dealing with expertise to attain that discount.
The brand new S5 II is nearly an identical to its predecessor, however there are a couple of key variations to the unique model, together with the a brand new 8-way joystick, expanded drive dial, 3.0-inch free-angle touch-control monitor and huge, 3,680K-dot OLED Dwell View Finder.
Certainly, evaluating the S5 side-by-side with the older S5, the 2 cameras so related at first look that you just’d be hard-pressed to inform them aside.
They each utilise a well-recognized DSLR type with the viewfinder within the centre, a big tactile hand grip, and a wholesome array of logically positioned controls.
The brand new Panasonic S5 II has the identical tank-like construct high quality and weather-proof exterior shared by all the different Lumix S-series cameras. Its magnesium alloy full die-cast mud and splash-proof physique has all of its major seams tightly sealed towards moisture ingress.
Panasonic definitely have not reduce any corners when it comes to the S5 II’s construct high quality to be able to meet the extra aggressive value level. This is among the finest mid-range mirrorless cameras in the marketplace on this regard.
Equally, the S5 II continues to supply the identical twin picture stabilisation system (in-body IS and lens IS) that is employed by the S1 sequence for simpler, shake-free capturing when dealt with in decrease lighting situations. This gives a whopping 6.5-stops of Twin IS compensation for stills, or 5 stops of in-body IS, placing the S5 proper on the prime of its specific class.
The brand new S5 II moreover has an Lively I.S. mode which gives extremely steady video recording by optimising horizontal, vertical and rotational correction. That is particularly efficient in historically difficult situations for handheld capturing, equivalent to utilizing telephoto lenses or filming whereas strolling.
The Panasonic S-series adopted Leica’s L lens mount when it was initially launched – one thing that noticed the corporate enter a collaborative partnership, often known as the ‘L-Mount Alliance’, with each Leica and Sigma – and as you’d count on, the brand new Panasonic S5 II is not any totally different on this regard.
Panasonic despatched us the S5 II with the S 20-60mm f/3.5-5.6 package lens for evaluation. Once we examined this lens a couple of years in the past, we commented that it “is a welcome addition to the L-Mount vary. It is versatile, compact and light-weight, handles like a dream and enhances a Lumix S1 physique nicely in all areas.”
All of these issues maintain true when utilizing the 20-60mm on the S5 II – certainly much more so, because the compact nature of this zoom completely matches the extra compact S5 II.
Whereas photographers could bemoan the slight lack of telephoto attain obtainable, videographers and particularly vloggers can be delighted by the 20mm wide-angle focal size, which makes it potential to hand-hold the digital camera at arm’s size and nonetheless get your self comfortably within the body with out having to resort to having to utilizing a selfie stick or another type of extension (or a unique lens totally).
Certainly, we mentioned that “With silent focusing, minimal focus respiration, glorious autofocus and a focal vary of 20-60mm, this lens in clearly positioned within the hybrid realm, virtually serving photographers and videographers in a variety of eventualities.” And that definitely applies to this lens when used on the Lumix S5 II, making the additional £200 / $300 for the digital camera and lens package one thing of a veritable cut price.
Turning to the entrance of the Lumix S5 II, the extensive L lens mount dominates proceedings, together with a hand grip that, whereas narrower than these usually discovered on a semi professional DSLR, nonetheless feels good for the S5 II’s personal form and construct, enabling the digital camera to be operated with only one hand.
With the decrease three fingers of your proper hand curled across the S5 II’s grip, your forefinger is free to alternate between rotating the entrance management dial that sits barely happy with the grip at its topper-most edge, and the marginally raised and angled shutter launch button simply atop it, which is responsively springy.
Sitting simply behind these controls are three small raised buttons, identical to on the S1 and S1R. From left to proper, these are for manually adjusting white stability, mild sensitivity and publicity settings. The Panasonic S5 II’s structure feels ergonomic and its operation – significantly of such key and repeatedly used options – nicely thought by.
Not like the larger S1-series, there is no top-plate LCD display screen on the brand new Lumix S5 II. As an alternative the massive capturing mode dial has been moved from top-left on the S1 to top-right on the S5 II, and there is a Burst/Bracketing Taking pictures dial in its former place.
This smaller however nonetheless chunky, roughly ridged and raised dial over on the left hand fringe of the digital camera has 6 totally different settings, which variously present fast entry to the self-timer, time-lapse, excessive decision, burst capturing (2 modes) and regular single capturing modes.
Beneath the dial is a shiny pink ring, identical to on the S1-series cameras, which has maybe been deployed to lend the cameras a extra skilled air.
Stereo microphones and a vacant hotshoe for an adjunct flash are slotted straight on prime of the EVF. Curiously there’s no built-in pop up flash on the Panasonic S5 II, which is perhaps a barely stunning omission for a mid-range digital camera.
The chunky, roughly ridged and raised capturing mode dial over on the top-right makes it simple to regulate settings starting from Clever Auto focus to program, shutter precedence, aperture precedence or guide fairly shortly.
On the identical dial we additionally get a guide video mode setting, an S&Q setting, and no fewer than three customized modes. Within the S(low)&Q(fast) capturing mode, the S5 II can seize Full HD video at as much as 180fps after which play again the movies at 24p, 30p, or 60p.
The on/of swap is extra of an precise lever which sits adjoining to the capturing mode dial. That is fairly stiff in operation – you nearly must drive it – which, to provide it a constructive spin, means this can be a digital camera that’s nearly unimaginable to unintentionally activate or deactivate.
Flick this lever to on and the digital camera is able to take the primary shot simply as shortly as your finger can transfer from it to the shutter launch button simply in entrance. There’s no ready round with the S5 II – it’s prepared if you end up.
The management dial on the entrance of the handgrip is, by the way, mirrored by one the dimensions of a 5 pence piece that sits recessed into the highest plate on the again. Right here it readily (and once more, ergonomically) falls beneath the thumb of the proper hand; thereby persevering with to provide the impression that the structure has been nicely thought by.
Finishing the S5 II’s top-plate is a one-touch film document button, completed in the identical metallic darkish pink because the ring which sits beneath the drive mode dial. Similar to the shutter launch button, once more this has a pleasant springy really feel to it that makes it simpler to find and activate.
When it was launched, the unique S5 was the one sub-£$2000 digital camera in the marketplace to supply UHD 4K 60p 4:2:0 10-bit inside video recording, 4:2:2 10-bit internally in any decision or body price, 4K at as much as 60p internally, and an anamorphic mode.
Now the brand new S5 II ups the ante even additional by providing excessive bit-rate video efficiency that Panasonic declare is on a par with the Lumix S1H.
It now helps inside 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) recording at 30fps and 4:2:2 C4K and 4K at as much as 60fps, whereas the newly developed low-profile warmth administration system permits for limitless recording instances with out having to considerably enhance the dimensions of the digital camera physique.
The S5 II additionally helps HFR (Excessive Body Price) recording at as much as 120fps and Sluggish & Fast seize at as much as 180fps and it even has a full-size HDMI Sort A terminal, somewhat than a micro model as on the S5.
Twin Native ISO is borrowed straight from the S1H and Panasonic’s broadcast line of video cameras. This robotically switches between native ISO settings of 640 and 4000 with out rising noise by altering the best way the digital camera reads out the picture sensor.
The one disadvantage on the S5 is that you just could not manually swap between the LOW and HIGH settings, as a substitute counting on the digital camera to take action at varied ISO ranges.
This has been addressed on the S5 II with the supply of latest LOW and HIGH settings along with AUTO.
As well as, features equivalent to Waveform Monitor, Vector Scope and Zebra Sample have been added, in addition to options equivalent to System Frequency (24.00Hz) and Synchro Scan.
The Lumix S5 was already a really succesful video digital camera, however the brand new S5 II takes issues to a different stage and is clearly the one to decide on should you’re a eager videographer.
With lugs for attaching the shoulder strap offered out of the field to be discovered left and proper of the digital camera, the right-hand flank gives a port protected by a sliding swap that permits for the insertion of two SD-XC playing cards.
The S5 II has twin reminiscence card slots, however fortunately not like the S5 it has two UHS-II SD card slots, somewhat than only one UHS-II SD slot and one slower UHS-I slot.
The 2 ports on the left-hand flank present a way of connecting an adjunct microphone and headphones, plus USB-C and full-size HDMI leads, the latter a notable improve from the unique S5.
The rubberized flaps defending these really feel just a little flimsier than the remainder of the digital camera, and time will inform whether or not these turn into worn and cease adhering so exactly over time.
Transferring to the rear of the Panasonic S5 II, once more that is button festooned with out being over-bearingly so.
The digital camera’s 3-inch LCD display screen with 1.84m-dot decision can be a contact display screen, which means that you could drag the main target space across the display screen together with your finger or thumb. Alternatively, should you desire bodily controls, you need to use the small thumb-operated joystick to the upper-right of the LCD to do the identical.
As an alternative of the intelligent however somewhat convoluted three-axis tilting LCD that is featured on the S1 cameras, the brand new Lumix S5 has a somewhat extra typical free-angle display screen that is hinged on the left-hand aspect.
This may be tilted all the best way out to the aspect of the digital camera, turned forwards for selfies and vlogging, and turned in direction of the again of the digital camera to assist defend it when the digital camera is not getting used. It’s extremely helpful as an support to capturing video in addition to extra uncommon compositions when you possibly can’t at all times get a watch flush to the viewfinder.
The highest-left of the again of the digital camera is the place we discover the playback button for reviewing stills and video. There’s additionally a devoted LVF button alongside it for manually switching between the rear LCD display screen and the EVF, which maybe feels just a little redundant provided that the digital camera robotically switches to the EVF if you maintain the digital camera as much as your eye (this setting might be turned on and off as desired).
The earlier Lumix S5 had a fairly first rate 2,360k 0.74x OLED viewfinder, which the brand new S5 II improves on by incorporating a 3,680k 0.78x OLED viewfinder, surrounded by a big, outstanding and cozy eye piece.
On to the proper of the EVF is a tactile round swap for altering the auto-focus mode from single to steady to guide focus, into which is about the AF space button for choosing one of many seven obtainable AF modes. You may select from Monitoring, Full Space, Zone (Horizontal/Vertical), Zone, 1-Space+, 1-Space and Pinpoint.
Together with the afore-mentioned AF joystick, the small AF On which can be utilized for back-focusing completes the S5 II’s very handily-placed assortment of focusing controls.
This being a Panasonic digital camera, we’re supplied with the very helpful Fast menu brief reduce button – situated by way of the button marked with an enigmatic ‘Q’ located to the proper of the LCD – which supplies fully customizable fast entry to 12 of the digital camera’s key settings.
Menu/Set, Show and a shared delete/again button are additionally to be discovered on the rear of the S5 II, together with a well-recognized multi-directional management pad, encircled by a scroll wheel for optimum fluidity of operation.
The menu screens are, as anticipated, comprehensively featured however pleasingly legible and intuitively navigated. That mentioned it was additionally good to have the Fast menu characteristic to be able to circumnavigate them after we knew what we needed and needed to get to the related setting swiftly.
On the base of the digital camera we discover a single screw thread, situated straight in keeping with the central level of the lens mount, for attaching the S5 II to a tripod.
Additionally discovered right here, nestled throughout the base of the S5 II’s handgrip is the rechargeable 2,200mAh DMW-BLK22 lithium-ion battery.
On the S5 this offered 440 photographs (rear monitor), 470 photographs (LVF), 1,500 photographs (Energy Save LVF mode), as measured utilizing stringent CIPA trade requirements.
Maybe unsurprisingly on the extra power-hungry S5 II, battery life drops considerably to 370 pictures when utilizing the LCD or LVF.
A ‘correct’ charger with its personal mains plug can be offered out of the field – or at the least was with our absolutely working evaluation pattern – and you may as well cost the digital camera while you are out and about by attaching a power-bank to the USB-C port. Observe that the S5 II helps the most recent USB 3.2 customary whereas the S5 solely supported USB 3.1.
Picture High quality
The entire pattern photographs on this evaluation had been taken utilizing the 24 megapixel Advantageous JPEG setting, which supplies a mean picture dimension of round 12Mb.
The Panasonic Lumix S5 II produced nonetheless photographs of wonderful high quality throughout the evaluation interval.
This digital camera produces noise-free JPEG photographs from ISO 50 all the best way as much as ISO 6400, with important noise first showing at ISO 12800. The sooner settings of 25600 and 51200 show numerous noise, however they’re nonetheless advantageous to make use of for making smaller prints and internet photographs. You must keep away from utilizing the expanded ISO 102400 and 204800 settings if potential.
The Excessive Decision Mode is able to creating 96 megapixel photographs, whereas the varied Photograph Kinds and Filters can help you shortly and simply customise the look of the digital camera’s JPEG and Uncooked photographs earlier than you’re taking them.
The night time {photograph} was glorious, with the utmost shutter velocity of 60 seconds and Bulb mode of as much as half-hour permitting you to seize loads of mild.
Noise
ISO sensitivity might be set between ISO 50 and ISO 204800 in full-stop increments. Listed here are some 100% crops which present the noise ranges for every ISO setting, with JPEG on the left and RAW on the proper.
JPEG
RAW
ISO 50 (100% Crop)
ISO 50 (100% Crop)
ISO 100 (100% Crop)
ISO 100 (100% Crop)
ISO 200 (100% Crop)
ISO 200 (100% Crop)
ISO 400 (100% Crop)
ISO 400 (100% Crop)
ISO 800 (100% Crop)
ISO 800 (100% Crop)
ISO 1600 (100% Crop)
ISO 1600 (100% Crop)
ISO 3200 (100% Crop)
ISO 3200 (100% Crop)
ISO 6400 (100% Crop)
ISO 6400 (100% Crop)
ISO 12800 (100% Crop)
ISO 12800 (100% Crop)
ISO 25600 (100% Crop)
ISO 25600 (100% Crop)
ISO 51200 (100% Crop)
ISO 51200 (100% Crop)
ISO 102400 (100% Crop)
ISO 102400 (100% Crop)
ISO 204800 (100% Crop)
ISO 204800 (100% Crop)
File High quality
The Panasonic Lumix S5 II has 2 totally different JPEG picture high quality settings obtainable, with Advantageous being the very best high quality possibility. Listed here are some 100% crops which present the standard of the varied choices, with the file dimension proven in brackets.
Advantageous (10.9Mb) (100% Crop)
Normal (4.3Mb) (100% Crop)
RAW (29.6Mb) (100% Crop)
Evening
The Panasonic Lumix S5 II’s most shutter velocity is 60 seconds and there is additionally a Bulb possibility for exposures as much as half-hour lengthy, which is good news should you’re significantly desirous about night time images.
The shot beneath was taken utilizing a shutter velocity of 30 seconds at ISO 100. The digital camera takes the identical period of time once more to use noise discount, so for instance on the 30 second setting the precise publicity takes 60 seconds.
Excessive Decision Mode
The Panasonic Lumix S5 II’s Excessive Decision Mode combines 8 pictures right into a 96 megapixel picture to create a 12000×8000 pixel tremendous high-resolution photograph. The ensuing Uncooked information are 165Mb in dimension! We discovered throughout testing that choosing Mode 2 within the Movement Blur Processing sub-menu produced the sharpest photographs.
Off (100% Crop)
On (100% Crop)
Photograph Kinds
Panasonic’s Photograph Kinds are preset mixtures of various sharpness, distinction, saturation and noise discount settings. The 15 obtainable Photograph Kinds are proven beneath within the following sequence, which demonstrates the variations. There are additionally 4 Customized choices with the intention to create your individual seems.
Normal
Vivid
Pure
L.ClassicNeo
Flat
Panorama
Portrait
Monochrome
L.Monochrome
L.Monochrome D
L.Monochrome S
Cinelike D2
Cinelike V2
Like709
V-Log
Filter Results
The Panasonic Lumix GH6 gives a variety of digital filter results that may be utilized to each JPEG and Uncooked information, with 8 totally different choices obtainable in the primary menu.
Expressive
Retro
Outdated Days
Excessive Key
Low Key
Sepia
Cross Course of
Bleach Bypass
Pattern Pictures
This can be a collection of pattern photographs from the Panasonic Lumix S5 II digital camera, which had been all taken utilizing the 24 megapixel Advantageous setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any manner.
Pattern RAW Pictures
The Panasonic Lumix S5 II allows customers to seize RAW and JPEG format information. We have offered some Panasonic RAW (RW2) samples so that you can obtain (thumbnail photographs proven beneath should not 100% consultant).
Pattern Films & Video
This can be a pattern 4K video taken with the Panasonic Lumix S5 II.
This can be a pattern 4K video taken with the Panasonic Lumix S5 II.
This can be a pattern 4K video taken with the Panasonic Lumix S5 II.
This can be a pattern 4K video taken with the Panasonic Lumix S5 II.
This can be a pattern 4K video taken with the Panasonic Lumix S5 II.
This can be a pattern 4K video taken with the Panasonic Lumix S5 II.
This can be a pattern 1080p video taken with the Panasonic Lumix S5 II.
This can be a pattern 4K timelapse video taken with the Panasonic Lumix S5 II.
This can be a pattern 1080p timelapse video taken with the Panasonic Lumix S5 II.
Product Pictures
Conclusion
The brand new Lumix S5 II introduces phase-detection auto-focus for the primary time on any Panasonic digital camera – for many individuals, that would be the solely cause that they should significantly take into account it, whereas beforehand they might have chosen a rival mannequin simply due to the auto-focus system.
The distracting pulsing impact that plagued video recording particularly has now gone, changed by a really competent hybrid AF system that belies its first-generation standing – if solely Panasonic had applied it on the launch of the L-mount system, they would definitely have loved bigger market share. let’s hope that they roll it out on all future cameras, Micro 4 Thirds fashions included.
Panasonic have not simply rested on their focusing laurels, although, as there are additionally a big variety of further upgrades that assist flip the already very succesful S5 into a fair higher Mark II version for 2023.
These embrace sooner burst capturing speeds, a better decision and magnification viewfinder, and a full dimension HDMI port, all issues that we discovered missing within the authentic S5 mannequin.
Video efficiency has additionally been considerably upgraded, with 6K recording and limitless recording instances particularly catching the attention. The Lumix S5 was already a really succesful video digital camera, however the brand new S5 II takes issues to a different stage and is clearly the one to decide on should you’re a eager videographer.
Observe that the older S5 will nonetheless proceed to be bought alongside the newer Mark II mannequin as a extra reasonably priced possibility, so should you principally shoot stills and might stay with its contrast-based AF system, it is now the most affordable manner into Panasonic’s full-frame system.
Finally we would most likely splash the additional money and purchase the brand new S5 II, although, merely due to the break-through phase-detection auto-focus. It is probably not a brand new characteristic throughout the wider market, however for Panasonic it is a vital growth certainly, and one which helps to make the brand new Lumix S5 II top-of-the-line all-rounder hybrid photograph and video cameras in the marketplace.
Rankings (out of 5)
Design
4.5
Options
5
Ease-of-use
4.5
Picture high quality
4.5
Worth for cash
5
Essential Rivals
Listed beneath are a number of the rivals of the Panasonic Lumix S5 II.
The EOS R6 Mark II is the successor to considered one of our favorite full-frame mirrorless cameras, principally including a brand new 24 megapixel sensor, 40fps burst capturing and improved auto-focusing. Learn our in-depth Canon EOS R6 II evaluation now, full with full-size pattern pictures and movies.
The X-H2S is the quickest, most succesful APS-C sensor digital camera that Fujifilm have ever launched, however it’s additionally by far the most costly. Discover out precisely what this new flagship digital camera is able to and who it is geared toward by studying our full Fuji XH2S evaluation full with full-size JPEG, Uncooked and video samples.
The Fujifilm X-T5 is the successor to the very fashionable X-T4 which was launched in 2020, principally including a brand new 40 megapixel sensor, 160 megapixel Pixel Shift Multi-Shot mode, 6.2K video recording and higher auto-focusing. Can the brand new XT5 enhance on what was already an impressive digital camera? Discover out now by studying our in-depth Fujifilm X-T5 evaluation…
The Nikon Z6 II mirrorless digital camera is an evolutionary improve of the unique Z6, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Is that this sufficient to compete with its major rivals? Discover out now by studying our in-depth Nikon Z6 II evaluation, full with full dimension pattern pictures and movies…
The brand new OM-1 flagship is each the final ever Olympus digital camera and the primary ever OM System digital camera. Confused? Nicely no want to fret, as we take an in-depth have a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 evaluation, full with full-size pattern pictures and movies…
The a lot anticipated Panasonic GH6 is lastly right here! However what does this new flagship digital camera supply, and might it actually enhance on the best-selling GH5? We discover out in our evaluation of the Panasonic Lumix GH6 mirrorless digital camera, full with pattern pictures, check pictures, movies and extra…
The Panasonic S5 is a model new hybrid full-frame mirrorless digital camera that is equally as succesful at capturing each stills and video. In an ever extra crowded market, does the Lumix S5 supply sufficient to face out towards the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Learn our in-depth evaluation of the Panasonic S5 to seek out out, full with full-size pattern pictures and movies.
The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst capturing, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digital camera that you just want. Discover out why we predict this is among the finest all-round cameras of 2021 by studying our in-depth Sony A7 IV evaluation…
Overview Roundup
Evaluations of the Panasonic Lumix S5 II from across the internet.
Constructing on the strong basis of the unique LUMIX S5’s powerful compact body, class-leading 5-axis in-body picture stabilization, and glorious colour science, the LUMIX S5 II didn’t want any important overhauls. Nevertheless, the addition of part detection autofocus brings the S5 proper in keeping with a number of the finest hybrid cameras cash should buy. We might be taking a look at a digital camera of the yr contender.
Learn the complete evaluation »
The Lumix S5 Mark II is arguably the perfect worth new full-frame digital camera round on the time of constructing this evaluation, packing a wealth of options whereas comfortably undercutting key rivals on value. The long-awaited inclusion of phase-detect autofocus transforms each photograph and video, eliminating the distracting pulsing which haunted earlier Lumix cameras.
Learn the complete evaluation »
Specs
TYPE
Sort
Digital Single Lens Mirrorless digital camera
Lens mount
IMAGE SENSOR
Sort
35mm full-frame (35.6mm x 23.8mm) CMOS sensor
Digital camera efficient pixels / Complete pixels
24.20 megapixels / 25.28 megapixels
AR (Anti Reflection) coating
Side ratio / Colour filter
3:2 / Main colour filter
Mud discount system
LATITUDE
STILL IMAGE
Recording file format
JPEG (DCF, Exif 2.31), RAW
Side ratio
4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
File dimension (pixels) when utilizing full-frame lenses
3:2
6000×4000(L) / 4272×2848(M) / 3024×2016(S) / 12000×8000(XL)* / 8496×5664(LL)* *Excessive Decision mode.
4:3
5328×4000(L) / 3792×2848(M) / 2688×2016(S) / 10656×8000(XL)* / 7552×5664(LL)* *Excessive Decision mode.
16:9
6000×3368(L) / 4272×2400(M) / 3024×1704(S) / 12000×6736(XL)* / 8496×4784(LL)* *Excessive Decision mode.
1:1
4000×4000(L) / 2848×2848(M) / 2016×2016(S) / 8000×8000(XL)* / 5664×5664(LL)* *Excessive Decision mode.
65:24
2:1
File dimension (pixels) when utilizing APS-C/Tremendous 35mm lenses
3:2
3984×2656(L) / 2880×1920(M) / 2064×1376(S)
4:3
3536×2656(L) / 2560×1920(M) / 1840×1376(S)
16:9
3984×2240(L) / 2880×1624(M) / 1920×1080(S)
1:1
2656×2656(L) / 1920×1920(M) / 1376×1376(S)
Picture high quality
RAW / RAW+Advantageous / RAW+Normal / Advantageous / Normal (Excessive Decision mode: Mixed / RAW / RAW+Advantageous / Advantageous)
Colour area
MOTION PICTURE
Recording file format
MOV: H.264/MPEG-4 AVC, H.265/HEVCMP4: H.264/MPEG-4 AVC, H.265/HEVC
Audio format
MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) MP4: AAC (2ch 48kHz/16-bit)*When attaching Φ3.5mm microphone or DMW-XLR1 (bought individually). **When attaching DMW-XLR1 (bought individually).
System frequency
59.94Hz / 50.00Hz / 24.00Hz
Picture space of video
Full / APS-C / PIXEL/PIXEL
MOV / 59.94Hz / FULL (*HLG is selectable.) (*¹) (*²)
[6K] 5952×3968 (3:2)
29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[6K] 5952×3136 (17:9)
29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[5.9K] 5888×3312 (16:9)
29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[C4K] 4096×2160
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
MOV / 59.94Hz / APS-C / PIXEL/PIXEL (*HLG is selectable.) (*¹) (*²)
[C4K] 4096×2160
59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[3.3K] 3328×2496 (4:3)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*When Picture Space of Video is about to APS-C.
MOV / 50.00Hz / FULL (*HLG is selectable.) (*¹) (*²)
[6K] 5952×3968 (3:2)
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[6K] 5952×3136 (17:9)
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[5.9K] 5888×3312 (16:9)
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[C4K] 4096×2160
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
MOV / 50.00Hz / APS-C / PIXEL/PIXEL (*HLG is selectable.) (*¹) (*²)
[C4K] 4096×2160
50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[3.3K] 3328×2496 (4:3)
50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*When Picture Space of Video is about to APS-C.
MOV / 24.00Hz / FULL (*HLG is selectable.) (*¹) (*²)
[6K] 5952×3968 (3:2)
24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[6K] 5952×3136 (17:9)
24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[5.9K] 5888×3312 (16:9)
24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[C4K] 4096×2160
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
MOV / 24.00Hz / APS-C / PIXEL/PIXEL (*HLG is selectable.) (*¹) (*²)
[C4K] 4096×2160
48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[3.3K] 3328×2496 (4:3)
48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
MP4 / 59.94Hz / FULL (*¹)
[4K] 3840×2160
29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4 / 59.94Hz / APS-C / PIXEL/PIXEL (*¹)
[4K] 3840×2160
59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4 / 50.00Hz / FULL (*¹)
[4K] 3840×2160
25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4 / 50.00Hz / APS-C / PIXEL/PIXEL (*¹)
[4K] 3840×2160
50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4 / 24.00Hz / FULL
MP4 / 24.00Hz / APS-C / PIXEL/PIXEL
SLOW & QUICK
MOV / 59.94Hz / FULL (*¹)
[FHD] 1920×1080
59.94p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)29.97p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*Angle of view narrows if you choose a body price with quite a lot of frames 151 or extra.
MOV / 59.94Hz / APS-C (*¹)
[C4K] 4096×2160
29.97p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
29.97p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
59.94p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)29.97p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)23.98p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*Angle of view narrows if you choose a body price with quite a lot of frames 151 or extra.
MOV / 50.00Hz / FULL (*¹)
[FHD] 1920×1080
50.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)25.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*Angle of view narrows if you choose a body price with quite a lot of frames 151 or extra.
MOV / 50.00Hz / APS-C (*¹)
[C4K] 4096×2160
25.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
25.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
50.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)25.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*Angle of view narrows if you choose a body price with quite a lot of frames 151 or extra.
MOV / 24.00Hz / FULL (*¹)
[FHD] 1920×1080
24.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*Angle of view narrows if you choose a body price with quite a lot of frames 151 or extra.
MOV / 24.00Hz / APS-C (*¹)
[C4K] 4096×2160
24.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[4K] 3840×2160
24.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
[FHD] 1920×1080
24.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*Angle of view narrows if you choose a body price with quite a lot of frames 151 or extra.
VIEWFINDER
Sort
Pixels
Approx. 3.68 million dots
Area of view / Magnification
Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the side ratio is about to three:2
Eye level / Diopter adjustment
Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +2.0 (dpt)
Eye sensor
Show velocity
REAR MONITOR
Sort
TFT LCD monitor with static contact management
Monitor dimension
Free-angle, 3.0-inch (7.6cm), 3:2 side
Pixels
Approx. 1.84 million dots
Area of view
STATUS LCD
FOCUS (*³)
Sort
Section Detection AF system / Distinction AF system
DFD expertise
Focus mode
AFS (Single) / AFC (Steady) / MF
AF mode
Monitoring / Full Space AF / Zone (Horizontal/Vertical) / Zone / 1-Space+ / 1-Space / Pinpoint*Automated Detection might be turned ON to change between Human/ Face/Eye/ Animal+Human. Besides when Pinpoint is about.
AF detective vary
EV -6 – 18 (F1.4, ISO100 equal, AFS)
AF customized setting
AF Sensitivity, AF Space Switching Sensitivity, Transferring Object Prediction
AF help mild
AF lock
Set the Fn button in customized menu to AF lock
Focus ring management
Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Most)
Others
AF-ON, AF-ON: Close to Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Space AF Transferring Velocity, AF Micro Adjustment, Steady AF (throughout movement image recording), Focus/Shutter Precedence, Focus Switching for Vert/Hor, AF/AE Lock Maintain, AF+MF, MF Help, MF Information, Focus Ring Lock, Present/Conceal AF Mode, Shutter AF, Half Press Shutter, Fast AF, Eye Sensor AF, Loop Focus Body, Enlarged Dwell Show (Video), Contact Shutter, Contact AF/AE Operate, Contact Pad AF, Lens Focus Resum
EXPOSURE CONTROL
Gentle metering system
1,728-zone multi-pattern sensing system
Gentle metering mode
A number of / Middle Weighted / Spot / Spotlight Weighted
Metering vary
EV0-18 (F2.0 lens, ISO100 equal)
Mode dial
Program AE (P) / Aperture Precedence AE (A) / Shutter Precedence AE (S) / Guide Publicity (M) / Artistic Video (P/A/S/M)* / Sluggish&Fast / Customized 1, 2, 3 / Clever Auto*The identical publicity operations as P/A/S/M mode is obtainable.
Publicity compensation
1/3 EV step ±5EV (±3EV for movement image)
ISO sensitivity (Normal output sensitivity)
Twin Native ISO
[Normal]Native ISO: 100, 640 Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Prolonged ISOLow: Auto / 50* / 100-800 *Prolonged ISOHigh: Auto / 320* / 640-51200 / 102400* / 204800* *Prolonged ISO[V-Log]Native ISO: 640, 4000 Auto: Auto / 320* / 640-51200 *Prolonged ISOLow: Auto / 320* / 640-5000 *Prolonged ISOHigh: Auto / 2000* / 4000-51200 *Prolonged ISO[HLG]Native ISO: 400, 2500 Auto: Auto / 400-51200 / 102400* / 204800* *Prolonged ISOLow: Auto / 400-3200High: Auto / 2500-51200 / 102400* / 204800* *Prolonged ISO[Cinelike D2 / Cinelike V2]Native ISO: 200, 1250 Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Prolonged ISOLow: Auto /100* / 200-1600 *Prolonged ISOHigh: Auto / 640* / 1250-51200 / 102400* / 204800* *Prolonged ISO
AE lock
Set the Fn button in customized menu to AE lock
IMAGE STABILIZATION SYSTEM
B.I.S. (5-axis / 5-stop*) *Based mostly on the CIPA customary [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]Twin I.S. 2 (6.5-stop*) *Based mostly on the CIPA customary [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]
WHITE BALANCE
White stability
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3, 4
White stability adjustment
Blue/Amber bias, Magenta/Inexperienced bias
Colour temperature setting
SHUTTER
Sort
Shutter velocity
Nonetheless picture: Bulb (Max. half-hour), 1/8,000 – 60Electronic entrance curtain shutter: Bulb (Max. half-hour), 1/2,000 – 60Electronic shutter: Bulb (Max. 60 sec), 1/8,000 – 60Motion image: 1/16,000 – 1/25Creative Video M mode / MF mode: 1/16,000 – 1/2
Self timer
10sec, 3 photographs / 2sec / 10sec / Customized Time
Distant management
Distant management by DMW-RS2 (bought individually)
Silent mode / Shutter sort
Sure / Sure (Auto / Mechanical / Digital entrance curtain / Digital / Digital+NR)
BRACKET
AE bracket
3, 5, 7 photographs in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket
Focus bracket
1 to 999 photographs, focus steps might be set in 10 ranges
White stability bracket
3 photographs in blue/amber axis or in magenta/inexperienced axis, colour temperature setting
BURST SHOOTING
Burst velocity
Mechanical shutter / Digital entrance curtain shutter
H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Dwell View)M: 5 frames/sec (AFS/MF) (with Dwell View), 5 frames/sec (AFC) (with Dwell View)L: 2 frames/sec (AFS/AFC/MF) (with Dwell View)
Digital shutter
SH30: 30 frames/sec (AFS/AFC/MF)H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Dwell View)M: 5 frames/sec (AFS/MF) (with Dwell View), 5 frames/sec (AFC) (with Dwell View)L: 2 frames/sec (AFS/AFC/MF) (with Dwell View)
Variety of recordable photographs
FLASH
Flash sort
TTL Exterior Flash (bought individually)
Synchronization velocity
Lower than 1/250 second *The information quantity decreases at 1/250 second. Solely when set to M mode or S mode.
Flash mode
Auto* / Auto/Crimson-eye Discount* / Pressured On / Pressured On/Crimson-eye Discount / Sluggish Sync. / Sluggish Sync./Crimson-eye Discount / Pressured Off *For iA solely.
Flash synchronization
1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment
Wi-fi management
Sure (When utilizing DMW-FL200L / FL360L / FL580L (bought individually)), Wi-fi Channel: 1ch/2ch/3ch/4ch
EXTRA TELE CONVERSION
2.0x (EX S) (When utilizing full-frame lenses), 1.9x (EX S) (When utilizing APS-C / Tremendous 35mm lenses), 1.4x (EX M) *Just for nonetheless picture recording.
COLOR SETTINGS
Photograph Fashion
Photograph Fashion
Normal / Vivid / Pure / L. Traditional Neo / Flat / Panorama / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Vary* / My Photograph Fashion 1-4 (5-10)**Set to ON from Present/Conceal Photograph Fashion to pick.
Image adjustment
Distinction / Spotlight / Shadow / Saturation / Colour Tone / Hue / Filter Impact / Grain Impact / Colour Noise / Sharpness / Noise Discount / ISO / WB / LUT*Adjustable settings range relying on the Photograph Fashion mode.
Filter
Expressive / Retro / Outdated Days / Excessive Key / Low Key / Sepia / Cross Course of / Bleach Bypass
LUT Library
Vlog_709 / Set 1-10*REAL TIME LUT in Photograph Fashion, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Help in V-Log View Help, LUT might be utilized from these settings.
MOTION PICTURE FUNCTION
Time lapse shot
Cease movement animation
Dwell cropping
Sure (Helps cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes)
SS/Acquire operation
Shutter Period/ISO / Angle/ISO / Shutter Period/dB
Luminance stage
8-bit: 0-255 / 16-235 / 16-25510-bit: 0‒1023 / 64‒940 / 64‒1023
Synchro scan
Grasp pedestal stage
Colour bars / 1kHz check tone
Sure (SMPTE / EBU / ARIB) / Sure
LUT view help
Supported file varieties: .vlt, .cubeMonitor / HDMI
HLG view help
Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze show
2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Wave type monitor / Vectorscope
Knee management
Crimson REC body indicator
VERTICAL POSITION INFORMATION
Nonetheless picture / Movement image (ON/OFF)
LEVEL GAUGE
FUNCTION BUTTON
REC
Publicity Comp. / Twin Native ISO / Sensitivity / White Steadiness / Photograph Fashion / Apply LUT / Metering Mode / Side Ratio / Image High quality / Image Dimension / 1 Shot Spot Metering / Lengthy Publicity NR / Min. Shutter Velocity / 1 Shot RAW+JPG / i.Dynamic Vary / Colour Shading Compensation / Filter Impact / One Push AE / Contact AE / AWB Lock / Publicity Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Topic / AF Customized Setting(Photograph) / AF Customized Setting(Video) / Focus Limiter / Focus Limiter Vary Set / Focus Peaking / Focus Peaking Sensitivity / 1-Space AF Transferring Velocity / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Close to Shift / AF-ON: Far Shift / Focus Space Set / Enlarged Dwell Show (Video) / Flash Mode / Flash Regulate. / Wi-fi Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Picture Stabilizer / Shutter Sort / Ex. Tele Conv. / Rec. File Format / Rec High quality / Rec High quality (My Listing) / Sluggish & Fast Setting / Time Code Show / Audio Data / Sound Rec Degree Disp. / Mute Sound Enter / Sound Rec Degree Adj. / Sound Rec High quality / Sound Rec Degree Limiter / 4ch Mic Enter / XLR Mic Adaptor Setting / Sound Monitoring Channel / Picture Stabilizer / E-Stabilization (Video) / Enhance I.S. (Video) / Picture Space of Video / Focus Transition / Dwell Cropping / Q.MENU / Rec/Playback Swap / Video Report / Video Report (Artistic Video) / LVF/Monitor Swap / Operation Lock / Dial Operation Swap / Preview / Preview Aperture Impact / Fixed Preview / Degree Gauge / Histogram / Luminance Spot Meter / Body Marker / Photograph Grid Line / Dwell View Enhance / Monochrome Dwell View / Evening Mode / LVF/Monitor Disp. Set / Video-Precedence Show / Zebra Sample / LUT View Help (Monitor) / LUT View Help (HDMI) / LUT Choose / HLG View Help(Monitor) / HLG View Help (HDMI) / Sheer Overlay / I.S. Standing Scope / WFM/Vector Scope / Anamorphic Desqueeze Show / Colour Bars / Focus Ring Management / AF Micro Adjustment / Lens Data / Vacation spot Card Slot / Wi-Fi / Fan Mode / Save to Customized Mode / No Setting / Off (Disable Press and Maintain) / Restore to Default
PLAY
Enlarge from AF Level / LUT View Help (Monitor) / HLG View Help (Monitor) / Anamorphic Desqueeze Show / RAW Processing / Delete Single / Defend / Score 1, 2, 3, 4, 5 / Copy / Rec/Playback Swap / LVF/Monitor Swap / Video Report / Video Report (Artistic Video) / Evening Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Ship Picture (Smartphone) / LUT View Help (HDMI) / HLG View Help (HDMI) / No Setting / Off (Disable Press and Maintain) / Restore to Default
INTERFACE
USB
USB Sort-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))
HDMI (*⁴)
HDMI
HDMI TypeAAudio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is about to OFF.), 4ch (When [4ch Mic Input] is about to ON.)
Monitor-through
4:2:2 10bit (When [Rec Quality] is about to [4:2:2 10bit] or [4:2:0 10bit].)4:2:2 8bit (When [Rec Quality] is about to [4:2:0 8bit].)
Playback
59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p*50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p*24.00Hz: C4K/24p / 4K/24p / 1080p*Just for playback.
Distant enter
Audio
Construct-in microphone
StereoWind Noise Canceller: OFF / Normal / Excessive
Exterior microphone / Exterior audio machine enter
φ3.5mm for exterior microphone / exterior audio deviceMIC (Plug-in Energy) / MIC / LINEWind Lower: OFF / Low / Normal / Excessive *When attaching 3.5mm microphone (bought individually).Particular Mic: Stereo / Shotgun *When attaching DMW-MS2 (bought individually).
XLR microphone
Sure with DMW-XLR1 (bought individually)
4ch mic enter
Sure with DMW-XLR1 (bought individually)
Speaker
Headphone output
SD card slot
Slot 1, Slot 2SD Reminiscence Card / SDHC Reminiscence Card* / SDXC Reminiscence Card**Appropriate with UHS-I/UHS-II UHS Velocity Class 3 customary SDHC/SDXC Reminiscence Playing cards and UHS-II Video Velocity Class 90 customary SDXC Reminiscence Playing cards.
TC IN/OUT
Depend up
Time code mode
Drop Body / Non-Drop Body (When system frequency [59.94Hz] is chosen.)
HDMI time code output
FAN
Auto1 / Auto2 / Quick / Regular / Sluggish* / OFF***Not selectable when the decision is greater than C4K, or the body price is greater than 60p. **OFF might be set when in iA/P/A/S/M mode.
WIRELESS
Wi-Fi
2.4GHz bands (STA/AP) (IEEE802.11b/g/n)5GHz bands (STA) (IEEE 802.11a/n/ac)Safety: WPA/WPA2/WPA3
Bluetooth
Bluetooth® v5.0 (Bluetooth Low Vitality (BLE))
DUST AND SPLASH RESISTANT*
Sure.*Mud and Splash Resistant doesn’t assure that injury won’t happen if this digital camera is subjected to direct contact with mud and water.
POWER
Battery
Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)USB energy provide, USB energy charging, USB energy supply
Battery life (CIPA customary)
Approx. 370 photographs, 1,250 photographs (Energy Save LVF mode*) with S-R2060Approx. 370 photographs, 1,200 photographs (Energy Save LVF mode*) with S-S50*Underneath the check situations specified by Panasonic primarily based on CIPA customary. When the time to get within the sleep mode is about to 1 sec.
Steady recordable time (Movement image) (*¹)
MP4 [4K/60p]: Approx. 90 min (APS-C), MP4 [FHD/60p]: Approx. 130 min (FULL) *When utilizing S-R2060 / S-S50. When the battery is absolutely charged.
Precise recordable time (Movement image) (*¹)
MP4 [4K/60p]: Approx. 45 min (APS-C), MP4 [FHD/60p]: Approx. 65 min (FULL) *When utilizing S-R2060 / S-S50. When the battery is absolutely charged.
Battery grip
DMW-BGS5 (bought individually)
DIMENSIONS / WEIGHT
Dimensions (W x H x D)
Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Physique solely, excluding protrusions)Approx. 134.3 x 102.3 x 157.0 mm / 5.29 x 4.03 x 6.19 inch (with S-R2060, excluding protrusions)Approx. 134.3 x 102.3 x 151.8 mm / 5.29 x 4.03 x 5.98 inch (with S-S50, excluding protrusions)
Weight
Approx. 740g / 1.64 lb (Physique, Sizzling Shoe Cowl, Battery, SD Reminiscence Card x 1) (excluding physique cap)Approx. 657g / 1.45 lb (Physique, Sizzling Shoe Cowl) (excluding physique cap)
OPERATING ENVIRONMENT
Working temperature
0℃ to 40℃ (32℉ to 104℉)
Working humidity
STANDARD ACCESSORIES
Software program
Recording
LUMIX Tether･This software program is used to manage a Panasonic digital digital camera from a pc. It permits you to change varied settings of the digital camera, carry out distant recording, and save remotely recorded photographs to the PC. Examine the positioning beneath to obtain and set up the software program.http://panasonic.jp/assist/gl… (For Home windows / Mac)LUMIX Sync･This software program is used to manage a Panasonic digital digital camera from a smartphone. Examine the positioning beneath to obtain and set up the software program.https://panasonic.jp/assist/g… (For Android™ / iOS)
Playback / Enhancing
･The software program to course of RAW file on laptop isn’t bundled with this digital camera. To do that, SILKYPIX Developer Studio is obtainable for obtain at Ichikawa Comfortable Laboratory’s web site utilizing laptop linked to the Web. http://www.isl.co.jp/SILKYPIX/… (For Home windows / Mac)
Normal equipment
DC-S5M2 KitBody Cap, Sizzling Shoe Cowl, Cowl for the Battery Grip Connector, Shoulder Strap, Battery Pack, AC Adaptor, USB Connection Cable (A-C)DC-S5M2K Package / DC-S5M2C KitBody Cap, Sizzling Shoe Cowl, Cowl for the Battery Grip Connector, Shoulder Strap, Battery Pack, AC Adaptor, USB Connection Cable (A-C), Lens Cap, Lens Hood, Lens Rear CapDC-S5M2W KitBody Cap, Sizzling Shoe Cowl, Cowl for the Battery Grip Connector, Shoulder Strap, Battery Pack, AC Adaptor, USB Connection Cable (A-C), Lens Cap x 2, Lens Hood x 2, Lens Rear Cap x 2･The Working Directions for superior options is obtainable for downloaded at Panasonic LUMIX Buyer Help Website utilizing PC, smartphone or pill linked to the Web.
Observe
(*1) About movement image recording- Recording stops when the continual recording time exceeds half-hour in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Administration mode is about to Normal.- The playing cards that can be utilized for recording range relying on the movement footage bit price and format sort.Movement footage with 72Mbps or much less: SD reminiscence card with SD Velocity Class with Class 10 or Video Velocity Class 10 or higherMotion footage with 200Mbps or much less: SD reminiscence card with UHS-I / UHS-II UHS Velocity Class 3 (U3) or Video Velocity Class 30 or higher- A brand new file can be created to proceed recording if the continual recording time exceeds the next situations.Movement footage with lower than 72Mbps: 30 minutesMotion footage with 72Mbps or extra: 3 hours 4 minutes- A brand new file can be created to proceed recording if the file dimension exceeds the next situations.[MP4] in [FHD]: 4GB[MP4] in [4K]: 96GB[MOV]: 192GB(*2) Excessive-res audio is selectable solely when attaching Φ3.5mm microphone or DMW-XLR1 (bought individually).(*3) About AF- Automated Detection isn’t obtainable for Excessive Body Price video capturing above 60p (100p or 120p).- Monitoring and Automated Detection should not obtainable when utilizing HDMI cable or USB connection cable for Excessive Body Price video capturing (100p or 120p) above 60p.(*4) To output movement footage with 4K or greater, use a Premium Excessive Velocity HDMI cable (Sort A – Sort A plug).
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