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Introduction
The Sony Alpha 1 II, or Sony A1 II for brief, is a model new flagship 35mm full-frame mirrorless digicam which boasts all of Sony’s newest cutting-edge nonetheless images and video applied sciences.
This digicam has a 35mm full-frame stacked Exmor RS CMOS sensor providing a decision of fifty.1 megapixels. The native sensitivity vary is ISO 100-32,000, which will be expanded all the way down to ISO 50 and as much as ISO 102,400.
For video, it affords 8K/30p 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling, as much as to 4K 120p 10-bit 4:2:2 (with a ten% crop), and Full HD at 240fps film capturing capabilities, and it will probably additionally output 16-bit Uncooked video over HDMI.
The A1 II has a blackout-free 240fps EVF with 9.44M dots, 4-axis LCD display, 8.5-stops of in-body picture stabilization (IBIS), mud and moisture resistance, and twin BIONZ XR processors which give the newest AI-based Actual-time Recognition AF system.
The AF system has 759 on-sensor section detection factors that covers roughly 92% of the picture space and may auto-focus all the way down to EV-4 in low gentle. The brand new A1 II now has a devoted AI chip that gives Topic Recognition AF modes for stills and flicks, together with a brand new Auto topic mode.
There are particular Pre-capture and Steady Taking pictures Pace Enhance modes, the latter permitting you to pick 30fps on the press of a button, in the event you’re not already capturing in it.
The brand new Composite Uncooked capturing mode takes as much as 32 photos to cut back noise by way of Sony’s Imaging Edge software program, with handheld capturing doable. It additionally provides a model new Noise Discount pixel shift mode which produces tremendous low-noise composite photos utilizing the identical course of.
Different key specs embody 30fps burst capturing, weather-sealing, digital shutter flash sync, a brand new 2.5Gbps wired LAN port, as much as 530 shot battery life, and twin reminiscence card slots.
It sits proper on the high of the Sony Alpha vary, above the 61 megapixel landscape-focused A7R V, 120fps sports-orientated A9 III and the 4K video-centric A7S III, with the cheaper A7 IV all-rounder and the super-compact A7C II positioned under these three fashions.
The Sony A1 II is priced at £6300 / €7500 / $6500 body-only within the UK, Europe and USA respectively.
It is appropriate with the VG-C5 vertical grip which is priced at £390 / $400 / €450.
Ease of Use
The brand new Sony A1 II is a 50 megapixel full-frame mirrorless digicam designed to be an all-rounder that excels at each stills and video. The brand new Mark II mannequin doesn’t exchange the unique one, which continues within the Alpha vary for the forseeable future.
It builds on the appreciable success of the Mark 1 model by adopting the physique, AI processor and various options from the current A9 III and marrying them to the 50 megapixel sensor and twin XR processors from the unique A1.
On the coronary heart of the A1 II is identical 35mm full-frame stacked Exmor RS CMOS sensor that was used within the unique A1, providing a decision of fifty.1 megapixels.
This stacked CMOS sensor with integral reminiscence delivers sooner efficiency and far sooner burst speeds than cameras with out, though it will probably’t match the worldwide shutter discovered within the Alpha 9 III.
In contrast to the A9III, the brand new A1II retains a conventional mechanical shutter in addition to an digital shutter.
The A9III has a local ISO vary of ISO 100-32,000, which will be expanded all the way down to ISO 50 and as much as ISO 102,400, similar to the Mark 1 model.
It does supply improved low-noise efficiency at mid to excessive ISO sensitivities with out sacrificing picture element.
It makes use of two of the very newest BIONZ XR processors, which supply 8x extra processing energy than the BIONZ X processor present in some older Alpha cameras.
Each the A1 and A1II have the identical AF system with 759 on-sensor section detection factors that covers roughly 92% of the picture space and may auto-focus all the way down to EV-4 in low gentle.
The most important distinction between the 2 fashions when it comes to their auto-focusing efficiency is topic recognition.
It is because Sony has added a devoted AI deep studying processing unit to the newer A1 II digicam which permits it to recognise extra topics than the Alpha 1, and in addition enormously improves the detection of people and animals/birds.
The A1 II can recognise a human through its pose in addition to its eye and face. So if the individual’s head is turned away from the digicam, it is going to nonetheless precisely detect the topic as human primarily based on its AI deep studying.
It may additionally recognise animals, birds, bugs, airplanes, and vehicles/trains. Within the latter class, it’s able to specializing in helmets, it will probably recognise the eyes of some grazing and small animals, and extra simply pinpoint the eyes of a wide range of hen sorts in addition to recognising hen our bodies.
The Animal/Chook setting on the A1 II eliminates the necessity to change between these settings to shoot animals or birds and you may select precisely which topics you wish to detect from the guidelines.
There’s additionally a really welcome model new Auto mode which is able to select probably the most applicable topic mode (though that is barely slower than selecting the particular mode your self).
You’ll be able to set the AF subject-tracking sensitivity stage, similar to on the A9 III sports activities digicam, to both Steady, Customary or Responsive, further Spot AF sizes can be found, and you may even create your personal customized focus areas.
The Auto Framing function borrowed from the A1 II robotically crops the body to maintain the topic in a distinguished place when capturing.
Publicity and color replica have additionally been improved due to an advanced AE algorithm, and the brand new AI processing unit has made auto white steadiness higher, particularly in shaded scenes.
The Sony A1 II has a particular multi-shot capturing mode through which it takes 16 totally different photos that may then be mixed utilizing the Imaging Edge Desktop software program to provide a single, 199-megapixel picture. Amazingly, you’ll be able to even use flash throughout this course of if required due to the brand new sensor’s quick readout pace.
The A1 II moreover helps the Composite Uncooked Taking pictures mode, which takes as much as 32 photos to create full-resolution photos with enormously lowered noise.
It additionally provides a model new Noise Discount pixel shift mode which produces tremendous low-noise composite photos utilizing the identical course of.
Handheld capturing is feasible in each of those modes, though you do have to run the photographs by way of Sony’s Imaging Edge desktop software program to course of them.
This digicam can shoot at as much as 30fps with the digital shutter for 165 JPEGs or 155 compressed RAW photos earlier than the recording charge slows down, though the highest pace is barely 10fps when utilizing the mechanical shutter.
Pre-capture is a brand new function on the A1 II that has made its manner from the A9 III sports activities digicam. When activated, as much as 30 frames per second are briefly saved whereas the shutter button is half-pressed, and as much as 1 second earlier than will be captured as soon as the shutter is absolutely pressed, offering a level of leniency for fast-moving motion.
The Steady Pace Taking pictures Enhance is one other new perform which supplies a straightforward option to rapidly interact one of many numerous burst modes (30/20/15/10/5fps) on the press of a button.
The A1II a really quick most shutter pace of 1/32000th second due to its digital shutter (1/8000th with the mechanical shutter) and a flash sync pace of 1/four-hundredth sec when utilizing the mechanical shutter and 1/2 hundredth for the digital shutter.
It affords 8K/30p 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling, as much as to 4K 120p 10-bit 4:2:2 (with a ten% crop), and Full HD at 240fps film capturing capabilities, and so they also can output 16-bit Uncooked video over HDMI.
It moreover has an upgraded S-Log3 profile with improved element replica and simpler color matching and it now helps LUT import (16 max).
The brand new Dynamic Lively mode will increase stabilization by 20% in comparison with the conventional Lively mode for hand-held film capturing and there is additionally a model new Framing Stabilizer mode.
On the A1 II you’ll be able to create nonetheless photos from film playback utilizing shot marks and in addition pause a film throughout playback to create a nonetheless.
Sony have additionally added a devoted microphone on the rear of this digicam for extra clearly recording voice memos.
The A1 II’s physique and management format is sort of equivalent to the not too long ago launched A9 III, fairly than to the unique Alpha 1.
So in the event you have been hoping for a Nikon Z9-esque, integrated-grip design on this new Alpha digicam, then you definitely’ll be disenchanted, as a substitute having to make do with shopping for the non-obligatory VG-C5 vertical grip accent which provides duplicate controls together with the brand new C5 button and two NP-FZ100 batteries.
Sony have considerably tweaked the design of the A1 II’s hand-grip, which is bigger than its predecessors and maybe extra importantly spaced additional away from the lens mount, which permits for extra room on your fingers to twist across the grip with out touching the connected lens.
Different refined adjustments to the A1 II embody shifting the shutter button barely ahead to raised match the push path of its launch, and a brand new customized button (C5) on the entrance of the digicam which by default is assigned to the brand new Steady Pace Taking pictures Enhance perform.
This perform supplies a straightforward option to interact the quickest 30fps burst mod on the press of a button, in the event you’re not already capturing at 30fps.
So Sony have recognised the truth that 30fps is definitely too quick for almost all of conditions and give you a manner of utilizing it solely in the meanwhile that it is most wanted.
The one disadvantage from an operational viewpoint is that it is advisable to maintain the button down while you are capturing, which is just a little awkward in apply – however then you definitely solely have to do it for a split-second.
The A1II can shoot at as much as 30fps with the digital shutter for 165 JPEGs or 155 compressed RAW photos earlier than the recording charge slows down, though the highest pace is barely 10fps when utilizing the mechanical shutter.
Commendably, the 30fps burst mode is not depending on utilizing a selected speed-rated reminiscence card. You’ll be able to choose it when utilizing any CFexpress Kind A or SD card, with the sort/pace of card affecting how rapidly the buffer is cleared fairly than limiting the body charge.
The A1 II is barely bigger however considerably lighter than its predecessor, measuring 136.1 x 96.9 x 82.9mm and weighing 617g / 1.36lb, versus 128.9 x 96.9 x 80.8mm and 737g / 1.62lb for the Mark I.
The A1 II advantages from having a brand new 2.5Gbps wired LAN port, which is way sooner than the 1000BASE-T port on the Alpha 1.
One other new {hardware} function is the power to deactivate the drive mode dial and assign it to the Perform menu or a customized button, helpful at the hours of darkness or if the digicam is being protected not directly from the weather.
Pre-capture is a brand new function on the A1 II that has made its manner from the A9 III sports activities digicam. When activated, as much as 30 frames per second are briefly saved whereas the shutter button is half-pressed, and as much as 1 second earlier than will be captured as soon as the shutter is absolutely pressed, offering a level of leniency for fast-moving motion.
Different {hardware} enhancements on the Mark II A1 have largely been imported from different Alpha fashions, however aren’t any much less noteworthy.
These embody the three.2-inch, 2095K dot decision, 4-axis LCD display from the A7R V and which is exclusive to Sony, which will be flipped out to the aspect, rotated to the entrance, folded in opposition to the again of the digicam to assist defend it, and set to many different positions in-between.
It makes the digicam ever-so-slightly thicker than its predecessor, however greater than makes up for that with its unbelievable versatility. The A1 has a 3-inch, 1,440K-dot decision LCD display which will be tilted as much as 41° downwards to shoot over crowds or as much as 107° upwards, however not forwards or out to the aspect.
By way of touch-screen performance, the brand new Alpha A1 II fortunately follows within the footsteps of the A7R V, inheriting the identical menu construction and upgraded contact management, fairly than the crippled touchscreen and extra advanced menu system of earlier Alpha fashions.
It additionally has the identical very spectacular 9.44M-dot OLED Quad-XGA digital viewfinder with 0.90x magnification, once more taken from the A7R V, though this one now has a refresh charge of as much as 240fps within the new Increased mode, fairly than 120fps, though the decision is lowered at 240fps.
Observe that the 120fps Excessive body charge is now appropriate with the prime quality show setting, whereas the unique mannequin solely affords 60fps at full decision and 240fps at a decrease decision.
Because of a newly redesigned stabilisation unit beforehand debuted on the A7R V, the A1 II now affords as much as 8.5 stops of in-body stabilisation (7 stops on the edges), up from 5.5 stops on the A1, presently making it probably the most succesful Alpha digicam on this regard.
The A1 II additionally advantages from having a particular Lively Mode that will increase stabilization for hand-held film capturing by utilizing the BIONZ XR processors.
Offering much more compensation on the expense of an elevated crop issue is the Dynamic Lively Mode, which improves the stabilisation by greater than 30% over the prevailing Lively Mode.
As you’d count on from a contemporary skilled digicam, the A1II has twin reminiscence card slots.
Each of the slots can be utilized for both SD UHS-I/II compliant reminiscence playing cards or sooner CFexpress Kind A playing cards, similar to the Alpha 1 and A7R V, though these Kind A playing cards are nonetheless prohibitively costly.
The A1II makes use of precisely the identical giant capability NP-FZ100 battery as the unique A1.
It is able to recording round 530 photographs per cost when utilizing the LCD monitor and 400 photographs when utilizing the EVF.
It can be powered and charged through a USB connection, which is helpful in the event you’re out and about and have a appropriate powerbank to plug the digicam into, and makes use of the newer USB-C variant.
Picture High quality
The entire pattern photos on this evaluate have been taken utilizing the 50 megapixel Further Effective JPEG setting, which supplies a mean picture dimension of round 30Mb.The Sony A1 II produced photos of excellent high quality through the evaluate interval.The Alpha 1 II has an in depth and really usable expanded ISO vary of 50-102400. When capturing JPEG, ISO 50-00 is just about noise-free, whereas ISO 12800 and 25600 produce greater than acceptable outcomes, and even ISO 51200 and 102400 are OK for emergency use.The lengthy publicity {photograph} was wonderful, with the utmost shutter pace of 30 seconds and the Bulb mode providing a number of scope for artistic evening images.The efficient Dynamic Vary Optimizer perform extracts extra element from the shadow and spotlight areas in a picture, with out introducing any undesirable noise or different artifacts.The assorted Image Profiles rapidly produce particular seems to be on your JPEG recordsdata that might in any other case require you to spend so much of time within the digital darkroom, whereas the Artistic Appears present a fast and straightforward option to tweak the digicam’s JPEG and Uncooked picture output.
NoiseThere are 12 ISO settings accessible on the Sony A1. Listed here are some 100% crops which present the noise ranges for every ISO setting for the JPEG format.
File QualityThe Sony A1 has 4 totally different JPEG picture high quality settings accessible, with Further Effective being the very best high quality choice. Listed here are some 100% crops which present the standard of the assorted choices, with the file dimension proven in brackets.Further Effective (23.2Mb)Effective (11Mb) Customary (6.8Mb)Gentle (4.13Mb)
Pixel Shift Multi ShootIn the Pixel Shift Multi Taking pictures mode, the Sony A1 shoots both 4 or 16 uncompressed RAW photos while shifting the picture sensor both one pixel or a 1/4 of a pixel at a time. You’ll be able to then generate photos with the next decision than is feasible with common capturing by combining the RAW photos on a pc utilizing the Imaging Edge (Distant/Viewer/Edit) software.
Dynamic Vary OptimizerD-Vary Optimiser (DRO) is Sony’s answer to enhance shadow element in photographs taken in contrasty gentle. There are 5 totally different ranges and an Auto choice.
Artistic LooksThere are 10 Artistic Look preset results that you need to use to alter the look of your photos. They are often utilized to each JPEGs and Uncooked recordsdata.
Image ProfilesThe Sony A1 affords a variety of 11 artistic Image Profiles, which might solely be chosen when JPEG is ready because the picture high quality choice.
Pattern Pictures
This can be a collection of pattern photos from the Sony A1 II digicam, which have been all taken utilizing the 50 megapixel JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any manner.
Pattern RAW Pictures
The Sony A1 II permits customers to seize RAW and JPEG format recordsdata. We have supplied some Sony RAW (ARW) samples so that you can obtain (thumbnail photos proven under will not be 100% consultant).
Pattern Films & Video
This can be a pattern 8K film on the high quality setting of 7680×4320 pixels at 25 frames per second.
This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 100 frames per second.
This can be a pattern 1080p film on the high quality setting of 1920×1080 pixels at 100 frames per second.
This can be a pattern 4x slow-motion S&Q film on the high quality setting of 1920×1080 pixels at 100 frames per second.
This can be a pattern 8K film on the high quality setting of 7680×4320 pixels at 25 frames per second.
This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 100 frames per second.
This can be a pattern 1080p film on the high quality setting of 1920×1080 pixels at 100 frames per second.
Product Pictures
Conclusion
Once we reviewed the unique Alpha 1 in early 2021, it was merely one of the best all-round, do-it-all skilled digicam in the marketplace, albeit additionally one of the costly.Quick ahead to late 2024, and the brand new Mark II model continues to be a compelling proposition, however it’s now not the clear chief that it as soon as was.That is partly as a result of it is a fairly modest improve of the unique mannequin when it comes to new options, and partly as a result of the competitors has caught up with Sony.So whereas the A1 II continues to be one of the best digicam that Sony presently affords, rival cameras just like the Nikon Z8 and Canon EOS R5 Mark II are equally specced options for much less cash (far much less within the case of the Z8).Topic Recognition AF is by far and away probably the most tempting new function for house owners of the unique A1 mannequin, together with the a lot improved IBIS and new modes like pre-capture and the brand new multi-shot capturing modes.The transfer to the A9 III chassis affords a extra versatile display and refined management format, however it could effectively delay long-time customers of the A1, fairly than entice them to improve.In any other case, the important thing core specs of fifty megapixels, 8K video and 30fps burst capturing stay intact, an attractive mix certainly.If you would like much more decision, the 61 megapixel A7RV is the one to go for, much more pace then the 120fps A9 III, higher video in low-light then the A7S III, or a less expensive all-rounder, the A7 IV, however the brand new A1 II continues to be the last word all-rounder in Sony’s lineup.In contrast to its common predcessor, although, it is now not the last word all-rounder within the wider digicam market, particularly once you issue within the £6300 / €7500 / $6500 price-tag. Should you’re not already invested in a specific system, the Nikon and Canon options are just too good and too keenly priced to disregard,
Scores (out of 5)
Design
4.5
Options
5
Ease-of-use
5
Picture high quality
5
Worth for cash
3.5
Foremost Rivals
Listed under are a few of the rivals of the Sony A1 II.
The EOS R5 Mark II is the eagerly awaited successor to Canon’s hottest full-frame digicam, the R5, which was launched manner again in 2020. Nonetheless providing 45 megapixel decision and 8K video, the R5 II ups the ante by enormously enhancing the auto-focus system, burst capturing speeds, picture stabilisation and video recording efficiency. Take a look at our Canon R5 Mark II evaluate thus far, full with full-size pattern JPEG and RAW photographs!
Because the non secular successor to the favored D850 DSLR, the brand new Z8 full-frame mirrorless digicam might grow to be one of the essential merchandise that Nikon have ever launched. Learn our in-depth Nikon Z8 evaluate, full with full-size pattern photographs and movies, to search out out extra about this mirrorless marvel…
The Nikon Z9 is an expert stage, full-frame mirrorless digicam for photographers and videographers that incorporates a 45 megapixel stacked BSI sensor, 8K/30p and 4K/120p video recording, 30fps burst capturing and a dual-grip design. Learn our in-depth Nikon Z9 evaluate full with full-size pattern photographs and movies to search out out simply what this flagship digicam is able to…
The Sony Alpha 1 digicam, or Sony A1 for brief, is one of the best digicam that Sony have ever launched, and presently one of the best all-round digicam in the marketplace. It is also one of the costly, so learn our in-depth Sony A1 evaluate full with full-size pattern JPEG and Uncooked photographs and flicks to search out out if it is really the One for you…
The Sony A7R V full-frame digicam is a hybrid powerhouse that in some methods outperforms even the flagship Alpha 1 mannequin. Can this thrilling digicam actually meet the wants of every kind of photographers? Learn our in-depth Sony A7R V evaluate to search out out…
“The facility of 1 body” – that is the ethos of the brand new Sony A9 III, the primary ever full-frame mirrorless digicam to function a world shutter. Why does that really matter? This technological leap forwards permits the A9III to shoot at as much as 1/80000th shutter pace with no distortion, supplies flash-sync at any shutter pace, and affords a 120fps blackout-free burst mode at full 24 megapixel decision. Learn our early evaluate of the revolutionary Sony A9 III to search out out extra, full with pattern photographs.
Evaluation Roundup
Opinions of the Sony A1 II from across the net.
The Sony A1 II is altogether a reasonably predictable sequel, largely sourcing elements and options that we have now already seen in Sony’s different our bodies. Nonetheless, it does preserve Sony’s flagship recent and up-to-date, because it was susceptible to slipping in opposition to elevated competitors. It’s additionally a testomony to how cutting-edge the unique Sony A1 was that it solely wants minor enhancements to stick with the pack. Picture high quality stays distinctive, alongside Sony’s finest ever in physique picture stabilization.
Learn the total evaluate »
The Sony a1 II builds on the unique with improved ergonomics, smarter autofocus, and pre-capture, however it faces stiff competitors from cameras that price far much less.
Learn the total evaluate »
The picture business tries to let you know that cameras like this are so revolutionary as a result of they autofocus effectively on birds and wildlife. That’s fantastic — however what concerning the photographers who truly make a dwelling utilizing their cameras? Effectively, the Sony a1 II is definitely worth the improve in the event you {photograph} folks and occasions. It, by far, does one of the best job at autofocusing on folks of shade in low gentle within the realm of Sony cameras.
Learn the total evaluate »
Specs
GeneralCAMERA TYPEInterchangeable lens digital cameraCamera SectionSENSOR TYPE35mm full body (35.9 x 24.0 mm), Exmor RS CMOS sensorNUMBER OF PIXELS (TOTAL)Approx. 50.5 megapixelsNUMBER OF PIXELS (EFFECTIVE)Nonetheless photos: Approx. 50.1 megapixels max.,Films: Approx. 42.0 megapixels max.COLOR TEMPERATURE RANGE2500 Ok – 9900 KRecording (nonetheless photos)RECORDING FORMATJPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)IMAGE SIZE (PIXELS) [3:2]35mm full body L: 8640 x 5760 (50 M), M: 5616 x 3744 (21 M), S: 4320 x 2880 (12 M)Recording (film)VIDEO COMPRESSIONXAVC S: MPEG-4 AVC/H.264,XAVC HS: MPEG-H HEVC/H.265AUDIO RECORDING FORMATLPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)Recording System (film)MOVIE RECORDING FORMAT (XAVC HS 8K)7680 x 4320 (4:2:0, 10bit) (Approx.): 29.97p (400 Mbps / 200 Mbps), 25p (400 Mbps / 200 Mbps), 23.98p (400 Mbps / 200 Mbps), 7680 x 4320 (4:2:2, 10bit) (Approx.): 29.94p (520 Mbps / 260 Mbps), 25p (520 Mbps / 260 Mbps), 23.98p (520 Mbps / 260 Mbps)MOVIE RECORDING FORMAT (XAVC HS 4K)3840 x 2160 (4:2:0, 10bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:2, 10bit) (approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps / 100 Mbps), 50p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps)MOVIE RECORDING FORMAT (XAVC S 4K)3840 x 2160 (4:2:0, 8bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps), 50p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 25p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps), 50p (200 Mbps), 29.97p (140 Mbps), 25p (140 Mbps), 23.98p (100 Mbps)MOVIE RECORDING FORMAT (XAVC S HD)1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps), 100p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 50p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 25p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (approx.): 59.94p (50 Mbps), 50p (50 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.98p (50 Mbps)MOVIE RECORDING FORMAT (XAVC S-I 4K)3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 50p (500 Mbps), 29.97p (300 Mbps), 25p (250 Mbps), 23.98p (240 Mbps)MOVIE RECORDING FORMAT (XAVC S-I HD)1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 50p (185 Mbps), 29.97p (111 Mbps), 25p (93 Mbps), 23.98p (89 Mbps)Film FunctionsSLOW & QUICK MOTION (SHOOTING FRAME RATE)YesPROXY RECORDINGYesTC / UBYesRAW OUTPUTYes (HDMI)Recording SystemMEMORY CARD SLOTSLOT1: Multi slot for SD (UHS-I/II compliant) reminiscence card / CFexpress Kind A card, SLOT2: Multi slot for SD (UHS-I/II compliant) reminiscence card / CFexpress Kind A cardFocus SystemFOCUS TYPEFast Hybrid AF (phase-detection AF / contrast-detection AF)FOCUS POINTStill photos: Max. 759 factors (phase-detection AF), Films: Max. 627 factors (phase-detection AF)FOCUS SENSITIVITY RANGEEV-4 to EV20 (ISO100 equal with F2.0 lens connected in AF-S)RECOGNITION TARGET (STILL IMAGES)Auto, Human, Animal, Chook, Insect, Automotive, Prepare, AirplaneRECOGNITION TARGET (MOVIES)Auto, Human, Animal, Chook, Insect, Automotive, Prepare, AirplaneOTHER FEATURESAF Stage for Crossing (Nonetheless), AF Monitor for Pace Change (Nonetheless), AF Subj. Shift Sensitivity (Film), AF Transition Pace (Film), Change V/H AF Space, AF Space Regist., Circ. of Focus Level, Focus Map (Film), AF Help (Film)AF ILLUMINATORYes (with Constructed-in LED sort)Publicity ControlMETERING TYPE1200-zone evaluative meteringMETERING SENSITIVITYEV-3 to EV20 (ISO100 equal with F2.0 lens connected)EXPOSURE COMPENSATION+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)ISO SENSITIVITYStill photos: ISO 100 – 32000 (expandable to ISO 50 – 102400), AUTO (ISO 100 – 12800, selectable decrease restrict and higher restrict), Films: ISO 100 – 32000 equal, AUTO (ISO 100 – 12800, selectable decrease restrict and higher restrict)ANTI-FLICKER SHOOT.YesViewfinderTYPE1.6 cm (0.64 sort) digital viewfinder (Quad-XGA OLED)NUMBER OF DOTS9 437 184 dotsMAGNIFICATIONApprox. 0.90x (with 50 mm lens at infinity, -1 m-1)DIOPTRE-4.0 to +3.0 m-1EYE POINTApprox. 25 mm from the eyepiece lens, 21 mm from the eyepiece body at -1 m-1 (CIPA commonplace)FINDER FRAME RATE SELECTIONNTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fpsLCD ScreenMONITOR TYPE8.0 cm (3.2-type) sort TFTTOUCH PANELYesNUMBER OF DOTS2 095 104 dotsADJUSTABLE ANGLEOpening Angles (approx.): Up 98 °, down 40 °, aspect 180 °, rotation 270 °Different FeaturesOTHER FEATURESSoft Pores and skin Impact, Artistic Look, Customized perform, Image Profile, Time-lapse, Auto Framing, Pre-Seize, Steady Taking pictures Pace Enhance, NR Taking pictures, Framing StabilizerCLEAR IMAGE ZOOM (STILL IMAGES)Approx. 2xCLEAR IMAGE ZOOM (MOVIES)Approx. 1.5x (4K), Approx. 2x (HD)ShutterSHUTTER TYPEAuto / Mechanical shutter / Digital shutterSHUTTER SPEEDStill photos (Digital shutter): 1/32000 to 30 s, Nonetheless photos (Mechanical shutter): 1/8000 to 30 s, Bulb, Films: 1/8000 to 1 sFLASH SYNC. SPEED1/400 s (35mm full body), 1/500 s (APS-C)ELECTRONIC FRONT CURTAIN SHUTTERYesImage StabilizationTYPEImage sensor-shift mechanism with 5-axis compensation (compensation will depend on lens specs)COMPENSATION EFFECTCenter 8.5 stops and Periphery 7.0 stops (primarily based on CIPA2024 commonplace. Pitch/Yaw/Roll compensation. With FE 50mm F1.2 GM lens mounted. Lengthy publicity NR off.)MODEStill photos: On / Off, Film: Dynamic lively / Lively / Customary / OffFlashTYPE-CONTROLPre-flash TTLFLASH COMPENSATION+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)EXTERNAL FLASH COMPATIBILITYSony α System Flash appropriate with Multi Interface Shoe, connect the shoe adaptor for flash appropriate with Auto-lock accent shoeDriveCONTINUOUS DRIVE SPEED (APPROX. MAX.)AUTO/Digital shutter: Hello+: 30 fps , Mechanical shutter: Hello+: 10 fpsNO. OF FRAME RECORDABLE (APPROX.)JPEG Further advantageous L: 190 frames , JPEG Effective L: 400 frames , JPEG Further advantageous L: 400 frames , RAW: 240 frames , RAW & JPEG: 200 frames , RAW (Uncompressed): 84 frames , RAW (Uncompressed) & JPEG: 80 frames , RAW (Lossless Compressed): 100 frames , RAW (Lossless Compressed) & JPEG: 86 framesPIXEL SHIFT MULTI SHOOTINGYes (4 photographs / 16 photographs)PlaybackMODESEnlarged show mode, Defend, Score, Shot Mark (Film), Divider Body, Crop, Picture CaptureAccessibilityFUNCTIONSScreen Reader, Focus Magnifier, Focus Map (Film), Peaking Show, Topic Recognition in AF, Contact Focus, Contact Monitoring, Contact Shutter, Contact AE, Multi-angle LCD display, Customized perform, Enlarge Menu ScreenInterfacePC INTERFACEMass-storage / MTPMULTI / MICRO USB TERMINALYesUSB TYPE-C TERMINALYes (SuperSpeed USB 10 Gbps (USB 3.2) appropriate)NFC-SYNC TERMINALYesWIRELESS LAN（BUILT-IN）Sure (Wi-Fi Suitable, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))BLUETOOTHYes (Bluetooth Customary Ver. 5.0 (2.4 GHz band))HDMI OUTPUTHDMI connector (Kind-A), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 7680 x 4320 (29.97p / 25p / 23.98p), YCbCr 4:2:0 8bit / RGB 8Bit, 4332×2446 (59.94p / 50p / 29.97p / 25p / 23.98p), Uncooked 16bitMULTI INTERFACE SHOEYes (with Digital Audio Interface)MIC TERMINALYes (3.5 mm Stereo minijack)HEADPHONE TERMINALYes (3.5 mm Stereo minijack)REMOTE CONTROL (WIRELESS)Sure (Bluetooth distant management)LAN TERMINALYes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)FUNCTIONSFTP Switch Func. (Wired LAN, USB Tethering, Wi-Fi), Ship to smartphone, Distant management through smartphone, PC RemoteUSB StreamingVIDEO DATA FORMATMJPEG, YUV420VIDEO RESOLUTION3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)AUDIO DATA FORMATLPCM 2ch (16bit 48 kHz)Community streamingVIDEO DATA FORMATMPEG-4 AVC/H.264, MPEG-H HEVC/H.265VIDEO RESOLUTION3840 x 2160 (30p), 3840 x 2160 (25p), 2560 x 1440 (30p), 2560 x 1440 (25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p / 60p), 1280 x 720 (25p / 50p)AUDIO DATA FORMATAAC-LC 2ch (16bit 48 kHz)PROTOCOLRTMP, RTMPS, SRTAudioMICROPHONEBuilt-in: stereo, Constructed-in: voice memoSPEAKERBuilt-in: monauralLens CompensationSETTINGShading, Chromatic Aberration, Distortion, Respiration (Film)PowerSUPPLIED BATTERYOne rechargeable battery pack NP-FZ100BATTERY LIFE (STILL IMAGES)Approx. 420 photographs (Viewfinder) / Approx. 520 photographs (LCD monitor) (CIPA commonplace)BATTERY LIFE (MOVIE, ACTUAL RECORDING)Approx. 85 min (Viewfinder) / Approx. 90 min (LCD monitor) (CIPA commonplace)BATTERY LIFE (MOVIE, CONTINUOUS RECORDING)Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA commonplace)INTERNAL BATTERY CHARGEYes (Obtainable with USB Kind-C Terminal. USB Energy Supply help)USB POWER SUPPLYYes (Obtainable with USB Kind-C Terminal. USB Energy Supply help)POWER CONSUMPTION WITH VIEWFINDERStill photos: Approx. 4.7 W (with FE 28-70mm F3.5-5.6 OSS lens connected), Films: Approx. 7.0 W (with FE 28-70mm F3.5-5.6 OSS lens connected)POWER CONSUMPTION WITH LCD SCREENStill photos: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens connected), Films: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens connected)Measurement & WeightWEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)Approx. 743 g / Approx. 1 lb 10.3 ozBODY ONLYApprox. 658 g / Approx. 1 lb 7.3 ozDIMENSIONS (W X H X D)Approx. 136.1 x 96.9 x 82.9 mm, Approx. 136.1 x 96.9 x 72.8 mm (from grip to observe) / Approx. 5 3/8 x 3 7/8 x 3 3/8 inches, Approx. 5 3/8 x 3 7/8 x 2 7/8 inches (from grip to observe)Working temparatureOPERATING TEMPERATURE0 – 40 ℃ / 32 – 104 °FSupplied AccesoryWHAT’S IN THE BOXRechargeable Battery NP-FZ100, Battery Charger BC-ZD1, Cable Protector, Shoulder strap, Physique cap, Accent shoe cap, Eyepiece cup (FDA-EP19), Eyepiece cup (FDA-EP21)
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