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The RED KOMODO 6K signaled an enormous change coming to the corporate’s digital cinema lineup. Now, with the discharge of the V-RAPTOR 8K VV, we’re attending to see what meaning with the DSMC3 system. The cameras have similarities for positive, however they’ve a ton of variations – and the most important might be the vastly totally different value factors.
For shooters questioning how they stack up in opposition to each other, this comparability of the KOMODO and V-RAPTOR from filmmaker Kevin Reyes needs to be an enormous assist because it covers important gadgets like dynamic vary, autofocus, and low-light efficiency.
At first look, the V-RAPTOR simply appears to be like like a scaled-up KOMODO. And that may be the very best description you may give it. The exams needs to be fascinating and here’s what is going on within the video:
Startup and Black Shade time
Colours and Pores and skin Tones
Dynamic Vary
Low Gentle
Autofocus
Startup and Black Shade Time
Startup time was basically the identical between the 2 cameras. It’s potential the V-RAPTOR simply barely beat the KOMODO by a second, however it received’t make any sensible distinction.
Now, the place you will notice a time distinction is within the black shade calibration. The KOMODO does it in about half the time because the V-RAPTOR. This truly is sensible contemplating the V-RAPTOR has a a lot bigger sensor.
Picture Credit score: RED
Digital camera and Lighting Setup
For the remaining exams, each cameras have been arrange side-by-side with the identical lenses. They have been additionally set to their max recording modes. The KOMODO being set to 6K 17:9 and the V-RAPTOR going to 8K 17:9. Each have been recording in R3D at MQ with matched publicity and white steadiness.
The lenses in play are the Canon EF 35mm f/1.4L and the EF 70-200mm f/2.8L. No filters or something wanted.
Lighting is being dealt with by an Aputure LS 600D Professional as the important thing by way of a sheet of diffusion whereas a Nanlite Forza 500 works as an ambient/backlight. there’s additionally one other 600D for extra ambient mild.
Colours and Pores and skin Tones
Maybe unsurprisingly, the KOMODO and V-RAPTOR have very comparable colours. Each look good straight out of digital camera. There’s a observe about how a lot larger the VistaVision sensor is and the way that impacts framing.
One factor that did present with a tighter body is that the KOMODO may be extra saturated by default. The footage and colours do match extraordinarily nicely although and a coloration card confirms it.
Picture Credit score: RED
Dynamic Vary
This was one other powerful comparability. The cameras appear to deal with over and underexposure very nicely. Even overexposed 4 stops Reyes was in a position to pull out many of the particulars with maybe just a little little bit of a pink tint within the shadows. He does name out that the V-RAPTOR may be a contact higher than the KOMODO at retaining highlights.
For underexposure, each cameras seem to tackle a inexperienced tint as you go decrease and decrease. Additionally it is right here the place we get a transparent winner with the V-RAPTOR. The KOMODO turns into a multitude once you get right down to -6 stops, however the V-RAPTOR truly has a workable picture there. Neither is nice and also you shouldn’t ever be on this state of affairs, however it does present the benefit of the V-RAPTOR.
Low Gentle
Going with ISO 800 on each cameras and a darkish, extra contrasty scene, you may see how the cameras deal with low-light capturing. Each truly do very nicely. The V-RAPTOR has a bonus with its bigger sensor and better decision, displaying a clip with much less noticeable noise. The KOMODO truly has a inexperienced tint within the shadows.
With the V-RAPTOR set to Tremendous 35 mode you may see that the cameras get a bit nearer. It does exhibit how the 6K S35 setting on the V-RAPTOR is superb.
Autofocus
AF is a brand new characteristic for RED cameras and nonetheless a piece in progress it appears. Each the KOMODO and V-RAPTOR have inconsistencies with autofocus efficiency. It’s just a little jumpy and never fairly locking on to shifting topics. It is a nicely lit room too, which needs to be finest case situation.
Transferring to low-light issues get a bit worse. There was much more searching. The KOMODO specifically was unhealthy with the V-RAPTOR being a tad higher, however nonetheless not good or reliable. These exams have been performed with a number of lenses too. Early days nonetheless for AF.
It actually sounds just like the V-RAPTOR is a scaled-up KOMODO, which is nice! Each cameras carry out very nicely in all of the exams.
[source: Kevin Reyes]
Order Hyperlinks:
RED KOMODO 6K Cinema Digital camera (B&H)
RED V-RAPTOR 8K VV Cinema Digital camera (B&H)
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