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The Sony 16-35 mm f/2.8 is my favourite lens for the Sony E mount. Honestly, it comes on all my journeys and is the one lens I take if I can solely carry one. I’ve used this lens to {photograph} every thing from mountain climbing to weddings and it fits my inventive fashion very properly. The focal size vary may be very versatile. The lens captures massive open landscapes at 16mm and intimate moments at 35mm. I completely love the pliability of the zoom vary whereas additionally getting a comparatively quick aperture of f/2.8. Extremely Advisable Sony 16-35mm f/2.8 Tremendous sharp, sturdy and with a flexible focal vary, this lens simply earns its place in your package. Test Present Value If you need a really high-quality wide-angle lens for Sony that is my high advice. I’ve owned the Sony 16-35mm f/2.8 for over 4 years now and am on my second copy after dropping the primary one. Oops! It’s a fairly sturdy lens and I’ve taken it up mountains and over cliffs, however I suppose it’s not “drop within the parking zone” proof! Let’s dive into the construct of this lens. Sony 16-35mm f/2.8 Specs Professionals Very sharp Light-weight for the focal vary Rugged and sturdy Versatile focal vary Cons Costly No Picture Stabilization Sony E-Mount/Full Body Lens Aperture Vary: f/2.8 – f/22 Minimal Focus Distance: 11.02″ / 28 cm Weight: 1.5 lb / 680 g Size: 4.8″ / 121 mm Diameter: 3.5″ / 88 mm Filter dimension: 82mm Construct & Ergonomics Sony A7 III with the Sony 16-35 f/2.8 Being a G-Grasp lens, the Sony 16-35mm f/2.8 is Sony’s premium high quality wide-angle zoom. G-Grasp lenses are lenses with the “Gold Grasp” designation. They’re designed to focus shortly in retaining tempo with Sony’s spectacular quick focus know-how. Naturally, being a wide-angle zoom lens means it’s on the bigger facet, however this lens nonetheless feels balanced on the digital camera. On the whole, I like my gear to be light-weight and never cumbersome, which is among the massive causes I’m a Sony shooter. The zoom ring and focus ring have good rubber grips. And the lens has a weather-sealed rear mount permitting for worry-free capturing within the components. I like to have the ability to take my gear in every single place and never be hesitant to make use of it, so sturdiness is an enormous plus. The lens has an auto/handbook focus change which is good for video shooters. And it has a spotlight maintain button which I believe is good when programmed for eye AF. This lens doesn’t have picture stabilization however I’m happy with that. The dearth of optical stabilization hasn’t been an issue for me for the reason that in-body stabilization is getting so good. Lenses and the cameras they sit on work collectively as a staff – and the Sony 16-35mm f/2.8 is an efficient teammate to have. The lens nonetheless affords commonplace entrance thread-on filters, in contrast to another tremendous large zoom lenses. This is a bonus to me since there are undoubtedly instances that I’m utilizing filters and threading them on is handy. The Sony 16-35mm f/2.8 lens does prolong as you zoom out however solely a minor quantity. This enables the lens to be just a little extra compact when zoomed in to 35mm. General, the construct and ergonomics of this lens are very passable for the dimensions required of a wide-angle zoom. As I discussed, I take this lens in every single place and belief it to do the heavy lifting. However, once more, don’t drop it within the parking zone! Focus Efficiency Sony A7 III + Sony 16-35 f/2.8 | 1/250 f9 ISO 100 Subsequent up is focus efficiency, which on this lens is superb. The Sony 16-35mm f/2.8 lens performs properly each in low gentle and when monitoring quick motion. Win-win. The AF is silent and really fast. That’s an enormous bonus after I’m attempting to seize a transferring goal in my adventures on the paths or on a marriage day. General, I’ve by no means had any points in capturing every thing from mountain biking to weddings. This lens simply works in terms of focusing, which is one thing I actually recognize. Not solely does it pair properly with my inventive fashion however it doesn’t let me down on sport day. Picture High quality Sony A7 III + Sony 16-35 f/2.8 | 1/2000 f4 ISO 160 With regards to picture high quality, the Sony 16-35mm f/2.8 lens actually shines. It affords improbable sharpness all through the zoom and aperture vary. Bokeh is one thing you received’t get until you give attention to a really shut topic. However that’s the character of a wide-angle lens. Carry this lens together with the Sony 88mm f/1.8 to cowl these situations while you need bokeh or compression. Like all wide-angle lenses, this lens does have some distortion however it’s simply correctable in lightroom or photoshop making this a non-issue. Chromatic aberration is properly managed and there are actually no issues with picture high quality. This GM lens lives as much as its designation. The flare with this lens is minimal and solely seen when deliberately pointing it straight towards the solar. Some folks might benefit from the flare however for probably the most half, it stays invisible. General, that is the perfect 16-35mm lens I’ve owned and as my favourite focal size for over a decade, that’s saying one thing! Sony 16-35mm f/2.8 Pattern Pictures Listed here are some pattern pictures which had been taken with the Sony 16-35mm f/2.8, utilizing a Sony a7 III (reviewed right here). A7 III + 16-35mm f/2.8 | 1/4000 f/2.8 ISO 800 A7 III + 16-35mm f/2.8 | 1/1000 f/2.8 ISO 400 A7 III + 16-35mm f/2.8 | 1/500 f/2.8 ISO 500 A7 III + 16-35mm f/2.8 | 1/1000 f/4 ISO 100 A7 III + 16-35mm f/2.8 | 1/250 f/5.6 ISO 100 A7 III + 16-35mm f/2.8 | 1/4000 f/4 ISO 100 A7 III + 16-35mm f/2.8 | 1/1000 f/8 ISO 100 Options to Sony 16-35mm f/2.8 With regards to wide-angle zoom lenses, not many alternate options can be found. Nonetheless, I’ll speak by means of a couple of that will help you together with your resolution. Sony makes a 12-24mm f/2.8 however it is a little too large for my choice. Sigma additionally affords a 14-24mm f/2.8 however once more, too large for me. Tamron affords a 17-28mm which is getting nearer however I’ve by no means preferred the reversed zoom/focus rings. Nonetheless, this lens is nice worth in the event you’re on a finances. You would have a look at getting two prime lenses within the focal vary. Possibly you have a look at getting a 20mm and a 35mm. You would lose the flexibility of the zoom. Or relying in your capturing fashion and the conditions you’re in, possibly you solely want the 35mm. When you’re not frightened about low gentle efficiency, the Sony 16-35mm f/4 PZ was simply launched and will get good critiques. The Sony 14mm f/1.8 is a superb ultra-wide angle lens that I reviewed beforehand for Shotkit, however being a set ultra-wide focal size, it’s of restricted use. And lastly, the Sony 16-35mm f/4 ZA is an previous however nonetheless stable lens. It’s also very reasonably priced however sacrifices some sharpness and low gentle efficiency. As with all digital camera gear, it’s about deciding the worth in your particular wants. Since that is one in every of my most used lenses, I’m not prepared to make compromises. However let’s dive into worth that will help you determine if it’s value it for you. Worth for Cash Sony A7 III + Sony 16-35 f/2.8 | 1/2000 f4 ISO 100 Let’s be actual, at round US$2,200, the Sony 16-35mm f/2.8 is kind of costly. What number of shoots do you must do in your particular style simply to pay for this lens? Keep in mind, you don’t have a enterprise in the event you don’t have revenue. As virtually at all times, you do get what you pay for and this lens may be very top quality. As we mentioned above there are usually not a variety of alternate options that don’t make sacrifices in a technique or one other. You’ll should determine what sacrifices you might be or aren’t prepared to make. As a facet observe, usually lenses will drop in worth over time. However the Sony 16-35mm f/2.8 GM lens has stayed the identical worth. Sony is aware of they’ve the market cornered on this lens and it’s holding worth. On the one hand, an excellent high quality lens will maintain its worth. It could be a excessive price of entry however you may at all times promote and get better most of your price in the event you determine you don’t prefer it, use it sufficient, or must money out for some purpose. If you need the perfect in high quality/efficiency for this focal size, the Sony 16-35mm f/2.8 is it. It’s not an affordable lens so that you’re not getting a discount. However you might be getting an excellent lens. Sony 16-35mm f/2.8 Lens Assessment | Conclusion Sony A7 III with the Sony 16-35 f/2.8 Despite the fact that it’s my most costly lens, I’ll be retaining this one round. It’s one in every of my most used items of drugs and is value its weight and price ticket. The Sony 16-35mm f/2.8 comes out with me on virtually each photoshoot and has carried out exceptionally in a wide range of situations. I’d estimate that no less than half my portfolio of pictures and the vast majority of my favourite private pictures had been taken with this lens. I proceed to take pleasure in utilizing this lens and extremely advocate you test it out in the event you’re on the lookout for a sturdy, versatile, high-performance lens. Extremely Advisable Sony 16-35mm f/2.8 Tremendous sharp, sturdy and with a flexible focal vary, this lens simply earns its place in your package. Test Present Value Sources
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