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within the above video, I paired the Panasonic LUMIX S5 II digital camera with the Tokina 25-75mm T2.9 Cinema zoom lens. Tokina was form sufficient to lend us the lens in order that we are able to evaluation it along with the brand new LUMIX digital camera and my goal was to movie a mini-documentary to see how effectively (or not) they work within the area.No matter conclusion I’m going to give you, there isn’t a substitute for watching the outcomes and judging the footage for your self. However first, let me thank Dr. Ludovic Ferrière, who’s a geologist and curator of the meteorite and the impactites collections on the Pure Historical past Museum in Vienna, for letting me spend a day along with him.Tokina 25-75mm T2.9 lens on the Panasonic LUMIX S5 II. Credit score: CineDSo, the LUMIX S5II brought about a little bit of a stir in our trade – and for an excellent motive – as it’s Panasonic’s first part detection autofocus digital camera. Briefly, Panasonic now has a digital camera system with extraordinarily succesful autofocus performance and you may study extra about it by trying out our LUMIX S5 II evaluation right here. There’s already A LOT of data on the brand new Panasonic S5 II on the market, however I used to be curious to try to do one thing a bit extra artistic with the digital camera than simply taking part in round with the autofocus system. So far as I’m involved, this digital camera may be restricted in specs, however actually not in what one can obtain with it.Within the above brief movie, that you simply simply watched, I paired the digital camera with the Tokina 25-75mm T2.9 Cinema zoom lens. Though this Tremendous 35 lens is comparatively new, it already has fairly a couple of opponents.Tokina 25-75mm T2.9 lens. Credit score: CineDIn saying that, subsequent to its optical traits, the primary benefits of this lens are its mechanical constructed high quality and 36mm picture circle that covers each, Tremendous 35 subsequent to chose bigger picture sensors. And that is the place the Tokina lens and LUMIX S5 II each work effectively collectively. Let me clarify additional on how and why. Utilizing the Sigma MC-21 EF to L-Mount lens adapter to attach the lens to the digital camera. Credit score: CineDSo first issues first: the Tokina 25 to 75mm Cinema Lens exists in quite a lot of 5 mounts. PL, Sony E, Micro 4 Thirds, Nikon F, and Canon EF. The mount is interchangeable however it’s a must to ship it for servicing so as to take action. For this evaluation, I used the EF model and related it to the digital camera with the Sigma MC-21 EF to L-Mount lens adapter. Now, for the digital camera, I selected to movie on its most sturdy compression settings, which means, utilizing 4:2:2, 10-bit, and LongGOP. These settings could be utilized within the most decision of C4K.CineD Lens Protection Instrument for serving to with what to anticipate. LUMIX S5 II and Tokina 25-75mm inside.The Tokina is a Tremendous 35 lens, however bear in mind, it may possibly cowl some chosen bigger sensors, too. This is without doubt one of the the reason why I selected to movie with the LUMIX S5 II in full-frame mode. The digital camera can accommodate this lens when utilizing C4K decision in an effort to obtain good picture aesthetics. By the way in which, I discover the APS-C mode on this digital camera a bit too comfortable (which is comprehensible).Making an attempt to keep away from some lens vignetting with 2.39:1 framing. Credit score: CineDSo virtually talking, what did I do in an effort to keep away from some lens vignetting? On the digital camera itself, I set the framing guides on a 2.39:1 side ratio which alone helps with ignoring doable vignetting. Subsequent, all I needed to do is “zoom in” a bit to round 26mm, and voila. Now I might safely use the lens on the LUMIX S5II full-frame digital camera with out fearing any vignetting points.Punch give attention to handbook lenses whereas recording is feasible. Credit score: CineDThis cine lens is all handbook, so you’ll be able to think about how simple it was for me to depend on the digital camera’s potential to enlarge focusing by “punching in”, even when recording, to guarantee focusing. I additionally advise turning the “peaking operate” on for even simpler focus changes. Let me elaborate on the Tokina lens a bit extra:It’s constructed like a tank and weighs virtually 2 kilos. The main focus rotation is 300 levels. A bit an excessive amount of for a single operator particularly if you’re not utilizing a follow-focus unit.Gears are all trade commonplace with 0.8 MOD.Focus respiratory is extraordinarily effectively managed.The aperture is a continuing T2.9. It’s not an especially quick lens, but, with trendy cameras, it would work together effectively in lowlight conditions.Tokina 25-75mm T2.9 lens. Filter diameter: 86mm. Credit score: CineDThe entrance filter diameter thread is 86mm and in an effort to save on weight and area, I used the Velium MarGota variable ND filter as an alternative of a matte field. (Filter evaluation, right here)And like many different lenses in its class, it has a Parfocal Design to zoom in for straightforward focusing and out in your desired frameThe minimal focus distance is 74 centimeters. Not nice, however could be expectedChromatic aberration is certainly visibleChromatic aberration. Credit score: CineDLet me conclude the primary impression I had with this lens by saying the next:I’ve 2 points with this Tokina lens: the primary is its general sharpness, particularly when being vast open. Personally, I feel that the pictures are slightly comfortable when filming on T2.9.25mm T2.9 (left) vs. 25mm T4.0 (proper). Credit score: CineDI can positively advocate closing the aperture ring and making an attempt to work with T4 settings in an effort to overcome the dearth of sharpness. The second is the absence of a metric lens model. I imply, you will get one, however this may be carried out by submitting a selected request to your supplier. So out of the field, the lens will include an imperial distance studying scale, making it troublesome to work with in some international locations.Out of the field, imperial distance studying scale. Credit score: CineDOn a constructive be aware, I like the flexibleness this lens affords by way of focal size and the opportunity of utilizing it on some full-frame cameras. It’s actually helpful to have the ability to use a Tremendous 35 lens on bigger sensor cameras. The bokeh could be very nice and on high of that, it has a particular aesthetic picture high quality to it, as a result of the lens will not be that sharp, a minimum of in my view.Final however not least, the lens mount could be swapped DIY, however Tokina recommends a lens service facility to carry out the swap to allow them to correctly shim/collimate the lens so the focal marks are correct.Relating to pricing, it would set you again $4,999. Now, relying in your filming wants and price range, this lens can actually enchantment to small manufacturing homes and impartial filmmakers, too.And regarding the LUMIX S5 II, Panasonic did a exceptional job with this entry-level digital camera. We aren’t but testing it, so if you’re , keep tuned for added sensible opinions. What do you consider Tokina Cinema Zoom Lenses? Have you ever had the possibility to work with any of them? And regarding the Panasonic S5 II, is the digital camera now in your buying radar? Please share with us your ideas within the remark part under.
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