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© García de Marina Spanish photographer García de Marina’s work blurs the road between the digicam and the topic. Marina’s photographic type is minimalist, and his topics are fascinating objects. His nice artwork begs the query, the place does the images finish and the topic itself start? Marina’s work has been celebrated by many, and he has been featured in exhibitions worldwide. He’s presently internet hosting a retrospective exhibition in his native Spain, the place he’s exhibiting 250 of his works. Alongside this exhibition, de Marina is the topic of a documentary, Crónicas de un Viaje. Properly-known photographers, together with well-known Nat Geo photographer Steve McCurry, have collaborated for the documentary. “Since 2011, I exploit objects as a method of expression. I’m excited about their symbolism, that random connection of parts {that a} priori lack of relation, condensation, or essentiality, in an effort to translate them into an emotional burden. My work revolves round instinct and concepts, surrealism, and the world of the unconscious and desires,” de Marina tells PetaPixel in an e-mail. © García de Marina
He provides that his work seeks to rework objects and provides them new identities. He goals to play with expectations and beliefs and problem what could appear at first look to be apparent. “The idea of my images is creativeness and to discover a level of union between objects which can be very completely different from one another,” de Marina defined to Phlearn in a 2018 interview. © García de Marina Though many wonderful photographers make photographs evocative of a time and place, de Marina’s paintings may be very a lot related to an object and the way the viewer interacts with not simply that object itself however the thought of the article. © García de Marina The minimalist method and the heavy use of unfavorable house inside de Marina’s prolific physique of labor depart vital room for the viewer to assign that means to every {photograph}. With a lot house for interpretation and interplay between the viewer and a picture, an individual’s cultural background and expertise can considerably have an effect on how they give thought to de Marina’s work. © García de Marina
His photographic methods are equally easy. He instructed Dodho that he makes use of pure mild via a window. In a presentation, “The Different Facet of Issues,” de Marina explains that he doesn’t carry out any digital manipulation on his photographs. As an alternative, he transforms actual objects and pictures them in several methods to ship his creative imaginative and prescient. His still-life pictures are concurrently primary and intensely excessive idea. His easy composition, easy backgrounds, and naturalistic method to lighting lend a sure depth to each picture. It may be tempting to confuse minimal with easy, however that will be doing an amazing disservice to the quantity of effort and thought required to cut back any object and picture of that object to its important elements. © García de Marina
Extra of García de Marina’s images is out there on his web site and Instagram. Picture credit: All photographs © García de Marina
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