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Nier: Automata Ver1.1a, the anime adaptation of the 2017 motion role-playing sport Nier: Automata, is on indefinite hiatus as of Jan. 21 because of manufacturing issues attributed to COVID-19. When you’re having bother ready for the following episode on this reprise of the epic post-apocalyptic story about blindfolded android troopers wearing gothic lolita high fashion, to not fear: Nier: Automata’s director Yoko Taro went and made you a puppet present to tide you over within the meantime.
Primarily based on “Antinomy,” which is the ending credit track of Nier: Automata Ver1.1a written and carried out by the Japanese rock band Amazarashi, the 15-minute “non-credits” music video depicts a puppet present reenacting the story of Nier: Automata.
Nevertheless, that is no “Life in Technicolor ii.” Informed from the attitude of the sport’s antagonists: “machine lifeforms” resembling rudimentary wind-up toys, the play depicts the machines as analogous to baby troopers, positioned in a violent wrestle past their understanding by their mysterious creators “Father” and “Mom,” two unique characters created and written by Yoko Taro particularly for the music video.
Ultimately, the machines are urged to maintain combating whereas averting their eyes from the horrors of the warfare itself, donning blindfolds much like these worn by 2B and 9S, the protagonists of Nier: Automata. This sample continues, because the machines are pressured to relinquish their potential to listen to, to talk, and even really feel as they’re — as 2B places it in her opening monologue in the beginning of Nier: Automata — perpetually trapped in a endless spiral of life and dying.
Picture: Amazarashi
Ultimately, the machines activate their creators, killing them in a flurry of gunfire earlier than breaking the fourth wall to disclose that not solely is that this not the primary time that this has occurred, however the machines have been recreating their creators lots of of instances so as to take revenge on behalf of their previous abuse and neglect. The scene then pulls out to disclose a room of useless, blindfolded our bodies and toppled folding chairs located within the depths of an industrial landfill.
It’s a captivating (and fairly disturbing) music video, particularly for these already conversant in the lore of Nier: Automata’s universe. Produced and written by Yoko Taro, the video is the second time Taro has collaborated with Amazarashi, having beforehand launched the 2017 music video “Deserving of Life” in celebration of Nier: Automata’s launch.
In an article printed final Friday on the Japanese web site Sport Watch, Taro shares that the motif of the music video’s script is impressed by the works of Kenji Miyazawa, the well-known Japanese creator recognized for such novels as “Night time on the Galactic Railroad” and “Gauche the Cellist,” and that the characters of “Father” and “Mom” are supposed as analogs for “unscrupulous capitalists.”
“I feel “Antinomy” is a track of hope,” Taro says within the article. “It’s a narrative that continues. It depicts a type of sense of loss in a world with out mother and father. The theme of this puppet present is the way to cope with that feeling of insecurity, and from there it results in Mr. Akita’s gentle of hope. We aimed for content material that will solely come true when the music continued after the puppet present.”
Nier: Automata Ver1.1a is offered to stream on Crunchyroll.
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