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“Reminiscencia is just not a completed undertaking,” proclaims the artist who goes by the moniker Ezo Reiner. A fast look on the undertaking, and one tends to disbelieve that he started pictures a decade in the past, only for enjoyable. Surreal, hauntingly stunning, and even seductive, we have a look at how Renier got here up with the concept for this distinctive sequence.
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If I needed to recreate even one of many frames the enigmatic Reiner has created as a part of Reminiscencia, I’d in all probability be storyboarding each minute element of the scene. Not Reiner, although. His method to his undertaking is restricted solely by the boundaries of his creativeness, and he prefers to not pen down the manufacturing. That half alone provides an entire new degree of surrealism to the undertaking as an entire, other than the visible facet. One wonders what number of extra completely different scenes he can add to this sequence. Seeing as he’s been creating this for a decade now, I might assume he might maintain producing these mind-blowing stills indefinitely. We featured his ‘Phobias’ sequence a number of years in the past on our website.
The Important Picture Gear Utilized by Ezo Renier
Ezo instructed us:
At first, I used second-hand cameras, however fairly shortly switched to Canon M2, which I exploit to at the present time.
The Phoblographer: Please inform us about your self and the way you bought into pictures.
Ezo Renier: My actual title is Ilya. I’m a 30-year-old internet designer from Saint Petersburg, Russia. Ten years in the past, I made a decision to start out photographing with none sensible objective, only for enjoyable. It was the time of the explosion in reputation of idea pictures launched, I suppose, by way of Alex Stoddard’s Tumblr undertaking referred to as 365, which impressed many contemporaries I do know and after I checked out their work, I began to comprehend that I might make them significantly better, so I began filming alone.
The Phoblographer: What digicam gear do you employ on your photograph sequence?
Ezo Renier: I don’t assume that gear is vital now with trendy iPhones. I’ve just one digicam and one 50mm fundamental lens. Fairly shortly, I spotted that studio pictures didn’t enchantment to me, so I began capturing outdoor. However in nature, I solely want good solar, so I don’t really feel it essential to have a number of tools; simply good timing.
The Phoblographer: What’s the core concept behind Reminiscenia? What impressed the idea?
Ezo Renier: Reminiscenia is a imprecise reminiscence, an echo of one thing as soon as seen or heard. Folks have already drawn and filmed all the pieces they may, so I don’t conceal that my work is a fusion of concepts, an amalgam of daydreams, visualizations of music, interpretation of books. A sort of quintessence of all my sensory expertise
It’s positioned not as a photograph undertaking for the world however as a private visible diary. I didn’t instantly begin publishing my works, however as Man Ray as soon as stated, “Each artist wants a viewer”.
The Phoblographer: Every picture is distinct in its manufacturing with a number of intricate and considerably intoxicating particulars. How lengthy did the undertaking take to execute?
Ezo Renier: Reminiscenia is just not a completed undertaking; it took me ten years to create it, however it should be remembered that my capturing was not steady. In a single 12 months, I might shoot extra, in one other much less. Within the third 12 months, I didn’t take the digicam in my fingers in any respect. I believe that solely my loss of life will put the ultimate closure on it.
The Phoblographer: What feelings and emotions had been you going via whereas storyboarding these photos earlier than photographing them?
Ezo Renier: Throughout filming, I normally hearken to music to tune myself in a sort of decadent temper, the imprint of which, I believe, is clearly seen.
The Phoblographer: Have been there any photos whose finish outcome differed considerably from the unique thought, after you had put up processed them? Or did all of them stay true to their authentic ideas?
Ezo Renier: In contrast to many different conceptual photographers, I don’t use sketches. I desire to visualise a sensation in my head fairly than an idea for the reason that boundaries of creativeness within the head are usually not squeezed by the framework of the legal guidelines bodily world.
The Phoblographer: How did you steer clear of overlaying concepts between the assorted frames, and make very distinct photos have a typical theme?
Ezo Renier: The distinctiveness is as a result of generally, possibly there are years between pictures. I’ve many different tasks permitting consideration to be diverted, however Reminiscenia will all the time be my magnum opus.
The Phoblographer: Which of those was probably the most advanced to provide?
Ezo Renier: For one of many works, Luminescence, it was essential to combine candles into the fingers and pour wax on the mannequin’s torso. It took a number of time to make a hearth, soften the wax, cool it right down to a temperature acceptable for the physique, and pour over the mannequin. As well as, it was essential to flood lengthy candles for the fingers and ensure throughout the capturing that the wick on them continued to burn. I used to be fortunate to have buddies who supported my concepts and helped of their implementation.
The Phoblographer: Have been there any creative or cinematic inspirations that influenced Reminiscenia?
Ezo Renier: I actually love surrealist artists, reminiscent of Rene Magritte and Robert Gonsalves, and actually love cinema so a lot that I name myself a cinemaholic. If anybody is on the lookout for film inspiration, I can advise ‘The Fall‘ by Tarsem Singh or ‘The Cell‘ – each of them are actually a visible orgasm.
The Phoblographer: The outside forest places additionally tends so as to add to the beastly, animalistic really feel of lots of the photos. Have been different places thought of for this sequence?
Ezo Renier: No, the forest is our pure surroundings, and I intentionally place my fashions in it. In some unspecified time in the future, I can compromise and shoot in studios, in addition to in city areas, however I don’t really feel the soul wherever the place I don’t sense the sky above my head.
The Phoblographer: The hypnotic, seductive stares of the skills seen in these photos locks the viewer into the body. How did you go about deciding on individuals for this?
Ezo Renier: Virtually all of my early works had been filmed with the participation of my loopy buddies. Fashions began appearing a few years later after I turned recognizable on the community and will safely write to others. Till that second, they might hardly have subscribed to my concepts and didn’t really feel the necessity for it.
All photos by Ezo Renier. Used with permission. Please go to his Behance and Instagram pages to see extra of his work.
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